A Quick Review Of The 98th Oscar Ceremony


In a word: Boring.

It wasn’t quite as dull as the COVID Oscars.  The 2021 ceremony set a standard for dullness that will probably never be matched.  This year, the ceremony actually took place in a theater and it actually had a host who, for the most part, knew what he was doing.  That’s not to say that Conan O’Brien was a particularly exciting host but at least the opening monologue went by quickly.  When Jimmy Kimmel came out to present the Best Documentary Oscar, we were reminded of just what an improvement O’Brien was on previous hosts.

It’s funny when you think about it.  We always bemoan stuff like Will Smith slapping Chris Rock or Warren Beatty and Faye Dunaway announcing that the wrong film had won Best Picture but the Oscar ceremony is pretty dull without any of that.  Last night’s show ran relatively smoothly and only went over by a few minutes.  It probably would have been livened up by a slap or two.

The acceptance speeches were okay.  I prefer arrogant Paul Thomas Anderson to sincere Paul Thomas Anderson but at least he finally won the Oscars that he probably should have first won many years ago.  Anderson is one of our best filmmakers so it’s unfortunate that he won for one of his least interesting films.  But that’s the way it often goes with the Academy.  Martin Scorsese didn’t win for Goodfellas or Raging Bull or even The Aviator.  He won for The Departed.

What happened to all that Sinners momentum?  Looking back, the majority of that momentum was a mirage of wishful thinking.  A lot of people — myself included — wanted something unexpected to happen to liven up what had been a pretty boring Oscar season.  In the end, Michael B. Jordan emerged as Best Actor, over the early favorites. The momentum was less for the film and more for the actor.

The In Memoriam segment was well-handled, though I would have liked to have seen Robert Duvall also get an individual segment.  That said, I imagine that Duvall died after the segment had already been planned out.  In the end, we all know what a great actor Robert Duvall was and that’s the important thing.  Bud Cort, Joe Don Baker and Brigitte Bardot were left out of the In Memoriam montage.  I can’t say why Cort and Baker were left out.  Brigitte Bardot was undoubtedly left out because of her politics and shame on the Academy for that.

Sean Penn was not at the ceremony, so we were spared a Penn speech.  Fortunately, for fans of wealthy celebrities bloviating about politics, Javier Bardem showed up wearing a big ugly button that looked like it was made by an 8 year-old.

There was a lot of talk about how AI will never replace real movies and it felt a bit desperate.  I don’t want AI to replace real movies but, sad to say, I think we can all see where things are heading.  Perhaps if the real movies were a little bit better, AI wouldn’t be such a threat.

I haven’t seen the ratings yet.  Ten years ago, the Oscars dominated social media.  This year, things felt much different.

Finally, my Oscar tweet received a review of their own last night.

*Sigh* Sorry, Liz.

 

Congratulations! You Have Survived Another Oscar Sunday!


That’s it!  That’s a wrap!  All that is left to do is to cue up all of our applause GIFs:

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We hope everyone has enjoyed Oscar Sunday!

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Now that the Oscars are over with, it’s time to start a new year of entertainment!  Thank you everyone for reading us over the course of 2025 and the first three months of 2026!

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Now, let’s make 2026 the best year ever as we continue to celebrate the 250th birthday of America!

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Love you!

Lisa Marie’s Way Too Early Oscar Predictions For March


Now that the awards for the best of 2025 have been handed out, it’s time to think about what might be nominated next year!

Below are my first set of Oscar predictions for 2026!  What am I basing these predictions on?  Nothing but instinct, wild guesses, and hopeful thinking.  Take them with a grain of salt.  If nothing else, we’ll look back on these a year from now and we’ll laugh.  Or, we’ll be amazed at my cognitive abilities.

