Horror on TV: One Step Beyond 2.24 “The Mask” (dir by John Newland)

Posted on October 2, 2018 by Lisa Marie Bowman

For today’s televised horror, we have an episode of the 1960s anthology series, One Step Beyond. From what I’ve been able to gather, One Step Beyond was like The Twilight Zone, except that it often claimed that it’s stories were all based on fact.

In The Mask, a World War II-era fighter pilot crashes in the Sahara. Though he’s eventually rescued, he’s forced to wear a mask while recovering from his injuries. When the mask is removed, everyone is shocked to discover that Lt. Harold Wilesnki not only look like an ancient Egyptian prince but he also seems to have the prince’s memories as well!

The Mask originally aired on March 1st, 1960.

Enjoy!

Horror on TV: The Twilight Zone 3.24 “To Serve Man” (dir by Richard L. Bare)

Posted on October 1, 2018 by Lisa Marie Bowman

“It’s a cookbook!”

During the month of October, we like to share classic episodes of horror-themed television. That was easier to do when we first started doing our annual October horrorthon here at the Shattered Lens because every single episode of the original, black-and-white Twilight Zone was available on YouTube. Sadly, that’s no longer the case. In fact, there is exactly one episode of the original Twilight Zone on YouTube.

Fortunately, that episode is a classic. In 1962’s To Serve Man, an alien (Richard Kiel) comes to Earth and invites people to return to his home planet with him. He leaves behind a book. When everyone learns that the title of the book is To Serve Man, they excitedly decide that the book must be an instruction manual on how to help mankind. The truth, as we learn in the episode’s classic finale, is something a little bit different.

Here’s the episode! Watch it before YouTube yanks it down.

(This episode originally aired on October 2nd, 1962. It was directed by Richard L. Bare from a script by Rod Serling. It was based on a short story by Damon Knight.)

Enjoy!

Guilty Pleasure No. 39: Ghost Whisperer

Posted on October 1, 2018 by Lisa Marie Bowman

Once upon a time, there were two shows about women who could speak with the dead.

One show ran from 2005 to 2011. It starred a future Oscar winner and, over the course of its run, it was nominated for a bunch of Emmys. It may have never been a huge hit but it received decent ratings and, even more importantly, it was a critically acclaimed. The show claimed to be based on fact and it took a low-key, procedural approach to its stories.

The second show ran from 2005 to 2010 and it starred a multiple Golden Globe nominee and it was never nominated for any major Emmys. (The first season, however, did receive a Teen Choice nomination.) Like the first show, it was never exactly a big hit, though it did have a loyal audience. Whereas the first show was acclaimed by critics, the second show was routinely dismissed. If the first show was subdued and low-key, this second show took the exact opposite approach.

The first show was called Medium.

The second show was called Ghost Whisperer.

I watched both of them and I can tell you that both had their strengths and their weaknesses. Medium was, at time, genuinely creepy and Patricia Arquette gave an admirably serious performance. At the same time, the show was often so serious that it was a bit of a drag to watch. You may have believed that Arquette could talk to the dead but you never really bought into the idea that they would want to talk to her or anyone else on the show. In short, Medium was good but it wasn’t much fun.

Ghost Whisperer, on the other hand…

Listen, I’m not even going to pretend that Ghost Whisperer was a great show. It was a frequently silly and over-the-top show. Jennifer Love Hewitt played Melinda Gordon, who lived in Grandview, New York and who owned an antique shop called — I kid you not — Same As It Never Was Antiques. The dead would come to Melinda because they still had feelings that needed to be resolved on Earth before they could cross over into the afterlife. Sometimes the ghosts were in denial. Sometimes they were rude, violent, and scary. Sometimes they were just mildly quirky. But they always ended up happy that Melinda was able to find a way for them to move on. Over the course of five seasons, the show developed both the quirkiness of the town and the mythology behind the ghosts themselves. We learned about the Watchers and the Shadows and the Shinies and the Book of Changes. We also learned a bit about Melinda’s history. Season 3 ended with Melinda helping her deceased father go into the light and you better believe I cried.

