Lisa Marie’s Week In Television: 10/12/25 — 10/18/25


Abbott Elementary (Wednesday Night, ABC)

The Abbott teachers go to a baseball game!  As our readers may have noticed, my sister loves baseball so I made sure to have her watch this episode with me.  She enjoyed it, which made me happy.  Myself, I found myself wondering why so many shows — like Abbott with Philadelphia or Dick Wolf’s Chicago shows — take place in cities that most American hate.  Like, if I was ever told that I had to pick between Philadelphia or prison, I’d probably pick prison because at least there wouldn’t be as many people yelling.  Yet, Abbott is often a rather charming show and I usually love It’s Always Sunny In Philadelphia.  It’s just weird how these things work.

Hell’s Kitchen (Thursday Night, Fox)

Ugh, this episode made me physically ill.  I don’t think I could ever be a professional chef, not if it means having to clean every inch of a fishing boat.  (I cleaned my kitchen before watching this episode and my back was killing me by the time I was finished.)  As for this episode and this season, it doesn’t seem like a single chef should be trusted to cook food for anyone.  Chef Ramsay is doing a lot of yelling and I agree with him.

Law and Order (Thursday Night, NBC)

This week, yet another millionaire was murdered in New York City and there was yet another crazy defense that, for whatever reason, Maroun seemed to have sympathy for.  As much as I usually like the “Law” half of these shows, the “Order” part often verges on self-parody.  Between Nolan Price’s wimpy summations and Maroun’s eagerness to protect the criminals, I’m surprised they ever get a conviction.

Night Flight (NightFlight Plus)

On Saturday morning, I watched a video profile of KISS, a band that I really didn’t know much about.  I enjoyed the juxtaposition between the fearsome makeup and their not-at-all fearsome music.

Snub TV (NightFlight Plus)

On Friday night. Jeff and I watched an episode of this 80s music show with our friends, Patrick and Dani.  It was good music.  You could dance to it.

Special Forces: World’s Toughest Test (Thursday Night, Fox)

This show is just not that interesting without Jussie Smollett crying about how nobody will accept that “I just want to move on” from filing a false police report.  If it was really the world’s toughest test, I don’t think a bunch of out-of-shape reality show participants would be doing as well as they are.

Twilight Zone (Prime)

This week, I watched a few classic episodes — To Serve Man, The Monsters Are Due On Maple Street, Twenty-Two (“Room for one more, honey!”), Will The Real Martian Please Stand Up, Nick of Time, and Nightmare at 20,000 Feet.  If the Twilight Zone is not a part of your October viewing, you’re doing Halloween wrong!

The Vanishing Ray (NightFlight Plus)

I checked in with this 1930s serial on Friday night.  The bad guys were still after the vanishing ray and the good guys were still trying to protect it.  As always, this chapter ended with a cliffhanger and an invitation to return to theater next week for the next installment.

Horror on TV: Halloween Is Grinch Night (dir by Gerard Baldwin)


So, we all know that the Grinch once tried to steal to Christmas and then his heart grew a few sizes but did you know that apparently, the Grinch also tried to steal Halloween?

Until about 9 years ago, I did not.  I was going through YouTube, searching for horror films that I could share here on the Shattered Lens, and guess what I came across?

A TV special from 1977 entitled Halloween is Grinch Night!

Unlike How The Grinch Stole Christmas, Halloween is Grinch Night apparently never became a holiday classic.  Perhaps that’s because Halloween is Grinch Night is not exactly the most heart-warming of holiday specials.  Whereas How The Grinch Stole Christmas tells us about how the Grinch learned the true meaning of Christmas, Halloween is Grinch Night gives us a Grinch who has no redeeming features.  There is no hope for this Grinch.  This Grinch will steal your soul and probably drink your blood.  This Grinch is pure Grinchy evil.

This is the Grinch of our nightmares.

Check out Halloween is Grinch Night below and hope the Grinch doesn’t capture you this Halloween….

Retro Television Review: Baywatch 1.2 “Heat Wave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be purchased on Tubi.

Save me!

Episode 1.2 “Heat Wave”

(Dir by Gus Trikonis, originally aired on September 29th, 1989)

Not much of an episode this week, I’m afraid.

California is dealing with a heat wave and no one has air conditioning (really?) so everyone in Los Angeles is heading down to the beach so that they can relax in the hot sand.  Eddie and Trevor keep giving each other the side eye because Eddie is a Baywatch lifeguard and Trevor is a country club life guard.  Eddie tries to hit on a woman who has spent the entire day relaxing near his tower but it turns out that she’s visiting from Australia and only has eyes for Trevor.  “Maybe next time,” she tells Eddie.