Best Picture

Digger

Disclosure Day

Dune Part Three

I Play Rocky

The Invite

Mother Mary

The Odyssey

Queen At Sea

The Social Reckoning

Wild Horse Nine

Best Director

Lance Hammer for Queen At Sea

Martin McDonagh for Wild Horse Nine

Christopher Nolan for The Odyssey

Steven Spielberg for Disclosure Day

Denis Villeneuve for Dune Part Three

Best Actor

Nicolas Cage in Madden

Timothee Chalamet in Dune Part Three

Tom Cruise in Digger

Anthony Ippolito in I Play Rocky

John Malkovivh in Wild Hose Nine

Best Actress

Juliette Binoche in Queen At Sea

Emily Blunt in Disclosure Day

Isabelle Huppert in The Blood Countess

Mikey Madison in The Social Reckoning

Anya Taylor-Joy in Joni Mitchell

Best Supporting Actor

Tom Courtenay in Queen At Sea

Willem DaFoe in Werewulf

Stephan James in I Play Rocky

Edward Norton in The Invite

Jeremy Strong in The Social Reckoning

Best Supporting Actress

Anna Calder-Marshall in Queen At Sea

Michaela Coel in Mother Mary

Penelope Cruz in The Invite

AnnaSophia Robb in I Play Rocky

Meryl Streep in Joni Mitchell

Here Are The Oscar Winners


Here’s what won at the Oscars!

Best Picture —  One Battle After Another

Best Directing —  Paul Thomas Anderson, One Battle After Another

Best Actor — Michael B. Jordan, Sinners

Best Actress — Jessie Buckley, Hamnet

Best Supporting Actor — Sean Penn, One Battle After Another

Best Supporting Actress — Amy Madigan, Weapons

Best Original Screenplay — Sinners

Best Adapted Screenplay — One Battle After Another

Best Animated Feature — KPop Demon Hunters

Best Casting — One Battle After Another

Best Production Design — Frankenstein

Best Cinematography — Sinners

Best Costume Design — Frankenstein

Best Film Editing — One Battle After Another

Best Makeup and Hairstyling — Frankenstein

Best Sound — F1

Best Visual Effects — Avatar: Fire and Ash

Best Original Score — Sinners

Best Original Song — “Golden” from KPop Demon Hunters

Best Documentary Feature — Mr. Nobody Against Putin

Best International Feature — Sentimental Value

Best Animated Short — The Girl Who Cried Pearls

Best Documentary Short — All The Empty Rooms

Best Live Action Short (TIE) —  The Singers and Two People Exchanging Saliva

The Best Picture Race: 2020s


And now, we reach the 2020s.  The Oscars are heading towards their 100th year and a lot has changed between then and now.  Many of the films that are nominated today would have been unthinkable as nominees in the 50s or even the 90s.  I’m glad to see that the Academy is now more willing to nominate genres like horror and science fiction.

That said, this is the streaming age and this is the age of AI and I do worry about the future of movies in general.  The Oscars are no longer the big event that they once were but then again, the same can be said of movies in general.  The times are changing.  Who knows what we’ll be talking about when Oscar Sunday rolls around in 2030?

2020

The Father

Judas and the Black Messiah

Mank

Minari

Nomadland

Promising Young Woman

Sound of Metal

The Trial of the Chicago 7

Won: Nomadland

Should Have Won: These were the COVID Oscars.  With the world shut down for a virus, movie theaters closed and the Academy was forced to give even more consideration than usual to the streaming platforms.  A lot of studios held back on releasing their big movies and the end result was the weakest Best Picture line-up in recent history.  Nomadland won, largely because it reflected the current national anxiety.  (Interestingly, it was directed by the daughter of the type of communist official who would probably of thrown the majority of the Nomadland cast into prison for re-education.)  Of the nominees, I would have voted for either Promising Young Woman or The Father.  My favorite film of the year was an unnominated French film called Girl With A Bracelet.

2021

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

Won: CODA

Should Have Won: CODA.  The Academy got it right.  With the world still recovering from the (totally unnecessary) COVID lockdowns, the Best Picture lineup was still weaker than usual but there was something very satisfying about watching the sweet-natured CODA overtake the presumed front runner, Power of the Dog.  Power of the Dog was well-made but heartless.  CODA was obviously limited by its low budget but it was all heart and, after two years of totalitarian excess, that was what was truly needed.

2022

All Quiet on The Western Front

Avatar: The Way of Water

The Banshees of Inisherin

Elvis

Everything Everywhere All AT Once

The Fabelmans

Tar

Top Gun: Maverick

Triangle of Sadness

Women Talking

Won: Everything Everywhere All At Once

Should Have Won: Literally anything else.  Seriously, Everything Everywhere All At Once is a mess of a movie and nowhere near as profound as it thinks it is.  I personally would have voted for Top Gun: Maverick, a film that is unapologetic about being entertaining.  After all of the COVID stupidity, Top Gun: Maverick was the film that world needed.

