My 2012 Emmy Nominations

Posted on June 14, 2012 by Lisa Marie Bowman

So, for the past few days, I’ve been happily hopping around my section of the Shattered Lens Bunker and do you know why?

Because it’s awards season, that’s why! With the conclusion of the 2011-2012 TV season, Emmy ballots have been mailed and votes are being cast and, come July, we’ll know which shows and performers have been nominated for the 2012 Emmys.

Before that happens, however, I would like to play a little game called “What if Lisa Was Solely Responsible For Picking the Nominees.” Here’s how it works — I looked over and studied the complete list of the shows and performances that have been submitted this year for Emmy consideration. And then, from that list, I picked my personal nominees.

(A complete list of every show and performer that’s been submitted for Emmy consideration can be found here.)

Below are my personal nominations in the major Emmy categories. Again, note that these are not necessarily the shows and performers that I believe will be nominated. Instead, these are the shows and performers that I would nominate if I was solely responsible for picking the nominees.

A complete list of my nominations in every single Emmy category can be found here. (And yes, there’s a lot of Lifetime on the list. There’s also a lot of Community.)

Best Comedy Series

Bored to Death (HBO)

Community (NBC)

Girls (HBO)

It’s Always Sunny In Philadelphia (FX)

Parks and Recreation (NBC)

Raising Hope (Fox)

Veep (HBO)

Best Drama Series

Boardwalk Empire (HBO)

Breaking Bad (AMC)

The Client List (Lifetime)

Downton Abbey (PBS)

Game of Thrones (HBO)

Homeland (Showtime)

Pan Am (ABC)

Ringer (The CW)

True Blood (HBO)

The Walking Dead (AMC)

Outstanding Miniseries or Movie

Blue-Eyed Butcher (Lifetime)

Cyberbully (ABC Family)

Drew Peterson: Untouchable (Lifetime)

Five (Lifetime)

Girl Fight (Lifetime)

Hatfields & McCoys (History Channel)

The Hour (BBC America)

Of Two Minds (Lifetime)

Outstanding Variety Series

Conan (TBS)

Fashion Police (E)

Key and Peele (Comedy Central)

The Soup (E)

Tosh .O (Comedy Central)

Outstanding Variety Special

Betty White’s 90th Birthday Party (NBC)

Celtic Women: Believe (PBS)

The Comedy Central Roast of Charlie Sheen (Comedy Central)

TV Land Awards (TV Land)

Wendy Liebman: Taller on TV (Showtime)

Outstanding Nonfiction Special

Bobby Fischer Against The World (HBO)

Catholicism: Amazed and Afraid (PBS)

Crime After Crime (OWN)

God Is The Bigger Elvis (HBO)

6 Days To Air: The Making of South Park (Comedy Central)

Outstanding Nonfiction Series

America in Primetime (PBS)

American Masters (PBS)

America’s Most Wanted (Lifetime)

Beyond Scared Straight (A&E)

Inside Story (Biography)

Outstanding Reality Program

Antiques Roadshow (PBS)

Dance Moms (Lifetime)

Kitchen Nightmares (Fox)

Scouted (E)

Storage Wars (A&E)

Outstanding Reality-Competition Program

The Amazing Race (CBS)

The Bachelor (ABC)

Big Brother (CBS)

The Celebrity Apprentice (NBC)

Hell’s Kitchen (Fox)

Project Runway (Lifetime)

So You Think You Can Dance (Fox)

Survivor (CBS)

Outstanding Lead Actor In A Comedy Series

Larry David in Curb Your Enthusiasm (HBO)

Johnny Galecki in The Big Bang Theory (CBS)

Danny McBride in Eastbound and Down (HBO)

Joel McHale in Community (NBC)

Lucas Neff in Raising Hope (Fox)

Jason Schwartzman in Bored To Death (HBO)

Outstanding Lead Actor In A Drama

Steve Buscemi in Boardwalk Empire (HBO)

Bryan Cranston in Breaking Bad (AMC)

Jeffrey Donavon in Burn Notice (USA)

Damian Lewis in Homeland (Showtime)

Andrew Lincoln in The Walking Dead (AMC)

Timothy Olyphant in Justified (FX)

Outstanding Lead Actor In A Miniseries or Movie

Idris Elba in Luther (BBC America)

Rob Lowe in Drew Peterson: Untouchable (Lifetime)

Steven Weber in Duke (Hallmark Movie Channel)

Dominic West in The Hour (BBC America)

Ben Whishaw in The Hour (BBC America)

Outstanding Lead Actress In A Comedy

Zooey Deschanel in New Girl (Fox)

Lena Dunham in Girls (HBO)

Tina Fey in 30 Rock (NBC)

Julia Louis Dreyfuss in Veep (HBO)

Mary-Louis Parker in Weeds (Showtime)

Martha Plimpton in Raising Hope (Fox)

Outstanding Lead Actress in a Drama

Claire Danes in Homeland (Showtime)

Sarah Michelle Gellar in Ringer (The CW)

Jennifer Love Hewitt in The Client List (Lifetime)

Julianna Margulies in The Good Wife (CBS)

Elizabeth McGovern in Downton Abbey (PBS)

Anna Paquin in True Blood (HBO)

Outstanding Lead Actress In A Miniseries or Movie

Kristin Davis in Of Two Minds (Lifetime)

Anne Heche in Girl Fight (Lifetime)

Rose McGowan in The Pastor’s Wife (Lifetime)

Emily Osment in Cyberbully (ABC Family)

Sara Paxton in Blue Eyed Butcher (Lifetime)

Outstanding Supporting Actor In A Comedy Series

Charlie Day in It’s Always Sunny in Philadelphia (FX)

Danny DeVito in It’s Always Sunny In Philadelphia (FX)

Donald Glover in Community (NBC)

Nick Offerman in Parks and Recreation (NBC)

Danny Pudi in Community (NBC)

Matt Walsh in Veep (HBO)

Outstanding Supporting Actor In A Drama

Bruce Campbell in Burn Notice (USA)

Peter Dinklage in Game of Thrones (HBO)

Giancarlo Espositto in Breaking Bad (AMC)

Michael Pitt in Boardwalk Empire (HBO)

Michael Shannon in Boardwalk Empire (HBO)

Alexander Skarsgard in True Blood (HBO)

Outstanding Supporting Actor In A Miniseries or Movie

Powers Boothe in Hatfields and McCoys (History Channel)

Justin Bruening in Blue-Eyed Butcher (Lifetime)

Mark-Paul Gosselaar in Hide (TNT)

Sir Roger Moore in A Princess For Christmas (Hallmark Movie Channel)

Tony Shalhoub in Five (Lifetime)

Outstanding Supporting Actress In A Comedy

Alison Brie in Community (NBC)

Kristen Chenoweth in GCB (ABC)

Anna Chlumsky in Veep (HBO)

Gillian Jacobs in Community (NBC)

Cloris Leachman in Raising Hope (Fox)

Aubrey Plaza in Parks and Recreation (NBC)

Outstanding Supporting Actress in Drama

Christine Baranski in The Good Wife (CBS)

Kristen Bauer Von Straten in True Blood (HBO)

Kelly MacDonald in Boardwalk Empire (HBO)

Christina Ricci in Pan Am (ABC)

Sophia Turner in Game of Thrones (HBO)

Deborah Ann Woll in True Blood (HBO)

Supporting Actress In A Miniseries or Movie

Tammy Blanchard in Of Two Minds (Lifetime)

Kaley Cuoco in Drew Peterson: Untouchable (Lifetime)

Lisa Edelstein in Blue-Eyed Butcher (Lifetime)

Jessica Lange in American Horror Story (FX)

Jena Malone in Hatfields and McCoy (History Channel)

Review: True Blood (S5E1 — Turn! Turn! Turn!)