If Medium was an often dour, somber, and deliberately frumpy show, Ghost Whisperer was bright, fun, and unapologetically glamorous. While poor Patricia Arquette always seemed to be carrying the entire weight of the world on her shoulders, Jennifer Love Hewitt always appeared to be having a blast playing Melinda. While she may not have been as good as an actress as Patricia Arquette, Jennifer Love Hewitt always brought just enough natural enthusiasm to the role that she could make even the most hackneyed of dialogue believable. When I looked over some of the reviews of Ghost Whisperer’s first season, the immediate thing that I noticed was that many of the critics (in particular, the male critics) were obsessed with pointing out that Jennifer Love Hewitt was continually dressed and filmed in such a way to emphasize her breasts, as if there’s some sort of crime in being proud of what you have. But for me, as someone who shares the struggle of trying to find cute clothes for big boobs, it was empowering that Melinda didn’t hide her body, her personality, or her beliefs. As played by Hewitt, Melinda was confident, outspoken, and unapologetic. Yes, she dressed a certain way. Yes, she looked a certain way. Yes, she believed that she could help ghosts cross over. And if anyone had a problem with it, so what? Melinda was a role model who never really got her due. If I ever find myself speaking to ghosts, I hope that I handle it half as well as Melinda did.

Ghost Whisperer ended in 2010 and Medium ended in 2011. Medium may have been nominated for more awards but guess which one I’ll always make a point to watch in syndication?

Previous Guilty Pleasures

Music Video of the Day: Smuggler’s Blues by Glenn Frey (1985, directed by Duncan Gibbins)

Posted on September 27, 2018 by Jedadiah Leland

Contrary to popular belief, Smuggler’s Blues was not inspired by Miami Vice. Instead, the exact opposite was true.

As Glenn Frey explained in the book, Behind The Hits, he based the song on some of the dealers and smugglers that he met while both a member of the Eagles and during his solo career. “You don’t spend 15 years in rock and roll without coming in contact with entrepreneurs. I’ve wanted to write a song about drug smuggling for a long time, but I’m glad I waited for this one. It says everything I wanted to say on the subject. I’m proud of the lyrics – it’s good journalism.”

The song appeared on Frey’s second solo album and was heard by Miami Vice‘s executive producer, Michael Mann. Mann requested that one of the show’s writers, Miguel Pinero, adapt the song into an episode. That episode, which was named after the song, premiered on February 1st, 1985. The song was played throughout the episode and some of the lyrics were even included in the dialogue. Glenn Frey himself appeared as a pilot. As a result, the episode not only helped to make Smuggler’s Blues a hit but it also launched Frey’s acting career as well.

The video, which was cinematic at a time when many bands were still releasing simple performance clips, was directed by Duncan Gibbins. Gibbins went on to direct a handful of thrillers before his tragic death in 1993. Gibbins was staying in Southern California when a wildfire engulfed the house that he was renting. Gibbins narrowly managed to escape from the house but then saw that a cat had been trapped inside. He went back in and, while he did rescue the cat, he suffered severe burns at a result. Gibbins jumped into house’s swimming pool. not realizing that the burns would allow the chlorine to enter his bloodstream. Gibbins died later that day at Sherman Oaks Hospital, still asking if the cat had survived. (Other than a few minor burns, the cat was unharmed.)

Gibbins work on Smuggler’s Blues is impressive and still influential. The video was honored as “Best Concept Video” at the 1985 MTV Music Video Awards.

