While still looking to finish up my review of the latest entry in The Fast & The Furious franchise I thought it best to just put up the song which has led to many a-filmgoer trapped in a box of their emotions and feels.
Everyone by now knows how the release of Furious 7 has a tinge of both sentimentality and bittersweet emotions as this was the final film filmed by Paul Walker before his untimely death in late 2013. The shadow of Walker’s death had cast a shadow over the film. Whether people thought the film was good or not became a sidenote as the filmmakers, actors and everyone involved gave Paul Walker a moving final tribute by film’s end.
“See You Again” brings back Wiz Khalifa who also contributed what would become the theme song for Fast and Furious 6 with “Ride or Die.” This time Wiz has Charlie Puth doing the chorus. The combination of Puth’s heartfelt vocals and Khalifa’s rhymes made for a moving musical tribute to one of the founders of the The Fast & The Furious franchise and to a close friend to all involved in it.
See You Again
Charlie Puth)
It’s been a long day without you my friend
And I’ll tell you all about it when I see you again
We’ve come a long way from where we began
Oh I’ll tell you all about it when I see you again
When I see you again
(Wiz Khalifa)
Damn who knew all the planes we flew
Good things we’ve been through
That I’ll be standing right here
Talking to you about another path I
Know we loved to hit the road and laugh
But something told me that it wouldn’t last
Had to switch up look at things different see the bigger picture
Those were the days hard work forever pays now I see you in a better place
How could we not talk about family when family’s all that we got?
Everything I went through you were standing there by my side
And now you gonna be with me for the last ride
(Charlie Puth)
It’s been a long day without you my friend
And I’ll tell you all about it when I see you again
We’ve come a long way from where we began
Oh I’ll tell you all about it when I see you again
when I see you again
(Wiz Khalifa)
First you both go out your way
And the vibe is feeling strong and what’s
Small turn to a friendship a friendship
Turn into a bond and that bond will never Be broke and the love will never get lost
And when brotherhood come first then the line
Will never be crossed established it on our own
When that line had to be drawn and that line is what
We reach so remember me when I’m gone
How could we not talk about family when family’s all that we got?
Everything I went through you were standing there by my side
And now you gonna be with me for the last ride
(Charlie Puth)
So let the light guide your way hold every memory
As you go and every road you take will always lead you home
It’s been a long day without you my friend
And I’ll tell you all about it when I see you again
We’ve come a long way from where we began
Oh I’ll tell you all about it when I see you again
When I see you again
This past weekend saw myself and fellow site contributor pantsukudasai56 over in Seattle attending Sakura-Con 2015. One of the activities we ended up participating in (meaning we sat down and watched) was in the AMV panels. While we never made it for the AMV Contest panel itself where people got to vote on the videos themselves we did manage to sit down and watch some of the videos. One of these days I will dedicate an entire con to just watching AMVs (well, at least go to the contest itself).
So, for the next week or so I shall be posting the videos we did catch and the one’s which ended up winning awards.
The first “AMV of the Day” Sakura-Con 2015 Edition made it as a finalist for the “Best Fun” Category. It’s “Cosplay Bargain Bin” by TarageAMV and is an amalgamation of over 30 or so anime clips edited to the tune of Macklemore’s “Thrift Shop.”
While it didn’t win in the end, this video from TarageAMV was actually quite funny and does a great job of spoofing the hardships and stress that cosplayers must go through to get ready for the next anime convention. As someone who broke his cosplay cherry this year with a simple enough costume (and I was still stressed that I couldn’t get all the pieces) I think I have a much better appreciation of the lengths and dedication cosplayers put into getting their cosplays ready.
