The National Board of Review has announced its pick for the best of 2024! The National Board of Review is considered to be one of the big precursors as far as the Oscars are concerned, though perhaps not as much as they once were.
That said, Wicked is definitely contender so get ready for the most annoying people you know to suddenly get very emotionally invested in the Oscars.
Best Film:Wicked
Best Director: Jon M. Chu, Wicked
Best Actor: Daniel Craig, Queer
Best Actress: Nicole Kidman, Babygirl
Best Supporting Actor: Kieran Culkin, A Real Pain
Best Supporting Actress: Elle Fanning, A Complete Unknown
Best Ensemble:Conclave
Breakthrough Performance: Mikey Madison, Anora
Best Directorial Debut: India Donaldson, Good One
Best Original Screenplay: Mike Leigh, Hard Truths
Best Adapted Screenplay: Clint Bentley & Greg Kwedar, Sing Sing
NBR Spotlight Award: Creative Collaboration of Cynthia Erivo & Ariana Grande
NBR Freedom of Expression Award:No Other Land
Best Animated Feature:Flow
Best International Film: The Seed of the Sacred Fig
Best Documentary:Sugarcane
Outstanding Achievement in Cinematography: Jarin Blaschke, Nosferatu
Outstanding Achievement in Stunt Artistry:Furiosa: A Mad Max Saga
Top Films (in alphabetical order):
Anora Babygirl A Complete Unknown Conclave Furiosa: A Mad Max Saga Gladiator II Juror #2 Queer A Real Pain Sing Sing
Top 5 International Films (in alphabetical order):
All We Imagine as Light The Girl with the Needle I’m Still Here Santosh Universal Language
Top 5 Documentaries (in alphabetical order):
Black Box Diaries Dahomey Look Into My Eyes Super/Man: The Christopher Reeve Story Will & Harper
Top 10 Independent Films (in alphabetical order):
Bird A Different Man Dìdi Ghostlight Good One Hard Truths His Three Daughters Love Lies Bleeding My Old Ass Thelma
SILENT RAGE is one of those movies that I watched quite a bit as a kid, and I thought it was pretty scary. Fox-16 out of Little Rock played it quite often. We didn’t have cable in Toad Suck so I’d watch whatever movies that were playing, especially if they had action. I’d say my initial interest and appreciation for Chuck Norris began with this film, and I still watch Chuck quite a bit to this day. With that said, I’m not sure I’ve watched SILENT RAGE again since I was a teenager. If I’m going to watch Chuck, I’ll generally watch CODE OF SILENCE, LONE WOLF MCQUADE, MISSING IN ACTION, INVASION USA, THE DELTA FORCE, or even FIREWALKER or HERO AND THE TERROR. But this week, I was browsing through Tubi and saw my childhood friend SILENT RAGE and decided to give it another spin.
SILENT RAGE opens in a wild household. John Kirby (Brian Libby) is awakened from his sleep by a kid wearing a Stormtrooper mask and shooting him with a laser gun. The kid tells Kirby he’s got a phone call. Kirby is clearly not doing well. He’s making strange sounds and his body movements are as funky as hell. Add to this situation, wild kids running around the house and a woman, who I’m guessing is their mom, screaming at them. To say this woman’s voice is annoying as she screams at the kids would possibly be my understatement of 2024. When Kirby answers the phone he tells the unseen doctor on the other end of the line, “I’m losin’ it, Doc! I’m not gonna make it” and he hangs up. I have to admit I’m understanding of Kirby at this point. I’ve only witnessed the activities of that house for a couple of minutes and I’m losin’ it! So in what seems like a reasonable move at the time, Kirby goes outside to the woodpile, grabs an axe, and then walks back into the house and confronts the loud lady. She immediately begins screaming in fear and runs upstairs and locks herself into the bedroom. Her fear scream is probably twice as annoying as her “screaming at kids” voice. Prior to Kirby chopping down the door with his axe, she’s able to scream out the window to a passing mailman for help. Soon after this message to the mailman, Kirby puts the lady, and the audience, out of our collective misery.
