Retro Television Review: Decoy 1.12 “Queen of Diamonds”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

Casey goes undercover at nightclub.

Episode 1.12 “Queen of Diamonds”

(Dir by Teddy Sills, originally aired on December 30th, 1957)

Casey is working undercover, pretending to be a photographer named Judy.  She’s been working at a run-down nightclub for two months, trying to find evidence that the club’s owner, Frank (James Mitchell), was responsible for a payroll theft.  Frank has an alibi but Casey is able to get her man when she convinces Frank’s second-in-command, Chi Chi (Al Lewis), to turn on him.  Chi Chi is in love with Frank’s girlfriend, Georgia (Kay Medford).

This was not a bad episode.  Casey got to wear a pretty dress and Beverly Garland got to show off her acting skills as she flirted with Frank and worked to turn Chi Chi against him.  Interestingly enough, this episode ended on something of a melancholy note.  Casey managed to send Frank to jail and Chi Chi and Georgia left for France together but the night club closed and blind pianist Alex (Richard Ward), the only truly decent person in this episode, ended up out of a job.  In the end, Casey looked almost as if she was about to cry.  It’s not easy, working undercover.

Horror on TV: The Night Strangler (dir by Dan Curtis)


For tonight’s horror on television, we have 1973’s The Night Strangler.

This is the sequel to The Night Stalker and it features journalist Carl Kolchak (Darren McGavin) in Seattle.  (After all the stuff that happened during the previous movie, Kolchak was kicked out of Las Vegas.)  When Kolchak investigates yet another series of murders, he discovers that paranormal murders don’t just occur in Las Vegas and aren’t just committed by vampires.

I actually prefer this movie to The Night Stalker.  The Night Strangler features a truly creepy villain, as well as a trip down to an “underground city.”  It’s full of ominous atmosphere and, as always, Darren McGavin is a lot of fun to watch in the role in Kolchak.

Enjoy!

Horror on the Lens: The Night Strangler (dir by Dan Curtis)


For today’s horror on the lens, we have 1973’s The Night Strangler.

This is the sequel to The Night Stalker and it features journalist Carl Kolchak (Darren McGavin) in Seattle.  (After all the stuff that happened during the previous movie, Kolchak was kicked out of Las Vegas.)  When Kolchak investigates yet another series of murders, he discovers that paranormal murders don’t just occur in Las Vegas and aren’t just committed by vampires.

I actually prefer this movie to The Night Stalker.  The Night Strangler features a truly creepy villain, as well as a trip down to an “underground city.”  It’s full of ominous atmosphere and, as always, Darren McGavin is a lot of fun to watch in the role in Kolchak.

Enjoy!

14 Days of Paranoia #1: Fast Money (dir by Alex Wright)


First released in 1996, Fast Money opens with Francesca March (Yancy Butler) stealing a car.

This is what Francesca does for a living.  She steals cars and she’s good at it.  She’s the type of who can look in any trashcan and find something that she can use to pick a lock.  She’s master at hot-wiring a car.  I personally have no idea how to hot-wire a car but, judging from the movies that I’ve seen, it appears to be the easiest thing in the world to do.  Francesca doesn’t just steal cars for the money.  She sincerely enjoys doing it, to the extent that it’s a compulsion for her.  If she sees a car, she has to steal it.

This has not made her popular with the LAPD.  In fact, an entire taskforce has been set up to stop her.  Realizing that she has to get out of town, she rushes to the airport.  It’s there that she runs into Jack Martin (Matt McCoy), a nerdy journalist who is working on a story that could take down a powerful U.S. Senator.  Jack is looking to catch a flight to Reno.  For reasons that aren’t particularly clear, Francesca rushes up to Jack and pretends to be his wife and the recently widowed Jack goes along with it.

Further complicating matters is that Francesca impulsively decides to seal one last car and the one that she picks just happens to have 3 million dollars in mob money and a bunch of counterfeit printing plates in the trunk.  The evil Sir Stewart (Jacob Witkin) wants his money back and he sends Regy (Trevor Goddard) and corrupt detective Lt. Diego (John Ashton) to track down Francesca and Jack.

Soon, Francesca and Jack are desperately trying reach the Mexican border while dodging corrupt cops, FBI agents, and mobsters.  It leads to a lot of car chases, explosions, helicopters, and shoot-outs.  (The otherwise meek Jack turns out to be a surprising good shot.  Neither he nor Francesca freaks out after he shoots multiple people, which is the sort of thing that I would probably freak out about.)  Francesca and Jack also find themselves falling in love but wondering just how much they can trust each other.  Stolen money does that to people.