(That said, I could also make a case for voting for TAR, The Banshees of Inisherin, All Quiet On The Western Front, and even Elvis.  After two rather weak Best Picture line-ups, the 2022 nominations were a return to form.)

2023

American Fiction

Anatomy of a Fall

Barbie

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

Poor Things

The Zone of Interest

Won: Oppenheimer

Should Have Won: I can’t complain about Oppenheimer winning.  It’s a great film.  That said, I probably would have voted for another great film, Past Lives.  This was another strong line-up of best picture nominees.

2024

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Perez

I’m Still Here

Nickel Boys

The Substance

Wicked

Won: Anora

Should Have Won: The unnominated Juror No. 2.  That said, I probably would have voted for either Anora or Dune Part Two.

And there you have it!  Soon, we’ll be adding another title to the list of best picture winners!

The Best Picture Race: The 2010s


Ah, the 2010s. Social media made anxiety the norm and Americans became obsessed with “red states” and “blue states.” Americans fetishized politicians and the Academy decided that it would be cool to do away with the idea of having a set number of best picture winners. One bright spot, for me at least: Arleigh invited me to write for this site! And the rest, as they say, is history!

2010

Black Swan

The Fighter

Inception

The Kids Are All Right

The King’s Speech

127 Hours

The Social Network

Toy Story 3

True Grit

Winter’s Bone

Won: The King’s Speech

Should Have Won: Ah, The King’s Speech vs The Social Network. On the one hand, The King’s Speech was a far more conventional film than The Social Network. On the other hand, The Social Network‘s supporters tended to be so obnoxious about it that you kind of wanted it to lose just to spite them. Personally, I liked The King’s Speech on an emotional level. The Social Network holds up fairly well, though I still find it to be overrated. Inception is still exciting to watch and Winter’s Bone gets better every time I view it. In the end, though, my vote still goes to Black Swan, a film that gave me an asthma attack the first time I watched it.

2011

The Artist

The Descendants

Extremely Loud and Incredibly Close

The Help

Hugo

Midnight in Paris

Moneyball

The Tree of Life

War Horse

Won: The Artist

Should Have Won: The Artist isn’t bad but its victory was still more about its novelty than its quality. The Tree of Life is visually stunning but the scenes with Sean Penn are a bit too heavy-handed for me. My vote goes to Hugo, a film that gets better each and every time that I see it. (My favorite film of the year remains the unnominated Hanna.)

2012

Amour

Argo

Beasts of the Southern Wild

Django Unchained

Les Miserables

Life of Pi

Lincoln

Silver Linings Playbook

Zero Dark Thirty

Won: Argo

Should Have Won: “Argo f*ck yourself!” Yes, I can see why this won! Actually, Argo‘s victory has always struck me as weird. Argo is a rather forgettable winner. (Has anyone even mentioned Argo when discussing the current war with Iran?) My vote goes to Life of Pi.

2013

12 years A Slave

American Hustle

Captain Phillips

Dallas Buyers Club

Gravity

Her

Nebraska

Philomena

The Wolf of Wall Street

Won: 12 Years A Slave

Should Have Won: This was a good year and I can make an argument for why American Hustle, Captain Phillips, Gravity, Her, and The Wolf of Wall Street all deserved to win. In the end, though, the power of 12 Years a Slave cannot be denied.

2014

American Sniper

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation Game

Selma

The Theory of Everything

Whiplash

Won: Birdman

Should Have Won: We all love Michael Keaton but Birdman was a pretentious film that thought it was more profound than it actually was. Of the nominees, Boyhood is my pick. (My favorite film of the year was — and I make no apologies for this — the terrifically entertaining Guardians of the Galaxy.)

2015

The Big Short

Bridge of Spies

Brooklyn

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

Won: Spotlight

Should Have Won: Spotlight is a well-acted, visually flat movie that feels like it belongs on television as opposed to playing in theaters. Of the nominees, I really love Brooklyn but Mad Max: Fury Road is a masterpiece of the pulp imagination and that’s the film that gets my vote.