Anime:Acchi Kocchi, Aquarion Evol, Attack on Titan, Baka and Test – Summon the Beasts, Black Butler, Black Rock Shooter, Bleach, Bodacious Space Pirates, Chobits, Clannad, Code Geass – Lelouch of the Rebellion, Cowboy Bebop, Daily Lives of High School Boys, Darker Than Black, Darker Than Black: Gemini of the Meteor, Dragon Ball, Neon Genesis Evangelion: 1.0 You Are (Not) Alone, Neon Genesis Evangelion: 3.0 You Can (Not) Redo, Genshiken Second Season, Gj-Bu, Golden Boy, Great Teacher Onizuka, Hayate the Combat Butler, Heaven’s Lost Property Forte, Horizon in the Middle of Nowhere, Horizon in the Middle of Nowhere II, Inu Yasha, Jojo’s Bizarre Adventure, Kill la Kill, Log Horizon, Love, Chunibyo & Other Delusions, Magical Shopping Arcade Abenobashi, Mayo Chiki!, The Melancholy of Haruhi Suzumiya, My Little Monster, Naruto Shippuden, Occult Academy, One Piece, Ouran High School Host Club, Plastic Nee-san, Robotics;Notes, Sailor Moon: Crystal, Spice and Wolf, Stein:Gate, Yuru Yuri
Song: “Thrift Shop” by Macklemore & Ryan Lewis (feat. Wanz)
We have the first official trailer (not teaser which the others last year had been) for the upcoming vehicular masterpiece mayhem from the mind of George Miller. It’s been a couple of decades since Miller played in the post-apocalyptic world of one Max Rockatansky.
A special teaser trailer was released during last year’s Comic-Con in San Diego and it was universally-hailed as mind-blowing and melt-your-face in it’s awesomeness.
Today we get the first official trailer and, most likely, the only one since the film is nearing it’s release date. So, watch and try not to melt your face as you stare into the mayhem before you.
Mad Max: Fury Road is set for a May 15, 2015 release date.
To say that I’m a huge fan of Led Zeppelin would be an understatement. They’re the band that combines both my love for hard rock and, ultimately, an even bigger love for that most American of musical style, the blues.
Led Zeppelin have always been rooted in their blues foundation. They’ve been an integral part of the British rock invasion to the US that was steeped heavily in blues rock. With classic blues heavily influencing their sound, Led Zeppelin would take the US by storm starting in 1968 and would continue to do so until the band’s dissolution in 1980 soon after John Bonham’s untimely death.
It’s a song from their third album that, for me, epitomizes Led Zeppelin’s early days. These were the years when they reigned as the blues rock kings of the rock world. They would later experiment and try new sounds with their later albums as the band began to branch out into new, diversified musical styles. Yet, for me, the band will always be that blues rock band from London, England who were the first supergroup.
“Since I’ve Been Loving You” is straight up blues and Robert Plant sings it with such emotional intensity that anyone hearing the song for the first time could easily mistake him and the band as one of the classic American blues bands. The song also makes the latest “Song of the Day” not just because it’s one of my favorites but also because of Jimmy Page once again demonstrating why he’s one of the best rock guitarists.
It’s not often a song starts off with a guitar solo, but this one does and Page does so in a slow, blues tempo that would segue into Robert Plant’s vocals. The second guitar solo arrives after the song’s second verse and would have a more blues rock sound to it, but no less impressive.
Since I’ve Been Loving You
(guitar solo)
Working from seven to eleven every night, It really makes life a drag, I don’t think that’s right. I’ve really been the best, the best of fools, I did what I could. (Yeah) ‘Cause I love you, baby, How I love you, darling, How I love you, baby, My beloved little girl, little girl. But baby, Since I’ve Been Loving You (yeah). I’m about to lose my worried mind, oh, yeah.
Everybody trying to tell me that you didn’t mean me no good. I’ve been trying, Lord, let me tell you, Let me tell you I really did the best I could. I’ve been working from seven to eleven every night, I said It kinda makes my life a drag Lord, that ain’t right… Since I’ve Been Loving You, I’m about to lose my worried mind. (Watch out!)