Posted on June 10, 2012 by Lisa Marie Bowman

(Possible Spoilers Below)

Before I start my review of the premiere episode of the 5th season of True Blood, I should offer up a confession. I’ve enjoyed watching True Blood for a while now. I think Alexander Skarsgard is to die for, I think Anna Paquin’s an underrated actress, and I think that Jessica (Deborah Ann Woll) and Jason (Ryan Kwanten) are a cute couple. I thought last season was brilliant and I thought that the finale especially was exciting and well-done.

That said, I’m hardly a True Blood expert and I’m not going to pretend that I am one. Like a lot of this show’s fans, I wasn’t there when the show first started. By the time I saw my first episode, True Blood was already into season 2 and I didn’t become a regular viewer until season 3. Since then, I’ve worked to get caught up on show’s first seasons but I’m hardly an expert. (Incidentally, I haven’t read the books either.) I’m a fan and that’s the approach that I’ll be bringing to my reviews this season.

Anyway, tonight’s episode starts right where season 4 ended: Tara (Rutina Wesley) is bleeding to death on the floor of Sookie’s (Anna Paquin) kitchen, as the result of being shot in the face by Debbie who was then shot and killed by Sookie. Lafayette (Nelson Ellis), who is still mourning his dead lover, comes downstairs and discovers the mess. Suddenly, Pam (Kristen Bauer Von Straten, who is hilariously scornful of everyone and everything in this episode) shows up searching for Eric. Lafayette asks Pam to turn Tara into a vampire. Pam is, at first, reluctant until Sookie says she’ll “owe you one” in return. I imagine that promise is something we’ll being hearing about a lot for the rest of this season. By the end of the episode, it appears that Tara has returned as a vampire and I get the feeling that she might not be too happy about that.

Speaking of new vampires, the thoroughly creepy Rev. Newlin (Michael McMillan) is back, he’s now a vampire, and he’s’ apparently in love with Jason Stackhouse (Ryan Kwanten). After he manages to trick Jason into letting him enter his house, Newlin explains: “I’m a gay vampire American…” Newlin explains this while he just happens to have Jason tied to a chair. The scene between Newlin and Jason were probably the most obviously politically-charged sequence in tonight’s episode, with Newlin seemingly standing in for such real-life homophobic bigots as Rev. Fred Phelps and his Westboro Baptist Church. Anyway, Newlin is chased off by Jessica who shows up to announce that “Jason is mine!”

So are Jessica and Jason back together all official-like now? Not quite. Jason later tracks Jessica down to an incredibly tacky frat party where Jessica explains to him that she just said that to scare off the Rev. Newlin. The whole party sequence was actually my favorite part of this episode. I loved the reminder that not everyone in Bon Temps is obsessed with the supernatural. Some people just want to drink beer and sing karaoke. Deborah Ann Woll, in particular, gave a good performance here and it was obvious that both she and the character she plays loved vamping it up.

But what about Eric (Alexander Skarsgard) and Bill (Stephen Moyer)? When last we saw, they were killing Nan (Jessica Tuck) and getting told off by Sookie. Tonight’s episode found Eric scrubbing away Nan’s remains while Bill called Jessica and told her that he would be going away for a few weeks. They detect the danger at Sookie’s house but Eric coldly dismisses it with, “Fuck Sookie.” Bill disagrees but even as they run out of the house, they are captured by the Authority. Fortunately, Eric’s sister Nora (Lucy Griffiths) works for the Authority and she rescues both of them. She and Eric then proceed to spend most of the rest of the episode having sex and uhmmm…Eric, that’s your sister. Eric tells Bill, “We fight like siblings but we fuck like champions.” Ewwwww.

Now, it’s a testament to the charisma and body of Alexander Skarsgard that, even when committing very graphic incest, he’s still the hottest thing ever to show up on HBO.

Anyway, Eric, Bill, and Nora meet up with some rebel vampires and are given false identities and appear to be on the verge of escaping when suddenly, the Authority’s goons show up and recapture them. I assume this is setting everything up for Chris Meloni to show up in the next episode.

But that’s not all that happened tonight! One of the things that I love about True Blood is that it’s never shied away from offering up as many plot complications as possible per episode. This is not a show that moves slowly and that was certainly true tonight.

It turns out that season 3’s main villain Russell (Denis O’Hare) isn’t dead and he’s not where he’s supposed to be. Meanwhile, Scott Foley is wandering around town acting enigmatic, Andy (Chris Bauer) is still proving himself to be a dumbass in general, and apparently there’s some sort of power struggle developing with the werewolves.

A Few Random Observations:

I have to admit, I’ve never been that interested in the werewolves. They’re just not as much fun as the vampires. That’s one of the few things that True Blood has in common with the Twilight series.
Best line of the episode comes from Pam: “I’m wearing a Wal-Mart sweatsuit for you all. If that’s not a demonstration of team spirit, I don’t know what is.” My twitter timeline literally exploded with people reacting to that line.
My second favorite line was Alcide’s “It smells clean. Like lemons on top of ammonia on top of bleach.”
If you’re like me and you mostly watch this show because you’re hoping for a chance to catch Alexander Skarsgard undressed, this episode did not disappoint.
This was a good episode for your Jessica lovers as well. One of my favorite parts of tonight’s episode was when she dismissed the Rev. Newlin by explaining that she’s older than him.
Chris Bauer continues to play the most realistic lawman on television.
As much as I love Alexander Skarsgard, Stephen Moyer had some great scenes tonight. His facial expressions while watching Nora and Eric were priceless.
I felt bad for Sookie during her little flashback scene.
The return of True Blood means a return of my effots to get my sister to allow me to dye her hair “Pacquin blonde.”
I hope Nora’s around for the rest of the season. Incest aside, she’s a great character and Lucy Griffiths gave a great performance tonight.
I was hoping that Russell would physically show up on tonight’s episode but I’m actually kind of glad that he didn’t. With everything else that was going on tonight, I’m glad that I have something to look forward to in the future.
Another thing I’m looking forward to: Chris Meloni as Roman. If anyone was born to play a vampire named Roman, it’s Chris Meloni.

So, over all, I think tonight’s episode was a good start for season 5 and I look forward to spending another 11 episodes in Bon Temps.

Review: Game of Thrones S2E10 “Valar Morghulis”

Posted on June 3, 2012 by Arleigh

“We are the watchers on the Wall.” — Qhorin Halfhand

[spoilers within]

With last week’s explosive ninth episode, “Blackwater”, it was going to take much to make tonight’s season finale to really stand out. Just like the first season’s finale we get an episode that deals with the aftermath of the previous episode and also goes a long way into setting up events for the upcoming third season.

“Valar Morghulis” is the title of tonight’s episode and it’s spoken by Jaqen H’ghar to Arya as the two part ways. It’s a saying in Essos from ancient High Valyrian (a Roman Epire-like civilization which perished centuries before the series’ timeline) that translated means “All men must die”. Jaqen sees potential in Arya in becoming like him, a Faceless Man, assassins who follow the teaching of the so-called Many-Faced Gods. While Arya seems intrigued by the offer her need to re-connect with her family takes precedence over everything else. As the two part ways Jaqen imparts to Arya a coin that should she ever need passage to Braavos to start her journey into becoming a Faceless Man. In another instance that this series still has magic in it’s DNA we finally see why Jaqen is a Faceless Man as he walks away from Arya and her group wearing a new face.

