As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix has got 2002’s Bend It Like Beckham!
This film is a favorite of both me and my sister’s and I can’t wait to watch it with everyone!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Bend It Like Beckham is available on Prime! See you there!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today is the 82nd birthday of Greek filmmaker, Nico Mastorakis. And that means that it’s time for….
4 Shots From 4 Nico Mastorakis Films
Island of Death (1975, dir by Nico Mastorakis, DP: Nikos Gardelis)
Death Has Blue Eyes (1976, dir by Nico Mastorakis, DP: Nikos Gardelis)
Blind Date (1984, dir by Nico Mastorakis, DP: Andreas Bellis)
In the Cold of the Night (1990, dir by Nico Mastorakis, DP: Andreas Bellis)
According to who you ask, the building in this video is either supposed to be an abandoned mental hospital or it actually was an abandoned mental hospital. Either the way, the band certainly made it into a home.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. The entire show is currently streaming on YouTube!
This week, the kids have another subway adventure and it’s time for midterms!
Episode 4.18 “Who Da Man”
(Dir by Frank Bonner, originally aired on November 18th, 2000)
This is a weird episode.
I guess because the producers didn’t want to waste their subway set, Al, Dawn, and Cassidy had yet another adventure on a train. This time, the three of them were approached by two muggers who demanded Al’s jacket. Despite all of his brave talk, Al meekly surrendered his jacket. Fortunately, Dawn remembered her self-defense training and somehow managed to flip the main mugger to the ground. Dawn saved Al’s life but, in his eyes, she also robbed him of his dignity. Of course, those of us who have been watching this show from the beginning know that Al never had any dignity to begin with.
After Cassidy tells the editor of the school newspaper about what happened, everyone at the school knows that Al needed Dawn to save his jacket. Al demands that Dawn start acting more “like a girl.” Dawn reacts by acting so girly that Al has a mental breakdown and says he wishes that thing could go back to the way they were, with Dawn dressing like a Portland antique store owner and Al presumably getting mugged every time he rode the subway.
Meanwhile, Ms. Noble asks L-Train, Jamal, and Chris to hold a ladder steady while she attempts to hang a picture of her husband in her classroom. Unfortunately, because she stupidly asked the three most easily distracted people in the school for help, she falls off the ladder. The next time we see Ms. Noble, she’s in a wheelchair and L-Train is pushing her around New York. (How this became L-Train’s job is never really explained.) L-Train, however, suspects that Ms. Noble can really walk and, as such, he keeps trying to put her into situations designed to get her out of the chair. He even rolls her up to the roof of the school so that she can watch a limbo contest. To L-Train’s shock, she doesn’t take part in the contest. L-Train leaves the roof to try to figure out how his life has come to center around pushing around Ms. Noble. When he returns to the roof, he is shocked to discover that Ms. Noble can walk and is doing the limbo, albeit by herself. Ms. Noble taunts L-Train with the fact that she can walk but, when Chris and Jamal step out on the roof, she sits back down.
Seriously, what the heck? I mean, let’s ignore the fact that Dawn is suddenly a kick ass martial artist. What’s going on with Ms. Noble!? This episode actually proves my theory that Ms. Noble is essentially a cult leader who enjoys manipulating her followers. After three years of her offering encouragement to L-Train, this episode finds her not only manipulating him but also going out of her way to make him look like a liar. What a terrible principal! That said, Ms. Noble’s action were just weird enough to make this episode entertaining.
Let’s move on!
Episode 4.19 “Get to Preppin'”
(Dir by Frank Bonner, originally aired on November 25th, 2000)
It’s mid-term time again!
When Chris gets a less than impressive grade on his first test, his father sends him back to prep school. When Chris realizes that he doesn’t have to work hard in his classes because of his father’s influence, he gets upset because it makes him feel like a spoiled brat and apparently, that’s a bad thing. Chris demands to go back to Manny High, where he’s actually held responsible for actions.
Ha! Like that would happen.
Seriously, if I was told that I didn’t have to work at anything when I was 17, crying about it is the last thing I would ever do.
Anyway, Chris’s father returns him to Manny High because, if he didn’t, the name of the show would be changed to City Guy and Jamal would have to host the radio show alone. As always, the important thing is maintaining the status quo.