(guitar solo)
Said I’ve been crying, yeah. Oh, my tears they fell like rain, Don’t you hear them, Don’t you hear them falling? Don’t you hear, Don’t you hear them falling?
Do you remember mama, when I knocked upon your door? I said you had the nerve to tell me you didn’t want me no more, yeah I open my front door, hear my back door slam, You know, I must have one of them new fangled, new fangled back door man.
I’ve been working from seven, seven, seven, to eleven every night, It kinda makes my life a drag… Baby, Since I’ve Been Loving You, I’m about to lose, I’m about to lose, lose my worried mind.
Just one more, just one more, oooh, yeah, Since I’ve been loving you, I’m gonna lose my worried mind.
“Simply put, there is a vast ocean of shit that you people don’t know shit about.” — Sgt. Abraham Ford
[spoilers within]
The Walking Dead has been derided as badly-written (early seasons definitely had it’s story issues) with recycled themes and subplots with characters that barely rise above one-dimensional. Only the most ardent fan would take those criticisms of the show and dismiss them outright. The series has had it’s many flaws and the three mentioned have been ones earned through the show’s first three seasons of revolving door showrunners.
There was the show’s original creator, Frank Darabont, who injected a cinematic quality to a tv show that could easily have gone campy (Z Nation), but whose need to control every aspect of the show made him lose the support of the very studio that helped him get the show up and running. It didn’t help that his first half of season 2 where the group searched endlessly for Sophia almost sunk the show.
With Darabont given his walking papers the show turned to series writer and producer Glen Mazzara to right the ship after a listless first half of season 2. Things definitely turned for the better with Mazzara in charge and for the first half of season 3 it looked like Mazzara might have finally figured out what sort of show The Walking Dead should be. In the end, he too ran out of steam as season 3 limped into an underwhelming season finale.
Scott M. Gimple took the reins and things for the show has been improving at a steady rate since season 4 and finally culminates in a season 5 finale that was both full of suspense, action and melodrama in equal amounts that has been the mark of his current tenure as series showrunner. If the show has an award for series MVP it should be handed gladly over to Scott M. Gimple.
“Conquer” starts with a cold opening that already signals that great things are afoot for the rest of the season finale’s extended 90-minutes. We find Morgan asleep (quite peacefully) inside a derelict car in the middle of the woods. We see him wake up and go about what’s probably a daily ritual for him when his breakfast gets interrupted by a stranger who happens to be sporting a “W” mark on his forehead (with dirt instead of carved into). He’s the first person we meet who seems to be affiliated with the very Wolves this second half of the season has been working up as the next Big Bad to threaten Rick and his people. It’s a sequence that gives us a clue as to the sort of bad guys these “Wolves” are going to be for Rick and Company. With some fancy staff fighting and a zen quality to his actions, Morgan more than holds off the two “Wolves” looking to steal his gear and add them to their collection of “W” marked zombies.
The rest of the episode takes on three different storylines involving Rick, Father Gabriel and Glenn.
With Glenn we see him follow Nicholas seen climbing over the walls of Alexandria. While not the most smart thing he has done of late, Glenn has a right to be suspicious of Nicholas who has done nothing but get people (both his own and Rick’s) killed while pumping himself out to be a strong protector when Glenn and the audience know that he’s far from it. It’s a sort of chase sequence as Glenn and Nicholas end up going at it mano-y-mano with Nicholas starting it off with a failed ambush that only wounds Glenn, but does hurt him enough that at times during the episode there was a great chance it was going to be him that would be the significant death to mark the season finale.
The writers (Scott M. Gimple and Seth Hoffman) don’t do the obvious and kill Glenn off, but does make him teeter on the brink of doing what many in the audience hope would happen and that was kill Nicholas once he finally had him beaten down. Instead, Glenn shows that despite his extended time out in the savage wilds outside the walls of Alexandria, he still has some compassion (misguided it might well turn out to be) and the need to see justice done. While Glenn might not have died in this finale his growing role as the voice of reason and compassion in a group that’s become fractured emotionally and mentally means his days on the series could very well be numbered.
