Horror on TV: The Night Stalker (dir by John Llewelyn Moxey)


Long before he achieved holiday immortality by playing the father in A Christmas Story, Darren McGavin played journalist Carl Kolchak in the 1972 made-for-TV movie, The Night Stalker.  Kolchak is investigating a series of murders in Las Vegas, all of which involve victims being drained of their blood.  Kolchak thinks that the murderer might be a vampire.  Everyone else thinks that he’s crazy.

When this movie first aired, it was the highest rated made-for-TV movie of all time.  Eventually, it led to a weekly TV series in which Kolchak investigated various paranormal happenings.  Though the TV series did not last long, it’s still regularly cited as one of the most influential shows ever made.

The Night Stalker is an effective little vampire movie and Darren McGavin gives an entertaining performance as the rather nervous Carl Kolchak.

Enjoy!

Brad’s Scene of the Day – Dwight Yoakam being a world class jerk in SLING BLADE (1996)!


I’ll sing the praises of the movie SLING BLADE to any person who will listen. I love the movie, mainly because of Billy Bob Thornton’s outstanding performance as Karl Childers, a character that he created from scratch. I also love the movie because it was filmed in Saline County, Arkansas, the county I live in. I love to eat at Garry’s Diner, if nothing else because Billy Bob and John Ritter did in the movie. They make great burgers and shakes!

One of the best things about SLING BLADE is Dwight Yoakam’s performance as Doyle Hargraves, one of the most disgusting characters you’ll ever see on screen. Dwight Yoakam slays the role, and you can’t help but hate him. On a side note, I have been told that Dwight’s not one of the nicest guys around, but that’s neither here nor there. A lot of people have said they didn’t like Charles Bronson, but I don’t care because I love him and that’s all that matters. I love Dwight Yoakam too. I love his song “Fast as you,” and I love his performance in SLING BLADE!

In celebration of Dwight’s 69th birthday, I present a scene from SLING BLADE where Dwight plays the epitome of domestic, blue collar evil! (I would say enjoy, but if you’re not somewhat repulsed, you may need help! 😉)

Made-For-TV Horror: The Initiation of Sarah (dir by Robert Day)


Oh, poor Sarah.

Sarah (Kay Lenz) is attending college with her sister, Patty (Morgan Brittany).  Patty is pretty and popular and everyone wants to be her friend.  Sarah is withdrawn and a bit moody and people seem to go out of their way to avoid her.  Sarah, however, has a secret.  She can move and break things with her mind.  When a guy on the beach tries to force himself on Patty, Sarah uses her powers to push him away.  Later, when Sarah’s upset, she stares at a mirror until it cracks.

When Patty and Sarah visit their mother’s old sorority, Patty is a hit but Sarah is less popular.  The bitchy president of the Sorority, Jennifer Lawrence (Morgan Fairchild), is happy to invite Patty to join but she doesn’t want Sarah to be anywhere near her.  Sarah ends up joining the outcast PDE sorority.  Jennifer, however, remains obsessed with humiliating and destroying Sarah.  And Sarah, when she gets angry, has a tendency to cause things to happen….

This film, which aired in 1978, probably sounds like a rip-off of Carrie and, in many ways, it is.  For whatever reason, Sarah’s bullies seem to be obsessed with making her as miserable as possible.  In Carrie, one reason you hated the bullies was because Sissy Spacek gave such a heart-breaking, vulnerable and empathetic performance as Carrie White.  The bullies were terrible to begin with but then to pick on someone as fragile as Carrie?  It sucked William Katt had to die but there’s still a reason why the prom inferno makes as many people applaud as scream.  In The Initiation of Sarah, Kay Lenz is not particularly sympathetic as Sarah.  Even before the bullies start picking on her, Sarah comes across as being angry and bitter about …. well, everything.  Patty goes out of her way to take care of her sister but Sarah never seems to appreciate it.  Bullies still suck, of course.  There’s no excuse for being a bully and Jennifer really does go overboard when it comes to going after Sarah.  But Sarah herself still doesn’t necessarily come across as being someone you would want to join your sorority.

What sets The Initiation of Sarah apart from other Carrie rip-offs is the character of Mrs. Hunter (Shelley Winters).  Mrs. Hunter founded PDE when she was a student and now, as the school’s resident expert on paganism, she’s the housemother of PDE.  As soon as Sarah joins, Mrs. Hunter starts to talk about how Sarah is destined to lead PDE to glory.  When another member of PDE, Mouse (Tisa Farrow), takes a look in Mrs. Hunter’s room, she discovers a Satanic altar that is guarded by a fierce looking dog….

That’s right!  This isn’t just a rip-off of Carrie.  It’s a rip-off of The Omen as well!