2016

Arrival

Fences

Hacksaw Ridge

Hell or High Water

Hidden Figures

La La Land

Lion

Manchester By The Sea

Moonlight

Won: Moonlight

Should Have Won: This is one of the stronger best picture line-ups and the fact that I would pick a film other than Moonlight should not be taken as a criticism of the Academy’s decision. Moonlight is a worthwhile winner. La La Land would have been a worthy winner, as well. In retrospect, 2016 was a better year for movie than a lot of us realized a the time. Back then, I would have voted for Arrival but today, I would probably vote for Hell or High Water. “We ain’t got no g-dd-mned trout.”

2017

Call Me By Your Name

Darkest Hour

Dunkirk

Get Out

Lady Bird

Phantom Thread

The Post

The Shape of Water

Three Billboards Outside Ebbing, Missouri

Won: The Shape of Water

Should Have Won: Considering how much I love Guillermo Del Toro, it pains me that I didn’t particularly care for The Shape of Water. But I have to admit that the film lost me as soon as the Fishman ate that cat. Of the nominees, I would have voted for Lady Bird.

2018

Black Panther

BlackKklansman

Bohemian Rhapsody

The Favourtie

Green Book

Roma

A Star Is Born

Vice

Won: Green Book

Should Have Won: My favorite film of the year, Eighth Grade, was not nominated. In fact, a lot of good films weren’t nominated in 2018. What a strange year that sees both Vice and Bohemian Rhapsody nominated but not Eighth Grade or First Reformed. Spike Lee finally got his first nomination but it was for one of his most conventional films. It was a strange year. Of the nominees, I would vote for A Star is Born.

2019

Ford v Ferrari

The Irishman

Jojo Rabbit

Joker

Little Women

Marriage Story

1917

Once Upon A Time In Hollywood

Parasite

Won: Parasite

Should Have Won: My favorite film of the year was The Souvenir, which barely got any distribution at all in the States and went unnominated. Parasite‘s victory was a great moment and it’s certainly a good film. That said, I still would have voted for Once Upon A Time In Hollywood or The Irishman.

Up next, in 30 minutes, the 2020s …. so far!

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino)

The Best Picture Race: The 2000s


Lost In Translation (2003, dir by Sofia Coppola)

Ah, the aughts. The new century started out with the terror of 9-11 and it ended with the collapse of the world’s economy. In between, a lot of films were released. Some of them were really good. A few of them were nominated for Best Picture. Most of them were not.

2000

Chocolat

Crouching Tiger, Hidden Dragon

Erin Brockovich

Gladiator

Traffic

Won: Gladiator

Should Have Won: I’m in a minority here but I’ve never particularly cared for Gladiator. Joaquin Phoenix is a good villain and I can certainly understand why some people have adopted it as a sort of a life manual but, for the most part, Gladiator just falls flat for me. If I was voting, I would have voted for Crouching Tiger, Hidden Dragon. There was a time when I would have voted for Traffic but Crouching Tiger has aged with a bit more grace the Steven Soderbergh’s look at the war on drugs.

2001

A Beautiful Mind

Gosford Park

In the Bedroom

The Lord of the Rings: The Fellowship of the Ring

Moulin Rouge!

Won: A Beautiful Mind

Should Have Won: A Beautiful Mind gets criticized for being too Oscar bait-y but it’s not a bad film. What it does, it does well. That said, I would have voted for Todd Field’s haunting In The Bedroom.

2002

Chicago

Gangs of New York

The Hours

The Lord of the Rings: The Two Towers

The Pianist

Won: Chicago

Should Have Won: As much as I love Chicago, this is the year that I would have selected to honor Peter Jackson’s Lord of the Rings trilogy. The Two Towers is the darkest chapter in the saga and it’s also the best.

2003

The Lord of the Rings: Return of the King

Lost in Translation

Master and Commander: The Far Side of the World

Mystic River

Seabiscuit

Won: The Lord of the Rings: Return of the King

Should Have Won: Even while it was sweeping the Oscars, it was understood that Return of the King was being honored as a way to acknowledge the entire trilogy. Since I already honored the trilogy with The Two Towers, that frees me up to vote for Lost In Translation this year. Lost In Translation is a film that haunts me in a way that few other films ever have or ever will.