Fast Money is a cheerfully dumb but entertainingly fast-paced movie, one in which the chase never stops long enough for the viewer to have too much time to try to figure out why the ultracool Francesa would be willing risk her freedom for a relationship with someone as whiny as Jack.  Yancy Butler plays Francesca as being so confident and so fearless that it’s hard not to admire her but there’s also no way that she seems like she would ever have much use for someone as meek and repressed as Jack, regardless of how deadly his aim might be.  One gets the feeling that the only thing keeping this couple together is the adrenaline rush of being hunted.  If Jack and Francesca do make it to safety, their relationship will probably be over by the end of the week.

Though Fast Money is ultimately a fun but somewhat generic direct-to-video action film, I appreciated the film’s vision of a world where everyone from the mob to the police to the FBI were basically working together to track down one career criminal and one innocent man.  When even the usually likable John Ashton is trying to murder you in a cheap motel, you know you have reached the other side of the looking glass.  Jack learns what Francesca has always understood, which is that one should be suspicious of authority.  Though it may not have been the film’s intent, Fast Money‘s ultimate message becomes, “Trust no one but yourself.”

Horror on the Lens: The Night Strangler (dir by Dan Curtis)


For today’s horror on the lens, we have 1973’s The Night Strangler.

This is the sequel to The Night Stalker and it features journalist Carl Kolchak (Darren McGavin) in Seattle.  (After all the stuff that happened during the previous movie, Kolchak was kicked out of Las Vegas.)  When Kolchak investigates yet another series of murders, he discovers that paranormal murders don’t just occur in Las Vegas and aren’t just committed by vampires.

I actually prefer this movie to The Night Stalker.  The Night Strangler features a truly creepy villain, as well as a trip down to an “underground city.”  It’s full of ominous atmosphere and, as always, Darren McGavin is a lot of fun to watch in the role in Kolchak.

Enjoy!

Night Gallery 1.4 “Make Me Laugh/Clean Kills And Other Trophies”


The fourth episode of Night Gallery originally aired on January 6th, 1971.  It was the first episode of the new year and it continued to open with Rod Serling walking through a most curious museum, inviting us to take a look at the macabre paintings on display and consider the stories behind them.

This episode featured two stories.

Make Me Laugh (dir. by Steven Spielberg, written by Rod Serling)

Jackie Slater (Godfrey Cambridge) is a comedian who can’t make anyone laugh.  He’s just been fired from his latest job and even his loyal agent (Tom Bosley) is suggesting that it might be time to throw in the proverbial towel.  While Jackie drowns his sorrows at a bar, he’s approached by a man named Catterje (Jackie Vernon).  Chatterje explains that he can cast miracles but, because he’s not very good at his job, the miracles often have unintended consequences.  “I don’t care!”  Jackie says, “I’ll take the risk!”  Jackie wants people to laugh at him.  Jackie gets his wish but it turns out that he should have listened to Chatterje’s warning.

This segment was directed by Steven Spielberg, back when he was just starting his career and he was largely working in television.  Spielberg also directed Eyes, which was a highlight of the Night Gallery pilot.  Unfortunately, his direction of Make Me Laugh is a bit less successful than his work on Eyes.  Spielberg’s direction features none of the inspired touches that made Eyes so successful.  Part of the problem may be that this story takes place in the word of comedy and comedy has never been a topic for which Spielberg has shown much affinity.

Make Me Laugh does feature a good lead performance from Godfrey Cambridge.  Otherwise, this segment is largely forgettable.

Cleans Kills And Other Trophies (dir by Walter Doniger, written by Rod Serling)

Raymond Massey plays Col. Archie Dittman, a wealthy racist who is obsessed with hunting and killing.  He even has a study full of the mounted heads of all of the animals that he’s killed.  Archie’s son, Archie, Jr. (Barry Brown), has just graduated from college and has no interest in hunting.  Col. Dittman demands that his son go on a hunt or risk being disinherited.  What the colonel fails to take into consideration is that both his bloodlust and his racism has offended his butler (Herbert Jefferson, Jr.) and that his butler has a magic-related revenge in mind.

Clean Kills and Other Trophies is hardly subtle but it does create and maintain a properly ominous atmopshere.  Raymond Massey gives a wonderfully villainous performance and it’s hard not to be amused by the fact that his son is wearing a peace signal prominently on his lapel, as if the segment’s director took one look at it and said, “What’s one thing that we can do to make the themes of this segment even more heavy-handed?”  The segment ends on a note that is so entertainingly over-the-top that it’s hard not to love it.

This episode was uneven.  Make Me Laugh does’t quite work but Cleans Kills and other Trophies is good enough to make up for the disappointing segment that precedes it.

Previous Night Gallery Reviews:

  1. The Pilot
  2. The Dead Man/The Housekeeper
  3. Room With A View/The Little Black Bag/The Nature of the Enemy
  4. The House/Certain Shadows on the Wall

Horror on the Lens: The Night Strangler (dir by Dan Curtis)


For today’s horror on the lens, we have 1973’s The Night Strangler.