In what is possibly the fastest response time in law enforcement history, a blazer immediately pulls up front and sheriff Dan Stevens (Chuck Norris) emerges from the passenger side. From this point forward, I will disregard his character name and refer to him as Chuck Norris. Every other person will be referred to as their characters’ names. I thought Norris was cool in SILENT RAGE when I was a kid, and I must admit I still think he’s pretty awesome as he calmly walks into the house where John Kirby has just committed multiple murders. After a few minutes, Kirby attacks Norris. The two men scuffle, but Kirby is able to break free and jump out the upstairs window onto the ground and run into the woods. Norris follows and is immediately almost shot by his deputy, Charlie (Stephen Furst). Quick tangent – it may seem strange at first to think of Stephen Furst (Kent Dorfman from ANIMAL HOUSE) as Norris’ deputy, and after watching the film again, I’ll go ahead and agree that it is a strange choice. He basically plays a goofy guy who has no business in law enforcement and that is made abundantly clear throughout the film. Back to the woods we go where Norris, after barely escaping being shot in the head by Charlie, engages in an additional fight with Kirby. He’s able to subdue the murderer and handcuff him. Now in the back of the cop car, Kirby breaks out of his handcuffs, kicks open the door and begins attacking various men with guns. It’s at this point that he’s shot about 14 times. He should be dead at this point, but I do understand for the sake of running time, that there will be additional plot developments.
These additional plot developments arrive in the form of doctors operating on John Kirby to try to save his life. Fortunately, nature takes its course and Kirby dies, or so we think. It seems that Dr. Phillip Spires (Steven Keats) has a god complex and administers an experimental serum that brings Kirby back to life. Not only that, at the dosage he’s being given, it turns him into an indestructible killing machine. Dr. Tom Halman (Ron Silver) is the voice of reason who tries to convince Dr. Spires to let him die, but to no avail. Dr. Spires is doing this for science and mankind and secretly keeps Kirby alive with Doctor Paul Vaughn (William Finley). The two men think they can control him, but of course they’re wrong. Alive, and now superhuman, Kirby escapes to wreak havoc. And only one man can stop the indestructible, superhuman killing machine, and that man’s name is Chuck Norris.
Just a few additional thoughts before I close. First, Toni Kalem plays Chuck’s love interest, Alison, in the film. His relationship with her does slightly take away from his cool factor as they make love at one point to the cheesiest, corniest 80’s song called “A Time for Love.” She also has an extremely annoying scream voice herself when Kirby comes after her at the end. Second, the cool factor is almost completely restored when Chuck takes on a bar full of drunken, violent bikers and single-handedly destroys them. I think it’s nice of the 22 bikers to come at Chuck one at a time. It would have been a lot harder for him to take on 22 people diving on him at the same time. Third, I stated earlier that the power-crazed Dr. Phillip Spires was played by actor Steven Keats. For those who follow the film career of Charles Bronson like I do, you will immediately recognize Keats as the same actor who played Paul Kersey’s son-in-law in DEATH WISH. In SILENT RAGE he’s a narcissistic jerk, in DEATH WISH he’s a whiny wuss. That’s a solid 1-2 fist-punch of un-likability, Steven!!
I did enjoy the nostalgia factor of re-watching SILENT RAGE after many years. And Chuck Norris getting out of that blazer to go after John Kirby at the beginning of the film was still cool. There were a few things already mentioned above that bothered me more now than they did when I was a kid, but at the end of the day, Chuck Norris is still Chuck Norris. And I will always enjoy Chuck Norris!
John Wayne is just one of those actors I love. He’s made so many great movies. My personal favorites are RIO BRAVO, TRUE GRIT, BIG JAKE, THE SONS OF KATIE ELDER, THE MAN WHO SHOT LIBERTY VALANCE, THE SEARCHERS, THE QUIET MAN, RED RIVER, THE SHEPHERD OF THE HILLS and STAGECOACH. But hell, there are so many great ones not listed above. He just knew how to play tough, honorable, flawed men in his uniquely John Wayne way. When I hit play on a John Wayne film, I know I’m in for a good time.
