Review: Extraction 2 (dir. by Sam Hargrave)


“I will not stop.” — Tyler Rake

Extraction 2 drops you right into the thick of things, cranking the intensity way past the first film. To quickly recap, the original Extraction introduced Tyler Rake, a gritty mercenary with a troubled past played with undeniable grit by Chris Harmsworth. The story was simple but effective—a high-stakes rescue of a kidnapped boy in Dhaka, Bangladesh, filled with edge-of-your-seat action and those now-iconic, almost balletic long-take fight sequences. It was raw, realistic, and emotionally grounded. Harmsworth’s portrayal anchored the chaos in human vulnerability, helping the film stand out from the typical action fare.

Now, the sequel’s aim is clear—it wants to go bigger, bloodier, and more relentless, and it pulls that off in many ways. The standout here is definitely the action choreography. Sam Hargrave, the director, really flexes his muscle with several jaw-dropping sequences, especially a breathtaking 21-minute continuous take that makes you feel like you’re running alongside Rake, dodging bullets and throwing punches in real time. It’s an impressive technical feat but, more importantly, it’s incredibly immersive. The fights have that gritty realism where each blow counts, and the camera work lets you see every tense moment clearly instead of hiding behind shaky cuts.

Chris Hemsworth, once again, owns the role. This time around, you can see a bit more of the toll the mercenary life has taken on Rake. Hemsworth brings a subtle layer of weariness mixed with fierce determination. His physicality is on full display—he’s convincing in those brutal hand-to-hand combats without ever feeling like a stuntman stand-in. He does it all, and it’s clear he’s not just punching air; this is a man fighting for something beyond just survival. The emotional beats land a bit more naturally this time around, helped by Hemsworth’s grounded performance, which balances the nonstop action with moments of quiet reflection.

Visually, the film is a significant step up. The settings shift from humid, congested streets to icy, oppressive Georgia, and the cinematography makes the most of this change. The chilly, bleak palette fits perfectly with the film’s mood—harsh, unforgiving, and tense. The camera work is bold yet measured; it takes its time to show us the fights fully, letting the choreography breathe without rushing or confusing the viewer. This clarity turns the action scenes into mini-masterpieces, where every movement, every shot, and every punch feels deliberate and impactful.

That said, not everything clicks perfectly. The plot plays it safe with familiar revenge and rescue-mission beats, and the supporting characters don’t get much development beyond their utility to the story. Golshifteh Farahani steals a few scenes as Nik, adding fresh energy and complexity as a tough and capable ally, but others around her mainly exist to get the body count up. There’s a formulaic feel to the storyline—with plenty of high-stakes tension but little in the way of surprise. If you go in looking for deep storytelling or rich character arcs, you might be left wanting.

The film truly embraces the “bigger is better” mantra, and in many ways, it pays off spectacularly with larger, more intricate action sequences and expanded scale. This escalation brings a fuller, more thrilling spectacle that keeps you hooked from start to finish. However, this increase in scope leads to a trade-off: the narrative feels more convoluted and sometimes weighed down by its own ambition. The plot introduces multiple new characters and intersecting agendas, which lengthens the storyline unnecessarily and complicates what could have been a more straightforward mission. This convolution makes the story not only more formulaic but also harder to follow, detracting from the lean storytelling charm that made the first movie so effective.

Tone-wise, the movie trades some of the first film’s grounded grit for a flashier, more stylized look and feel. Some sequences stretch believability—Rake’s near-indestructibility and certain stunt setups can pull you out of the moment. Still, if you’re willing to accept that and enjoy the ride, the movie delivers on adrenaline and spectacle in full force.

One of the most refreshing things about Extraction 2 is how well it balances raw, physical combat with moments of emotional depth. Between the intense fight scenes, there are small windows into who Tyler Rake is and what drives him. These touches give the film a heartbeat beneath all the explosions and punches. Rake is no cookie-cutter action hero; he’s a broken man clawing his way toward redemption, and that gives the film a surprising amount of emotional weight for a movie mainly about violence and chaos.

Ultimately, Extraction 2 isn’t reinventing the wheel, but it doesn’t need to. It knows its audience and delivers exactly what it promises: high-octane, impeccably executed action sequences tied together by a thread of humanity. Hemsworth’s portrayal elevates it beyond just a flashy romp, lending it a gritty soul. The villains feel suitably menacing, and the stakes are convincingly high, which keeps the tension ticking throughout.