Craig is told by his boss that he has to choose between being a lawyer at a big firm or a lifeguard.  Craig’s wife, Gina, suggests that Craig quit the law firm and become a beachfront lawyer.  She says that he can still be a lifeguard and he can just use their kitchen table as his desk.  I don’t know if I would be as understanding as Gina.  Craig was making a lot of money as a big corporate lawyer, even if he apparently couldn’t afford to get an air conditioner.

(What the Heck, California?  How are you surviving with air conditioning!?)

Meanwhile, two stupid kids get trapped in a storm drain.  Mitch sends the junior lifeguards out to look for them.  Hobie asks, “What can a bunch of junior lifeguards do?”  Mitch replies that this is an opportunity for the junior lifeguards to go to all the places that they’re usually not allowed to go.  So, basically, Mitch’s plan to find the missing kids is to put a bunch of other kids at risk.  I guess that’s why he’s the lieutenant.

Luckily, the two dumb kids are rescued.  One of the kids is the son of Steve Humboldt (Jeffrey Byron), a former Baywatch lifeguard.  It turns out that Steve lost custody of his kid in a court case and he basically abducted him.  But, after the kid nearly dies, Steve is like, “We’re going to call your mom and go home!” and that apparently makes everything okay under the “He Changed His Mind Afterwards” clause.

This was all pretty dumb.  Stay out of the storm drain, kids!  It’s not that difficult.

Scenes That I Love: “Help me!” from The Fly


The Fly (1958, D: Kurt Neumann)

One of the great things about the original, 1958 version of The Fly is that, even though it starred Vincent Price, Price didn’t play the Fly.  Instead, for once, Price was allowed to be the voice of reason, the guy who said, “Maybe don’t mess around with the laws of time and space.”

Today’s scene that I love is from the ending of the original Fly.  Supposedly, Price had a hard time filming this scene because whenever he heard the recording of David Hedison crying out, “Help me!,” he would start laughing.  Still, if you know what spiders actually do to the flies that they capture, you can’t help but sympathize with our misdirected scientist in the web.  Destroying him with a rock was probably the most merciful thing that anyone could do.

October True Crime: Mob Town (dir by Danny A. Abeckaser)


In 1957, the Commission — the governing board that regulated organized crime in America — seemed like it was on the very of collapsing.  Bugsy Siegel was dead.  Lucky Luciano had been exiled to Sicily.  Meyer Lansky was more concerned with running his casinos in Cuba than with keeping track of who was angry with who in America.  The ruthless Vito Genovese was moving in on everyone’s business and was suspected of being behind the assassination of Albert Anastasia and the shooting of Frank Costello.

Genovese, looking to solidify his control and perhaps bring some peace to the warring factions, called for a summit in upstate New York, at the estate of Joseph Barbara.  Bosses from across the country gathered in Apalachin, New York.  It started out as a nice weekend, with stories being told and fish being grilled.  But then, suddenly, the cops showed up and 50 of the country’s most powerful mobsters made a run for it.  Many of them ducked into the woods, where they were subsequently rounded up by the cops.

In the end, several mobsters were arrested and convicted of various crimes.  All of those convictions were overturned on appeal.  However, the arrests revealed to America that the Mafia wasn’t just an urban legend.  Up until the bust at Apalachin, FBI director J. Edgar Hoover insisted that there was no such thing as the Mafia.  After the bust, Hoover not only acknowledged that the Mafia existed but he also started a special division of the FBI to deal with it.

(Not that it did much good, of course.  Being exposed still didn’t stop the Mafia from fixing the vote in Illinois during the 1960 presidential election.)

The 2019 film Mob Town details the events leading up to the Apalachin Conference.  Robert Davi is properly intimidating as the ruthless Vito Genovese.  The film’s director, Danny A. Abeckaser, plays Joseph Barbara while Jami-Lyn Sigler plays Barbara’s wife, tasked with putting together a dinner for a growing list of guests.  Josephine Barbara goes from being happy about her husband working his way up the ranks of the mob to growing increasingly frustrated as the number of expected bosses rises from 30 to 50 and I have to say that I could very much relate to Josephine.  Finally, David Arquette plays Edgar Croswell, the New York state trooper who figured out that something big was happening at the Barbara place.  Croswell spends most of the film trying to get people to take him seriously.  At the end of the film, he gets a congratulatory call from President Eisenhower.  I’m enough of a history nerd that I appreciate any film that ends with a congratulatory call from President Eisenhower.