The 1953 John Wayne movie HONDO starts with a man and his dog walking through a dusty, rocky landscape on their way towards a pond and a rough looking farmhouse. He’s greeted by a woman and her young son. The man, Hondo Lane (Oscar winner John Wayne), is a scout for the U.S. Cavalry who’s just escaped from Apaches but lost his horse in the process. The woman, Angie Lowe (Oscar winner Geraldine Page), allows Hondo to stay at her ranch to rest and get something to eat. She tells him that her husband is away in the hills chasing wildcats for the day, and he asks her if he can buy a horse to get back to his cavalry post. Hondo ends up having to stay a few days at the ranch in order to break a wild, rambunctious horse before it can be ridden. While there, Hondo learns that Angie doesn’t really know where her husband is, as he left months ago and has never returned. Hondo and Angie share some nice conversation and even a kiss. Before he leaves, he tells her that she’s not safe at her remote ranch. It seems that the U.S. government has broken their treaty with the Apaches and no one is safe in the area. Angie refuses to leave her farm as the Apaches have always treated her well, using her spring for water. Hondo heads back to his post and is barely out of sight when the Apaches show up. Will they scalp Angie and her son, Johnny? Will Angie’s husband ever show back up? Will Hondo come back to the ranch and kiss her again in the moonlight? Will Hondo teach Johnny how to swim by throwing him into the pond? Will Hondo have to save a regiment of pony soldiers and settlers from marauding Apaches? It’s my guess that you probably know the answers to these questions, and that’s part of the fun of watching John Wayne movies.
It should come as no surprise that I enjoyed HONDO. John Wayne plays a variation of his normal tough, honorable, honest character, and I like that character. Geraldine Page was nominated for her first Oscar for her performance as Angie Lowe. It was the first of eight nominations she would receive in her career. She’s an interesting actress. She’s not conventional at all in this role yet she absolutely nails it. I haven’t watched much of her work so I need to check some more of her stuff out. Ward Bond shows up as fellow cavalry scout Buffalo Baker. It’s always fun to see Wayne and Bond work together. They go together like peas and carrots. Leo Gordon is effectively slimy as the deserter Ed Lowe, and James Arness shows up as cocky young man who’s humbled and then redeems himself through battle. It’s a fine cast that helps in the fun factor.
It’s not a perfect film, especially by the social standards of 2024, but it’s a fun and entertaining western. I liked it.
When I was a kid, FOX-16 out of Little Rock, Arkansas would have “Charles Bronson weeks” where every night they’d show a different Bronson film. I saw several of his films for the first time during those weeks and TELEFON was one of those movies. I remember really enjoying it that first time I saw it, and I’ve always carried that positive feeling with me.
The plot of TELEFON is pretty interesting. In a nutshell, Charles Bronson is Russian KGB agent, Grigori Borsov, who’s been sent to the United States to stop radical Russian Nicolai Dalchimsky (Donald Pleasance), before he can set off more hypnotized human time bombs. Lee Remick is a beautiful Russian agent (double agent?) who helps him with his mission.
I personally think TELEFON is an underrated Charles Bronson film, and it seems like a movie that has almost been forgotten. This is strange to me because it had quite the pedigree at the time of production. Bronson was a huge star at the time, and the director was Don Siegel, the man behind such classics as DIRTY HARRY, ESCAPE FROM ALCATRAZ, and THE SHOOTIST. The cast is exceptional as well, with Bronson being joined by the likes of Donald Pleasance, Lee Remick, Tyne Daly, Sheree North and Patrick Magee. The screenplay was co-written by Peter Hyams, who would go on to direct such excellent films as OUTLAND, THE STAR CHAMBER, and RUNNING SCARED. My point of sharing all of this is that true professionals were at work in front of, and behind the camera, and they created a damn fine Cold War thriller. I was glad that Shout Factory put out a nice blu ray of the film in January of 2024. Hopefully film enthusiasts will begin discovering the film again.
With that said, TELEFON isn’t a perfect film and I do have a few small complaints. First, Charles Bronson doesn’t appear in the film until we’re already 21 minutes deep. That’s a long time for me to have to wait for the man! Second, Bronson and Remick don’t have a lot of sexual chemistry. She’s beautiful and he oozes masculinity, but somehow it doesn’t really extend to a real connection between their characters. That’s one of the reasons I like it when Bronson works with his wife Jill Ireland. That chemistry is usually there between them. Third, Donald Pleasance wears several wigs and looks kind of dorky at times. Fourth, Sheree North wears a housecoat during her section of the film. If you’ve seen her in BREAKOUT with Bronson from a couple of years earlier, you understand just what a missed opportunity that was. Finally, Tyne Daly is so good in her small role, but she ultimately just kind of exits the film. I’d have liked even more of her. These are small complaints, with the exception of Bronson’s entrance & North’s wardrobe choice, that I don’t really hold against the movie.
