I Watched Touchback (2012, Dir. by Don Handfield)


When he was in high school, Scott Murphy (Brian Presley) was nicknamed “Mr. Football.”  He was the best high school player in Ohio and everyone knew he was going to make it far in the NFL.  His dreams of football stardom ended on the night of the big game when his leg was shattered during a running play.  Twenty years later, Scott is still living in his small town.  He owns a farm that he can’t make the payments on and crops that he can’t bring in.  When Scott learns that he is to he honored at the next high school football team for taking the team to the state championship years ago, it causes him to break down.  He attempts to commit suicide but, when he passes out from inhaling carbon monoxide, he doesn’t die.  Instead, he wakes up as a high school student in 1991.

Scott has his second chance.  The championship game is coming up and, if Scott can keep from getting injured, he’ll be able to accept his scholarship to Ohio State and go on to the NFL.  He makes sure to introduce himself to his future wife Macy (Melanie Lynesky) so he won’t lose her.  He befriends the kids that he picked on the first time he was in high school.  When a college scout tells him that his scholarship will not be rescinded if he chooses to sit out the big game, Scott decides to stay on the bench but then his coach (Kurt Russell) explains how much the game means to the people in the town.  Scott realizes he has to play for them but can he get through the game without getting injured a second time?

What would you do if you had a second chance?  That’s something that everyone wonders.  If I had a second chance to relive my senior year of high school, I would take more risks, worry less about the unimportant stuff, and try to be nicer to everyone and not just the members of my social circle.  If I knew I was going to suffer a life-changing injury, I would probably go out of my way to make sure it didn’t happen.  That’s where Touchback loses me because I just don’t think Scott would have played in that game, no matter how eloquent the coach was.  If Scott had sat out the game, the town might have lost the championship but Scott could have gone on to the NFL, still married Macy, and his family wouldn’t be struggling to make ends meet on the family farm.

If I didn’t really believe Scott would have made the decision that he made, there were still parts of Touchback that I liked.  Kurt Russell was a great coach.  I liked the way the town rallied to Scott, even when he was at his lowest and about ready to give up.  That’s one thing I love about close-knit communities.  They take care of each other.

I Watched Dreamer (2005, Dir. by John Gatins)


Dreamer is based on the true story of a horse that did something that few horses have managed to do.  It broke a bone but it still managed to make a comeback as a racehorse.

I love horses, which is why I’m not a fan of horseracing.  I find horseracing to be cruel.  The horses, which have an innate need to follow the orders of whoever is riding it, will literally run themselves to death to try to keep their jockeys happy.  When you add that many racehorses are kept in deplorable conditions and that, with insurance, they are often worth more dead than alive, you have a sport that brings out the worst in a lot of people.  Horses are wonderful animals because they are so loyal.  That loyalty deserves better than being shot because they broke a leg due to their trainer’s negligence.

Given how I feel about horseracing, I’m amazed that I liked Dreamer when I saw it in the theaters and I was surprised that I still liked it when I watched it this weekend.  I guess it’s because the horse in Dreamer is not euthanized.  She would have been euthanized if not for the fact that her trainer (Kurt Russell) brought his daughter (Dakota Fanning) to work with him that day.  Russell loses his job but he does gain a horse.  After the horse recovers from its injury, Russell hopes to breed the horse.  It turn out that the horse cannot have a foal but it can still race.  With Russell and Fanning’s help, the horse returns to competition and shows up everyone who gave up on her.  Russell and Fanning refuse to give up on the horse and the horse doesn’t give up on herself.  Along the way, Russell and Fanning finally spend time together as father and daughter and Russell reconnects with his wife, Elisabeth Shue, and his father, Kris Kristofferson.  Everyone involved gives a good job.  The movie may be predictable but there aren’t any false notes in any of the performances.  I not only wanted the horse to get better but I wanted the family to grow closer and I was happy when both those things happened.

Dreamer is a good family movie.  If only every trainer was as kind and willing to admit his mistakes as Kurt Russell is in this film.  There’s nothing surprising about Dreamer but it’s still a movie that makes me cheer.  It makes me cheer in a way that a real horse race never would.

 

Far and Away (1992, directed by Ron Howard)


The year is 1892 and Joseph Donnelly (Tom Cruise) is a poor tenant famer in Ireland, used and exploited by the wealthy landowners.  Joseph falls in love with Shannon Christie (Nicole Kidman), the rebellious daughter of his landlord.  Shannon dreams of going to America, where rumor has it that land is being given away in the territory of Oklahoma on a first come/first serve basis.  Shannon even has some valuable spoons that she can use to raise money once they arrive in America.  Joseph, after being challenged to a duel by the Christies’ money manger, Stephen Chase (Thomas Gibson), also decides that heading to America might be a good idea.

Life in America is not as easy as Joseph and Shannon thought it would be.  They first end up in the dirty town of Boston, where Shannon loses her spoons and Joseph works for a corrupt political boss (Colm Meaney) and makes money as a bare-knuckles boxer.  They’ll reach Oklahoma eventually but not before Stephen and the Christies come to Boston and Joseph ends up working on the railroad and getting called “that crazy mick” multiple times.