I am broken-hearted to learn that the Italian horror icon, Giovanni Lombardo Radice, has passed away. RIP, Johnny. He was a good actor, a fascinating intellect, and a witty conversationalist, one who was always willing to take the time to talk to his fans. I once wrote about a dream that I had after watching one of the films in which he appeared. (I think it was Cannibal Apocalypse, if just because the DVD included a lengthy interview with him in which he made quite an impression as a well-read and well-spoken actor who just happened to appear in very graphic horror films.) I was having to look after two hyperactive children who, in the dream, were apparently his kids. (Before anyone reads too much into the dream, I was not the mother. I was just the babysitter.) He replied, “Perhaps actors in monster movies have monster children.” He also loved animals, followed politics, translated Shakespeare, spoke glowingly of Fulci and Deodato, and never hesitated to talk about how much he hated Cannibal Ferox. I always hoped that he would one day get the comeback he deserved. He had a small role in Gangs of New York and a slightly bigger one in The Omen remake. Tarantino raved about him. A true gentleman, he will be missed by all.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
Let’s set sail for adventure!
Episode 2.11 “Heads or Tails/Mona of the Movies/The Little People”
(Dir by George Tyne, originally aired on November 25th, 1978)
The Love Boat crew is super excited because the glamorous movie star, Mona Maxwell (Rhonda Flemming), is going to be on the cruise. Apparently, this is not her first time to sail on the Love Boat. Captain Stubing can’t wait to get reacquainted with her. The walking HR nightmare that is Doc Bricker can’t wait to flirt with her. Artie D’Angelo (Orson Bean), a passenger who owns a chain of garages, is shocked to see that his favorite movie star in on the boat.
Artie may be a big fan of Mona’s but, whenever he tries to talk to her, he finds that he simply cannot find the words. With Doc’s help, Artie finally works up the courage to ask Mona to have dinner with him. Mona accepts and the two of them soon find themselves falling in love. The only problem is that Artie just cannot bring himself to believe that a big movie star like Mona would be interested in a guy like him. Really, Artie is being way too hard on himself. He’s a likable guy! And, fear not, he and Mona leave ship arm-in-arm.
Meanwhile, two frat dudes — Alex (Adam Arkin) and Wally (Richard Gilliand) — have made a bet over who will be the first to sweep Julie off of her feet. When they start the betting, it’s for money but eventually, they decide to just bet a pizza. Julie spends time with both of them and has fun, especially with Alex. But then a jealous Wally reveals the truth about the bet and Julie announces that she doesn’t want anything else to do with either of them. Gopher tells Julie that she should actually be flattered that the two guys were both so determined to date her. Apparently deciding that she’s not really bothered by the fact that both of her suitors just spent an entire weekend lying to her, Julie forgives them and then says that she’s going to spend an equal amount of time with both Alex and Wally so neither one of them will win or lose the bet.
Finally, Doug Warren (Edward Albert) is on the cruise with his parents, who are celebrating their anniversary. Coincidentally, Doug’s co-worker, Beth (Patty McCormack), is also on the cruise! Doug and Beth quickly fall in love but then Beth is freaked out when she sees two little people in the ship’s lounge. She explains to Doug that little people make her nervous. She always worries about what would happen if her child turned out to be a little people. What she doesn’t know is that the little people — Ralph (Billy Barty) and Dottie (Patty Maloney, who also guest-starred on the famous disco-themed episode of The Brady Bunch Hour) — are Doug’s parents!
Without telling Beth why, Doug says that he can no longer see her. A heart-broken Beth goes to the Acapulco Lounge where she gets into a conversation with Ralph and Dottie. She discovers that Ralph and Dottie are just like everyone else and she also finds out that Doug is their very tall son. She tells Doug that she’s no longer worried about their potential children being little people and …. you know, this plot line is just ridiculous. Beth is prejudiced against people based on their height and she’s basically told Doug that she would freak out if her child was anything other than “normal.” And yet, Doug and his parents act all excited when Beth announces that she still loves Doug, regardless of who his parents are. Doug, sweetie — you can do better!
I definitely had mixed feelings about this episode. Orson Bean and Rhonda Fleming were both perfectly charming in their storyline but the other two stories were both pretty icky. I spent the entire episode waiting for Julie to tell off Alex and Wally and for Doug to tell off Beth and, in both cases, it didn’t happen. This was definitely not one of the better cruises of the Pacific Princess.
