As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1977’s SISTERS OF DEATH!
In Sisters of Death, Claudia Jennings plays a former sorority sister who has a deadly secret! This is a drive-in classic!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime, YouTube, and a few other streaming sites. I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Just one more day to go! This Saturday, at 9 pm et, join us for SISTERS OF DEATH (1978)! Claudia Jennings is a sorority sister with a deadly secret! The movie is on Prime! pic.twitter.com/28wAdWc3wV
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing One World, which ran on NBC from 1998 to 2001. The entire show is currently streaming on Tubi!
The Cast of One World
This is the place where our dream live forever!
Episode 2.10 “Tough Love”
(Directed by Mary Lou Belli, originally aired on November 20th, 1999)
Cray finally gets an episode of his very own and, unfortunately, it’s also the show’s token anti-marijuana episode,
When Meagan (Amanda Fuller, years before playing the eldest daughter on Last Man Standing) invites Cray to a party, Cray agrees. When Meagan offers Cray a joint, Cray initially refuses but then finally agrees to take a hit. Since this is a TNBC show, Cray automatically ends up paranoid and hungry. He goes home. He demands food from St. Neal and Jane. He tells them to stop watching him. Neal and Jane immediately figure out that he’s been messing with the weed with roots in Hell.
“When you’re high, you’re not in control!” St. Neal tells Cray, “Look at you! Just one night and you’re already a paranoid, munchy-head fool!”
“And whatever you do,” Jane adds, “don’t watch the new Love Boat!”
“Because I smoked pot and could totally freak out?” Cray bizarrely replies.
“No, it’s just a really lame show.”
So, already, the show has revealed that it knows very little about the realities of smoking weed. Very few people get stoned the first time that they smoke. Even those who do don’t end up acting like Cray. As I listened to him list all of the people who he felt were plotting against him, I found myself wondering what Meagan’s weed was laced with.
Later, Meagan asks Cray to be her boyfriend. Cray says yes but is shocked to discover that Meagan is still smoking weed! When the police catch Cray holding Meagan’s joint, he gets stuck with both community service and anti-drug classes. After the rest of the Blake family decides that “Meagan has a problem,” Cray tells Meagan’s parents. Meagan get sent to rehab. Yes, that’s right. Meagan’s parents find out that she smokes weed and they send her to DRUG REHAB!
Before leaving for rehab, Meagan tells Cray that she hates him. Jane, however, assures Cray that, someday, Meagan will appreciate what he did for her. Don’t count on it, Cray.
Meanwhile, Marci accidentally put the house for sale online. An English couple tried to buy but, in the end, the Blakes decided that they couldn’t move. I’m glad that worked out!
Anyway, every TNBC show had to do at least one episode where someone smoked weed and then decided never to do it again. One World gets some credit for having both St. Neal and Jane admit to having smoked in the past as well. (Seriously, I never bought that Zach Morris had never seen a joint until Johnny Dakota came to Bayside.) But, ultimately, this episode was too preachy and unrealistic to work. One gets the feeling that the writers were probably stoned and amusing themselves when they wrote it.
Let’s move on.
Episode 2.11 “Band on the Run”
(Directed by Mary Lou Belli, originally aired on November 27th, 1999)
Because this episode features a guest appearance and two songs from the Norweigian pop duo, M2M, this is one of the episodes of One World that is not available on Tubi. However, it is available on YouTube, though the scenes with M2M singing have been muted. Who is M2M? Remember that annoying Don’t Say You Love Me Song? They’re the ones who did that.
Anyway, in this episode, Ben gets fired from his singing gig at Miami’s “hottest under-21 club,” The Warehouse. He’s replaced by M2M. (Huh? Why would a then-hot Norwegian band end up playing at The Warehouse in Miami?) Humiliated, Ben gets a job delivering chicken (and yes, he has to wear a big chicken suit) and trying to reinvent himself as a rapper. Eventually, Ben starts singing boring songs about his feelings and he gets his gig back. Yay, I guess. As for M2M, they’re last seen going on a date with Cray, who I assume has kicked his marijuana addiction.