Mob Land was obviously made for a low-budget and it doesn’t always move as quickly as one might like.  When Croswell isn’t trying to expose the mob, he’s pursuing a romance with Natalie (Jennifer Esposito) and Arquette’s permanently dazed expression doesn’t always make him the most convincing state trooper.  It’s an uneven movie that traffics in almost every mob cliche but I can’t be too critical of it.  Robert Davi was a more convincing Genovese than Robert De Niro was in Alto Knights.  I appreciated the scenes of the Barbaras trying to get their place ready for the meeting.  That was mob action to which I could relate.

Horror Song of the Day: Profondo Rosso by Goblin


Today’s horror song of the day comes from Dario Argento’s Deep Red!

Deep Red features the first collaboration between Argento and Goblin and the score remains a classic and one that I listen to every October.

Here’s Goblin performing Profondo Rosso on Italian television in 1975.

4 Shots From 4 Horror Films: The 1970s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we start the savage 70s!

4 Shots From 4 Horror Films

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Last House On The Left (1972, dir by Wes Craven)

The Last House On The Left (1972, dir by Wes Craven)

The Exorcist (1973, dir by William Friedkin)

The Exorcist (1973, dir by William Friedkin)

Horror On The Lens: The Brain Eaters (dir by Bruno VeSota)


For today’s horror on the lens, we have 1958’s The Brain Eaters!

In this noir-influenced tale of science fiction horror, a con-shaped ship crashes near a small town.  Soon, the residents of the town are vanishing, just to return as mind-controlled zombies!  This one clocks in at 61 minutes and it’s an enjoyable little B-movie.  Like many films from the 50s, the main message seems to be that you should never totally trust anyone.  They could be a communist.  They could be an alien.  They could be a Brain Eater!

Keep an eye out for Leonard Nimoy in an early role.  Or actually, it might be better to keep an ear open.  Nimoy isn’t easy to spot but you’ll recognize his voice towards the end of the film.

 

Live Tweet Alert: Join #ScarySocial for In Fear!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  In Fear!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Tubi!

October Positivity: Come What May (dir by Manny Edwards and George D. Escobar)


First released in 2009, Come What May tells the story of the Hogan family.

Judith Hogan (Karen Kelly) is an attorney at a prestigious law firm and has become so devoted to her work and her politics that her husband, a pro-life biologist named Don (Kenneth Jezek), is feeling left out in the cold.  Don has written a book that argues that life starts at conception but he’s struggling to get it published and he knows that, even if he does find a publisher, he’ll probably lose his job as a result.

Meanwhile, their son Caleb (Austin Kearney) wants to transfer to Patrick Henry College so that he can join their championship moot court competition team.  Judith agrees to pay for one year at PHC, on the condition that Caleb win the Moot Court Championship.  If he doesn’t, she won’t pay for a second year and I guess …. well, I don’t know what will happen.  I guess Caleb will have to go back to his old college.  To be honest, it seems kind of petty on Judith’s part.

Judith has a lot on her mind because she’s going to be arguing an abortion case in front of the Supreme Court.  Meanwhile, Caleb and his moot court partner, Rachel (Victoria Emmons), are going to be arguing for the repeal of Roe v Wade during their competition, despite Caleb’s fear that the moot court might not be willing to accept their arguments.  Sitting on the moot court is the retired Supreme Court justice who wrote Roe v Wade.  That would seem like a conflict of interest to me but what do I know?  I went to a party school.

Come What May is a low-budget film, one that is made with more ambition than skill.  It’s not the type of movie that’s going to change anyone’s mind about abortion and, if you’re pro-choice, you’ll probably be even more pro-choice after seeing this film.  The film works best as a 90-minute commercial for Patrick Henry College.  Seriously, the campus looks lovely!  Watching this movie, I found myself missing college.  There’s no better feeling that having your future ahead of you and also feeling like you know better than everyone else in the world.  As for the acting, the cast was often amateurish, with the exception of Victoria Emmons, who gave a very earnest and likable performance as Rachel and who, at the end of the film, got to wear this floral dress that was just to die for.

Watching the film today, what’s interesting is how dated it seems.  It’s 16 years old but, with its debate over whether or not Roe v Wade can be overturned, it feels like it might as well have been written and filmed a hundred years ago.  We now all know that Roe v Wade not only can be overturned but, in fact, it would be overturned 13 years after this film came out.  (Of course, the arguments that led to the overturning of Roe v Wade were a far cry from the largely emotional argument that Caleb and Rachel make in this film.)  Seen today, Come What May feels like a time capsule.