Tonight’s episode lays the foundation that next season magic and sorcery may become more common place than the first two season of the series. We see Daenerys finally make her way into the House of the Undying to retrieve her dragonlings from the warlocks of Qarth. It’s a sequence that’s akin to spirit journey for the Targaryen Queen-to-be and Mother of Dragons as she walks the darkened halls and corridors of the House of Undying until an egress suddenly takes her North of the Wall to find a Dothraki tent where she discovers the two most precious things she has lost since coming to Essos. In what I could only see as a surprise that was kept by showrunners Benioff and Weiss from the press and bloggers (a feat nowadays) Daenerys sees her husband Khal Drogo and who could only be their son both alive and waiting for her.

Her reaction to this event was both poignant and tragic in that she finally has a chance to be with those she loves most but must give up the quest to retake Westeros with her dragons. Her decision to leave the tent and leave behind those she loves comes as her character finally realizing that sentimentality and the needs of her heart must take a back seat and wait. Daenerys comes out the other side a more confident ruler and one whose magic really is stronger than those warlocks who scheme to keep her and her dragons captive for themselves. It really sets up the Daenerys character on a much stronger footing for next season just like last season’s finale did. For all the moping around Daenerys did for most of season 2 the pay off in the end goes a long way into forgiving the show’s writers in their inability to write her character’s motivations consistently. Most likely the naive young girl being used by others for their own agendas and ends would be seen less and less next season while the Mother of Dragons reasserts her authority.

The same can’t be said for one of the five kings vying for control of Westeros. For those who have read the third novel the scenes with King Robb Stark were full of sentimentality but lacking in the cold-hearted logic that rulers must use in order to play the game of thrones successfully. Even his mother, Catelyn Stark, sees danger in Robb’s actions with the Volanti healer Talisa Maegyr. Catelyn knows well enough that Robb could destroy everything he has won and worked for since war begun because he has thought with his heart and not with his head. In what could almost be seen as more doom coming for the House of Stark, Robb cements his relationship with Talisa in secret even though we’ve come to learn through two season of this show that nothing ever remains secret for long.

Back in King’s Landing we see the balance of power shift once more as Tywin Lannister’s opportune arrival to take victory from the jaws of defeat at the end of last week’s episode sees him back as Hand of the King to Joffrey. Tyrion has lost all the advantages he had worked and gamed for all season as even Bronn has been removed as Commander of the Goldcloaks. We’ve not seen Tyrion laid so low as we have in this episode and the horrible scarring of his face looks to go deeper as he finally realizes that as much as he would enjoy running away with Shae and leave the politicla intrigues and backstabbing of the kingdom it’s something that he would miss terribly because it’s the one thing he’s best at. With Tywin now in charge of the kingdom and Petyr Baelish having earned himself the king’s good graces for manufacturing the alliance between the two most powerful houses in the kingdom with the Lannisters (Baratheon by name only) and the Tyrell’s of Highgarden. It’s going to be interesting to see how Tyrion readjusts to the new power dynamics in King’s Landing for season 3. If there’s one thing we’ve come to learn about Tyrion over two season’s worth of episodes it’s that he’s a survivor first and foremost.

Lastly, we come to Jon Snow and his dilemma North of the Wall. A captive of the wildlings and seen as someone very important for the still unseen Mance Rayder the so-called King-beyond-the-Wall, Jon must do the only logical thing (something Qhorin halfhand agrees as the only thing that could save Jon and maybe give him time to warn the Wall) and earn the trust of Ygritte, Rattleshirt and the rest of the wildlings even if it means killing one of his own to do so. In what would be one of several sweeping scenes that show the epic nature of this series lest we forget Ygritte shows Jon over the lip of a glacier the army of wildlings Mance Rayder has gathered.

Yet, it’s not that army that gives tonight’s episode that cliffhanger send-off that last season’s finale did with Daenerys coming out of the funeral pyre with her three dragonlings perched on her unharmed body. No, tonight’s episode gets a cliffhanger that is more ominous and reinforces the House Stark motto of “Winter Is Coming”. We see poor Samwell Tarly (having been abandoned by the two other Night’s Watch Brothers once they heard the three horn blasts in the distance) scared out of his wits as he realizes that the three horn blasts that hasn’t been heard for thousands of years could only mean one thing: the White Walkers are on the march towards the Wall. In a final acknowledgement that as realistically the show has tried to portray the series in terms of warfare and political intrigue there’s no getting away from the fact that magic is still alive in this world born out of George R.R. Martin’s fevered mind as a massive army of undead slouches south towards the Wall and the kingdoms beyond it.

This scene just ups the ante on what we could only imagine what would be season three of the show. Across the Narrow Sea we have Daenerys Stormborn gradually detaching sentimentality from how she operates and this could only mean more bad news for the warring kingdoms of Westeros. The power struggles against King Joffrey looks to be going the mad king’s way as Lannisters and Tyrells ally together to retake the rest of the rebelling kingdoms. Now we have two armies, one living and preparing to go south towards the Wall (most likely to get away from the gathering White Walker horde) and the other undead and also heading towards the only bastion (one that is ridiculously undermanned) protecting the southern kingdoms from a gathering darkness.

If there was a complaint about this season’s storytelling it was that so much of the novel this season was based on was condensed to make it fit in a ten-episode season. Despite lulls in character development with Jon Snow and Daenerys we get major pay-offs for these two with tonight’s season finale. It’s good news that showrunner Benioff and Weiss has decided to split book three, A Storm of Swords, into two with the first half comprising season three with the latter half set aside for season four. Even with missteps along the way tonight’s season finale goes a long way into proving that HBO’s Game of Thrones is currently the best genre show on tv and one of the best tv shows airing now.

Now we have ten months of waiting to see how Westeros and Essos will deal with the events that ended season two. One thing for sure is that we’ll see more people die before all questions get answered if ever.

Review: Game of Thrones S2E09 “Blackwater”

Posted on May 27, 2012 by Arleigh

“And who are you, the proud lord said,
that I must bow so low?
Only a cat of a different coat,
that’s all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws,
And mine are long and sharp, my lord,
as long and sharp as yours.
And so he spoke, and so he spoke,
that lord of Castamere,
But now the rains weep o’er his hall,
with no one there to hear.
Yes now the rains weep o’er his hall,
and not a soul to hear.” — The Rains of Castamere

If there’s been a complaint (actually more of a nitpick) from fans of the show in regards to Game of Thrones’ second season it would be that a majority of the episodes this season looked to be cutting corners in terms of budget. The show’s first season was already the most expensive TV series ever and this season things just got more expensive. There was one thing that seemed to have forced the producers of the show into scaling things back for many of the episodes (this season was really about shooting many scenes indoors whether it was inside a castle or tent) and that one thing was tonight’s ninth and penultimate episode of season two: “Blackwater”.

Tonight’s episode is the culmination of everything which has come before it during this season. Sure, we had some machinations that involved Daenerys across the Narrow Sea at Qarth and Jon Snow north of the Wall. Outside of those two subplots which has yet to fully play out this season (most likely extending into season 3), every storyline this second season was about moving the necessary pieces and characters that would affect the outcome of the battle that was going to take place on Blackwater Bay outside King’s Landing. This was a battle that’s been eagerly anticipated by fans of the books. It’s a gamechanger in the novels and after tonight’s episode played out it looks like it also changes the ever shifting dynamics of the tv show.

First things first, all the money being saved by cutting back on outdoor filming during this season looked like it went all in with this episode. Showrunners David Benioff and D.B. Weiss know that they had a great chance of alienating the fans of the books and, most likely, even those of just the show if the most pivotal storyline this season was to be turned into a battle told off-screen and after the fact. No, this battle had to be filmed and done so that it didn’t look cheap. Even writer George R.R. Martin who gave birth to this epic medieval fantasy saga came in to pen tonight’s teleplay in order. The show even decided to go with an outsider to direct tonight’s episode and did they ever hit it out of the park with their choice of veteran genre filmmaker Neil Marshall (Dog Soldiers, Descent, Doomsday, Centurion).