The last thing that I want to mention is that there are a couple interesting pop culture references to TELEFON in movies that came out later. First, the writers of THE NAKED GUN borrowed the plot about hypnotized human time bombs in their own plot to assassinate the visiting Queen of England. Certain scenes are taken directly from TELEFON. I remember watching THE NAKED GUN in theaters in the late 80’s and wondering if I was the only person who realized this fact. Second, in DEATH PROOF, Quentin Tarantino used the major plot device of quoting the Robert Frost poem “Stopping by Woods on a Snowy Evening” in order to trigger something. In TELEFON, it was human time bombs. In DEATH PROOF, it was human lap dances. God bless Quentin Tarantino!
Since Sunday is a day of rest for a lot of people, I present #SundayShorts, a weekly mini review of a movie I’ve recently watched.
Deke DaSilva (Sylvester Stallone) and Matthew Fox (Billy Dee Williams) are two badass New York City Cops. Wulfgar (Rutger Hauer) is one of the most dangerous terrorists in the world. When it’s suspected that Wulfgar is in New York City, DaSilva and Fox are transferred to an elite anti-terrorist squad, led by the British expert Peter Hartman (Nigel Davenport). Will they be able to find Wulfgar and stop him before it’s too late?
I’m a big fan of NIGHTHAWKS. The performances from Stallone, Williams, and Hauer are all excellent. Hauer is especially good as the terrorist, Wulfgar. He knocks it out of the park. The action is hard hitting at times, and the tension builds nicely throughout the film, leading to its audience pleasing conclusion. Definitely recommended for fans of action movies and the stars!
Five Fast Facts:
Dutch actor Rutger Hauer was a huge star in the Netherlands when NIGHTHAWKS was made. This is his American film debut.
Sylvester Stallone and Rutger Hauer clashed early and often while making NIGHTHAWKS. The first day on the set, Rutger Hauer had to film a violent action scene. While filming the sequence, Hauer was injured when a cable that would yank him to simulate the force of being shot was pulled too hard, straining his back. Afterward, Hauer discovered that the cable was pulled with such force on Sylvester Stallone’s orders. Hauer threatened Stallone that he would “break his balls” if he ever did something like that again. Reportedly, they clashed often on the film from this point forward.
The director of NIGHTHAWKS, Bruce Malmuth, played the ring announcer of the All-Valley karate tournament at the end of THE KARATE KID. I was 12 years old when I saw THE KARATE KID, and I wanted to be the karate kid. It’s one of my favorite movies, leading to a lifetime crush on Elizabeth Shue.
Reportedly, during the exciting subway chase sequence, Rutger Hauer continually outran Stallone, who is known for his competitive streak. This is one of my favorite sequences in the film, and Hauer does look extremely fast.
If you’re looking for a reason to upgrade to the Shout! Factory blu ray…the Universal Pictures widescreen DVD omits the use of “Brown Sugar” by The Rolling Stones and “I’m a Man” by Keith Emerson. The 2016 Blu-ray release from Shout! Factory adds them back.
December brings us to Awards Season so the Oscar race is about to become much clearer. Until the precursors start pouring in, here are my current predictions!
I love watching movies that are filmed in my home state of Arkansas. There’s something cool about seeing places I’ve been before showing up on the big screen, and if I haven’t been there before, I can go visit. We’ve had our share of big stars show up in the Natural State. Burt Reynolds, Billy Bob Thornton, Bill Paxton, Robert De Niro, Dennis Quaid, Matthew McConaughey, Tom Cruise, and Andy Griffith have all filmed really good movies here. Heck, Martin Scorsese directed one of his very first movies in southern Arkansas. It’s going to be fun revisiting some of my favorites and sharing them with you!
