Music Video Of The Day: We Are All Made of Stars by Moby (2002, by Joseph Kahn)


Today’s music video of the day is dedicated to Marianne Williamson.  I don’t endorse political candidates.  I learned my lesson from all the angry messages that I got after I said I was planning on voting for Gary Johnson in 2016.  My outlook is more libertarian than liberal but who knows?  Marianne might get my primary vote.

Before anyone says anything, I know that Moby is now officially on the creepy list but I still like his music, especially from the 18 and Play eras.  So, you know, why not?

Enjoy!

Music Video Of The Day: One Better Day by Madness (1984, directed by Nigel Dick)


 “The idea of that song was when you’d hear people say, ‘Oh, he’s seen better days,’ like when you see a guy in a suit looking a bit tatty. I thought, ‘What was that one better day?’ Then I had the idea that he would meet this other homeless person that happened to be a woman – and they fell in love. Between them they could engender one better day as people who had, supposedly, seen better days.”

— Graham “Suggs” McPherson on One Better Day

In this song and music video, the lads from Madness prove that they were capable of doing serious songs, along with the comedic romps for which they were best known.

This video was filmed in front of Arlington House, which was a homeless shelter located in the band’s hometown of Camden Town, London.  Because this was their final single for Stiff Records, the label refused to put up any money for the video so what you’re seeing here was funded by the band themselves.

Enjoy!

Music Video of the Day: Hip To Be Square by Huey Lewis and the News (1986, directed by Godley & Creme)


“Everyone thinks I’m the boy next door because I look like the boy next door. But look at my parents, and look where I come from. I’m a beatnik kid.”

— Huey Lewis

For the record, Huey Lewis has always insisted that the lyrics of Hip To Be Square are meant to be ironic.  They were originally written in the third person and were meant to satirize the band’s clean-cut image.  Because Huey Lewis and the News were older than the average rock band when they hit it big, they were often considered to be safe or conservative.  In real life, Huey Lewis was the stepson of beat poet Lew Welch, whom Lewis has described as being a major influence on his life and music.  (Huey, who was born Hugh Cregg III, even paid tribute to Lew Welch with his stage name.)  After high school, Lewis hitchhiked through Europe and he spent several years as a part of San Francisco’s decidedly unsquare music scene.

Despite what Patrick Bateman might try to tell you, Hip To Be Square was never meant to be an anthem for square people.  In concert, Lewis usually makes this point square by signing the song as Too Hip to Be Square.

The video was directed by the team of Kevin Godley and Lol Creme, who directed several memorable music videos in the 80s.  Godley and Creme directed this video using the type of medical cameras that are typically inserted into a human body to allow doctor to get a closer look at what might be ailing you.  The video was nominated for Best Experimental Video at the 1987 MTV Music Video Awards.

Enjoy!

Music Video Of The Day: What Do You Do For Money Honey by AC/DC (1980, directed by Eric Dionysius and Eric Mistler)


One reason why AC/DC has remained popular for such a long time is because there’s nothing phony about them.  They play hard rock, they play it loud, and they make no apologies.  That attitude can be found in all of their songs and also all of their videos.  The video for What Do You Do For Money Honey, like most of their videos, is a simple performance clip because AC/DC doesn’t need to do anything extra to rock you.

This song is from Back In Black, their first album after the death of lead singer Bon Scott.  After Scott’s death, the band came close to disbanding but were encouraged to stay together by Scott’s parents, who insisted that Scott would not have wanted his death to be the end of AC/DC.  Brian Johnson was subsequently brought in to replace Scott and the rest is history.  In What Do You Do For Money Honey, Johnson is singing to an unseen woman who avoids having to work by sleeping with older, wealthy men.

The song may not be as well-known as Highway to Hell but it’s still AC/DC rocking out as only they can.

Enjoy!

 

Music Video of the Day: Satellite by the Hooters (1987, directed by ????)


When watching today’s music video of the day, it helps to know something about the time when it was made.