In the B-plot, Sui thinks her boyfriend is cheating on her and this somehow leads to Jane joining the football team. It’s dumb and I don’t want to talk about it. Sui’s the coolest character on the show and it bugs me that it’s been a few episodes since she had a decent storyline. Hopefully, that’ll change next week!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1981’s Caveman!
Join Dennis Quaid, Barbara Bach, Shelley Long, and Ringo Starr as they make their way through a prehistoric wonderland! It’s a film with two things that everyone loves, dinosaurs and comedy!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Caveman is available on Prime, Tubi, Pluto, and almost every other streaming service! See you there!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. The entire show is currently streaming on Tubi!
What’s happening with the neat guys? Let’s find out.
Episode 2.11 “A Nobel Profession”
(Dir by Frank Bonner, originally aired on November 21st, 1998)
Welcome to Manny High! Check out how convoluted this mess is.
Homecoming is approaching and Ms. Nobel tells her students that she will not be happy if she catches any of them playing a prank against Manny’s rival, George Washington High. Chris and Jamal decide that this means that they can pull a prank as long as Ms. Nobel doesn’t notice. So, somehow, they steal a gigantic, heavy, stone statue of George Washington from Washington High and they bring it to Manny High. Now, setting aside the issue of how they managed to steal the statue, why would they bring it back to Manny High? I mean, the whole idea is to keep Ms. Nobel from finding out about the prank.
Anyway, Ms. Nobel sees the statue and cancels the Homecoming dance and announces that no Manny High students, outside of the football team, will be allowed to attend the Homecoming game. On their radio show, Chris and Jamal announce that everyone is going to skip class and go up to the roof and play football. (How do they still have this show? Are school-sponsored radio shows allowed to promote skipping class?) Nobel is so upset to see everyone on the roof that she quits. As she explains it, she has never — in her 15 years of being the sole authority figure at a tough inner city school — been treated disrespectfully before.
Meanwhile, because this is a Thanksgiving episode, Cassidy and Dawn build a big paper-mache turkey for homecoming. But then L-Train and Al accidentally break off the turkey’s head. Rather than admit that it was their fault, they allow Cassidy and Dawn to fight over who was responsible. This is the sort of thing that Ms. Nobel would usually handle but Ms. Nobel is gone now and the new principal, Mr. Brown, doesn’t care.
Mr. Brown, by the way, is played by …. FRED WILLARD!
Yes, that Fred Willard. I guess Christopher Guest wasn’t making a movie at the time so Fred was free to hop over to the City Guys set and play Mr. Brown. Mr. Brown is supposed to be a clueless and insensitive buffoon who doesn’t really care about the students but he’s played by Fred Willard so it’s impossible to dislike him. When Ms. Nobel eventually changes her mind and tells Mr. Brown to get off her campus, the audience applauds but the viewers are like, “No! We like Fred Willard!”
That said, I do have to wonder how Ms. Nobel could quit her job and then just change her mind a few days later without it being a big deal. She just walks into the school, announces that she’s back, and she tells Mr. Brown to leave. Does the School Board have any say in this?
On the one hand, this was a dumb episode.
On the other hand …. Fred Willard!
Episode 2.12 “Party of Three”
(Dir by Frank Bonner, originally aired on November 28th, 1998)
Despite using the broadcast to promote civil unrest, Chris and Jamal still have their radio show. When they get a call from a girl who asks whether or not she should dump her boyfriend, Jamal says sure. Uh-oh, the boyfriend was Al! And now, his ex-girlfriend wants to date Jamal! “You broke the code!” Ms. Nobel announces, showing that even she understands dude clichés.
Meanwhile, Dawn wants to throw a comet watching party on the school’s roof. L-Train ruins it by trying to get the attention of the aliens but accidentally getting the attention of the police instead.
This was a dumb episode but I did find it funny that Al, who usually portrayed as being a goofy sidekick, was apparently planning on killing his ex’s new boyfriend at one point and he even had a group of informants who were willing to help him out with his plans. This show could never quite decide just how dangerous Manny High was actually supposed to be.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
It’s time to spend the holidays on the big seas!