Father Gabriel was the more frustrating segment of tonight’s finale. His time with the group has found him to be both naively stupid of the new world around him and mentally unstable because of what he had to do to survive. Yet, we find him talking a walk outside the walls in a bright, clean white shirt like he has cleansed himself prior to make sure he dies with a clean conscience. Instead, the instance a zombie was about to do what he seems to want he finally decides to want to live. But then does another 180 degrees and decides to leave the compound’s gate unsecured knowing it means zombies will definitely wander in.
The writers don’t seem to know what to do with Father Gabriel. From the moment he was introduced they seem to be flailing in the dark with so many ideas on how to treat an unstable man whose faith has been shattered by this new world where the dead don’t remain dead and those who survive must turn to their darker instincts (him included). One moment he’s trying to poison the minds of Deanna about Rick and his people while not confessing to the dark deeds he has done. Next he’s trying to atone for those very sins only to turn around and do something that would add more sins to his ledger.
It’s a shame that Father Gabriel has become such an albatross this season for the show since Seth Gilliam is such a great actor (as his time on HBO’s The Wire has shown). There’s still a glimmer of hope for the fallen priest as we saw when Maggie arrives just in time to keep Sasha from killing Father Gabriel. Will Maggie’s own Hershel-like act of mercy be enough to finally turn Father Gabriel towards something more concrete (whether as a good guy or a bad guy) would have to wait for season 6 this coming October.
We finally come to Rick who is in a sort of timeout after his total breakdown in the previous episode. He finally understands that he might have gone a bit Shane-like and overboard with his behavior, but he also still believes that Alexandria’s best chance of surviving beyond the luck they’ve had before their arrival was for them to stay and takeover. Whether they take over by the examples of their words and deeds or through force if the Alexandrians try to kick them out would depend on the very people who don’t seem to understand what’s truly at stake.
Rick gets a sort of visit from all the differing voices within his group. There’s Glenn and Michonne who wonder if Rick never wanted for their stay in Alexandria to work. Then there’s Carol and, to a certain extent Abraham, who has seen enough of how Alexandria operates to know that these people are like children who have had the luxury of never having been confronted with a no-win situation to wake them up from their fantasy of trying to rebuild civilization. It’s the sort of angel and devil on the shoulder bit that could’ve gone terribly cheesy, but ended up being natural and poignant to the episode’s narrative. A narrative that showed how both Rick and Deanna have been both wrong and right in their stances of how Alexandria should be led.
It would take a death to someone Deanna holds dear for her to finally understand what Rick and his people have bee trying to tell her and the rest of the Alexandrians. Abraham (who has become the show’s go-to-guy for memorable one-liners) said it best himself during the night meeting to decide Rick’s fate. In the only way Abraham knows how he says, “Simply put, there is a vast ocean of shit that you people don’t know shit about.”
In the end, Abraham was correct in that the Alexandrians just do not understand the world they’re living in. They might have the strong walls (not so strong that people can’t climb over them) to keep the zombies out. They have power and running water and some luxuries of the life long past dead. Yet, they’re naive and delusional to think that they won’t have to get their hands dirty to keep their way of life going. These people need people like Rick Grimes and his band of survivors. They might not be the best examples of how society and civilization was before the zombie apocalypse fell on everyone, but they were the ones who best adapted to it and still kept a semblance of their humanity in some way.
So, season 5 ended with not just Rick using a brand of reasoning and a recent example of how things could easily go from good to bad to make his point, but with Daryl and Aaron bringing Morgan back to Alexandria for a reunion between the first two characters we met on this show. Last time we saw Rick and Morgan together was in season 3’s “Clear” and Morgan was definitely not in his right mind while Rick was still holding onto his pre-apocalypse principles. with their latest reunion it looks like things have reversed with Rick looking more and more like the Morgan of “Clear” while Morgan has recovered from his crisis of conscience to come out the other side clear of mind.