2004

The Aviator

Finding Neverland

Million Dollar Baby

Ray

Sideways

Won: Million Dollar Baby

Should Have Won: Million Dollar Baby is good but The Aviator is Scorsese at his best. It also features Leonardo DiCaprio’s first legitimately great performance.

2005

Brokeback Mountain

Capote

Crash

Good Night and Good Luck

Munich

Won: Crash

Should Have Won: Oh God, don’t get me started on Crash. What should have won? Anything other than Crash. I’ll go with Brokeback Mountain.

2006

Babel

The Departed

Letters From Iwo Jima

Little Miss Sunshine

The Queen

Won: The Departed

Should Have Won: Martin Scorsese finally won his first Oscar for The Departed. Sadly, The Departed is actually one of his weaker films. (Of course, a weak Scorsese film is still better than an average film from any other director.) Back in 2007, I thought Babel should have won but that’s just because I was going through a pretentious phase where I thought any film with multiple storylines was automatically brilliant. Today, I realize that The Queen was the proper winner.

2007

Atonement

Juno

Michael Clayton

No Country For Old Men

There Will Be Blood

Won: No Country For Old Men

Should Have Won: No Country For Old Men. The Academy got it exactly right.

2008

The Curious Case of Benjamin Button

Frost/Nixon

Milk

The Reader

Slumdog Millionaire

Won: Slumdog Millionaire

Should Have Won: Of the nominees, I have to go with Slumdog Millionaire. This, of course, is the year that The Dark Knight was not nominated and the internet lost its mind as a result.

2009

Avatar

The Blind Side

District 9

An Education

The Hurt Locker

Inglourious Basterds

Precious

A Serious Man

Up

Up In The Air

Won: The Hurt Locker

Should Have Won: This is the year that the Academy went back to ten nominees. The idea was that this would lead to a more diverse best picture lineup and it certainly worked the first year they tried it. This is one of the strongest best picture lineups in Oscar history and I say that as someone who really disliked Avatar and who thought The Hurt Locker was a bit overrated. I could make an argument for honoring Up In The Air, Up, District 9, A Serious Man, and Inglourious Basterds but my final vote would go to the underrated but wonderful An Education.

Coming up in 30 minutes, we look at the history of the Best Picture race with the 2010s!

The Best Picture Race: The 1990s


Goodfellas (1990, dir by Martin Scorsese)

Ah, the 90s. Some would say that this was the last good decade that the world would ever experience. It was certainly a good decade for films!

1990

Awakenings

Dances With Wolves

Ghost

The Godfather, Part Three

Goodfellas

Won: Dances With Wolves

Should Have Won: Goodfellas. It can be difficult to get a large group of film fans to feel the same way about anything but everyone seems to agree that Goodfellas has held up far better than Dances With Wolves and that Martin Scorsese’s gangster film should have won over Kevin Costner’s good-for-you western.

1991

Beauty and the Beast

Bugsy

JFK

The Prince of Tides

The Silence of the Lambs

Won: The Silence of the Lambs

Should Have Won: The Silence of the Lambs is one of those films that’s both brilliant and ludicrous at the same time. Actually, you can probably say the same thing about the two other major contenders, Bugsy and JFK. You can really make a case for why all three of the films should have won, despite all three being a little overrated. That said, my vote goes to Beauty and the Beast because it’s a film that embraces life as opposed to death.

1992

The Crying Game

A Few Good Men

Howards End

Scent of a Woman

Unforgiven

Won: Unforgiven

Should Have Won: Unforgiven. It’s one of the few intelligent films ever to be made about what violence does to the soul.

1993

The Fugitive

In The Name of the Father

The Piano

The Remains of the Day

Schindler’s List

Won: Schindler’s List

Should Have Won: I like all of the nominees, though I would have switched out The Fugitive for Dazed and Confused. The Piano is a haunting film but, in the end, the Academy picked the right winner. It’s become a bit fashionable to try to find flaws in Schindler’s List but you know what? Anti-Semitism is on the rise around the world and Schindler’s List is both a needed history lesson and an important film.

1994

Forrest Gump

Four Weddings and a Funeral

Pulp Fiction

Quiz Show

The Shawshank Redemption

Won: Forrest Gump

Should Have Won: Pulp Fiction. “But, Lisa, what about The Shawshank Redemption….” Seriously, don’t even start with me. Pulp Fiction for the win.