If you loved the first Extraction for its mix of brutal realism and emotional punch, the sequel will feel familiar but amplified—more intense, more expansive, and a bit louder. If you’re new to the series, Extraction 2 still stands solid on its own as a showcase of what well-choreographed action cinema looks like today—raw, precise, and emotionally resonant with just enough story to keep you invested without dragging you down.

In short, Extraction 2 is a wild, thrilling ride with a surprisingly human heart beating beneath all the chaos. It’s a film that knows how to entertain, showcasing Chris Harmsworth at his physical and emotional best and proving that action movies can still push creative boundaries while keeping viewers hooked. The movie brings bigger and bolder set pieces that truly live up to the “bigger is better” slogan, but this comes at the cost of making the plot more convoluted and overly complicated than it needed to be. While the intricate story layers may strain some viewers, the explosive action and solid performances make it a must-watch for any fan of visceral, edge-of-your-seat thrillers. If you want a no-nonsense blockbuster with a pulse, Extraction 2 delivers in spades.

Review: Extraction (dir. by Sam Hargrave)


“Move fast. Stay low.” — Tyler Rake

Extraction (2020) is an action film directed by Sam Hargrave and written by Joe Russo, centering on a high-stakes rescue mission led by Chris Hemsworth’s character, Tyler Rake. The story comes from the graphic novel Ciudad, following Rake, a hardened mercenary tasked with rescuing Ovi Mahajan—the kidnapped teenage son of a Mumbai drug lord—from a rival gang in Dhaka, Bangladesh.

The biggest highlight of the film is undoubtedly the action. Sam Hargrave’s background as a stuntman and stunt coordinator heavily shapes the film’s visceral, grounded fight scenes and chase sequences. Before directing Extraction, Hargrave worked extensively in Hollywood, doubling for Chris Evans as Captain America in several Marvel movies like Winter Soldier and Endgame, and choreographing stunts for The AvengersPirates of the Caribbean, and The Hunger Games. This experience shows in the film’s impressive physicality and well-structured action set pieces.

One of the film’s standout moments is a roughly 15-minute continuous shot that follows Rake through escalating fights, car chases, and shoots without cuts, putting the audience right in the middle of the chaos. Cinematographer Newton Thomas Sigel maintains great clarity during this complex sequence, making it easy to follow the action without losing tension or momentum.

Chris Hemsworth’s Tyler Rake is a mix of toughness and quiet emotion. While Rake is the typical stoic, skilled mercenary with a haunting past, Hemsworth brings enough charisma and subtlety to keep him interesting. Rudhraksh Jaiswal’s Ovi balances vulnerability and resilience, and their relationship adds some emotional depth to an otherwise action-heavy film.

The setting of Dhaka plays a significant role in creating tension. The crowded streets and claustrophobic urban spaces add a feeling of danger and urgency. The production design and score contribute to this gritty atmosphere, making the world feel lived-in and tense.

Violence in Extraction is brutal and unflinching, not shying away from the grim realities of its story. The R rating is earned through graphic fights, gun battles, and some harsh moments involving bystanders, including children. This unrelenting approach to violence adds a raw edge to the film but can also feel overwhelming at times.

However, the movie’s major drawback comes from its story and character development, which are fairly thin and formulaic. The plot is straightforward: a mercenary protecting a kidnapped kid while fighting off enemies. Most of the supporting characters are underdeveloped, with the villain Amir portrayed as a one-dimensional bad guy without much backstory or nuance. Although Randeep Hooda’s character Saju adds some tension and complexity, other roles feel functional rather than memorable.

The film attempts to add emotional weight through Rake and Ovi’s bond, but the effort sometimes falls flat. Key moments meant to build character feels like typical exposition, and some plot points are rushed or underexplored. A subplot involving David Harbour’s character feels tacked on and doesn’t quite fit into the narrative flow.

Pacing also hinders the film, especially in the middle act, where the story slows down and struggles to balance action with character moments. This section can feel tedious compared to the rest of the film’s adrenaline-fueled sequences.

The ending, while action-packed and satisfying in terms of spectacle, also features a somewhat questionable twist and a final shot that feels like a cheat, leaving some ambiguity that may frustrate viewers seeking clear resolution.