We already know that there will be a season 6 and a season after that (AMC knows a goldmine when they see it and this show is literally printing them cash). The questions left unanswered by tonight’s finale looks to be the driving force for the next season. The Wolves now have an idea that Alexandria exists (from the knapsack full of pictures Aaron dropped at the canned food warehouse depot) and will probably try to visit them soon. Then there’s the question of how will Glenn finally expose Nicholas’ cowardice and duplicity to the Alexandrians and whether Nicholas will remain a problem for Glenn moving forward. The biggest question remains on whether these Wolves will involve Negan of the comics in some capacity or just the tip of a bigger danger.
The season closes with a very appropriate scene before fading to black. A car in the canned food depot marked in stark white spray paint with the words: “Wolves Not Far.”
Notes
Tonight’s season finale was directed by series exec. producer Greg Nicotero and written by showrunner Scott M. Gimple and series writer Seth Hoffman.
The Wolves seem to be a new group made just for the show. They don’t seem to correspond to any past group that the comic book has had Rick encounter and/or fight against.
The trailers trap full of zombies with the “W” marks on their foreheads was reminiscent of a similar scene and trap from Resident Evil: Extinction.
Aaron had his own moment during the escape out of the car that was straight out of the original Dawn of the Dead.
Kill of the season has to be when Daryl took the chain, whipped it around his head to take the top of the heads of three zombies with precision. that’s kill of the week stuff that even Zombieland would be proud of.
When Father Gabriel fails to secure the main gate and then his subsequent behavior and confession to Maggie at the chapel was also reminiscent of a character from a George A. Romero zombie film: Day of The Dead. When Pvt. Salazar decides to commit suicide by letting in zombies into the secured compound.
Lennie James was trained to use a walking/fighting stick by the original Donatello from the first Teenage Mutant Ninja Turtles.
The scene at the meeting where Pete accidentally kills Reg and the aftermath was straight out of the comic book frame for frame.
Talking Dead guests tonight are Morgan, Carol and Daryl (Lennie James, Melissa McBride and Norman Reedus) from The Walking Dead.
“War Pigs” is the classic heavy metal song by the godfathers of heavy metal itself, Black Sabbath. This song will kick you in the nuts from it’s ominous bass heavy intro right through one of the best guitar solos in the middle right up to it’s epic ending. It’s not a surprise that many heavy metal fans both new and old still consider this one of the best heavy metal songs ever. It also highlights Ozzy Osbourne as a frontman who became a template for future metal frontmen everywhere. Hearing him sing out the lyrics reminds us that he wasn’t a mumbling, drug-scarred reality tv show personlality. Ozzy was the face of metal and his voice in the early albums of Black Sabbath was one of the best in the business.
The song itself is actually an anti-war song despite many uses of it in films, tv and trailers highlighting war and violence. Last year’s 300: Rise of An Empireliterally reveled in using this song for it’s end credits. Which makes me wonder if those who actually listened to this song actually listened to the lyrics after the first verse.
The lyrics speaks of the inequality of war and how those most willing to begin one are the rich and powerful (meaning they would never ever be put into harm’s way) while those who do the killing and dying are the poor and downtrodden. The interesting thing about this song is how it’s early version was not an anti-war one but just a metal song about witches and black magic rituals. The early name for the song was “Walpurgis” but with the band already being seen as Satanic by puritanical groups in England and in the US they were convinced to change the title to “War Pigs” and adjusted the lyrics to make it the anti-war song it is today.
No matter it’s history and backstory, “War Pigs” remain one of the essential heavy metal songs that any prospective heavy metal newbie needs to listen to and study.