1995

Apollo 13

Babe

Braveheart

Il Postino

Sense and Sensibility

Won: Braveheart

Should Have Won: Casino! Oh wait, it wasn’t nominated. Okay, Sense and Sensibility then.

1996

The English Patient

Fargo

Jerry Maguire

Secrets & Lies

Shine

Won: The English Patient

Should Have Won: “Just stop telling your story and die! DIE!” I have to agree with Elaine Benes on this one. My vote goes to Fargo.

1997

As Good As It Gets

The Full Monty

Good Will Hunting

L.A. Confidential

Titanic

Won: Titanic

Should Have Won: Oh God, Titanic. I loved you when I was like 12 but today, I can’t watch the film without snickering at the dialogue. Of the nominees, my vote would go to L.A. Confidential. I wish Boogie Nights had been nominated.

1998

Elizabeth

Life Is Beautiful

Saving Private Ryan

Shakespeare in Love

The Thin Red Line

Won: Shakespeare in Love

Should Have Won: Shakespeare in Love is a film that I actually really like but knowing that it was a pet project of Harvey Weinstein’s makes the film a bit awkward to watch nowadays. I’m generally not a fan of war films but The Thin Red Line has moments of haunting beauty. That said, of the nominees, Elizabeth gets my vote. It’s a film that challenges our preconceived notions of an iconic historical figure. Add to that, a good deal of Shakespeare In Love‘s cast also appeared in Elizabeth so, by honoring Elizabeth, we ensure that Geoffrey Rush and Joseph Fiennes still get to brag about appearing in the best film of 1998.

1999

American Beauty

The Cider House Rules

The Green Mile

The Insider

The Sixth Sense

Won: American Beauty

Should Have Won: 1999 was a great year for movies so it’s kind of ironic that the Oscar went to one of the worst films of the decade. Are we finished pretending that American Beauty has anything worthwhile to say? My votes goes to The Sixth Sense, which holds up well even though we all now know about the big twist at the end.

Up next, in about 30 minutes, a new century begins! Welcome to the aughts!

The Sixth Sense (1999, dir by M. Night Shyamalan)

The Best Picture Race: The 1980s


The Elephant Man (1980, directed by David Lynch)

Ah, the 80s! Ronald Reagan was president. America was strong. Russia was weak. The economy was booming. The music was wonderful. Many great movies were released, though most of them were not nominated for any Oscars. This is the decade that tends to drive most Oscar fanatics batty. So many good films that went unnominated. So many good nominees that failed to win. Let’s dive on in!

1980

Coal Miner’s Daughter

The Elephant Man

Ordinary People

Raging Bull

Tess

Won: Ordinary People

Should Have Won: Ordinary People is actually a pretty good film. It may feel more like a made-for-TV movie than a feature film but it’s well-acted and it deserves some credit for not offering up any easy solutions. A lot of people would say that the Oscar should have gone to Raging Bull but, as well-directed and acted as that film is, Jake La Motta is such an unlikable character that it’s hard for me to really get emotionally invested in his story. My vote would have gone to David Lynch’s The Elephant Man. Lynch tells an inspiring story without compromising his surreal vision.

1981

Atlantic City

Chariots of Fire

On Golden Pond

Raiders of the Lost Ark

Reds

Won: Chariots of Fire

Should Have Won: The victory of Chariots of Fire is an odd one. The music is great but the film itself isn’t particularly memorable. I really, really like Atlantic City but ultimately, my vote would go to Raiders of the Lost Ark, an adventure that doesn’t insult the intelligence of its audience.

1982

E.T. — The Extra Terrestrial

Gandhi

Missing

Tootsie

The Verdict

Won: Ganhdi

Should Have Won: Gandhi is the epitome of the type of Oscar winner that won less because of any cinematic artistry involved in the production and more because of what it was about. To be honest, though, I’m not extremely enthusiastic about any of the other nominees either. Ultimately, I guess I would have to go with E.T. It’s a bit heavy-handed but it works.

(My pick for the best of 1982 would probably be …. I don’t know. Blade Runner? Diner? There are some really good 1982 films but it’s hard to find one that just leaps out and says, “This is the best of the year!” Actually, I’d probably go with Tenebrae, despite the fact that it wasn’t released in the States until 1984 and in a heavily edited version at that.)