“Blackwater” did something this series has never done and that’s focus the entirety of it’s running time to telling the story of just the one location and tonight it was to be King’s Landing and Blackwater Bay. Every episode in this series has jumped from location to location that viewers have had to learn how to expertly track each storyline just to make sense of the show’s overall narrative. Yet, tonight Martin, the showrunners and, most likely, Marshall himself, knew that jumping the episode from location to location wouldn’t be the smartest of ideas. Tonight had to be about this battle and how it furthers the character growth of many characters in the show.

I was surprised at how well the episode depicted the Battle of Blackwater Bay. We can definitely see Martin’s hand in the writing of tonight’s episode as things gradually built-up from the very moment the intro sequence ended and we come to see the invasion fleet Stannis has brought to King’s Landing just moment’s away from seeing the walls of the city. Even this late in the stage of the siege preparations we get to see how terrified everyone seems to be about the coming siege and battle. Everyone seem to be dealing with the prospect of battle in their own unique way. Tyrion spends it with Shae in his quarters with the notion that this time with Shae might be the last he’ll ever have adding a sense of poignancy to their scene.

Tyrion’s partner-in-crime and lord of the Goldcloaks spends it with some of his men at one of the local taverns with many tankards of good brown ale and the warm companionship of the city’s many prostitutes. Bronn may be acting cavalier about the coming battle, but his behavior and those of his men in the tavern doesn’t seem farfetched as we’ve learned through first-hand accounts of soldiers on the eve of battle trying to make the most of what could be their final hours on Earth. Bronn’s behavior is a stark contrast to that of Sandor “The Hound” Clegane who shows up in the very tavern but not with thoughts of a final night’s of debauchery and merrymaking but instead spending time drinking brown ale in silence and a mood that’s telling in how The Hound sees the prospect of victory in the coming battle. Bronn may think the battle is hopeless but he knows well enough not to waste what time he has left brooding and acting like a Debbie-downer like the bigger Hound.

Even Cersei and Sansa get a chance to show how the battle brings out the best and worst in people. The former’s caustic tongue and even more bitter personality comes to the forefront as she drops any sense of pretense of being the courtly Queen’s Regent. She knows exactly that the battle will not be about glory and honor. The battle will be about bloodshed, destruction and, if the defenders lose, the raping and killing of all the women behind the wall’s of King’s Landing. Cersei is prepared to do what is necessary to keep herself, her children and the women from being raped and murdered, but in doing so loses what semblance of loyalty her handmaidens and courtly allies may have had for her. Sansa, on the other hand, still tries to put up a brave front. Maybe it’s a genuine reaction or one she knows she must put up if just to keep the ladies in the Red Keep where she and Cersei have stashed themselves from running in panic.

As a student of military tactics and history tonight’s episode wasn’t cringe-inducing once the battle itself began. Martin does a great job in condensing the tactics and maneuvers he had written in detail in the novel, but could be confusing to the uninitiated. The episode wasn’t too simplified to the point it hand-held the audience through every step and move both sides made. We knew that Tyrion had a surprise waiting for Stannis’ invasion fleet and that it involved the use of the alchemical concoction “wildfire” (the show’s version of that near-legendary weapon that the Eastern Roman Empire used to defend Constantinople for centuries called “Greek Fire”), but we still had no idea just how the surprise would turn out. Even when the single boat silently approached the vanguard fleet led by Ser Davos we still didn’t know how the wildfire would be used. To say that the surprise Tyrion had for the invasion fleet was jaw-dropping would be an understatement. It was a scene that brought to life how the historical battles like the Battle of Red Cliffs, Siege of Antwerp, the Gravelines, the Battle of the Downs, the Battle of Solebay and the Battle of La Hougue must’ve looked like.

Even the amphibious landing that Stannis’ infantry made to start the siege of King’s Landings’ walls was both accurate in how such a military maneuver was done, but also shot in a way by Neil Marshall to be exciting and chaotic. This battle was chaotic but not in the shaky-cam variety but in how battles was always about the killing and dying of men on the ground who were just feet from each other. It was a bloody execution of the episode’s order of battle that really earns this show that label of epic that fans like to throw at it. Again I must hand it to Martin as episode’s writer for making things accessible to those who have never read the book, but also keep enough of what made this battle exciting to those who have been fans of the novels.

All of this would still have come for naught if the person directing the episode dropped the ball, so to speak. “Blackwater” needed a director who could handle massive action scenes both from a bird’s eye view and from that of the grunt on the ground. Neil Marshall is a filmmaker who has always been great at maximizing the small budget he works with to create thrilling genre films. As the first outsider hired by the show’s producers Marshall was already behind the eightball in that he’s not knowledgeable of the what the show is about. Yet, one couldn’t tell with tonight’s episode. If HBO ever decided to continue this series for many more seasons I hope that they and Benioff and Weiss just hire Marshall to become the default director when it comes to episodes that require that epic hand at the till. Even with the quieter scenes with Cersei and her youngest Tommen as they sat on the Iron Throne waiting for the bad news that she truly thought would come was handled with a filmmaker’s deft touch that most tv directors are rarely able to pull off.

“Blackwater” may be the second to the last episode of this show’s second season, but just like the first season’s penultimate episode with the execution of Ned Stark, fans and audiences of the show have been treated to what could be accurately called the season’s climax. It’s not a bad way to end a season, but as we found out with last season the final episode will have it’s own surprises but also end the season with new avenues of storytelling that would make waiting for the start of season three to arrive be an exercise in agonized waiting. Season one’s second to the last episode might’ve been more traumatic but tonight’s “Blackwater” may have just been it’s best.

A job well done by Martin and Marshall.

Review: Game of Thrones S2E08 “The Prince of Winterfell”

Posted on May 20, 2012 by Arleigh

“One game at a time my good friend.” — Tyrion Lannister

The second season of HBO’s Game of Thrones has been quite similar to the first season in that for every great episode we get one not so great, but still one that’s needed to help further the season’s narrative to it’s conclusion. This season it’s the effect that the War of the Five Kings has had one everyone from those vying for the Iron Throne to the lowly peasant who must endure the war that has engulfed Westeros. Even the lands of Essos across the Narrow Sea has felt the ripple effect of this war as we see Daenerys Targaryen struggle in her attempts to gain allies in a land content to see the kingdoms of Westeros fight each other into disunity.

Tonight’s eight episode of the season, “The Prince of Winterfell”, was not a great episode but it was crucial in further fleshing out some of the main characters who continues to have an effect on the war. The title itself as meaning one of the Stark sons, but in this episode this label could mean so many characters.

It could mean Theon Greyjoy who has made himself the new Lord of Winterfell as he and his score of Ironborn have forcibly taken the capital of the North a couple episodes back. We’ve seen him play the role of lord, or more like play-act the role, since taking Winterfell, but his decisions since then has made him even more petty than we’ve ever seen him through all of season 1. His behavior is a constant reminder that while he spent most of his life amongst the Starks — as part of his father’s punishment for rebelling against Robert Baratheon — he never picked up the concept of honor fom Ned Stark or through the actions of Ned’s boys. He’s like a spoiled young boy trying to please everyone and show them that he’s worthy of praise when what he’s done just makes him look more and more pathetic to those he’s trying to impress.

The scene between Theon and his sister Yara was quite illuminating in how the former went against his father’s orders and his people’s method of warfare because he envies the sort of respect and influence his sister has over the Ironborn men. Influence that goes against everything Theon thinks how a woman should be and that’s naked and subservient to him, or at least to men. Yara doesn’t resent her brother and actually cares for him in her own fashion. She even understands why he does what he does and how their shared experiences with their father, Balon Greyjoy, binds them closer than Theon would like to think.

