Music Video of the Day: Tunnel Lights by Chelsea Wolfe (2023, dir by George Gallardo Kattah)


Today’s music video of the day is this enjoyably surreal video from Chelsea Wolfe.  The dream-like nature of this video brings to mind Jess Franco’s classic Female Vampire.

Enjoy!

Late Night Retro Television Reviews: Check It Out 1.10 “Car Pool”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, everybody wants something they’ll never give up.

Episode 1.10 “Car Pool”

(Dir by John Bell, originally aired on December 4th, 1985)

One rainy morning, Howard comes to work, just to discover that his assistant manager, Jack Christian, has parked his new BMW in Howard’s space.  As Jack explains it, there wasn’t any other place to park in the small lot.  The other employees all mention that all of their parking space were also taken by customers.  Howard tells his employees that he’s going to call Mrs. Cobb and tell her that they need a bigger parking lot.

That conversation does not go well.  As Howard explains afterwards, negotiations with Mrs. Cobb always involve “give and take.”  In this case, Mrs. Cobb gave Howard his job back after initially firing him and she even agreed to let him keep his parking space.  And then Mrs. Cobb took away everyone else’s parking space.

Needless to say, no one is happy about this.  (Considering that we already had a whole episode about Marlene organizing a union at the store, it’s a little surprising they don’t all stage a walk out in protest.)  However, Christian has a solution.  He organizes a car pool.  He agrees to pick everyone up in his van and drive them to work.  He’ll only charge each of them $5 for the trip to the store and then $8 for the trip home.  (“The drive home is mostly uphill,” Christian explains.)  After everyone agrees, Christian then swindles Howard out of an additional $40 to cover expenses.

Unfortunately, the van has faulty brakes and Christian ends up slamming into the back of someone else’s car while driving everyone to work.  As a result, everyone ends up in the hospital and Christian ends up getting sued by the woman who was driving the car that he hit.  He agrees to settle for $15,000, which he raises by selling his BMW to Howard.

However, no sooner has new luxury car owner Howard started wearing aviator shades and a scarf then a cop (played by Don Lake) shows up and inform Christian that the old woman he hit was actually a con artist and has been arrested.  The cop hands Christian back his money and Howard gives Christian back his BMW.  Then the cop mentions that the old woman tried to flee from police and crashed into a BMW, which causes Christian to faint.  The cop, however, is more concerned with talking to his bookie on the phone than with checking to see if Christian is still alive.

I haven’t even mentioned the scene where Edna explains that she doesn’t care about employee parking because she just parks illegally in the street.  When Howard asks her about the parking tickets that she gets, Edna says that she just tears them in half and tosses them in a nearby garbage can.  Way to go, Edna!  Of course, when the cop first shows up, there’s an extended sequence of Howard claiming that Edna is actually named Doris and that the Edna that the cop is looking for has gone on vacation to Cuba.

There was a lot going on in this weird but funny episode.  In this episode, the show acknowledges that, while dumb people can be funny, dumb people who think they’re smart are even funnier.  Everyone in this episode thought they were more clever than they actually were.  Howard thought he could talk Mrs. Cobb into expanding the parking lot.  Christian thought he could swindle the other employees (and it turned out that actually he could, even if his own natural bad luck ultimately thwarted him).  Con artist Ruby Wexler thought she could swindle Christian (and she nearly succeeded).  In the end, only Edna actually got away with anything, with the cop explaining that Edna had accidentally been issued diplomatic plates and was therefore not subject to traffic laws.  This episode definitely made me laugh more than any other episode of this show that I’ve watched so far.  Check that out.

Lisa Marie’s Week In Television: 12/3/23 — 12/9/23


The Amazing Race (Wednesday Night, CBS)

I swear, as if I didn’t already have enough reasons to resent Big Brother, the latest season took up so much of my time and energy that I still haven’t been able to get caught up with my favorite reality show, The Amazing Race.  The season ends next week and I’m still struggling to get up-to-speed with it all.  That said, I did enjoy this week’s trip to Ireland.

Bar Rescue (Paramount Plus)

On Monday morning, I watched an episode from the first season.  Jon Taffer went to an Irish bar in Redondo Beach.  Because this was the first season, Taffer didn’t yell as much as he would in later seasons and a lot more emphasis was put on “bar science.”  It was kind of nice.  I’m not a huge fan of nonstop yelling.  A little anger goes a long way.