1983

The Big Chill

The Dresser

The Right Stuff

Tender Mercies

Terms of Endearment

Won: Terms of Endearment

Should Have Won: Terms of Endearment is good but I still would have voted for another Texas film, Tender Mercies. Robert Duvall, RIP.

1984

Amadeus

The Killing Fields

A Passage to India

Places in the Heart

A Soldier’s Story

Won: Amadeus

Should Have Won: While Once Upon A Time In America is my pick for the best film of 1984, Amadeus is the best of the nominees.

1985

The Color Purple

Kiss of the Spiderwoman

Out of Africa

Prizzi’s Honor

Witness

Won: Out of Africa

Should Have Won: Out of Africa is a pretty boring movie and Robert Redford is totally miscast as an Englishman. (To be honest, Redford is pretty much miscast as anyone but Robert Redford.) There were a lot of good films in 1985 that were not nominated: Brazil, Ran, Runaway Train, The Purple Rose of Cairo, Back to the Future, The Breakfast Club, Mask, After Hours, and quite a few more. Of the nominees, I would have gone for the beautiful and haunting Witness.

1986

Children of a Lesser God

Hannah and Her Sisters

The Mission

Platoon

A Room With A View

Won: Platoon

Should Have Won: Here’s one of my favorite exchanges from King of the Hill. It’s Peggy and Hank’s anniversary. They have the house to themselves for the weekend. Feeling that the romance has gone out of their lives, Peggy’s depressed. Hank tries to cheer her up.

Hank: “C’mon, Peg, we’ve got the house to ourselves. Plus, I rented an R-rated movie.”

Peggy (briefly hopeful): “Really? What movie?”

Hank (pauses, looks down): “Uhmmm …. Platoon.”

Some people love Platoon and some people don’t. You can put me in the latter category. Oliver Stone achieves a dream-like intensity but good God, was Charlie Sheen ever a good actor? Of the nominees, I would vote for A Room With A View.

Among the films not nominated this year: Blue Velvet, Aliens, Ferris Bueller’s Day Off, Stand By Me, Mona Lisa, Something Wild, and Top Gun.

1987

Broadcast News

Fatal Attraction

Hope and Glory

The Last Emperor

Moonstruck

Won: The Last Emperor

Should Have Won: How about Full Metal Jacket? Oh wait, wasn’t nominated. Robocop? Not nominated. Dirty Dancing? Not nominated. Oh well. Even if those films were nominated, I would still have voted for Hope and Glory.

1988

The Accidental Tourist

Dangerous Liaisons

Mississippi Burning

Rain Man

Working Girl

Won: Rain Man

Should Have Won: Rain Man is actually pretty good but, of the nominees, my vote goes to Dangerous Liaisons.

1989

Born on the 4th of July

Dead Poets Society

Driving Miss Daisy

Field of Dreams

My Left Foot

Won: Driving Miss Daisy

Should Have Won: This is an odd year. It’s kind of a weak line-up. Not nominated were films like Do The Right Thing, Scandal, Crimes and Misdemeanors, Enemies: A Love Story, and Henry V. Driving Miss Daisy gets criticized for obvious reasons but Jessica Tandy and Morgan Freeman both give strong performances. Born on the 4th of July has some good moments but Oliver Stone’s heavy hand eventually gets in the way and the scene where Tom Cruise-as-Ron-Kovic tracks down the parents of the soldier he accidentally killed only succeeds in making Kovic look like a selfish jerk. Dead Poets Society is, in many ways, just as heavy-handed as Born On the 4th of July but it’s also a lot more likable and I enjoyed the trio of Ethan Hawke, Robert Sean Leonard, and Josh Charles. In the end, Dead Poets Society gets my vote.

Coming up in thirty minutes — it’s time for the 90s!

The Best Picture Race: The 1970s


Ah, the 70s. The decade started with the collapse of the studio system and the rise of the so-called movie brats. For the first half of the decade, Hollywood was producing the type of challenging films on which they would never again be willing to take the risk. The 70s were indeed a second cinematic golden age, full of anti-heroes and dark endings. Then, in 1977, Star Wars changed all of that and ushered in the era of the blockbuster. The 1970s gave the world disco, The Godfather, and some of the best Oscar winners ever.