I’m kicking off #ArkansasMovies with WHITE LIGHTNING, the 1973 film from director Joseph Sargent that was filmed almost entirely within 30 minutes of my house in central Arkansas. Burt Reynolds is Gator McKlusky, a good ol’ boy who happens to find himself serving a stint in prison for “stealin’ cars, runnin’ cars, and runnin’ moonshine whiskey.” One day a cousin comes to visit him in prison and tells him that his younger brother Donny has been killed in Bogan County. Suspecting foul play, Gator first tries to escape. When that doesn’t work, he agrees to go stool pigeon and work with the federal authorities to infiltrate the world of illegal moonshining in Bogan County and provide them the names of the big money people in the area. This includes the crooked county Sheriff J.C. Connors (Ned Beatty), who Gator immediately zeroes in on as the key person responsible for his brother’s death.
In my opinion, WHITE LIGHTNING is one of the best of the good ‘ol boy, southern redneck films that were so popular in the 1970’s. One of the main reasons I like WHITE LIGHTNING so much is that while it does has some of the clowning that’s expected in these types of films, the tone gets deadly serious as McKlusky zeroes in on what happended to his brother. Reynolds is especially badass when he stops his signature laughing and goes into vengeance mode. And Ned Beatty is perfect casting as the small-town sheriff who is completely and irredeemably evil. The opening scene shows Beatty boating a couple of bound and gagged young men out into the middle of the lake, shooting a hole in the their boat, and then casually paddling away as the boat sinks. If you came up on him a little later, you’d think he was just heading in from a day of crappie fishing. For a guy that doesn’t look menacing at all on first glance, we know just how dangerous Sheriff J.C. Connors is. And so does Gator. We have a rooting interest in seeing Gator get his revenge.
The primary filming locations in WHITE LIGHTNING are practically in my backyard. My wife and I got married at the Saline County Courthouse in downtown Benton, which is featured very prominently in the film. It’s a beautiful courthouse, with a distinctive clock tower. They decorate it so beautifully for the Christmas season (see picture below). Burt also spends time at the “Benton Speedway” in the film. This is actually the old I-30 Speedway that was in operation in Little Rock for 66 years. Sadly, the Speedway held its final race on October 1, 2022, which is almost 50 years after filming completed. The rest of the locations used were also in central Arkansas in the towns of North Little Rock, Keo, Scott, Wrightsville, and Tucker. FYI, I don’t recommend poking around Tucker if you’re into film tourism. Tucker is the primary prison unit for the Arkansas Department of Corrections. If you do head that way, just don’t pick up any hitchhikers!
All in all, WHITE LIGHTNING is a movie I whole-heartedly recommend, and it’s especially meaningful to me since it’s so close to home. Billy Bob Thornton would be back in this same area in 1996 to film SLING BLADE.
The first Hong Kong actor I ever heard of was Bruce Lee. After that, it was Jackie Chan. I remember in the mid-90’s when RUMBLE IN THE BRONX opened in America and became the number 1 movie at the box office on its opening weekend. Jackie Chan had been trying out for U.S. stardom since the early 80’s with BATTLE CREEK BRAWL, THE CANNONBALL RUN movies and THE PROTECTOR. Now, all of a sudden he was a hot property. Some of Chan’s older movies, like OPERATION CONDOR (1991), SUPERCOP (1992) and DRUNKEN MASTER (1994) were being dusted off the shelves and re-released in America. The entire world was witnessing just what an amazing talent Jackie Chan truly was.
But long before he became a star in America, Jackie Chan was already one of the biggest stars in Asia. In DRUNKEN MASTER from 1978, Chan plays the martial arts hero Wong Fei-hung. Although Wong Fei-hung was a Chinese martial artist, physician & folk hero in real life, in DRUNKEN MASTER he’s played as a mischievous & arrogant young man who thinks he knows way more than he actually does. He’s such a pain in the butt that his dad, Master Wong, sends for his Uncle So to train him. Uncle So has a reputation as a master teacher who has been known to physically cripple his students in order to teach them the discipline it takes to learn his drunken kung fu. One day, after constantly rebelling against his uncle’s teaching, Wong escapes and runs into the mysterious assassin, Thunderleg. Not realizing who he’s dealing with, the disrespectful young man gets his ass kicked and is thoroughly humiliated. It’s so bad that he goes back to his uncle’s house and submits to his teaching. He finally realizes just how much he has to learn. Wouldn’t you know it, it’s also about this time that Thunderleg is commissioned to kill Master Wong. It seems a greedy guy named Mr. Lee wants access to land under Master Wong’s control for the sole purpose of removing its natural resources without regard for how it affects the other people in the area. When Master Wong says no, he unknowingly signs his death sentence. Will young Wong Fei-hung be able to learn the secrets of drunken kung fu in time to save his dad from the man who had soundly defeated him a short time ago? You’ll just have to watch and find out!