Hopefully, next week’s destination will be a bit nicer.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
126 years ago, on this date, Douglas Sirk was born in Germany. He would start out his career as a stage director in Germany before coming to the United States in 1937. In the U.S., he made his mark as the director of a series of lushly visualized and often over-the-top melodramas. Never a critical favorite, Sirk was rediscovered and his reputation rehabilitated when film students and critics started to reexamine his work in the late 60s and the 70s. Once dismissed as the maker of tawdry (if popular) melodramas, Douglas Sirk is now seen as a subversive master of irony, one who used his melodramas to comment on American society. It’s fair to say that, without the films of Douglas Sirk, there would be no Lifetime today.
It’s time for….
4 Shots From 4 Douglas Sirk Films
Magnificent Obsession (1954, dir by Douglas Sirk, DP: Russell Metty)
All That Heaven Allows (1955, dir by Douglas Sirk, DP: Russell Metty)
Written on the Wind (1956, dir by Douglas Sirk, DP: Russell Metty)
Imitation of Life (1959, dir by Douglas Sirk, DP: Russell Metty)
Today’s music video of the day comes from the one and only Nick Cave. John Hillcoat, the director of this video later went on to direct films like The Road and Lawless.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!
This week, we’ve got a weird one!
Episode 2.19 “Spending Spree/The Hunted”
(Dir by George McCowan, originally aired on February 24th, 1979)
What a weird episode! This week, we have two fantasies, neither one of which belongs with the other.
The first fantasy is this silly thing where two best friends win a shopping spree. In order to win a bigger prize, Sally Glover (Diana Canova) and Esther Bolling (Lola Falana) have to spend several thousand dollars in Fantasy Island’s shopping district.
(It’s always strange to me how some episodes present Fantasy Island as being a resort while others present it as being a thriving little nation with its own economy, culture, cities, and villages. If you’re a citizen of Fantasy Island who doesn’t work for Mr. Roarke, do you still call the place Fantasy Island or does it have a real name? Do you tell people, “I was born on Fantasy Island but then I came to mainland when I was 11 to study the culinary arts?” My hope is that the natives of Fantasy Island are called Fantasians.)
Sally and Esther are excited to spend their money but then Mr. Roarke adds a twist. They will be competing against each other. The first one to spend all of her money gets a prize. The other one gets nothing. If they both fail to spend all of their money, they both lose. So, of course, Sally and Esther go crazy competing against each other. In the end, though, they both realize that they would rather be friends than for one of them to be a loser.
That’s a nice message but I’m really not sure what their fantasy was to begin with. It seems like Mr. Roarke invited two lifelong friends to the Island and then decided to play games with them for his own amusement. In this episode, we get a return of the vaguely sinister Mr. Roarke who appeared in some of the early first season episodes.
Speaking of sinister, the other fantasy involves Stuart Whitman in the role of Charles Wesley, the world’s most famous big game hunter. (I assume he inherited the title after Darren McGavin died last season.) Whitman’s fantasy is to take part in a great adventure. So, Mr. Roarke hands Wesley a camera and tells him to “shoot a picture” of dictator General Lin Shun (James Shigeta). General Lin Shun rules the national of Chung Tu with an iron fist but he apparently spends all of his time at his compound of Fantasy Island.
Wesley gets the picture but also gets captured by Lin Shun’s men. Lin Shun explains that he will now hunt Wesley through the jungles of Fantasy Island. It’s like a game. In fact, you might call it The World’s Most Dangerous Game! Wesley learns what it’s like to be hunted. Fortunately, at the last minute, Col. Chen (Khigh Dhiegh), the general’s aide, turns against Lin Shun and arrests him. Interestingly enough, it appears that Mr. Roarke is the one who told the colonel to arrest Lin Shun and take over the nation of Chung Tu. Charles Wesley tosses away his rifle and swears that he’ll never hunt again but I’m more interested in the fact that Mr. Roarke has apparently taken over another country.
Like I said, this was a weird episode. The shopping spree stuff didn’t really seem to fit in with Stuart Whitman desperately running through the jungle. This episode also found Mr. Roarke in an uncommonly manipulative and foul mood. This episode left me wondering just what exactly is going on behind the scenes of the resort.
Through the Shattered Lens 