Theon has been given chances and opportunities to think things more logically and with a keen mind, but he has squandered all these chances (one even coming from the sister he thinks doesn’t respect him) and just continues to dig the proverbial grave he might just find himself in. He may be the Lord and Prince of Winterfell now, but only he seems to believe that to be true.

On the other hand, we have Robb Stark down south, King of the North by his bannermen’s acclaim, but still just a Prince of Winterfell who would like nothing but to return to his birthplace and take up the duties now given onto him by the death of his father. He would rather return to guarding the North and supporting the Night’s Watch aat the Wall than continue to fight a war that he has lost much desire to fight. But he knows he must continue his campaign against King Joffrey and the Lannisters. Too much blood has been spilt by men under his banner and the honor and duty he learned from his father means he must set aside sentimental things (like running back North to retake Winterfell and free his younger brothers). The fact that he understands the damage Catelyn’s actions in regards to the Kingslayer and his orders to have her guarded like a prisoner means he has learned to set aside familial feelings for the greater good.

Robb Stark has learned much to be like his father and while much of it has been to his advantage in prosecuting the war and keeping his alliance of bannermen together he has also picked up his father’s flaw of allowing his heart to dictate an action that may just jeopardize everything he has gained since the war began. Even knowing that he’s arranged to marry one of the Frey daughters as price to move his army down south his feelings for Talisa (the camp chirurgeon and a lady of Volantis herself) finally overrides his reason and duty. For those who have read the book this scene was both touching and maddening. For those who have never read the book this scene will still be touching in that Robb followed his heart, but also maddening in that he puts in danger the alliances with the important House of Frey to satisfy his heart.

The rest of “The Prince of Winterfell” was more about moving the pieces on the board closer to that inevitable clash between the armies of Joffrey at King’s Landing and Stannis Baratheon with his fleet bearing down on the capital. All these build-up scenes added to subplots that has grown since the beginning of the season. If there was one sequence that seemed very out of place and felt like just spinning wheels in place it would be with Daenerys at Qarth as she once again agonizes about her kidnapped “babies” and how she must get them back. Now that she knows that the warocks of Qarth have the dragonlings sequestered in the Tower of the Undying one would think she would have tried to get them back, but instead we get more scenes of her and Jorah debating on the need to have the dragon’s back. While this part of the season doesn’t come close to being the “Sophia in the Barn” frustrating it’s getting close.

We now have two more episodes left in the season and it looks like the Battle of Blackwater Pass from the novels may just arrive with the next episode. Will Tyrion be able to beat back Stannis’ siege of King’s Landing? Will Theon survive the season as Lord of Winterfell? Will Robb’s actions with Talisa destroy everything he has built since the war began? There’s so much questions and with two episodes left it will be quite the juggling act for the show’s writers to answer them all without having them seemed rushed.

Review: Game of Thrones S2E07 “A Man Without Honor”

Posted on May 13, 2012 by Arleigh

“It’s hard to put a leash on a dog once you put a crown on it’s head.” — Tyrion Lannister

“A Man Without Honor” is the name of tonight’s episode which also happens to be the season’s seventh. How time flies when one is enjoying a series, but this is amplified when it’s a series that only runs ten episodes a season. Considering that HBO’s other hit series in True Blood gets twelve episodes a season makes giving the channel’s biggest hit and moneymaker only ten a season an interesting choice. Having ten episodes a season definitely allows for the series to not dawdle on too many subplots, but it also means certain characters and events in the book source either got dropped (some for the better and others not so well-handled) or amalgamated with others to create something wholly different. Tonight we got some great examples of how changes from book-to-screen made for a better narrative.

Tonight’s episode moved from place to place. We get to spend some time with Jon Snow north of the Wall with his wildling prisoner Ygritte. There’s some definite sexual tension between these two young people as Ygritte constantly baits Jon about their night spent close together (only for warmth as Jon kept trying to tell the young lass) and how Snow and his brother Crows must either be having congress with each other (something Jon denies very loudly) or with the local goat population (for some reason his denials about this weren’t as loud). Throughout their exchanges Jon continues to act the honorable man he was brought up to be by his father Ned Stark and he even tells Ygritte this though something he wishes he kept to himself if her reaction to the information was any indication.

Jon’s honorable behavior during his time with Ygritte and the consequence of it at the end of their part in tonight’s episode was a constant reminder about how Ned Stark’s brand of honor and intractable principles really has no place in the world created by George R.R. Martin. It’s idealism that masks the truth of the reality around them and Jon Snow, like his father before him, might be too late in learning the true costs of his idealism.

The same could be said about Daenerys over at Qarth as she has to deal with more of her followers dead because they decided to trust and follow her. Then there’s the little thing about her dragonlings still missing and taken by one of the Thirteen. It’s easy enough to surmise that the warlocks of Qarth had taken her dragons, but as to the reason other than wanting them still eludes the young Targaryen Queen-to-be. It’s left to her guardian knight and close adviser Ser Jorah Mormont to try and talk some sense into her, but as her experiences in Essos has clearly been teaching her it’s trust that she can’t afford to have anymore. Whether it’s others offering their trust or her being asked to trust in others. Here we see Ser Jorah testing the boundaries of Daenerys’ trust towards him and we see even more clearly that he has had and continues to have some very strong feelings towards his khaleesi that even Daenerys begins to suspect.

Unlike Jon up North, at least Daenerys has begun to shed some of the idealism she started this series with and looking towards learning how to truly become a ruler of people. Once again idealism was the casualty in this part of the episode but one that might help Daenerys survive a little longer in this deadly game of thrones.

Tonight’s episode also sees the return of the Kingslayer. He still remains a captive of the Starks, but now has a jailhouse companion in a distant relative the young Alton Lannister who once squired for him in years past. This section of the episode was really one extended exposition done well as we get a deeper look into the backstory of Jaime Lannister. He’s much more than the male half of the twincest pairing of the show, but unlike Cersei he seems to have accepted his lot in life and the sort of figurative bastard he has turned out. His reminiscing to Alton about his own time as a young squire was quite honorable in putting the young man at ease, but once again Jaime continues to be this show’s rare survivor in that he uses everyone he thinks could be of use to help him survive one day longer even if it means killing several young men in less than a night and throwing the hypocrisy of the Stark honor back at Catelyn’s face.

Jaime might be a villain, but he’s one who doesn’t blame his lot in life for turning him so and sees clearly how those who try to look down on him might be just as sullied and dishonorable as he is. He just happens to admit to it.

The best part of tonight’s episode once again come from one of the major changes from book-to-tv. It’s an extended scene between Tywin Lannister and Arya as the two sit down for a meal and talk. It never happened in the novel, but the fact that the showrunners thought this peculiar relationship between the elder Lannister and the young Stark daughter would make for some strong scenes and dialogue was a change that I fully accept. The back and forth between Charles Dance as Tywin and Maisie Williams as the young Arya was great. Whenever Tywin makes mention of how observant and learned his cupbearer seem to be Arya would have a ready-made reply. Even when Tywin makes it known that he believes her to be more than a local peasant girl but more akin to a noble-born Arya doesn’t break stride and continues her charade.

What’s great about this scene is how we’re able to believe Arya’s deft ability to stay in character even when she knows she might have been found out. She’s learned to play the part to help her survive and even gotten better to hide her true feelings from her face. Even Tywin seem to be quite impressed by Arya and even though he might have some suspicions about her true upbringing he’s still not fully sure about the truth of it so he bides his time. The two characters really look like they would’ve made the perfect father and daughter if not for their present situation.