During the late 80s, several popular televangelists were exposed as doing some less than holy things.  Jimmy Swaggart kept getting caught with hookers.  Jim Bakker (husband of the heavily made-up Tammy Faye Bakker) was accused of embezzling money from his ministry in order to pay off Jessica Hahn, a church secretary who said he had raped her.  (Bakker claimed that he was set up by enemies who wanted to take over his ministry.)  Oral Roberts announced that if he didn’t raise a certain amount of money, God was going to kill him (“take me home”).  Meanwhile, Pat Robertson (yes, that Pat Robertson) was running for President and Jerry Falwell was just being himself.

Obviously, someone needed to step up and take on these religious charlatans and the Hooters answered the call with this song and video.  Both were considered highly controversial at the time, which helped Satellite become the band’s first successful single in Europe.

The video features the couple from American Gothic trying to watch the Three Stooges with their daughter, despite constant interruptions from obvious stand-ins for Jerry Falwell and Jim and Tammy Faye Bakker.  I would never think of the American Gothic couple as being fans of Larry, Moe, and Curly but it goes to show that you never can tell.

Enjoy!

One Hit Wonders #27: “Wipeout” by The Surfaris (Dot Records 1963)


gary loggins's avatarcracked rear viewer

Kids all across America pounded their school desk tops in the 60’s and 70’s  (and probably still do!) imitating the hard-drivin’ primal drum solo of The Surfari’s “Wipeout”, which shot to #2 in the summer of 1963:

Ron Wilson based his riff on a simple paradiddle, a practice piece most anyone could do. Hell, even I can do a paradiddle, and I have NO musical talent whatsoever (as my good-ole-southern-boy dad used to say, “Son, you couldn’t carry a tune in a bucket!”). Only Wilson sped things up a few notches, aided by the twin guitar attack of Bob Berryhill and Jim Fuller, and Pat Connolly’s bubbling-under bass line holding the whole thing down.

At age 19, Wilson was the old man of The Surfaris – everyone else was sixteen years old when the song was recorded! “Wipeout” was first released locally in sunny Southern California as the ‘B’ side…

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Music Video of the Day: Kids in America by Kim Wilde (1981, directed by Brian Grant)


Happy Independence Day, America!

For today’s music video of the day, we have Kim Wilde performing Kids in America.  This was her first single and one of two of Wilde’s singles to chart in the United States, the other one being her cover of The Supremes’s You Keep Me Hangin’ On.   (Wilde found more success in her home country, with 25 singles charting on the UK charts.) The song was written by Wilde’s father and her older brother, both of whom were fascinated by American youth culture.

The video, which finds Kim Wilde literally looking out a “dirty old window,” was directed by Brian Grant, who was one of the busiest music video directors of the 1980s.  He also did videos for The Human League, Squeeze, Queen, and Tina Turner.

Myself, I will always associate this song with stealing cars in Vice City.

The only thing better than stealing a golf cart is stealing a golf cart while listening to Kim Wilde sing Kids in America!

Enjoy!

Confessions of a TV Addict #15: Rambling On About The Cowsills, LOVE AMERICAN STYLE, HAPPY DAYS, and The Archies!


gary loggins's avatarcracked rear viewer

Last week, I attended one of those 60’s nostalgia concerts, this one called “The Happy Together Tour”. Headlining the bill was The Turtles (well actually A Turtle, but we’ll get to that later), Chuck Negron of Three Dog Night, Gary Puckett (minus The Union Gap), the founding fathers of The Buckinghams, The Classics IV (well, two of them anyways… The Classics II?), and the surviving members of The Cowsills.

For those of you unaware, The Cowsills were a family band from Newport, RI consisting of brothers Bill, Bob, Barry, John, and Paul; sister Susan, and Mom Barbara, who had a string of bubblegum pop hits in the late 60’s beginning with “The Rain, The Park, & Other Things”:

Bill, Paul, and Susan entertained the crowd with that, plus “We Can Fly”, “Indian Lake”, “Hair”and another number they introduced to the world, “The Theme from LOVE, AMERICAN STYLE”, which brings me…

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