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Check It Out (Tubi)

My review of the week’s episode of Check It Out! will post on this site in about 30 minutes.

CHiPs (Freevee)

I wrote about CHiPs here!

Dancing With The Stars (Tuesday Night, ABC)

Between Big Brother and the holidays, I didn’t really keep up with the latest season of Dancing With The Stars.  (And, to be honest, So You Think You Can Dance was always the better dance competition show.)  I did catch the finale this week.  Congratulations to Xochitl and Van!  I kind of wish Jamie Lynn Spears had made it to the finale as a competitor, just because twitter or X or whatever the heck it’s called now would have exploded.

Degrassi Junior High (YouTube)

I wrote about Degrassi Junior High here!

Dr. Phil (YouTube)

On Monday, largely as a result of watching HBO’s Love Has Won docuseries, I went down the Dr. Phil cult rabbit hole and I watched two episodes.  The first featured an unstable woman who had been brainwashed by a fake psychic.  I followed this up with an episode in which a cult leader was confronted by anti-cult activist Rick Ross.  The cult leader started out trying to be smooth and clever but he lost it as soon as he was challenged.  I’ve been pretty critical of Dr. Phil in the past but I do always enjoy watching him take down a cult leader.

On Wednesday, I watched an episode about a husband and a wife who had been having issues ever since the wife lost a good deal of weight and became “too hot.”  Personally, I think everyone was too judgmental of the wife.  She was just having a good time and if her husband couldn’t handle not being the center of attention anymore, well then I guess it just sucks to be him.

Fantasy Island (YouTube)

I wrote about Fantasy Island here!

Frasier (Paramount Plus)

Finally, after being so disappointed with the premiere, I watched episodes two and three of the Frasier revival.  The second episode featured Frasier trying to connect with Freddy and meeting his son’s co-workers (none of whom knew that Frasier was Freddy’s father).  The third and marginally better episode featured Frasier trying to overcome his “celebrity” status and be taken seriously as a Harvard lecturer.

Both episodes suffered from the same problem, which was also present in the premiere.  Kelsey Grammer does his usual good work.  At this point, he might as well be Frasier Crane.  But all of the other characters are either underwritten or just plan unlikable.  Freddy is a self-righteous jerk and, considering who his parents are and how he was portrayed as a child, it makes no sense that he would grow up to become a blue collar sports fanatic.  Next door neighbor Eve is boring.  Frasier’s Harvard colleagues are clichés.  Watching the show is depressing because you’re like, “Frasier gave up that great apartment in Seattle for this!?”  That’s the problem with reboots.  No one wants to think about classic TV characters getting older and moving into a less impressive apartment.

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Hell’s Kitchen (Thursday Night, Fox and Hulu)

I got caught up on Hell’s Kitchen this week.  Both Jason and Carmen need to get over themselves.  I hope Ryan wins because I like listening to the sound of his voice.

Jennifer Slept Here (YouTube)

And my review is here!

Kitchen Nightmares (Monday Night, FOX)

There were two new episodes this week.  Gordon Ramsay saved a historic hot dog place and then he saved an Indian restaurant.  The first episode was entertaining because of all the personal drama between the owners.  Seriously, don’t ever try to run a business with someone who you are no longer sleeping with.  The second episode was sweet because the owner was such a nice guy but he also drove everyone crazy because he was a micromanager.  By the end of the show, he was trying to enjoy being retired.  It’s always kind of nice to see Chef Ramsay being nice to people, as opposed to telling them to “GET OUT!”

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Monsters (Tubi)

I wrote about Monsters here!

Night Flight (Night Flight Plus)

On Friday night, I watched a Christmas special from some time in the late 80s.  There was some fun new wave-style Christmas music, though the show was stolen by Tony Bennett’s far more traditional style.

Shrek the Halls (ABC, Saturday Night)

I didn’t realize how much I miss Shrek and the gang until I watched this 2007 special earlier tonight.  Christmas is a season that even an ill-tempted ogre can enjoy!

The Simpsons (Disney+)

On Tuesday night, I watched an old episode of The Simpsons.  Feeling that The Itchy and Scratchy Show needed to be shaken up with a new character, the show’s producers demanded that an obnoxious dog named Poochie be added to the cast.  Homer was cast as Poochie but the viewing public did not react quite as positively to the new character as Homer was hoping.  This episode made me laugh more than a few times.  I especially liked that a new character named Roy suddenly showed up in the Simpson household at the same time Poochie was showing up on Itchy and Scratchy.  Everyone pretended like Roy had always been there but, after Poochie was killed off, Roy also announced that he was leaving the Simpson household to move on with “two sexy ladies.”