Kay Lenz might be a bit on the dull side as Sarah but this film is worth watching for the performance of Morgan Fairchild and, especially, Shelley Winters.  As played by Fairchild, Jennifer is more than just a bitch.  She’s a sociopath with great hair.  Meanwhile, Shelley Winters — especially once the 70s started — was never a particularly low-key or subtle actress.  When you cast her as an overbearing housemother who happens to be the high priestess of a cult, you know that you’re going to get something worth watching.  Winters attacks the role with a ferocity that is occasionally over-the-top and almost funny but always entertaining.

The Initiation of Sarah is an enjoyable made-for-TV movie.  Watch it the next time you’re feeling nostalgic for college life.

Scenes That I Love: The Inevitability of Doom In The Dead Don’t Die


Jim Jarmusch’s The Dead Don’t Die is a film that definitely grew on me. When I first watched it, I thought it was intriguing but perhaps a bit too cutesy and enamored with itself. However, I later came to realize that Jarmusch actually found the perfect tone for his look at our zombie-saturated culture.

In the scenes below, Bill Murray, Chloe Sevigny, and the wonderful Adam Driver all deal with the inevitability of doom that comes with being a character in a zombie film.

 

October True Crime: Ed Kemper (dir by Chad Ferrin)


In 1964, 15 year-old Edmund Kemper murdered his grandparents.  When he was asked why he had killed the two people who basically raised him, Kemper reportedly replied, “I just wanted to see what it was like to kill grandma.”

Kemper spent the next five years imprisoned by the California Youth Authority.  He was discovered to have an IQ of 138.  The psychiatrists who examined him all commented on what a friendly and conscientious prisoner Kemper was.  Kemper never caused trouble.  He always cleaned up after himself.  He seemed to be truly happy while incarcerated.

When Kemper turned 21, he was released back into the world.  He moved in with his domineering mother, who worked as an administrative assistant at the local college.  Because it had been determined that he would probably never reoffend, his juvenile record was expunged.  Kemper went to community college.  He hung out at a local cop bar.  (He applied unsuccessfully to be a police officer.)  He got a job with Departments of Highways.  Because he stood 6’9, everyone knew him as the friendly and somewhat dorky “Big Ed.”

Edmund Kemper went on to kill eight more people, including his mother and her best friend.

Kemper turned himself into the police and confessed to his crimes.  At his trial, his lawyers unsuccessfully went with an insanity defense.  When he was convicted, Kemper requested the death penalty, just to learn that the Supreme Court had (temporarily) outlawed capitol punishment.  Kemper was sent to prison, for life.  And that’s where he is to this day.

What’s odd about Kemper is that, once he was back in prison, he again impressed everyone by being a friendly, polite, and conscientious prisoner.  Unlike most convicted murderers, Kemper admitted his crimes and was even willing to analyze the darkness that drove him to commit them.  In the early days of criminal profiling, Edmund Kemper was frequently interviewed by FBI agent Robert Ressler and his insights into his own mind are still frequently used to profile serial killers to this day.  Both Ressler and profiler John Douglas described Kemper as being a sensitive and likable man with a good sense of humor.  Thomas Harris has said that Kemper was one of the inspirations for Dr. Hannibal Lecter.

Released earlier this year, Ed Kemper stick fairly closely to the facts of the case.  Brandon Kirk may not be as a tall as the real-life Kemper but he’s still convincing as a socially awkward, somewhat nerdy man who seems to be as shocked as anyone by his crimes.  The majority of the film deals with Kemper’s relationship with his mother (Susan Priver), who is portrayed as being a deranged tyrant who alternates between gently teasing Kemper and telling him that he’s destined to be miserable and alone forever.  Gava gives a convincing performance but, at times, the film almost seems as if it’s putting all the blame for Kemper’s crimes on his mother.  In the end, Kemper’s the one who killed those hitchhikers, regardless of how much his mom yelled at him beforehand.

Ed Kemper is a bit of an uneven film.  Brandon Kirk, Susan Priver, and Brinke Stevens (cast as Kemper’s mom’s best friend) all give good performances but some of the other actors are a bit less convincing in their roles.  The film deserves some credit for not shying away from the darkness of Kemper’s crimes but the pacing is also off, with some scenes dragging forever and others ending quickly.  The film’s best scene comes towards the end, when Ed Kemper is interviewed by the FBI and points out that he could kill the agent anytime that he felt like it.  It’s a tense scene that reminds us that even the likable killers are still killers.

(An earlier version of this review mistakenly listed Cassandra Gava as the actress who played Kemper’s mother.  Gava plays Kemper’s grandmother.  Susan Priver played Kemper’s mother.  I regret the error and I apologize to both actresses.)

Horror Song of the Day: The Dead Don’t Die by Sturgill Simpson


Jim Jarmusch’s The Dead Don’t Die still tends to get a mixed response from horror fans and I can certainly understand that.  It’s one of those films where you’re either on its wavelength or you aren’t.