Finally, we see just how low a man without honor can go. Back in Winterfell we see “Prince” Theon blaming everyone but himself for allowing the two young Stark boys to escape the castle. We see how he’s turned to violence as a way to court respect from his men when all it does is just show just how much a child playing at ruler he truly looks. What’s worst is how the episode ends with what looked like two young figures burnt beyond recognition and hanged above the castle gates and Theon looking like he had a hand in it. If people had any sort of sympathy for the Greyjoy son tonight’s episode did much in burning those bridges.

Tonight’s episode did much to grow some of the characters in the show, but also show how the war between the five kings have shown particular characters faults and virtues. With just three more episodes remaining in the season we’re getting close to the culmination of the war or, at the very least, narrowing down even more pretenders to the rule of Westeros before we look towards season 3 of HBO’s Game of Thrones.

10 Reasons Why I Hated Season 8 Of The Office

Posted on May 11, 2012 by Lisa Marie Bowman

(Note: This post originally appeared on my new TV-related blog, What Is Lisa Marie Watching Tonight?)

This has been a truly depressing television season for me and it all comes down to one show. For seven season, I loved the Office. Even when it wasn’t at it best, it was still the show that I based my Thursday nights around. And yet, as I watched the finale of eighth season of The Office last night, I breathed a sigh of relief once it was finally over. Why? Because season 8 was not only the worst season of the Office so far but it was also one of the worst seasons of television that I’ve ever sat through.

Don’t get me wrong. I knew that this season of The Office (the first without Steve Carell’s iconic Michael Scott) would be a rough one. However, nothing could have prepared me for just how bad season 8 would become. Looking back over season 8, it’s a struggle to remember one memorable line or moment that made me laugh out loud. Instead, most of my memories center around being annoyed that the show that I loved could have possibly become so …. bad.

In the future, I’m going to write a post detailing how I would have handled the first post-Carell season of The Office. But before I write that post up, I want to take a few moments to highlight 10 reasons why I hated season 8 of the Office.

(And, believe me, it wasn’t easy to narrow it down to just ten…)

1) Andy Bernard

I have to admit that my heart sank a little bit when, during the Season 8 premiere, it was revealed that the show would now center around the character of Andy Bernard. Even before Steve Carell left the show, I always dreaded any episode that revolved around Andy. Andy, who started out as such a perfectly annoying villain in season 3, had developed into a rather pathetic and needy character and Andy-centric episodes were usually the weakest of their respective seasons. It didn’t help that Ed Helms — who is a great character actor — has a tendency to go overboard whenever cast in a lead role.

So, I knew from the start of the season that I wouldn’t be totally happy with Andy Bernard as manager but I had no way of guessing just how much I would eventually come to despise the character. Whether he was weakly pursuing Erin or cruelly dumping his previous girlfriend twice in one day or failing to sue Robert California for giving his job away to Nellie, Andy proved himself to be just as stupid as Michael Scott but also a hundred times more pathetic. It was impossible to root for Andy because so many of his problems were of his own creation. As needy as Andy was as a character, Ed Helms was just as needy as a performer and every time he showed up on-screen, I felt like he was begging me to love him as opposed to giving me a reason to do so. It didn’t help that the show’s writers devoted three or four episodes to having everyone in the Office basically spend half an hour tellings us that Andy was a great manager and we really should love him.

At the end of last night’s finale, Andy — after being unemployed for the last few episodes — got his job back in the least plausible way imaginable. Instead of firing Nellie, he gave her a new job and then he flashed that big, toothy grin of his.

Fortunately, for the first time during season 8, he resisted the temptation to break out into song.

2) Nellie

Nellie showed up during the second half of the season and essentially appointed herself as the new manager of the office. It was a plot development that made no sense and it was hard not to feel like the show’s producers were trying to force the audience to love Tate as much as they did.

Yes, the writers of The Office love Catherine Tate and maybe the audience would love her to if Nellie, the character she was playing, had any real reason for existing beyond the fact that the writers wanted to work with Catherine Tate.

Since Tate had no real reason to be on the show, it was hard not to resent the amount of screentime that was devoted to her. It’s also hard to look forward to the fact that it appears that she’ll be an even more prominent character during season 9.

3) Robert California

At the start of Season 8, we were informed that Robert California (played by James Spader) had somehow managed to talk his way into being named CEO of Sabre. We were told that he was a mysterious, charismatic figure who might be a genius.

Instead, he turned out to be just another inconsistent character whose personality changed from episode to episode until finally, he was revealed to be so pathetic that he couldn’t even handle Nellie declaring herself to be the new regional manager. In his first few appearances, James Spader brought his trademark quirkiness to the role but then, once it became apparent that show’s writers couldn’t be bothered to figure out who Robert California actually was, Spader pretty much gave up on giving a performance. Instead, he just became a name actor getting paid a lot of money to do not much of anything.

And yet the writers still insisted on trying to convince us that Robert California was an interesting character. The first half of the season was largely devoted to the character. We went to his mansion, we met his soon-to-be ex-wife, and we continually found ourselves wondering why the CEO of a Florida-based corporation was spending all of his time in Scranton, Pennsylvania.

Robert California (and James Spader) will not be back for Season 9. In the final episode, Robert California announced that his latest business venture would involve young women from Eastern Europe. It was an unfunny end to an unfunny character.

4) Kevin and Erin: Just How Dumb Are They?

This has been an issue for a while but it really became obvious (and annoying) as things got more and more cartoonish during Season 8. Erin and Kevin both seem to be stupid when the plot calls for it and just dumb when the plot doesn’t. It wouldn’t be so much of a problem if not for the fact that there’s no logic to their occasional stupidity. It’s never been firmly established just how stupid either one of them is and, as a result, their inability to understand the simplest of things feels more like lazy writing than anything else.

With Erin, this is an issue because this season was largely built around Andy pursuing her. For a plot like that to be effective, you have to care about the characters and to care about the characters, you have to see some sort of vague reality in them even when they’re threatening to go over the top.

As for Kevin — well, where to begin? Remember how, in the earlier seasons, Kevin seemed like he actually had the most active life out of the office of any of the people working there? He would show up with a jaunty little hat on his head and he would drop hints about being addicted to gambling. He was even the drummer in not one but two cover bands!

Now, he’s just another moron in the corner.

5) Angela and the Senator

Yes, we get it. The senator’s gay. It was funny the first four times that various characters went, “The senator’s gay!” but now, it just feels like a lazy punchline.

Wouldn’t it have been fun to see Angela and the Senator’s wedding? Seriously, this is a show that had a tradition of funny wedding episodes but, when given the perfect opputunity, the show’s writers ignored a chance to showcase one of the strongest members of the original supporting cast. Instead, Angela (and so many others) were just pushed off to the side so that we could spend more time with Robert California.

6) What Does Jim Have To Smirk About?

Seriously, the man’s stuck in a rut.

7) When Did Pam Give Up On Being An Artist?

Whenever I watch reruns of The Office, I’m surprised by how much I relate to Pam. That’s mostly because the Pam of the first few seasons seems to have very little in common with the Pam of the 7th and 8th seasons. Do you remember when Pam was an artist and, even more importantly, do you remember how great it was to watch as she finally started standing up for herself and following her dream during the first four seasons?

As I watched this last season, I thought about that wonderfully sweet scene from seasons past when Jim showed Pam the “artist’s studio” that he had set up in the garage. And I wondered if that art studio was still sitting in the garage, untouched since Pam has apparently decided to give up on her dreams and just spend all of her time obsessing on the people that she works with.

8) What do Ryan and Gabe do all day?

Like seriously.

9) Val (and others)

Seriously, what was the point of Val’s character this season? If you’ve watched the entire season, do you know anything about Val beyond the fact that Darryl developed a crush on her? I didn’t even catch that her name was Val until around her fifth appearance. Obviously, the show’s writers expected us to take some sort of emotional stake in Darryl’s attempts to woo her but they never bothered to figure out just who exactly Val was meant to be.