War Pigs
Generals gathered in their masses Just like witches at black masses Evil minds that plot destruction Sorcerers of death’s construction In the fields the bodies burning As the war machine keeps turning Death and hatred to mankind Poisoning their brainwashed minds Oh lord yeah!
Politicians hide themselves away They only started the war Why should they go out to fight? They leave that role to the poor
Time will tell on their power minds Making war just for fun Treating people just like pawns in chess Wait ’til their judgment day comes Yeah!
(guitar solo)
Now in darkness world stops turning Ashes where the bodies burning No more war pigs have the power Hand of God has struck the hour Day of judgment, God is calling On their knees the war pig’s crawling Begging mercy for their sins Satan laughing spreads his wings Oh lord yeah!
If there was ever a song that’s become synonymous with a TV series (and there’s been a lot of them) then I would say that the latest “Song of the Day” would be at the top of this particular mountain. This particular song became the signature song of the series. I am talking about that classic song from 70’s progressive rock group Kansas, “Carry On Wayward Song”.
The song was released as part of the band’s Leftoverture full-length album. The single for the song was released around 1976 and became one of the band’s biggest hits. “Carry On Wayward Son” is just one of those songs which instantly hooks you and won’t let go. From the acapella intro followed up by a prolonged progressive section that leads up to vocals accompanied by some subtle percussions and keyboards.
Then there’s lead guitarist and founding member Kerry Livgren starting, bridging then ending the song with guitar solos that were all different from each other. One usually will see two solos, but three in and in three different instances tend to be the exception to the rule.
In the long run this song will stick to your mind once it catches a hold of you and you’ll be happy to sing-along whenever it comes on. For Supernatural fans this song has become an anthem for their favorite show and definitely will send Wincest fans of the two brothers in the show into a-twitter.
Carry On Wayward Son
Carry on my wayward son
There’ll be peace when you are done
Lay your weary head to rest
Don’t you cry no more
(guitar solo)
Once I rose above the noise and confusion Just to get a glimpse beyond this illusion I was soaring ever higher But I flew too high Though my eyes could see I still was a blind man Though my mind could think I still was a madman I hear the voices when I’m dreaming I can hear them say
Carry on my wayward son There’ll be peace when you are done Lay your weary head to rest Don’t you cry no more
(guitar solo)
Masquerading as a man with a reason My charade is the event of the season And if I claim to be a wise man It surely means that I don’t know On a stormy sea of moving emotion Tossed about I’m like a ship on the ocean I set a course for winds of fortune But I hear the voices say
Carry on, you will always remember Carry on, nothing equals the splendor Now your life’s no longer empty Surely heaven waits for you
Carry on my wayward son
There’ll be peace when you are done
Lay your weary head to rest
Don’t you cry no more
There’s always been great combos throughout history. Whether it was Lee and Stonewall, Grant and Sherman right up to peanut butter and jelly. Sometimes two things alone and by themselves are very good, but only reach the level of greatness when put together.
This short anime film by animator Paul Johnson (Youtube user Otaking77077) done over four years in the traditional anime style is turning out to be one of the best things to come out this year. It combines two things that were already great on their own, anime and Star Wars, but when put together has reached epicness status.
It even puts the narrative (scored with heavy metal fashion by Zakir Rahman) completely on the side of the Galactic Empire. This is a narrative we rarely get to see since everyone seems to be all in Team Rebel Alliance.
If there was ever song which perfectly fused the two into the music genre commonly as blues rock it would The Allman Brothers Band’s iconic song from their 1969 self-titled album, “Whipping Post”.
I consider “Whipping Post” one of the greatest rock songs ever created. It’s blues origins could be heard throughout the song from the near-perfect slide-guitar playing by one of rock’s greatest guitarists in Duane Allman. The lyrics to the song is classic existential blues of an evil woman the cause of one’s ruination and of the metaphorical whipping post the song’s subject is put through.