That said, I do like the theme song.  From Sturgill Simpson, here is The Dead Don’t Die.

 

4 Shots From 4 Horror Films: The 1980s Part 3


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we complete the 80s!

4 Shots From 4 Horror Films

The Fly (1986, dir by David Cronenberg)

The Fly (1986, dir by David Cronenberg)

Near Dark (1987, dir by Kathryn Bigelow)

Near Dark (1987, dir by Kathryn Bigelow)

Evil Dead 2 (1987, dir by Sam Raimi)

Evil Dead 2 (1987, dir by Sam Raimi)

The Church (1989, dir by Michele Soavi)

The Church (1989, dir by Michele Soavi)

Tide of Terror, AI Short Film Review by Case Wright


Clowns scare me and AI used to scare me, but I just don’t think it’s gonna be all that bad. I wasn’t going to review another AI short because…. well, they are terrible, BUT just as I was about to move on to real people- I saw this:

Lisa knows that I can’t turn down a shark movie or Torchy’s Tacos. A shark movie is like Torchy’s Tacos because even if they made mediocre taco- it’s still EXCELLENT. Furthermore, you are still eating a taco; so, how bad could your life really be?!

The short opens with a terribly flooded New York City. Uh oh, here comes a tidal wave and if that isn’t bad enough…. sharks…wait…no a lot sea creatures appear, which are kinda scary… to someone. I got halfway through and there’s something shark-like.

They cut away from the shark to a large squid; so, I’m like who brought the peanut oil? It’s time for some calamari!!! Finally, there is a shark again sort of… and zombies? Is it good? No, but there is a shark… so, fine. The short was all over the place and really tested the depths of punishing me. Then, Adele showed up because she’s….

If you want to check this short out….

Horror On The Lens: Not Of This Earth (dir by Roger Corman)


Today’s horror on the lens is the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises.  Paul could us be an eccentric.  Or, he could be …. NOT OF THIS EARTH!  Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien.  I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies.  Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons.  But sometimes, things happen.  For instance, someone might show up from your home planet and demand an immediate transfusion!  What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out!  And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman.  (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

 

October Positivity: Love On The Rock (dir by Matt Shapira)


2021’s Love On The Rock definitely has something going for it.  It was filmed on the island of Malta.

Malta is a beautiful island nation, sitting between Sicily and North Africa.  I spent the summer after I graduated high school in Europe and Malta was one of the many beautiful places that I visited.  Along with its gorgeous architecture and the beaches, Malta is also known for being the island where St. Paul and St. Luke were shipwrecked for three months.  Paul, it’s said, healed every sick person on the island.

Love On The Rock may be a comedic action film with a religious subtext but, far more importantly, it’s a bit of a travelogue as well.  David A.R. White plays Colton Riggs, a former Chicago cop who moved to Malta after the death of his wife.  He has his own boat and he makes his living giving tours.  (He even has a pre-recorded narration that he plays while navigating the boat.)  This allows for several scenes that give us a chance to take in the stunning beauty of the island.  Colton also has a friend named Rev. Yearwood (Jeff Fahey), who oversees a church that overlooks the ocean.  Again, the view is lovely.

As for the plot, it has to do with the search for a serum that can, in theory, cure any and all diseases.  International criminal Claudio Fairbanks (Steven Bauer, who appears to have been dubbed by someone else) wants control of the serum so he sends his associates to raid the Maltese laboratory where it’s being developed.  One technician gets away, carrying a vial of the serum with him.  Wounded during his escape, the dying man secretly hides the vial on Colton’s boat.

Claudio sends his people, led by Halston Hallstrom (Matthew Marsden), to find the serum.  Meanwhile, the head of the CIA (Jon Lovitz …. wait, Jon Lovitz?) sends Josie (Lauriane Gillieron) to Malta to seduce Colton and discover if he knows where the serum is.  Of course, Josie actually does fall in love with Colton and eventually, Colton does find the serum and it all ends with a surprisingly laid back confrontation between the bad guy and the good guys.

The film is also a comedy and it’s got a religious message as well.  (Josie is offended when Colton acts surprised that a spy would also be religious.)  Surprisingly enough, it’s actually pretty adroit when it comes to juggling all of its different genres.  David A.R. White and Laurianne Gillieron make for a cute couple and both of them turn out to have good comedic timing.  For that matter, I also liked the performance of Nathalie Rapti Gomez, who played a trigger-happy mercenary named Plaza and who gave an entertainingly unhinged performance.  In the end, even that stuff that shouldn’t have worked — like casting Jon Lovitz as a spymaster — actually did work.  Maybe Lovitz should be the next James Bond.

Love On The Rock is an entertaining and unpretentious action spoof.  If nothing else, it’s worth seeing for the beauty of Malta.