Duncan Gibbins, the director of Smuggler’s Blues

Weekly Trailer Round-Up: Joker, Stan & Ollie, Ralph Breaks The Internet, The Oath, Solis, The Haunting of Hill House, The Twilight Zone

Posted on September 23, 2018 by Jedadiah Leland

Despite the success of Wonder Woman, DC Entertainment has still struggled when it comes to crafting a compelling cinematic universe. The upcoming Joker is not an official part of the DCEU but that could change if the film is a success. An origin story, Joker features Joaquin Phoenix taking on the role of the clown prince of crime. Though it will be over a year before we see the final results, director Todd Phillips has released a teaser, showing us Phoenix in his Joker makeup.

In Stan & Ollie, Stan Laurel and Oliver Hardy finally get the biopic treatment, with John C. Reilly in the role of Hardy and Steve Coogan as Laurel.

Along with playing Oliver Hardy, John C. Reilly will also be returning to the role of Ralph in Ralph Breaks The Internet: Wreck-It Ralph 2. The mayhem continues on November 2nd.

In The Oath, all Americans are required to sign a loyalty oath the day after Thanksgiving. A new red band trailer for this dark comedy was released this week.

In Solis, Steven Ogg plays an astronaut who is trapped on a spacecraft that is on a collision course with the sun. That’s not a good place to be.

Just in time for Halloween, Netflix will be reimagining The Haunting of Hill House as a ten-episode television series. The show drops on October 12th.

Finally, The Twilight Zone is returning once again, this time under the direction of Jordan Peele. The CBS All Access show will premiere in 2019.

Other trailers that were released this week:

Here Are The 70th Annual Emmy Winners!

Posted on September 17, 2018 by Lisa Marie Bowman

To be honest, I didn’t actually watch the Emmys this year. For one thing, I was upset that Twin Peaks was not nominated for Best Limited Series and I was even more upset that Kyle MacLachlan was totally overlooked. It’s hard for me to take seriously an awards show that snubs Twin Peaks but honors Alec Baldwin’s uninspired Donald Trump impersonation.

However, I did kind of follow the ceremony on twitter. I was happy, for instance, to learn that Bill Hader and Henry Winkler won for Barry and that Thandie Newton won for Westworld. The Emmy that should have gone to Twin Peaks went to The Assassination of Gianni Verscace, which was good but uneven. (The first five episodes were brilliant. The final three felt somewhat superfluous.) Ryan Murphy beat David Lynch for Best Director. I mean, what the Hell?

Anyway, here’s the winners!

Best Comedy: “The Marvelous Mrs. Maisel” (Amazon)

Best Drama:“Game of Thrones” (HBO)

Best Limited Series: “The Assassination of Gianni Versace: American Crime Story” (FX)

Best Actress, Comedy: Rachel Brosnahan, “The Marvelous Mrs. Maisel”

Best Actor, Comedy: Bill Hader, “Barry”

Best Actress, Drama: Claire Foy, “The Crown”

Best Actor, Drama: Matthew Rhys, “The Americans”

Supporting Actress, Drama: Thandie Newton, “Westworld”

Supporting Actor, Drama: Peter Dinklage, “Game of Thrones”

Supporting Actress, Comedy: Alex Borstein, “The Marvelous Mrs. Maisel”

Supporting Actor, Comedy: Henry Winkler, “Barry”

Best Actress, Limited Series or TV Movie: Regina King, “Seven Seconds”

Best Actor, Limited Series or TV Movie: Darren Criss, “The Assassination of Gianni Versace: American Crime Story”

Supporting Actress, Limited Series or a Movie: Merritt Wever, “Godless”

Supporting Actor, Limited Series or Movie: Jeff Daniels, “Godless”

*Television Movie: “Black Mirror: USS Callister” (Netflix)

Variety Sketch Series: “Saturday Night Live” (NBC)

Variety Talk Series: “Last Week Tonight With John Oliver”(HBO)

Reality Competition Program: “RuPaul’s Drag Race” (VH1)

*Reality Host: RuPaul, “RuPaul’s Drag Race”

*Structured Reality Program: “Queer Eye” (Netflix)

*Unstructured Reality Program: “United Shades Of America With W. Kamau Bell” (CNN)