While brother Greg’s vocalizing has been a highlight for some the true highlight of the song comes from the band’s two lead guitarists. The song manages to showcase both player’s skills in two separate guitar solos that come after the songs two verses and choruses. We get Duane Allman performing magic with the first guitar solo in slide-guitar fashion with Dickey Betts joining in on the tail end on rhythm guitar. The second guitar solo has the two performers switching roles with Duane augmenting Bett’s electric guitar work with some slide work on acoustic guitar.
The song’s lyrics were written by Duane’s brother Greg who is also the band’s lead singer. His vocals in this song comes out as if coming from the very depths of perdition. There’s genuine, fierce emotion in the singing by Greg Allman and everyone else who has covered the song never seem to replicate the very same emotion which made “Whipping Post” so great the moment it was first heard in 1969 and continues to be great as a new generation in the 21st century gets introduced to the band.
The studio version of the song is powerful in it’s own right…
…but it’s the 22-minute long live recording At Fillmore East that the song has attained mythical status.
Whipping Post
I’ve been run down I’ve been lied to I don’t know why, I let that mean woman make me a fool She took all my money Wrecks my new car Now she’s with one of my good time buddies They’re drinkin’ in some cross town bar
Sometimes I feel Sometimes I feel Like I’ve been tied To the whipping post Tied to the whipping post Tied to the whipping post Good lord I feel like I’m dyin’
(guitar solo)
My friends tell me That I’ve been such a fool And I have to stand down and take it babe, All for lovin’ you I drown myself in sorrow As I look at what you’ve done Nothin’ seems to change Bad times stay the same And I can’t run
Sometimes I feel Sometimes I feel Like I’ve been tied To the whipping post Tied to the whipping post Tied to the whipping post Good lord I feel like I’m dyin’
(guitar solo)
Sometimes I feel Sometimes I feel Like I’ve been tied To the whipping post Tied to the whipping post Tied to the whipping post Good lord I feel like I’m dyin’
“It’s their world, we’re just living in it.” — Enid
[spoilers within]
Tonight’s episode of The Walking Dead marks the penultimate one for the show’s fifth season. It has been a season that’s seen the series remain on a consistent high. It still had some episodes which fell a bit flat, but overall season 5 has been the show’s best and delivered on showrunner Scott M. Gimple’s promise to keep the story moving forward.
The episode begins with a cold opening that shows the aftermath of the deadly supply run to the solar factory warehouse in the previous episode. We have to stories being told. There’s Glenn still haunted by having to witness Noah’s death by zombies very up close and personal. We see him tell Rick about how he and the others made a mistake and how it led to the deaths of Aidan and Noah. He feels responsible and hopes that it doesn’t ruin their chance in making the Alexandria experiment work. He still believes in the concept that is the ASZ (Alexandria Safe-Zone) and even Noah’s death doesn’t budge him from that belief. Rick, on the other hand, only sees danger and trouble when it comes to the ineptitude of the Alexandrians. His fears and doubts about whether the Alexandrians can pull their weight when it comes to keeping everyone safe has been confirmed.
Deanna, on the other hand, hears a different tale from Nicholas. It’s a tale of how it was he who tried to save Aidan and not leave him behind. It was Glenn who distracted and caused the death of Aidan and whose bloodthirsty attitude got Noah killed. Nicholas spoke about how he would never leave Aidan, his friend, behind and even included newcomer Tara as someone he tried to save. There’s some hints that Deanna has a sense that Nicholas wasn’t telling her the truth of what happened, but we don’t get to hear her voice out these doubts.
“Try” is a very appropriate title for tonight’s episode. We see several characters attempt to try and find a way to make the combination of Rick’s people and the Alexandrians co-exists together peacefully. Glenn, despite what some of these Alexandrians have done, still believes that they need to make Alexandria work. It’s their last chance to go beyond just existing and surviving but actually living life. He’s become the show’s moral compass (hopefully not a death sentence) now that Hershel and Tyreese are gone. Yet, unlike the previous moral compasses in the show, Glenn does understand that sometimes pragmatism must rule the day above all else. He just believes that Alexandria needs a chance to survive the growing pains of their group’s arrival.