The same can be said, of course, of just about every new character on The Office this season. Can you remember the name of the woman who Andy dumped so he could (finally) be with Erin? How about Cathy, the girl who, out of nowhere, tried to seduce Jim and then mysteriously vanished from the show?

Admittedly, this problem didn’t start with season 8. Starting back in season 5, the Office developed a bad habit of carefully introducing and then randomly abandoning characters and plotlines. (Remember Danny, the superhot traveling salesman played by Timothy Olyphant?) However, it’s never bothered me in the past quite as much as it did during season 8. Past seasons at least had someone there to anchor the show even when the writers seemed to get distracted.

And that leads me to the tenth reason why I hated season 8 of The Office…

10) No Michael Scott

That, I think, pretty much says it all.

Review: Game of Thrones S2E06 “The Old Gods and the New”

Posted on May 6, 2012 by Arleigh

“Gods help you Theon Greyjoy. Now you’re truly lost.” — Ser Rodrik Cassel

Tonight we saw season 2 of HBO’s Game of Thrones series hit it’s second half running towards what could only be a climactic season ender of epic proportions. The show took a sort of misstep with an wheel’s turning previous episode that was mostly set-up. The show has been that way from the very start of the season, but last week’s entry was even moreso. Tonight’s sixth episode was titled “The Old Gods and the New” and it was a theme of faith that ran throughout the episode.

When I say faith I don’t mean of the religious kind but the faith one puts into the actions of others. Whether that faith is deserving or not is irrelevant. We see the youngest characters of the series with their faith tested from beginning to end. While it was mostly the Stark kids both legitimate and illegitimate who had to suffer in tonight’s episode we also got to see Daenerys Stormborn tested as her stay in the city-state of Qarth begins to turn for the worst and her inability to think with her mind instead of her heart has put her in a precarious situation.

The episode begins with Bran’s dream from last week finally coming into fruition as the seas has come to Winterfell and gone over the walls. It’s Theon Greyjoy and his merry band of Ironborn reavers who have taken advantage of a defenseless Winterfell. Any lingering doubts as to which house his loyalty lies now ends with his taking of Winterfell and imposing himself as it’s lord. Theon has bought into his biological father’s Ironborn way of life as he’s taken his own lordship through the “iron price” and not gold. Yet, this part of the episode also show’s that Theon has much to learn about being a ruler as some of his petty behavior comes to the forefront in his treatment of Rodrick Casell and being fooled by the wildling Osha. Just like Renly Baratheon before him, Theon likes to play at being a lord and someone who thinks they have power over the people when it’s all just in his head.

The same goes for King Joffrey over at King’s Landing who witness first-hand that his maniacal, iron-fisted rule of the realm has weakened what had been a strong realm and which is now ripe for all-out rebellion from within the city’s walls and not just from without. A riot of his own making doesn’t end even with his shouts to his Kingsguard and the Gold Cloaks to kill everyone when they’re outnumbered despite their armor and weapons. Joffrey begins to see what his Hand has seen and that’s the people of King’s Landing don’t see him as their rightful ruler and would rip the city and those who follow him apart (like the poor Maester who got the zombie feeding frenzy treatment) even if they die doing so.

For a moment Sansa Stark doesn’t understand why the people hate her as much as Joffrey and season 1 Sansa petulantly peeks out after her close brush with rape and death at the hands of the mob. It takes some wise counsel from her handmaiden Shae to educate her as to why they hate her so. Whether Sansa will learn from tonight’s events or not will show whether her character has grown from the shallow, fashion plate and status obsessed young teen or season 1 to the more savvy and leery young lady who has been quite adept at steering through the maze that makes up the game of thrones within the castle walls. One thing for sure is that she seems to have gained herself a protector in The Hound.

Over and north of the Wall we find Jon Snow and the small band of Rangers led by Qhorin Halfhand doing a sort of long-range recon patrol deeper into wildling territory to find out just exactly what’s going on with the wildlings and their self-proclaimed king Mance Rayder. We see Jon get a lesson in the importance of being a Crow delivered not so delicately by the veteran Qhorin who also seem to see something important about Jon, but who also sees an idealist who may not survive the Wall if he continues to think like someone who lives South of the Wall instead of on and North of it. It’s easy to say that Jon learns his lesson, but as we see after a successful ambush of a wildling patrol Jon still hangs onto too much of the chivalry and nobility of the the southern realms instead of the reality of the Wall and the North. He’s been a frustrating character since the first season and his steadfast “Ned Stark-ness” almost gets him killed and has saddled him with a pretty, wild redhead who may just be the death of him before he reaches his potential.

We now come to the Arya and Daenaerys portion of tonight’s episode. These are two young girls who have been thrust into situations not of their making and trying to make the best of it.

At Harrenhal we see Arya continue her indentured servitude to Tywin Lannister who seem to treat her with more respect than he does his own commanders. Whether he suspects who Arya truly is he does seem to treat her less a servant and more like an unofficial sounding board. The conflict of emotions this treatment from Tywin was quite evident in Arya’s face as she smiles behind Tywin and his council’s back when he compliments her and berates one his generals. Her situation gets really precarious as one Littlefinger appears in Harrenhal to talk shop with Tywin. This scene was masterfully done by veteran tv director David Nutter who milks the tension Arya feels at the prospect of being found out by the duplicitous, but observant Littlefinger. Her faith in the enigmatic Jaqen H’ghar seems well-deserved as she gives him a second name and sees that name given over to Death as Jaqen has promised. With each day in Harrenhal it looks like Arya looks to be the one of the all the youngsters in Game of Thrones who has begun to see the reality of the world instead of the ideals she has been taught growing up.

Far across the Narrow Sea we come to Daenaerys who is still trying to fend off the advances of Xaro Xhoan Daxos and the other merchant lords of Qarth who wish to put their hooks into her if she ever wants their help in getting across to Westeros to take back the Iron Throne she sees as rightfully hers. Where Arya has learned to think with her head instead of her heart to put herself into situations to her advantage the same cannot be said about Daenerys who still believes that her rightful claim to the Iron Throne and being the Mother of Dragons would make everyone bow at her young feet and give her everything she needs to get what she wants. When diplomacy doesn’t get her what she wants she reverts back to threats and actually sounding more and more like her dead brother Viserys who also used too much empty threats to try and get what he thinks was due to him. The episode sees her with even less retainers than what she had going into Qarth and worst yet minus the three dragonlings.

While “The Old Gods and the New” was still a set-up episode it also contained much character growth for the young cast. We see them learn the hard way that being a ruler of a realm and of men doesn’t come easy or come across as a game without consequences. Idealism gets tested and for most of the episode comes off less a virtue and more of a near-fatal flaw that cannot survive in the war-torn lands of Westeros let alone the intrigues of the city-states of Essos across the Narrow Sea. Faith has been tested as Bran sees firsthand as he sees what he thought was a brother to him and his family turn against them in a fit of pettiness and need to prove himself to his biological sire.

With more pieces being moved across the board it’s getting much clearer now that the war for the Iron Throne is close to being decided, but it doesn’t mean peace will come to Westeros. While the elders fight the wars begun by a child and being won by another it looks like tonight’s episode also shows that no matter how things turn out this season it’s the children of the series who have been forced to grow up by the war who will have to pick up the pieces. Tonight we see that some look ready to do so while most still look ill-equipped to survive it.

Jack Kirby: The Man, The Myth, the Legend

Posted on May 5, 2012 by Viktor VonGlum

Jacob Kurtzberg, known to the world as Jack “The King” Kirby, was the unappreciated artistic genius and innovator. I hold him in the same regard as the equally legendary Osamu Tezuka, kamisama no manga (god of comics)/godfather of anime/Japanese Walt Disney. Both men revolutionized their respective fields, inspired and continue to inspire many generations.