In summary, Extraction delivers on what fans of intense, well-executed action expect. It’s a showcase for Hargrave’s stunt expertise and Hemsworth’s physical performance but falls short when it comes to storytelling and character depth. The film is a gripping, high-energy ride with brutal, creative fight and chase scenes—but if you’re looking for a nuanced plot or fully fleshed-out characters, it’s lacking. Fans of pure action films like John Wick or The Raid will find much to enjoy here, but others may find the story too simplistic and the constant violence numbing over time.

Scenes I Love: The Raid 2


Yesterday, I highlighted one of my more recent guilty pleasures, Timu Tjahjanto’s unhinged action thriller The Night Comes for Us, and today I highlight an action scene from an earlier film that helped propel Indonesia’s action film scene to most Westerners with a little sequence from Gareth Edwards’ The Raid 2. A sequel to his own earlier film, The Raid.

This sequence stars the character only known as Hammer Girl and played Julie Estelle who is also in The Night Comes for Us. I would’ve picked her scene from that film to highlight but it spoils a major part of the film so I decided on this scene in The Raid 2 that got her noticed with action film aficionados worldwide.

It’s a simple set-up. Girl with two claw hammers in a crowded train silently squares up against a train car full of yakuza members. What comes next is a masterclass in action choreography that induces many a visceral response form the viewer yet hard to look away from.

Happy Birthday Charles Bronson!: THE STONE KILLER (Columbia 1973)


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Charles Buchinsky was born November 3, 1921 in the coal-country town of Ehrenfield, PA to a Lithuanian immigrant father and second-generation mother. He didn’t learn to speak English until he was a teen, and joined the Air Force at age 23, serving honorably in WWII. Returning home, young Charles was bitten by the acting bug and made his way to Hollywood, changing his last name to ‘Bronson’ in the early fifties. Charles Bronson spent decades toiling in supporting parts before becoming a name-above-the-title star in Europe.

By the 1970’s, Bronson had begun his long run as an action star. THE STONE KILLER capitalizes on the popularity of Cop and Mafia movies of the era, with Our Man Bronson as Lou Torrey, a Dirty Harry-type who shoots first and asks questions later. After he kills a 17-year-old gunman in the pre-credits opening, Torrey is raked over the coals by the New…

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Well-Structured Destruction: Clint Eastwood in THE GAUNTLET (Warner Brothers 1977)


gary loggins's avatarcracked rear viewer

(First off, feast your eyes on the incredibly cool Frank Frazetta poster! Then read on… )

Clint Eastwood’s  directorial credits include some impressive films: THE OUTLAW JOSEY WALES, PALE RIDER, UNFORGIVEN, MYSTIC RIVER, MILLION DOLLAR BABY. While 1977’s THE GAUNTLET may not belong on that list, I feel it’s a very underrated movie deserving a second look. Clint and his lady love at the time Sondra Locke star in this character study of two damaged people disguised as an action comedy, essentially a chase film loaded with dark humor.

Clint plays Ben Shockley, an alcoholic Phoenix cop sent to Las Vegas to extradite Gus Mally, “a nothing witness in a nothing trial”. Gus turns out to be a woman, a hooker in fact, set to testify against a Phoenix mobster. Ben’s suspicions are roused when he learns Vegas oddsmakers are giving 50-1 they don’t make it to Phoenix alive, confirmed…

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John Wick: Chapter 2 Cordially Invites All to A Party In Rome


In 2015, a little film from Lionsgate came out during that time between the summer blockbuster and the awards seasons. It’s sort of the time of the cinematic year when a film is not good enough to be a blockbuster and not enough pedigree to be seen as awards-worthy.

This film was John Wick and it starred Keanu Reeves. It was also directed by two filmmakers more well-known for choreographing fights and action scenes than a full feature film.

John Wick had the last laugh as it surpassed everyone’s expectations to become one of the best action films of recent memory. It helped resurrect Keanu Reeves as a bonafide action star once again.

At this year’s New York Comic-Con the first teaser trailer for the second chapter of the John Wick story dropped to the howling delights of all attending.

We still have to wait until 2017 for John Wick: Chapter 2, but until then let’s stare in awe at John Wick doing what he does best.