This is the sequel to The Night Stalker and it features journalist Carl Kolchak (Darren McGavin) in Seattle.  (After all the stuff that happened during the previous movie, Kolchak was kicked out of Las Vegas.)  When Kolchak investigates yet another series of murders, he discovers that paranormal murders don’t just occur in Las Vegas and aren’t just committed by vampires.

I actually prefer this movie to The Night Stalker.  The Night Strangler features a truly creepy villain, as well as a trip down to an “underground city.”  It’s full of ominous atmosphere and, as always, Darren McGavin is a lot of fun to watch in the role in Kolchak.

Enjoy!

Shattered Politics #46: Used Cars (dir by Robert Zemeckis)


Used_Cars_film_poster

“Do you think we like being associated with the President of the United States?  I mean, we run an honest business here!” —

Jeff (Gerrit Graham) in Used Cars (1980)

As a film lover, I’ve sat through so many disappointing commentary tracks that, when I come across one that’s actually fun and informative, it causes me to like the film even more.  One of the best commentary tracks that I’ve ever heard was the one that Robert Zemeckis, Bob Gale, and Kurt Russell recorded for the DVD release of the 1980 comedy Used Cars.

The film — which was an early credit for both director Zemeckis and screenwriter Gale — tells the story of two rival used car lots.  The bad guy car lot is owned by Roy L. Fuchs (Jack Warden).  The good guy car lot is owned by Roy’s brother, Luke Fuchs (also played by Jack Warden).  The top salesman at the good guy car lot is Rudy Russo (Kurt Russell).  The film shows what happens when Luke dies and Rudy tries to prevent Roy from taking over the lot.

The commentary track is distinguished by just how much Zemeckis, Gale, and Russell seem to truly enjoy watching and talking about the film.  Kurt Russell, in particular, has an incredibly engaging laugh and his sense of fun is contagious.  However, for me, the most interesting part of the commentary track came when Bob Gale explicitly compared Rudy Russo and Luke’s daughter (played by Deborah Harmon) to Bill and Hillary Clinton and then even starts to do a surprisingly good imitation of Bill’s hoarse Arkansas accent.

What made it interesting was that the comparison was absolutely correct.

Politicians are salesmen.  Much as politicians will say anything to get your vote, the salesmen in Used Cars will say and do anything to get your money.  Politicians sell promises that are too good to be true.  Rudy Russo and Roy L. Fuchs do the same thing, claiming that their used cars are just as good and safe as a car that’s never been owned before.

In fact, one of the major plotlines in Used Cars is that Rudy is plotting to make the move from selling cars to buying votes.  There’s a vacancy in the state senate and Rudy is planning on running for the seat.  All he has to do is come up with the $10,000 necessary to buy the nomination from the local political machine. (I imagine it would be more expensive to buy a nomination today.)  Luke agrees to loan Rudy the money but, before he can, Luke goes on a test drive with a former race car driver.

The driver works for Luke’s evil brother, Roy.  Roy knows that Luke has a heart condition and he specifically sends over that driver to give Luke a fatal heart attack.  Just as Rudy is trying to sell a car to a costumer who is skeptical about whether or not he should pay an extra fifty dollar for something he doesn’t want (“$50.00 never killed anyone!” the customer insists), Luke staggers into the office and dies.

(The shocked customer agrees to pay the extra fifty dollars.  Ever the salesman, Luke grabs the fifty before he dies.)

With Luke dead and his estranged daughter nowhere to be seen, Roy is next-in-line to take over Luke’s car lot.  So, Rudy hides the body and tells everyone that Luke is down in Florida.  Both he and his fellow salesman, the hilariously superstitious Jeff (Gerrit Graham), conspire to make as much money as possible before anyone discovers the truth.

How do they do it?  Illegally, of course!

First off, they break into the broadcast of a football game and do an ad.  Then, they use strippers to attract customers.  And finally, Rudy comes up with his master plan, interrupting a televised address from the President of the United States.

“You can’t fuck with the President!” Jeff says.

“Hey, he fucks with us…” Rudy responds.

Seriously, I love Rudy.

In fact, I really liked Used Cars.  It’s a good combination of broad humor and clever satire and both Kurt Russell and Gerrit Graham give such likable performances that you can ignore the fact that they’re both playing total jerks.  (In fact, I would argue that one reason that we love Rudy is because he’s so honest about being so crooked.)  Not every scene worked perfectly.  The scene where Rudy and Jeff interrupt that football game goes on forever and, after a spokesmodel’s dress is ripped off, becomes so uncomfortable to watch that it actually takes the film a while to recover.  But then, after that, you get the interruption of the President’s speech.  You get Jeff freaking out over whether or not red cars or unlucky.  You get some fun driving school humor.  And, of course, you get a cute dog that can do tricks and helps to sell cars.  The film recovers and, ultimately, Used Cars is a celebration of small businesses everywhere.

And you know what?

I really hope Rudy did make it into the state senate.

We need more Rudy Russos in government.

And we really need more commentary tracks featuring Kurt Russell!