Episode 1.11 “Lonely at the Top/Silent Night/Divorce Me, Please”
(Dir by Alan Baron, originally aired on December 10th, 1977)
Yay! It’s a Christmas cruise!
Every season, The Love Boat did a special Christmas episode. Last year, MeTV presented a marathon on Love Boat Christmases and what I discovered is that every Christmas episode featured the crew working through the holidays and missing their families. Nearly every Christmas episode also featured someone dressing up as Santa Claus and at least one veteran of the Golden Age of Hollywood.
The very first Christmas episode opens with the Julie, Isaac, Gopher, and Doc talking about how much they miss their families. We find out that Gopher’s family lives on a farm. Julie is from Oregon. Doc is from Las Vegas. (The show always tried to portray Doc as being some sort of Sinatra-style swinger, despite the fact that he was played by the very even-tempered Bernie Kopell.) Their conversation is interrupted by Captain Stubing who explains that 1) he’s divorced and 2) he’s a middle-aged man who doesn’t get along with his stepmother. Not only does he not have a family but the sea is his home and he has more to worry about than everyone’s holiday spirit.
Much as with Doc being a swinger, Captain Stubing being a stern taskmaster was a recurring theme during the first season of The Love Boat. The crew was always talking about how Stubing had a reputation for demanding perfection for those working under him and being quick to fire anyone who failed to live up to his standards. And yet, we never really see anything that would back up Stubing’s fearsome reputation. Just as how Bernie Kopell was a bit too even-tempered to be believable as a legendary playboy, Gavin MacLeod was a bit too naturally pleasant to be believable as someone who would strike fear in the hearts of his crew. While I have no idea what Gavin MacLeod was like offscreen, when he’s onscreen he comes across as being likable and friendly. Whenever Captain Stubing is meant to be upset or disappointed with his crew, he comes across as being more petulant than fearsome. That’s certainly the case in this episode. Captain Stubing may say that he’s not into the holidays but you never believe him.
Of course, that works to this episode’s advantage. Realizing that he’s failing to bond with his crew and that his lack of holiday spirit is rubbing everyone the wrong way, Stubing turns to Father Mike (Dick Sargent) for advice. Father Mike is escorting a group of children to an orphanage in Mexico but he still takes time to give Stubing some counseling. Let the crew know that you care about them, Father Mike says. Stubing attempts to do so but his attempts at small talk are so awkward that the crew just becomes more frightened of him. Finally, Stubing resorts to dressing up like Santa Claus. The crew may be scared of him but Father Mike’s orphans love him. Anyway, it all works out in the end and believe it or not, I actually did find myself getting invested in this very silly storyline. Gavin MacLeod may not have been believable as a stern captain but he was likable enough that it’s hard not to feel bad about him having a bad holiday.
While this is going on, Dan Barton (John Gavin) and his wife, Lila (Donna Mills), attempt to enjoy the holiday cruise. The only problem is that Dan has just been released from prison and he is struggling to adjust to being on the outside. No soon has Dan boarded the ship then he spots his former law partner, Walter (Dean Santoro). Walter committed the crime that Dan went to prison for and Dan becomes obsessed with getting revenge on him. Lila, meanwhile, wonders if Dan will ever give up his anger. There’s something a bit jarring about going from Captain Stubing dressing up like Santa Claus to Dan Barton plotting to murder someone. John Gavin gave a good performance but the shift in tone between his story and the rest of the episode was almost too extreme. It’d be like if they had made an episode of The Office where Pam suddenly found herself tempted to cheat on Jim with a member of the documentary crew. Tonally, it just felt out of place.
Finally, everyone thinks that Paul (Shecky Greene) and Audrey Baynes (Florence Henderson) are the perfect couple but actually, they’re both sick of each other and they spend most of their time thinking about getting a divorce. The gimmick here is that we hear their thoughts. So, Paul will tell Audrey how much he loves her and then we’ll hear him think something like, “Yeah, I’d love to toss you overboard.” It’s a one joke premise that gets old pretty quickly. Also, needless to say, this is The Love Boat and not The Divorce Boat. Things work out.