*Guest Actress, Drama: Samira Wiley, “The Handmaid’s Tale”

*Guest Actor, Drama: Ron Cephas Jones, “This Is Us”

*Guest Actress, Comedy: Tiffany Haddish, “Saturday Night Live”

*Guest Actor, Comedy: Katt Williams, “Atlanta”

*Documentary or Nonfiction Series: “Wild Wild Country” (Netflix)

*Animated Program: “Rick And Morty” (Adult Swim)

Writing for a Comedy Series: Amy Sherman-Palladino, “The Marvelous Mrs. Maisel” (Pilot)

Writing for a Drama Series: Joel Fields & Joe Weisberg, “The Americans” (“Start”)

Writing for a Limited Series, Movie or Drama: William Bridges & Charlie Brooker, “Black Mirror: USS Callister”

Directing for a Comedy Series: Amy Sherman-Palladino, “The Marvelous Mrs. Maisel” (Pilot)

Directing for a Drama Series: Stephen Daldry, “The Crown” (“Paterfamilias”)

Directing for a Limited Series: Ryan Murphy, “The Assassination Of Gianni Versace: American Crime Story” (“The Man Who Would Be Vogue”)

*Directing for a Variety Series: Don Roy King, “Saturday Night Live” (Host: Donald Glover)

Writing for a Variety Special: John Mulaney, “John Mulaney: Kid Gorgeous At Radio City”

Directing for a Variety Special: Glenn Weiss, “The Oscars”

*Awards presented during the Creative Arts Emmy ceremony on Sept. 8-9.

Jack Ryan (Season 1) Review by Case Wright

Posted on September 9, 2018 by casewright

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There are two types of streaming television series: Get a sitter and watch in rapt silence with your SO and friends and Elliptical and/or Hangover Television. Jack Ryan is in the latter category. It’s a solid: NOT BAD. Ok, it was a little weird seeing Jack Ryan (John Krasinski) put Osama Bin Laden’s AK-47 in a Jello Mold, but I thought it was a nice call back. JK!

Jack Ryan has been a staple for nerds who like action for decades. Jack Ryan is a data analyst badass who defeats terrorism and rogue commies, in other words, fictional. He’s been in countless books, films, and video games. The only other character that gets this much media has to use The Force. In this iteration, Carlton Cuse of “Lost” fame takes a crack the characters.

Jack Ryan is a young Marine Vet turned CIA officer with PTSD. He is teamed up with Greer who in the books and previous iterations was a tough talking Admiral with shitty dialogue; whereas, in this version, Greer’s a down and out muslim CIA officer whose career is in decline after killing a Pakistani asset. They are on the hunt for the big bad: Sulieman.

Sulieman is the product of the American intervention in the Lebanese civil war in 1986, which…checks out. He is hell bent on causing all kinds of mayhem in America and abroad. They make a big show about how he was treated badly throughout his life- Boo hoo. I guess it was supposed to make him more human. I thought it made him really really whiny. So what, you didn’t get your dream job that gives you the right to blow everybody up?!

The big question most of my readers have: Did John Krasinski – Jim- have a passable performance as a super spy????? KINDA. He was pretty close at times, but was he held back by some purposely slowed down plot points. I will get to the derpy derp moments later, but really the season should’ve been 6 episodes instead of 8 because there were too many contrivances, which inhibited John’s performance. I have to write that he was in fact believable. I did not know what to expect, but he delivered a good performance.

What they got right:

Sleepless nights with PTSD and drinking too much. They portrayed that spot on. I thought, I’ve had those late nights. Ok, Pass!

The SEAL/Ranger team: I’ve known many Special Operators over the years and they are all real salt of the Earth types. They played those matter of fact tough guys perfectly. Ok, Pass!

The inherent turpitude of civilian government officials: Very good, they’re all presumptive Dirtbaggus Americanus. Ok, Pass!

The director building suspense? Yep, the direction was done quite well. No complaints.

What was so very dumb? NO F#@#!NG Way!!! NFW!!!! NFW!!!

1. They portrayed Jack Ryan as dealing PTSD, giving him pause to shoot his weapon. I get that, BUT he’s still a Marine. There’s a scene where he makes the decision to shoot and misses by a mile just so they could have fight scene later. This is just dumb. Marines are ALL crackshots. If you are in a Marine’s line of fire and he’s got a clear shot, you’re dust. When you see it, you’ll roll your eyes.

2. There’s a terrorist strike by Sulieman and he claims responsibility. They show his face being plastered on all television networks. He’s on tv more than Anderson Cooper. Then, with no face disguise, he’s NEVER recognized. We’re not talking just one time, but FIVE times at least. His face would’ve been burned in everyone’s memory. It was just dumb, lazy, and contrived to keep the villain the in the action.

3. A CIA Officer meets Sulieman’s wife and he just lets her walk away the same day as a major terror attack: NFW! Anyone who said that they knew an Osama equivalent would be sequestered and interrogated immediately, but it was obvious that they needed to pad the plot to squeeze three unnecessary episodes for story arc.

4. There’s a duo who are drone pilots that are just sort of shoehorned into the story for no reason at all. I couldn’t even figure out the message if drones were supposed to be good or bad. I left thinking… Man, drones work really well. Then, one of the drone pilots gets all guilty about a mistargeting incident and flies to Syria because ya know Active Duty Soldiers just get to go anywhere they like on leave…. NFW!!!!!!! Just think about it…we shouldn’t just get to go wherever we like. It’s dangerous for us and could lead to a Soldier getting compromised. NFW!

5. There’s a plot point where a doctor becomes aware of a biological threat and just sends an email. WHAAAA?! She would be calling everyone and their brother to report that because she’s supposed to be smart.

Is it worth watching?

Yes, yes it is. It’s got real problems in terms of story holes, but my hope is that Carlton Cuse learns from this. He can DM me if he likes. I’ll consult or script doctor for a very reasonable rate. Jack Ryan is great for watching on the Elliptical at the gym or if you’re hungover or something. It is NOT at this time get a babysitter and everyone be quiet television, but it is …. fun.

Weekly Trailer Round-Up: The Favourite, Wildlife, At Eternity’s Gate, Anna and the Apocalypse, House of Cards

Posted on September 9, 2018 by Jedadiah Leland

The biggest trailer that was released this week was the trailer for the latest Halloween reboot.

Here’s the best of the rest:

From the director of The Lobster, Yorgos Lanthimos, The Favourite is a satirical portrait of intrigue and betrayal in the 18th century court of Queen Anne. The Favourite will be released in the U.S. on November 23rd and in the UK on January 1st.

Actor Paul Dano makes his directorial debut with Wildlife. This drama, which is based on a novel by Richard Ford, stars Carey Mulligan and Jake Gyllenhaal and will be released on October 19th.

From director Julian Schnabel, At Eternity’s Gate features Willem DaFoe as the tragic and celebrated painter, Vincent Van Gogh. At Eternity’s Gate will be released on November 16th.

Anna and the Apocalypse is a music holiday comedy about zombies. Of course, it is. Anna and the Apocalypse will be released on November 30th.

Finally, in this trailer for the sixth and final season of Netflix’s House of Cards, Claire Underwood says goodbye to Frank while the show says goodbye to Kevin Spacey. The season drops on November 2nd.

Familiar Faces #8: In Search of Angelique Pettyjohn

Posted on September 7, 2018 by gary loggins

cracked rear viewer

I first became aware of the gorgeous Angelique Pettyjohn, like most fans, through her appearance as Shahna in the STAR TREK episode “The Gamesters of Triskelion”. The statuesque, green-haired beauty fascinated me as much as she did Captain Kirk, churning my then-adolescent hormones into a frenzy! Since then, I’ve been obsessed with the lovely Miss Pettyjohn, and have made it my mission to discover All Things Angelique!