4 Shots From 4 Films: Enter the Dragon, Drive Angry 3D, The A-Team, Ichi the Killer


Tis November 27, 2015 and all 4 Shots from 4 Films are dedicated to four actors who share the same birth date. A date which all will have now figured out as being November 27. One comes from the Master of the Martial Arts himself, another a veteran character actor, a third who became a prawn and, lastly, the one who made the Glasgow Smile cooler before Heath Ledger.

4 SHOTS FROM 4 FILMS

Enter the Dragon (dir. by Robert Clouse)

Enter the Dragon (dir. by Robert Clouse)

The A-Team (dir. by Takashi Miike)

Ichi the Killer (dir. by Takashi Miike)

4 Shots From 4 Films: Sabotage, The Raid 2, John Wick, Fury


2014 had it’s share of very good action films and here are four that I was particularly drawn to. While the film themselves were of varying degrees of quality in terms of storytelling. These 4 films all had one thing that I enjoyed despite their films’ flaws. They all had action scenes that I thought were quite excellent.

You have gritty present-day action thriller, an operatic gangster epic, a revenge thriller and a war film. One stars an aging action star back from playing politician. Another a foreign film whose filmmaker and star have set the bar for all action films for years to come. Then there’s the stunt coordinators and 2nd unit directors finally making their mark with their first feature-length film. Lastly, a war film that brings the brutality of World War II tank warfare to the forefront.

4 SHOTS FROM 4 FILMS

Sabotage (dir. by David Ayer)

Sabotage (dir. by David Ayer)

John Wick (dir. by Chad Stahelski & David Leitch)

John Wick (dir. by Chad Stahelski & David Leitch)

Scenes I Love: Punisher: War Zone


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In honor of Jon Bernthal being cast as the latest in a line of Frank Castles aka the Punisher for Marvel’s Daredevil series on Netflix, I thought I’d share with all my favorite scene from the only Punisher film worth the name. The film this scene is from was Punisher: War Zone by Lexi Alexander.

While the casting of Jon Bernthal looks to be a near perfect stunt-casting by Marvel for Daredevil‘s upcoming second season on Netflix, I thought Ray Stevenson’s portrayal as the psychotic antihero in Punisher: War Zone was the best one comic book fans have gotten. Dolph Lundgren was the first Punisher and the less said about him the better. Then Thomas Jane took a stab on portraying the character to some success though still not doling out enough punishing in my book.

With Ray Stevenson we got a Frank Castle who was well into his vigilante killing-spree of the criminal underworld. This was a man possessed to kill in as brutal and efficient manner every violent criminal he comes across. The film itself was so over-the-top that too many thought it was too campy in a violent sense when Lexi Alexander actually tapped into what made the Punisher tick and put it up on the screen. It also helped that Ray Stevenson owned the role he was given.

Jon Bernthal has some big shoes to fill, but with the success of Daredevil the series I do believe he has a chance to make the character his own.

Gloriously Insane Action That Is Kung Fury


Kung FuryThe Insanely Glorious Action That Is Kung Fury

I grew up during the 1980’s and I do remember how it was a decade dominated by martial arts films and cop action films. Even looking back through rose-tinted goggles, I will admit that for a majority of films released under those two genres most were quite bad. Yet, they were bad and enjoyable in their own clumsy and low-budget way.

The short comedy action film Kung Fury arrives on the web today. Why a short film and not a full-length? Well, while it’s kickstarter campaign more than passed it’s goal of $200,000 dollars it failed to reach a stretch goal of $1,000,000 to turn the film into a full-length feature film. While I believe a full-length film would’ve been nice to see, I think this film works best in it’s short film format.

Kung Fury (written, directed and starring David Sandberg) is a pastiche of all the over-the-top action beats action film fans love about the genre during the 1980’s. It throws everything it could think of onto the screen and blends them together with no thought in mind of how ridiculous and insane it turned out. It’s a film that’s a homage and a parody of those very 80’s action and martial arts films that we know and love so much.

Yet, for all the insanity that occurs in the film there’s actually a weird logic to the film’s narrative that reaches a nice pay-off in the end that screams and begs for a sequel. What better way to end a film that’s a love letter to all things 1980’s action than making sure it ends in a blatant cliffhanger that screams sequel and franchise building.

If there’s one film you should see this weekend that doesn’t involve costumed superheroes, post-apocalyptic marauders, acapella throwdowns, and the next disaster porn then it should be the 30-minutes of insane martial arts, time-traveling, police action film called Kung Fury.