My reaction to this episode was a bit mixed but, to be honest, I like Christmas shows. Even if they’re not perfect, I still like them. And it was hard for me not to smile at the Christmas tree in the ship’s lounge or at all the decorations hanging on the ship’s walls. The Captain’s story had a lot of Christmas spirit and I enjoyed that. If you can’t spend the holidays at home, The Love Boat seems like a good substitute.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!
Smiles, everyone! Smiles!
Episode 1.10 “The Over-The-Hill-Gang/Poof, You’re A Movie Star!”
(Dir by Earl Bellamy, originally aired on April 15th, 1978)
Uh-oh, Tattoo has a new money-making scheme! It involves a parrot. While the exact details of Tattoo’s schemes are a bit vague, it all involves teaching the parrot how to speak. Again, I’m not sure how exactly that’s going to make Tattoo a lot of money but whatever. I like parrots.
Still, it’s hard not to notice that Tattoo seems to spend a lot of time trying to figure out ways to make extra money. Tattoo is the second-in-command at the world’s most prestigious resort so you have to wonder why he always seems to be so desperate to bring in some extra cash. It’s not like Tattoo is paying rent or even buying his own food. That’s all provided by Mr. Roarke and the island. Add to that, it has been implied that Tattoo is in charge of the island’s finances and that’s not a job that you give to someone who can’t handle his own money. Maybe Tattoo isn’t looking to make money for himself. Maybe Fantasy Island is on the verge of bankruptcy due to Roarke’s habit of giving people free fantasies. Maybe the talking parrot is Tattoo’s latest scheme to save the Island. If that’s the case, then Tattoo really is the secret hero of this series.
I actually wish this episode has spent more time with the parrot because that little throw-away story was still more interesting than the two main stories. Don’t get me wrong. This isn’t a bad episode. It’s just a bit bland.
Shirley Russell (Barbi Benton) comes to the Island with dreams of becoming a movie star. Mr. Roarke simply snaps his fingers and suddenly, Shirley has not only an agent but also hundreds of fans following her everywhere that she goes. She also has a role in a big movie that will be filming on the Island! When the film’s producer (played by a veteran sleazy guy Herb Edelman) tells Shirley that she’ll have to film a nude scene for the movie, Shirley abandons her fantasy and happily reunites with her earnest fiancé. Barbi Benton was likable as Shirley but the fantasy itself was predictable and on the blah side. Shirley’s shock over the proposed nude scene made me wonder if she had actually watched any movies other than The Sound of Music.
The other fantasy dealt with Spencer Randolph (Ray Bolger), an aging bank robber who wanted to pull off one last job with his old gang before marrying a wealthy businesswoman. Bolger’s old gang was made up of familiar Hollywood character actors like Tom Ewell, Foster Brooks, and Phil Foster. Along with getting the old gang back together again, Spencer was also able to foil a blackmail scheme. Again, the storyline was a bit bland but the chemistry between all of the Hollywood veterans was enjoyable. Ray Bolger was just as spry and likable here as he was when he played the Scarecrow in The Wizard of Oz. Interestingly enough, 39 years passed between The Wizard of Oz and this episode of Fantasy Island and Bolger was still younger than Joe Biden is today when he played Spencer Randolph, the leader of the over-the-hill gang.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!
This week, we have one of Hang Time’s best episodes followed by one of its worse! Let’s jump into it!
Episode 2.7 “Fake ID-Ology”
(Directed by Patrick Maloney, originally aired on October 19th, 1996)
As the episode begins, Coach Fuller is giving his usual pep talk. Yes, the other team is big and they’re good but the Tornadoes have been playing solid basketball! Get out and do your best! Woo hoo!
Except, what’s this? A bunch of Tornadoes that we’ve never seen before run out onto the court while Julie, Josh, Vince, Danny, and Teddy sit on the bench! Mary Beth is sitting in the stands, instead of helping Fuller coach. Amy is sitting next to her and is not in her cheerleading uniform! Oh my God, what’s going on!?