Angelique Pettyjohn was not her given name, of course, nor was it her only screen name. She was born Dorothy Lee Perrins in the City of Angels on March 11, 1943, and studied dance as a young girl. According to IMDB, her first film appearance was the “Blonde in U.S. sex insert” in Argentine director Armando Bo’s PUT OUT OR SHUT UP in 1959, which would’ve made her 16 years old at the time. She’s also credited as a juror in 1961’s THE…

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Guilty Pleasure No. 38: Shipping Wars

Posted on August 22, 2018 by Lisa Marie Bowman

Do you remember Shipping Wars?

It’s okay if you don’t. I have to admit that, up until yesterday, I had pretty much forgotten about it. Shipping Wars was a reality show that aired, for three years, on A&E. From 2012 to 2015, the show followed independent contractors as they transported various weird things across America. It was produced by the same people who did Storage Wars and, like that show, a good deal of emphasis was put on the various contractors competing against each other to get the biggest contracts and secure the most profitable paydays. As I said, I had pretty much forgotten about the show until yesterday. That’s when I came across a Shipping Wars marathon on the FYI channel and I was immediately reminded of just how addictive this stupid show could be.

A typical episode of Shipping Wars would open with all of the shippers (as they were called) hanging out in their trucks and staring at their laptops. All of them competed for shipments in timed auctions held on uShip.com. (Basically, the entire show was a commercial for uShip but I’m too much of a capitalist to care.) Typically, each episode featured two auctions. Once the shipper had won their auction, it was then up to them to transport their cargo to a new location without destroying it or arriving late. That may sound simple enough but it was rare that anyone managed to pull of either one of those requirements. That can only mean that it’s either really difficult to transport stuff or that all of the shipper on Shipping Wars were amazingly incompetent.

Of course, the camera crew would follow each shipper as they made their journey. The shippers who did not win the auction would randomly pop up to offer up sarcastic commentary on how their rival was doing. The commentary was notable for how thoroughly petty it often got. For instance, if a shipper got caught in a rain storm, you could just bet that someone would remark, “It looks like your approval rating’s about to go underwater.” If a truck got a flat tire, the commentary would usually be something like, “Way to check your tires before getting out on the road, dumbass!” What they shippers lacked in wit, they made up for in pure spite.

Spite defined most episodes of Shipping Wars. One of the remarkable things about that show is that absolutely no one ever appeared to be in a good mood. It wasn’t just the shippers who seemed to be terminally annoyed. The people shipping the stuff often seemed to have an attitude. The people who received the stuff almost always turned out to be jerks who tried to get out of paying the full amount that they had agreed to pay. And the shippers themselves were always in a thoroughly crappy mood. Roy Gabler, one of the most prominent of the shippers, was infamous for referring to almost everyone he met as being an idiot. Shipping Wars presents a portrait of America where everyone has a chip on their shoulder and absolutely no one ever bothers to say thank you. Since I hate the forced sentimentality of most reality shows, I’ve always appreciated the fact that literally everyone in Shipping Wars was just out for themselves.

The other fun thing about Shipping Wars was seeing some of the things that needed to be transported. One of my favorite episodes featured a wedding cake that was driven across country in an unrefrigerated trailer. Needless to say, the cake did not survive the trip. The previously mentioned Roy Gabler had an affinity for transporting weird things, like classic movie props and, in one episode, a water tower. Nothing fazed Roy. No matter what he was transporting, he was always equally annoyed.

Unfortunately, Roy died shortly before the start of what would be the show’s last season. Shipping Wars never recovered from the loss of Roy’s perpetually annoyed tone of voice and it was canceled in 2015. As I discovered last night, you can see reruns on FYI. Or maybe you can just go on uShip and ask if anyone’s willing to move a cursed house from Texas to Vermont.

That should get their attention!