Joe Simon and Jack created Captain America (the first Avenger) and the Cap Parody, Fighting American. Kirby created Nick Fury, the Mighty Thor, Iron Man, Black Panther, the X-Men, the Incredible Hulk, the Fantastic Four, and the Avengers with Stanley Lieber, known to the world as Smiling Stan Lee. OMAC, Silver Surf, Kamandi, The Last Boy On Earth, X-51, the Eternals, Devil Dinosaur, Etrigan the Demon, Challengers Of The Unknown, Kobra, and the entire Fourth World mythology were his solo creations. The King was responsible for the character design of Thundarr the Barbarian and Goldie Gold & Action Jack.

As a wee lad, I was captivated by his level of detail and imagination. Now that I am in my 30’s, I continue to appreciate his work and be perpetually in awe of how his work showed that he wasn’t afraid to dream big. I am delighted to see the Kurtzberg Legacy live on through books Godland by Joe Casey, Tom Scioli and the epic yet short-lived Jersey Gods by Glen Brunswick and Dan McDaid, and Kirby Genesis by Kurt Busiek, Alex Ross And Jackson Herbert.

Below is Mark Waid and the late Mike Wieringo’s tribute to Jack during their Fantastic Four.

Here are some examples of the King’s work.

Here are some examples of the work inspired by him.

Jack’s cameo on the Incredible Hulk

Here is one Kirby Documentary

Review: Game of Thrones S2E05 “The Ghost of Harrenhal”

Posted on April 29, 2012 by Arleigh

“Anyone can be killed.” — Arya Stark

The first four episodes of the second season of Game of Thrones has been consistently good to great despite the addition of a large number of new characters to a cast already considered massive by tv standards. Last week’s “Garden of Bones” was the weakest of the four and worked more like a set-up episode for the rest of the season. With tonight’s fifth episode in “The Ghost of Harrenhal” we get another set-up episode that looks to be the weakest entry in this new season.

The episode’s title comes from the novel and what Arya calls herself during her stay in Harrenhal. She becomes the ghost of the title as she takes the offer made to her by the engimatic Jaqen H’ghar. But before we get to Arya and her adventures within the cursed halls of Harrenhal we start the episode back at the Renly Baratheon camp where the younger Barantheon entertains Catelyn Stark with an offer to take back to her son Robb in the North. Before the armies of Renly and Robb could come together to fight against their common enemy that the shadowy thing from the end of last week’s episode finally make it’s appearance to end the fight between the Baratheon brothers once and for all.

As Arya comments to Tywin in Harrenhal thus Renly’s fate early in the episode prove her words correct. Anyone can be killed and it would seem anywhere.

The rest of the episode from then on is all about setting up what I can only guess would be the two set piece events for the season. There’s the planned amphibious invasion of King’s landing being planned by Stannis Baratheon with his reinforced army now that Renly’s bannermen has flocked to him after their former liege’s assassination. Then there’s the stuff brewing up north of the Wall with the entire Night’s Watch searching for and preparing for the massive wildling army being formed by former Night’s Watch brother and self-proclaimed “King Beyond the Wall”.

Most of the dynamic writing for tonight’s episode occur down at King’s Landing and Harrenhal where we see both Tyrion and Arya adjusting to the ever-shifting status in both places. With Tyrion he must now contend with an older sister in Cersei who seem to be waking up to the fact that she cannot bully the current Hand of the King and realizes that she too can play the manipulative game as her deformed younger sibling. The fact that a weapon of mass destruction has been in production for quite sometime without his knowing and put into motion by his sister has put the usually cocky and confident Tyrion on his heels. But as we’ve seen since this show began airing the dwarf Lannister is very quick to adjust his footing. It’s going to be interesting how the writers will keep the personal battles between Tyrion and Cersei for control of King’s Landing to not feel like wheel’s spinning in place. Sooner or later one of them will find the chink in the other’s personal armor and make the “killing” stroke.

Further up north we see Arya do her own dance around the shifting circumstance she finds herself in as the personal cupbearer for the man who heads the house she despises and blames for the death of her father. The back and forth between her and Tywin was one of the highlight’s of tonight’s episode even though it didn’t move the story forward, but did add another layer of character growth on the youngest Stark daughter. Maisie Williams as Arya continues to impress in the role. She looked like she belonged in the scene with the older veteran actor in Charles Dance. It’s a small wonder that she’s become one of the show’s favorite characters.

With tonight’s episode we hit the halfway mark of the season and even though there’s still another half to go so much stuff occurred with tonight’s episode that it’ll be a surprise if the season finale gives all of them a satisfying resolution. I haven’t even mentioned the scenes with Theon trying to find his footing with his crew before setting off to raid the coastline near Winterfell as his father has ordered him to do.

If there was ever a weak point in this season it’s that we seem to get a new subplot introduced with each new episode and tonight’s episode was a perfect example. Not saying that tonight was poorly written and acted. Everyone seemed to be in top form, but instead of streamlining what is already turning out to be a season with an ever-growing number of storylines we get more. It’s going to be a wonder how the show’s writers will be able to juggle everything as the season enters it’s second half. Maybe they won’t find a resolution for every thread introduced this season and I’m betting that is how it’s going to pan out, but that could also mean delaying some of these threads for next season.

If there’s one thing people should know about George R.R. Martin’s novels it’s that plots, subplots and side stories only continue to pile on each other even when some past ones get a resolution. Sooner or later the showrunners will have to make a tough decision to abandon certain storylines from the novel even if it means angering and alienating the fans of the books who are already grumbling about some of the changes the show has already made in adapting the series to television.

I’m all for fidelity to the source material, but as Arya said in tonight’s episode, “Anyone can be killed”, and I say the same thing should go in how the show moves on into the second half and beyond. Any storyline can be cut and I’m all for it if it keeps the series from becoming a narrative bloated mess.

Notes

Looks like Renly Baratheon will not be able to play at war again.
Brienne is not a woman that any man should anger if what she did in Renly’s tent was any indication.
Littlefinger and Margaery Tyrell would make for quite a formidable couple if these two manipulative kids ever decide to get together.
We don’t see it happen often but Tyrion definitely looks like he’s not in control of the situation during his conversation with Cersei and then later on with Lancel and his talk of wildfire.
For all his work to try and protect the people from Joffrey’s madness Tyrion still ends up on the short end of the stick.
Stannis is turning out to be quite a conundrum. One second he’s willing to use underhanded tactics to win over his younger brother’s bannermen to his army, then turns around and becomes his rigid self once again. It’s a wonder that he still has Ser Davos’ loyalty.
Tywin at Harrenhal with his war council is a major change from the novel, but it makes sense now that we get a sort of confrontation between the Lannister patriarch and Arya Stark.
Highlight of the episode has to be Jaqen and Arya making an arrangement where the former shall repay his life-debt to the latter with the deaths of three names Arya will give the enigmatic soldier.
Tyrion finally gets his footing on solid ground again as he takes control of the wildfire production from his sister. I’m thinking King’s Landing would be better served to have the volatile wildfire in the hands of Tyrion than his more equally volatile sister and her insane son.
Daenerys gets another lesson in the cutthroat world of diplomacy as she gets a tempting offer from Xaro Xhoan Daxos.
Her next lesson on how to be a capable ruler comes from her trusted knight and advisor Ser Jorah who thinks Daxos’ offer will contain strings that she may not be able to cut once accepted.
Bran’s dreams seem to portent the coming Ironborns and the former ward and friend in Theon leading them.
Rickon Stark looks like he’s becoming wilder and wilder with each appearance.
A surprise for the lack of any sort of sexposition or even nudity. Might be a first for this show.
One down and two to go.