Far and Away was Ron Howard’s attempt to make an American epic, in the style of John Ford.  It doesn’t work because Tom Cruise is too contemporary to be believable as a 19th century Irish immigrant and Howard tries so hard to push everything to an epic scale that it just makes it even more obvious how slight and predictable the movie’s story is.  Far and Away is full of big movie moments but it lacks the small human moments necessary to really engage its audience.  I will always remembers Far and Away because it was one of those films that seemed to take up permanent residence on HBO when I was growing up.  I didn’t really care about the film’s flaws back then.  Nicole Kidman was attractive and tall and she had wild red hair and back then, that’s all a movie needed to hold my attention.  Unlike Cruise, Nicole Kidman can effortlessly move between historical and contemporary films and, of the two leas, she comes off the best.  The movie is really stolen, though, by Colm Meaney, playing a ruthless political boss who could have taught Boss Tweed a thing or two.

Tomorrow is St. Patrick’s Day, when we will be celebrating the legacy of immigrants like the Christies and the Donnellys.  Far and Away tries to pay tribute to their courage and their refusal to give up, even when things were tough and deadly on the frontier.  For me, though, Far and Away will always just make me think of HBO in the 90s.

4 Shots From 4 Films: Special Bernardo Bertolucci Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates Italian director Bernardo Bertolucci!  It’s time for….

4 Shots From 4 Bernardo Bertolucci Films

The Conformist (1970, dir by Bernardo Betrolucci, DP: Vittorio Storaro)

The Last Emperor (1987, dir by Bernardo Bertolucci, DP: Vittorio Storaro)

The Sheltering Sky (1990, dir by Bernardo Betrolucci, DP: Vittorio Storaro)

Stealing Beauty (1996, dir by Bernardo Bertolucci, DP: Darius Khondji)

Song of the Day: Cleopatra Enters Rome by Alex North


Since today is the Ides of March, it only makes sense that today’s song of the day should have the feel of the ancient Roman world.  From the soundtrack of 1963’s Cleopatra (stop it, it’s a fun movie!), here is Cleopatra Enters Rome, composed by Alex North!

Scenes that I Love: Marlon Brando as Mark Antony in Julius Caesar


Beware the Ides of March!

The scene below is from the 1953 film, Julius Caesar.  This Oscar-nominated Shakespearean adaptation had a cast that was full of distinguished actors.  James Mason played Brutus.  The great John Gielgud played Cassius.  Louis Calhern was Caesar while other roles were filled by Deborah Kerr, Greer Garson, Edmond O’Brien, George Macready, John Hoyt, Edmund Purdom. and a host of other distinguished thespians.  And yet, the best performance in the film came from an actor who, at the time, no one considered to be a Shakespearean.  Marlon Brando brought his method intensity to the role of Mark Antony and the result was a performance that is still electrifying today.

On YouTube, someone referred to this as being “the world’s greatest speech delivered by the world’s greatest actor.”  Sounds good to me!

Here is Marlon Brando in Julius Caesar:

Live Tweet Alert: Join #ScarySocial for Food of the Gods!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  Food the Gods, from director Bert I. Gordon!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Food of the Gods is available on Prime!

See you there!

4 Shots From 4 Films: Special David Cronenberg Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to one of our favorite directors, David Cronenberg!  No one has done more to change the way that the world views Canada than David Cronenberg.  In honor of the man, his films, his country, and his legacy, here are….

4 Shots From 4 David Cronenberg Films

Crimes of the Future (1970, dir by David Cronenberg, DP: David Cronenberg)

Videodrome (1983, dir by David Cronenberg, DP: Mark Irwin)

The Dead Zone (1983, dir by David Cronenberg, DP: Mark Irwin)

The Fly (1986, dir by David Cronenberg, DP: Mark Irwin)

The underrated RED SUN (1971) – Charles Bronson & Toshiro Mifune in an East meets Western! 


Every so often I’m going to throw out a movie that I don’t think gets enough love, and that just doesn’t set right with me. Today’s movie is RED SUN. 

In RED SUN, two of the most macho actors in the history of world cinema team up in a western where train robber Link (Bronson) is forced to lead the honorable samurai Kuroda (Mifune) on a cross country trek to reclaim a stolen sword that was intended to be a gift from the Empire of Japan to the US President. If the two men can’t get the sword back in a week’s time, honor demands that the two men will lose their lives out of shame. Link isn’t really down with this plan, but he doesn’t have much of a choice in the matter due to the power and skill of Kuroda. Charles Bronson & Toshiro Mifune command the screen, with Charlie showing a likable sense of humor in his role as the bad / good cowboy. The two must find the evil Gauche (French superstar Alain Delon). Gauche is Bronson’s old train robbing partner who stole the sword and killed a samurai in the process, providing even more motivation for Kuroda. Add in Ursula Andress as a sexy woman who has a history with both Link and Gauche, and it doesn’t get much better than this!

RED SUN is not a perfect movie, but I couldn’t imagine anyone being disappointed by this enjoyable East meets Western that features true international superstars. In my book, it’s highly recommended!

Enjoy the trailer below: