Rock on!
Enjoy!
Rock on!
Enjoy!

The Allman Brothers Band, as accomplished and acclaimed as they were, seem to not have the garnered the same attention with the younger generations like their contemporaries such as Lynyrd Skynyrd, Kansas, Creedence Clearwater Revival, etc. It’s a shame really since they were probably the greatest band to come out of the southern rock scene.
Led by frontman Gregg Allman with the mythical Duane Allman and Dickey Betts bookending him as duo lead guitarists, The Allman Brothers Band came onto the scene with their mixture of blues-inspired rock and that southern flavor (almost a touch of the bluegrass and country) that left such a huge with rock listeners during the late 60’s and throughout the 1970’s. Their signature song will always be the ever-present “Whipping Post” where anyone wanting to take up the guitar will hear the genius slide-guitar playing of Duane Allman (dying at the age of 24 and cementing his spot in rock legend lore).
Yet, Dickey Betts also had his time to shine as Duane’s partner-in-crime and this is more than evident on his work in the band’s track “Ramblin’ Man” released in 1973 which in itself inspired by the Hank Williams song of the same name. “Ramblin’ Man” is one of the band’s more country-sounding song, but it’s blues rock foundation comes to the forefront with Dickey Betts performing the outro guitar solo to finish off the song.
While Duane Allman’s death in 1971 could’ve been the death knell to this rising band, it powered through this tragedy and more than a little help from Duane’s guitar-mate Dickey Betts.
Ramblin’ Man
Lord, I was born a ramblin’ man,
Tryin’ to make a livin’ and doin’ the best I can.
And when it’s time for leavin’,
I hope you’ll understand,
That I was born a ramblin’ man.
My father was a gambler down in Georgia,
And he wound up on the wrong end of a gun.
And I was born in the back seat of a Greyhound bus
Rollin’ down highway 41.
Lord, I was born a ramblin’ man,
Tryin’ to make a livin’ and doin’ the best I can.
And when it’s time for leavin’,
I hope you’ll understand,
That I was born a ramblin’ man.
[Interlude]
I’m on my way to New Orleans this mornin’,
Leaving out of Nashville, Tennessee,
They’re always having a good time down on the bayou, Lord
Them Delta women think the world of me.
Lord, I was born a ramblin’ man,
Tryin’ to make a livin’ and doin’ the best I can.
And when it’s time for leavin’,
I hope you’ll understand,
That I was born a ramblin’ man.
[Repeat and Fade]
Lord, I was born a ramblin’ man…
[Guitar Solo]
Great Guitar Solos Series
Hey, you know what would be fun? How about a music video shot in the middle of a really depressing city? For whatever reason, depressing music videos have been an important component of more than a few music videos. In this one, it adds a layer of meaning to the song, a layer that probably was not there before.
Enjoy!
This video popped up in my YouTube recommendations, I assume because I’ve been watching a lot of Blondie videos recently. This has an enjoyably weird feel to it, with its caged clown on a typewriter and all the other carnival folks. I relate to the woman at the start of the video. That’s definitely the job and costume that I would want if I worked for a traveling circus.
Enjoy!
I watched the classic Terence Hill film Super Fuzz last night. As anyone who has seen the movie can tell you, the movie features a theme song that just won’t quit. It’s been stuck in my head since last night. And now, it can be stuck in yours!
There’s a man, do you see?
And he looks just like you and me
Didn’t he know?
Everything he got don’t show
There’s a cop, do you see?
And he looks like every cop on the street
You will discover
You can’t judge this cop by his cover
He’s a super snooper
Really super trooper
A wonder cop, a one like you never saw
He’s a super snooper
Really super trooper
A wonder cop, who roll the side of the law
There’s a stir on the floor
Super snooper open the door
Didn’t he know?
Everything he got don’t show
He’s a super snooper
Really super trooper
A wonder cop, a one like you never saw
He’s a super snooper
Really super trooper
He’s a super snooper
Really super trooper
A wonder cop, a one like you never saw
He’s a super snooper
Really super trooper
He’s a super snooper
Really super trooper
A wonder cop, a one like you never saw
He’s a super snooper
Really super trooper
A wonder cop who roll the side of the law
Songwriters: Angelo La Bionda / Carmelo La Bionda / Timothy Touchton
My friend Pat McCurry showed me this video over the weekend. I was like, “That’s the Osmonds!?”
Seriously, it’s a really good and loud song. I was surprised.
Enjoy!

Latest AMV of the Day comes courtesy of AMV creator ABOKAI and its all about Jin-woo of the anime series Solo Leveling. I know some anime purists don’t like watching anime adaptations of Korean manwha (South Korean version of Japanese manga). I can take it or leave it since there’s not many examples of such adaptations though I have read quite a few Korean webtoons that were expanded into more official manwha.
Solo Leveling is one of the better Korean manwha and its follows the long-standing and well-utilized power fantasy of Japanese shonen manga. Jin-woo is one such MC whose rise from lowly nobody to OP main character was best shown in the one of the main fight sequences in the first season of Solo Leveling.
ABOKAI does a great job of editing the fight sequences to match the energy of the song by South Korean kpop girl group NewJeans. The song itself, titled GODS, was the anthem for the League of Legends World 2023.
Solo Leveling just premiered its second season and this AMV just a good way to remember just how action-packed this series is.
Song: GODS by NewJeans (뉴진스)
Anime: Solo Leveling
Creator: ABOKAI
Past AMVs of the Day
I’ve always liked this song. It’s one of the few songs that I can kind of decently sing and it describes my feelings towards a lot of people who were important to me in years past. It also describes the way I feel about certain people now. This song was originally recorded and made famous by Lulu but my favorite version is this cover by Tina Arena.
Those schoolgirl days
Of telling tales and biting nails are gone
But in my mind
I know they will still live on and on
But how do you thank someone
Who has taken you from crayons to perfume?
It isn’t easy, but I’ll try
If you wanted the sky
I would write across the sky in letters
That would soar a thousand feet high
“To sir, with love”
The time has come
For closing books and long last looks must end
And as I leave
I know that I am leaving my best friend
A friend who taught me right from wrong
And weak from strong
That’s a lot to learn
What, what can I give you in return?
If you wanted the moon
I would try to make a start
But I would rather you let me give my heart
“To sir, with love”
Songwriters: Don Black / Mark London
When Twin Peaks: The Return initially aired, Agent Tamara Preston was the character to whom I instantly related, for all sorts of reasons. One of those reasons, of course, is that Agent Preston is the one who got to do all the research and write the book on life in Twin Peaks. Another reason is because Agent Preston was both a competent professional and a self-amused femme fatale. And finally, Agent Preston’s relationship with Gordon Cole reminded me of some of my most valued relationships. Agent Preston was just one of the many pieces to the puzzle that was Twin Peaks: The Return but she was the one who I felt was standing in for me.
This wonderfully enigmatic music video would turn out to be one of David Lynch’s final short films. Both the video and the song were made in collaboration with Crystabell, the Texan whose collaboration with Lynch began in 1999 and who, of course, played Agent Preston.
Enjoy!