1970

Airport

Five Easy Pieces

Love Story

M*A*S*H*

Patton

Won: Patton

Should Have Won: I know that there are people who love Patton. I’ve never been able to sit through the whole film, despite the obvious power of George C. Scott’s lead performance. Airport is dull when compared to other disaster films and Love Story will leave you actively rooting for either divorce or death. Of the nominated films, M*A*S*H and Five Easy Pieces are the strongest. Both are flawed, of course. M*A*S*H is frequently misogynistic but, at the same time, it’s still one of the most effective anti-war films I’ve ever seen. (The scene where blood suddenly spurts out of a wounded soldier’s neck still shocks me.) Five Easy Pieces features a great performance by Jack Nicholson but, far too often, it doesn’t play fair by making everyone around him a caricature. In the end, my vote goes to M*A*S*H.

1971

A Clockwork Orange

Fiddler on the Roof

The French Connection

The Last Picture Show

Nicholas and Alexandra

Won: The French Connection

Should Have Won: With the exception of that nomination for Nicholas and Alexandra, this was a strong year and I can make a case for each other four remaining nominees. I love The Last Picture Show but, a few years ago, I saw a showing of The French Connection at the Alamo Drafthouse and it still wowed me, even though I knew everything that was coming. In this case, I agree with the Academy. The French Connection deserved its victory.

1972

Cabaret

Deliverance

The Emigrants

The Godfather

Sounder

Won: The Godfather

Should Have Won: The Godfather. No question.

1973

American Graffiti

Cries and Whispers

The Exorcist

The Sting

A Touch of Class

Won: The String

Should Have Won: Every time I watch The Sting, I discover that it’s actually better than I remembered. American Graffiti is another personal favorite of mine. That said, I’m a Catholic girl who loves horror movies so there’s no way I’m not picking The Exorcist here.

1974

Chinatown

The Conversation

The Godfather, Part II

Lenny

The Towering Inferno

Won: The Godfather, Part II

Should Have Won: Sorry, Chinatown. You’re great but The Godfather Part II cannot be denied.

1975

Barry Lyndon

Dog Day Afternoon

Jaws

Nashville

One Flew Over the Cuckoo’s Nest

Won: One Flew Over The Cuckoo’s Nest

Should Have Won: This is a great lineup of nominees, with all five deserving a nomination and deserving to win as well. As for which film would get my vote, my mind says Nashville but my heart says Jaws. In this case, I’ll go with my heart.

1976

All The President’s Men

Bound for Glory

Network

Rocky

Taxi Driver

Won: Rocky

Should Have Won: This one is difficult for me. For me, the race comes down to All The President’s Men, Network, and Taxi Driver. (I no longer feel as negatively about Rocky as I once did but I still feel like it shouldn’t have been nominated for Best Picture, much less won.) In the end, my love of horror films leads me to vote for Taxi Driver. So, even if I am taking away Rocky’s victory, I’m still voting for a film where an inarticulate man gets a job working for Joe Spinell.

1977

Annie Hall

The Goodbye Girl

Julia

Star Wars

The Turning Point

Won: Annie Hall

Should Have Won: Annie Hall. Yeah, I know everyone’s pretending like they never liked any of Woody Allen’s films now. Annie Hall is still a charming bittersweet comedy.

1978

Coming Home

The Deer Hunter

Heaven Can Wait

Midnight Express

An Unmarried Woman

Won: The Deer Hunter

Should Have Won: This is a year in which all of the nominees were flawed. An Unmarried Woman gets my vote, despite the fact that the film has its share of “It’s so tough being rich” moments.

1979

All that Jazz

Apocalypse Now

Breaking Away

Kramer Vs. Kramer

Norma Rae

Won: Kramer vs. Kramer

Should Have Won: Ugh, I can’t stand Kramer vs. Kramer. Beloved by some, this is a film that makes me want to throw a shoe at the screen whenever I see it. (It’s that smug little smile that Dustin Hoffman gets on his face while talking to Jane Alexander that pushes me to my breaking point.) Though I love Breaking Away, All That Jazz is the film that gets my vote.

Up next, in about 30 minutes, the 80s!