As we find out via flashback, the good players (along with Mary Beth and Amy) all got fake IDs so they could go to a 21 Only Club. (If only they lived in Florida instead of Indiana, they could have gone to Miami’s “hottest under 21 club,” The Warehouse.) Unfortunately, things didn’t go well at the club. Vince didn’t have a fake ID so he wasn’t allowed to enter but then he kept calling Danny until Danny went outside and handed over his fake ID. Vince used that ID to get in the club but, because a new bouncer was on duty, now Danny couldn’t get in. Meanwhile, Josh won a round of free beers and got drunk. (He had such a hangover, he tells us, On a TNBC show, even drinking one beer always leads to the worst hangover ever!) Mary Beth and Amy attracted the attention of some scuzzy weirdos who demanded that they kiss them in return for the free beers that they sent over to the table. The resulting brawl led to everyone getting grounded and Fuller benching all of them….
….which is kind of weird since it’s not like their Fuller’s kids. Teddy is Fuller’s godson so it makes sense that Fuller would punish him but I’m not really sure why he cares what the rest of the team does when they’re not on the court. As well, it seems like Fuller is actually punishing the other players on the team by revealing how bad they are to the rest of the world. The Tornadoes lose the game and not by a small margin. Basically, Fuller just announced, “My team sucks except for Julie and Josh.”
Still, there’s a wonderfully overacted moment in which one of the bad players announces that, “I don’t want to let the team down!” while glaring at the players sitting on the bench. And there’s a funny gag about the bouncers at the club and their reading materials. One reads The Gulag Archipelago while the other reads the Collected Works of Shakespeare and complains that Danny is so annoying that he can’t even make it through Hamlet. This is actually one of the best episodes of Hang Time because of the way it skillfully mixes broad comedy and heavy-handed moralizing.
That said, I still think Coach Fuller should have minded his own business. The Tornadoes are supposed to win games, not learn lessons!
Episode 2.8 “When Loss Is Gain”
(Directed by Patrick Maloney, originally aired on October 26th, 1996)
Because Coach Fuller is giving up getting angry for charity (?), everyone on the team agrees to give up something that they love for a few days. Julie gives up basketball. Josh gives up kissing. Teddy gives up desert. Vince gives up flirting. Amy gives up cheerleading. Danny gives up caring. How does any of that help the poor?
Mary Beth is supposed to give up shopping and, when she goes to the mall and shops instead, everyone gets all judgmental. So, Mary Beth goes down to a homeless camp and starts giving out money, which leads to her getting mugged. Mary Beth says she’s never going to forgive the people who attacked her.
“I’m sorry you got mugged and I’m glad you’re okay,” Josh announces, “but your attitude stinks!”
You know what, Josh? Go to Hell, you prick.
Anyway, it turns out that Josh is poor along with being condescending but you know what? Fuck him and his self-righteous attitude. Seriously, when Josh first appeared on this show, his whole thing was that he wouldn’t play basketball because he felt the team was too focused on winning. Now, he’s bitching because Mary Beth is upset over being mugged. What a jerk.
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #MondayActionMovie, the film will be 1990’s Midnight Ride! Selected and hosted by RevMagdalen, this movie asks what would happen if someone remade The Hitcher with Michael “The Dude” Dudikoff, Mark Hamill, and Robert Mitchum! The movie starts at 8 pm et and can be found on YouTube!
Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet. We will be watching 1979’s Escape From Alactraz! This classic Clint Eastwood prison flick can be found on Prime!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto twitter, start Midnight Ride at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, start Escape From Alcatraz, and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.
One day, in Hollywood, actor Eric Roberts has dinner with Rico Simonini, who is both a fellow actor and a cardiologist to the stars. They proceed to have a long and somewhat meandering conversation about …. well, just about everything.
Eric asks Rico how he balances being both an observant Catholic and, as a doctor, a man science. Rico asks if Eric ever met Marlon Brando, which leads to an amusing story about the morning that Eric mistook Brando for being Jack Nicholson’s gardener. They discuss how the movies have changed over the years, with Eric announcing that, with the exception of Leonardo DiCaprio and Brad Pitt, there are no more movie stars left. Eric talks about how movies today are made quickly and cheaply and how the fact that we can now watch a movie anywhere has effectively ended the idea of movies being big events. Rico talks about seeing Frank Sinatra being brought to the hospital for the final time. They talk about their mutual love of Harry Dean Stanton and Burt Young. Eric says that, before he became a star, Bruce Willis was the best bartender New York had ever seen. Eric also talks about getting high with actor Sterling Hayden.
Oddly enough, the film skips around in time. We seem some snippets of conversation that were apparently shot at a different dinner between the two men. It’s during this second dinner that Eric is approached by a woman named Sandra who excitedly tells him that she loves his sister. “Your sister blows my panties off!” she exclaims before walking away. “Wow,” Rico says as an “OMG” thought balloon suddenly appears over Eric’s head.
The film sets itself up to make us believe that we’ll be eavesdropping on a casual, everyday conversation between the two men but, throughout the film, the men also acknowledge that they are being filmed. Two women who interrupt the conversation to ask for an autograph also smile straight at the camera. Are we watching a documentary or are we watching a fictionalized portrait of Eric and Rico’s friendship? On the one hand, the film’s opening credits specifically credits Rico and Eric Roberts as co-writing the screenplay, which would seem to suggest that we’re watching a scripted conversation. At the same time, Eric also gets a few details mixed up when he’s telling his stories. For instance, he says that Jack Nicholson was Oscar-nominated for Terms of Endearment the same year that Eric was nominated for Runaway Train. Actually, that year, Nicholson was nominated for Ironweed. It’s not a huge mistake and, indeed, there’s actually something undeniably charming about the fact that Roberts has been doing this for so long that he occasionally has a difficult time keeping his dates straight. But it’s the type of mistake that one makes while speaking off-the-top of one’s head as opposed to reciting lines from a script. Are we watching a true conversation or are we watching a recreation of a conversation? The film leaves it up to us to decide, a reminder that films can reflect reality while also being totally fictional.
When My Dinner With Eric started, the image was grainy and the hand-held camerawork was distracting. However, as soon as Eric complains that most films made today look like they were shot on someone’s phone, the image suddenly becomes crisper, the camerawork settles down, and even the film’s soundtrack becomes significantly less muddy. It’s as if, by calling out the poor visuals and sound quality of most low-budget films, Eric Roberts magically fixed this film. When Eric complains about the service at the restaurant, we get a De Palma-style split screen. When Eric talks about Rod Steiger, the film slips in a clip from On The Waterfront. Later, the film finds time to feature a clip from Kubrick’s The Killing. Even as we listen to the conversation between the two men, the directors make sure that we know that we’re watching a movie, once again tasking us with determining what is real and what is just being said for the cameras.
And yes, it’s all a bit self-indulgent and one could probably argue that this film is a vanity project for both Eric Roberts and Rico Simonini. But I have to admit that, after a rough start, I actually grew to like this film. Eric Roberts is a good conversationalist and, as you might expect from someone who has been working in the movies since the late 70s, he’s got a story for every occasion. There’s an unexpected and earnest sincerity to Eric Roberts in this film and, even more importantly, an undeniable love of acting. When the film starts, Eric seems awkward and a bit nervous. But once he starts talking about his technique and the roles that he loved and the ones that he lost out on, he seems to come alive and, before our eyes, he transforms into the quirky performer who has appeared in everything from tough crime films to straight-to-video thrillers to Lifetime melodramas to micro-budget faith movies. It’s interesting to watch and he and Rico seem to be having a good time talking to each other. Though Rico may not be as a famous as his friend, he still manages to hold his own in their conversation.
Do I recommend this film? If you’re a fan of Eric Roberts and if you have the patience necessary to stick with the film despite a somewhat rough beginning, then yes. It’s currently on Tubi.
I am a year older and on vacation until the end of next week. It’s currently 42 degrees outside and, with a storm on the way, next week is expected to bring freezing temperatures. At the same time, I am feeling peaceful and relaxed as we head towards the end of 2022.
Through the Shattered Lens 