Another of Rick’s people trying to make it work is Michonne. She’s had her time in exile in the wilds of this new and dangerous world. Her survival to this point has been in part due to those solitary months on her own with only herself to keep safe. Yet, she has also found out that being alone was a detriment to her psyche’s well-being and finding Rick and his people was what ultimately saved her not just from the zombies but from her own self-destructive ways.
She sees what’s happening with Sasha. A friend and fellow survivor deep in the midst of PTSD who has lost so much in such a short period of time that she hasn’t had the chance to take in and accept those losses let alone mourn them. Michonne understands what Sasha is going through but also realizes that they need her for what’s to come. Michonne wants to make Alexandria work and instability brought on by Sasha’s death wish and Rick’s inability to trust the Alexandrians will only make that prospect harder to achieve.
It is no surprise that the episode ends with Michonne taking control of a situation brought on by Rick’s blunt force behavior in trying to convince the Alexandrians that the way they were doing things were not going to work going forward. Michonne’s belief in the Alexandrians’ survival skills might mirror Rick’s own thoughts on the matter, but where Rick wants a confrontation to be the catalyst of change she seems more than willing to lead by example.
On the other side of things are Rick and Deanna looking to be at loggerheads about what’s truly best of Alexandria. It’s easy to take Rick’s side that the way Deanna and the rest of the Alexandrians have been doing things were just not going to cut it in this new world. It’s a world that Rick and his people have experienced first-hand and lost people along the way, but in the end have survived all it has thrown at them. Deanna, on the other hand, still believes in the rule of law and order, civilization over anarchy. She doesn’t believe in killing those who could be a danger to the ASZ (like Peter who also happens to be the lone physician and surgeon), but instead would rather exile them out into the wilds.
It’s a way of doing things that Rick sees as another way of putting the ASZ in danger. Deanna doesn’t think so and this clashing of philosophies on how things should be done looks to be one that’s heading into a confrontation that puts everyone in danger. Neither side seem willing to try and compromise and find a way to make the two groups con-exist. No attempt to allow the Alexandrians to learn from what Rick and his people could teach them to be better survivors. No attempt from Rick and those who believe him to adjust to this new life. A life that they see as a danger in itself. They see Alexandria’s walls as something that could make them soft and distract them from surviving.
So, we have the extended season finale next week and the question of whether Rick is too far gone to stay in Alexandria will be one of the questions that need answering. Will the group have to suffer through another loss of one of their own for the Alexandrians to finally realize that their survival before Rick and his people arrived have been through blind luck not through the civilizing rule of Deanna? Will Rick and the others just leave Alexandria or will the group finally splinter-off from those wanting to try and make it work and those unable to?
Then there are those zombies with the “W” cut into their foreheads looking to crash the party.
Notes
Tonight’s episode of The Walking Dead, “Try”, was directed by Michael E. Satrazemis and written by series veteran Angela Kang.
“Keep walking” has become Rick’s version of Carol’s “look at the flowers”. Pete should’ve been sprinting away the moment Rick uttered those wordsa at him with those Rick dead-eyes.
Nine Inch Nails’ “Somewhat Damaged” plays during the episodes cold opening and was a nice reminder that both groupsm Rick’s and the Alexandrians, have been damaged in some fashion since the start of the zombie apocalypse.
Still wondering how Nicholas knew about the Glock Rick hid in the blender out in the woods (Nicholas was in the ASZ when Rick and the group arrived). Is there someone outside the walls that told Nicholas of the hidden pistol?
Talking Dead guests tonight are Yvette Nicole Brown (Community), series executive producer Gale Anne Hurd and Chandler Riggs (Carl Grimes of The Walking Dead)