Jackie Chan is amazing as Wong Fei-hung. I’ve read about the rigorous training and harsh conditions that Chan himself endured in the Peking opera school that he attended as a child and teenager. The positive from that difficult situation is that he learned a brand of acrobatics and martial arts that helped make him an international movie star. As a 24 year old at the time of filming DRUNKEN MASTER, he’s in peak physical condition. As great as he is in his later American movies like RUSH HOUR and SHANGHAI NOON, his athleticism is off the charts here. When you combine Chan’s physical talents with the martial arts director Yuen Woo-ping, you can expect special results. The fight scenes are the primary draw here and they deliver. There’s a reason that filmmakers like the Wachowski’s, Ang Lee & Quentin Tarantino would ask Yuen Woo-ping to choreograph the martial arts in movies like THE MATRIX, CROUCHING TIGER HIDDEN DRAGON, and the KILL BILL’s.
DRUNKEN MASTER would be a huge financial success and its combination of action and comedy would be the blueprint for success throughout the rest of Jackie Chan’s career. It’s one of the best of its kind.
I don’t hear a lot about LAST OF THE DOGMEN, the 1995 modern day western starring Tom Berenger, Barbara Hershey and Kurtwood Smith. I love the movie, and I have for years. My buddy Chuck, his son Carter, and I recently drove up the hill to Fayetteville to watch the Arkansas Razorbacks play football. We had a great day! We ate at the Catfish Hole for lunch and then watched the Razorbacks beat Louisiana Tech 35-14. It was fun (See picture below for the happy crew). We had about a 3-hour drive home so we were talking about things we both love, like the Andy Griffith Show. Out of nowhere, Chuck said, “Do you want to know a movie I love? It’s called the LAST OF THE DOGMEN.” It was the last thing I was expecting to hear. I also love the movie. We talked about it and had a good time, but I made a mental note to watch it again soon. So here we are.
LAST OF THE DOGMEN opens with Sheriff Deegan (Kurtwood Smith) trying to find three escaped convicts in Northwest Montana. Deegan calls in the best tracker he knows, Lewis Gates (Tom Berenger), to go into the mountains to find the convicts. The two men have a history as Gates was married to the sheriff’s daughter, and the daughter died. The sheriff clearly doesn’t like Gates and blames him for his daughter’s death, but he knows he’s the man for the job. With Gates and his genius dog Zip right on their tails, the convicts are mysteriously killed by a group of men on horses who shoot them with arrows. Gates see the men riding off through a fog and is convinced they are Indians. He ends up seeking out the help of Native American historian Lillian Sloan (Barbara Hershey) to help him understand what he may have seen. He’s able to convince Lillian to ride into the mountains with him because he needs a translator if he actually finds anyone, and the two head off into the Oxbow. After a week of roughing it, they’re about to give up when they suddenly find themselves surrounded by the Indian dog soldiers. They’re taken as prisoners to the Indian camp, where the leader of the dog soldiers, Yellow Wolf, has a sick son. It seems he was shot by one of the escaped prisoners. Gates heads back to town to get penicillin for the son, which ultimately saves his life. Gates and Lillian spend some time getting to know and respect this isolated Cheyenne tribe. Meanwhile, Sheriff Deegan, unable to forgive Gates for the death of his daughter, gathers a group of men and they head into the Oxbow to find Gates. Will the Indians be able to have peace and live their lives like they did in the 19th century, or will they be discovered and forced to live out the fates of their ancestors? Well, if you haven’t seen it, just watch and enjoy!
As I said earlier, I’m a big fan of LAST OF THE DOGMEN. I was initially interested in the movie because I like Tom Berenger as a leading man. His SHOOT TO KILL with Sidney Poitier is a big time personal favorite. I also like him in PLATOON, SOMEONE TO WATCH OVER ME, BETRAYED, MAJOR LEAGUE, SHATTERED, SNIPER and THE SUBSTITUTE. He had been a big sex symbol earlier in his career. By the time of this film, he’s getting a little too old and heavy to be a sex symbol. In THE LAST OF THE DOGMEN, he’s actually very funny, and I really enjoy watching him have fun on screen. I’ll also go ahead and say that I’ve never been a huge fan of the actress Barbara Hershey, but she keeps showing up in movies I love. Outside of this, she’s also in HOOSIERS, and it’s one of my favorites. While there’s something about her I don’t really like, she is pretty good, and I do like her chemistry with Berenger. When they finally share a big smooch towards the end of the film, I liked it. And what can I say about Gates’ Australian cattle dog Zip? He’s an integral part of the story and saves Gates & Lillian’s asses on multiple occasions. At one point in the story, Lillian says “it’s disconcerting to know that the smartest member in our expedition is a dog!” It’s true!
I think the thing I like the most about the LAST OF THE DOGMEN is the idea that a group of Cheyenne Indians could be living out their lives the way they did a century ago. Something about that is romantic and magical to me, and it gave me an emotional interest in the film. Isn’t that why we really love movies? The best ones can reach into our souls and find something that’s valuable to us. I love the idea of Cheyenne Indians living out their heritage and protecting it at all costs. There’s something simple and meaningful about that. Director Tab Hunter really leans into this emotional truth. It’s the only film he would direct, and it seems to share the one message that meant the most to him. Most of us would give anything to have an opportunity to share with the world who we really are. Hunter got that opportunity and shared this movie. That’s pretty cool to me.
I’ve been going through my movies and re-watching some of my favorites. A movie that clearly falls into that category is TRUE BELIEVER starring James Woods and Robert Downey, Jr. I became a fan of James Woods around 1988 primarily based on the strength of two action films that he worked on around that time, those being BEST SELLER (1987) and COP (1988). I spent hours combing through the rental selections at our local Hastings Entertainment store and I remember both of these movies being in the “New Release” section at the same time. They’re both hard hitting, violent films, and Woods is especially good in both. Being an obsessive completist, I found myself searching out the prior work of the star for some more good movies. It was during this time that TRUE BELIEVER was released to the theaters in February of 1989. I enjoy courtroom dramas, and knowing the intensity that Woods brings to his films, I had no doubt I would like it.
The story revolves around Eddie Dodd (Woods), an attorney who used to fight for the cause of the little guy, but now mostly finds himself protecting drug dealers from the law. Enter Roger Baron (Downey Jr.), a recent law school graduate who idolizes Dodd, and is now disappointed to see his legal hero reduced to his current cynical state. When a Korean mother comes into the law offices one day and says her son, Shu Kai Kim, has spent 8 years in prison for a crime he didn’t commit, cynical Dodd doesn’t want to take the case. Young Baron shames him into it though, and soon the two men find themselves taking on the New York District Attorney himself Robert Reynard (Kurtwood Smith) as they try to prove Shu Kai Kim’s innocence and help him taste freedom once more!
Often when people ask me to name my favorite James Woods film, I’ll quickly answer TRUE BELIEVER even though there are many good films to choose from. There are a few reasons for that. First, even though the film is a serious legal thriller with many dark undertones, director Joseph Ruben has given his movie a dark sense of humor. Woods and Downey, Jr. are able to find the humorous elements inherent in their characters and that brings some fun to the otherwise serious proceedings. Second, I really enjoy the story of underdogs taking on the big, bad system. Shu Kai Kim is an underdog who maintains his innocence when all the evidence appears flawlessly stacked against him. Eddie Dodd, the once feared civil rights lawyer who is now a hopeless burnout, is an underdog who appears to be out of his league as he goes up against the most powerful attorney in New York. These underdog story lines give us something to really root for as the story plays out. And finally, the performances are phenomenal from top to bottom. James Woods, an actor known for his electric intensity, is at the top of his game and Kurtwood Smith is a great adversary. Robert Downey, Jr. brings a bright-eyed enthusiasm to the role that compliments the cynical Woods nicely. And Yuji Okumoto as Shu Kai Kim shows us quite a transformation from a man who goes from almost being dead inside as a result of his eight years in prison, to a man who allows a glimmer of hope to seep in for a second chance. I think Okumoto is great in the role. The story takes many twists and turns and I enjoy every moment as it plays out.
Through the Shattered Lens 