Survivor (CBS, Wednesday Night)

Emily was voted out after Julie played an immunity idol.  Boooo!  Seriously, that sucks.  Emily was the only person on the show that I liked.  All of the stupid twists and immunity idols are causing good players to get voted out and I’m getting kind of tired of it.  What I wouldn’t give for a season that was a return to Survivor basics, with no idols, no twists, and no weepy backstories.

T and T (Tubi)

I wrote about T and T here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Retro Television Reviews: Welcome Back, Kotter 3.1 “Sweathog Back To School Special”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, season 3 begins!

Episode 3.1 “Sweathog Back to School Special”

(Dir by Bob Claver, originally aired on September 10th, 1977)

A new school year approaches and the Sweathogs have decided to throw a surprise party for their favorite teacher!  Julie and Woodman (who makes it a point to say that he was against the party) lead Gabe to his classroom and surprise!  The Sweathogs even spent $5.75 to get Gabe a new watch.

Gabe and the Sweathogs talk about everything that they’ve been through over the past year and….

Yep, it’s a clip show.

Usually, I skip over clip shows but I did watch this one, just because the first season and the first half of the second season of Welcome Back, Kotter were both pretty good.  Unfortunately, the first half of this clip show was more devoted to catch phrases than sharing classic scenes.  As such, we got a lot of clips of Horshack laughing, Freddie saying “Hi there,” Epstein handing over notes, and Barbarino dancing.  It allowed all four of the main Sweathogs to show off their trademarks but it also made the overall series seem even more gimmicky than it was.

It was only during the second half of the episode that the show offered up some clips from the first season in which Gabe helped each Sweathog find their confidence.  Gabe encouraged Barbarino to get tutoring.  He played a game of basketball with Freddie and, even though Gabe lost big time, Freddie still agreed to take a makeup exam.  Gabe told Epstein that he knew there was a sensitive soul underneath Epstein’s fierce exterior.  And Gabe listened as Horshack talked about the reality of being the class weirdo.  I was glad these clips were included because they served as a reminder that the show started out as an earnest series about a teacher trying to help kids who had been written off by the system.  John Travolta, Lawrence Hilton-Jacobs, Robert Hegyes, and Ron Palillo all showed, in those early episodes, that they were capable of more than just delivering jokey one-liners.

The best part of the episode was when Gabe said, “Remember that time I nearly got fired?” and Woodman replied, “That was a wonderful day.”  John Sylvester White could do a lot with a one-liner and one of the pleasures of the show was discovering just how truly out there Woodman could be.

As for Julie, she remembered the time the Sweathogs destroyed the apartment while trying to clean it.  She still didn’t appear to have forgiven the Sweathogs but that could just be because, as always, Marcia Strassman came across as if she would rather be doing anything other than co-starring on Welcome Back, Kotter.

Once all the clips have been shown, Gabe asks everyone if he’s ever told them about his Uncle Morris, bringing the party (and the episode) to an abrupt end as everyone flees the classroom.

Next week, Julie gives birth and Barbarino drops out of school!

Live Tweet Alert: Watch House At The End Of The Street With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 2012’s House At The End Of The Street!  Starring Jennifer Lawrence and Elisabeth Shue, this film is a personal favorite of mine.

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and YouTube!.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Music Video of he Day: Car Wash by Christina Aguilera and Missy Elliott (2004, dir by Rich Newey)


This video, which was used to promote the film Shark Tank, is not quite up to the Brady Bunch standard but it’s still a good interpretation of the song.

Enjoy!

Late Night Retro Television Reviews: Friday the 13th: The Series 1.10 “Tales of the Undead”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan learns why you never meet your heroes.

Episode 1.10 “Tales of the Undead”

(Dir by Lyndon Chubbock, originally aired on January 25th, 1988)

Comic book fan Ryan is shocked when he witnesses the murder of the owner of his favorite comic book store.  He’s even more shocked by the fact that the murderer appeared to a legendary comic book character, a robot who was created and drawn by an artist named Jay Star.

Micki is skeptical when Ryan tells her that he thinks one of his favorite comic book characters has come to life.  Despite having dealt with a cursed doll and quill that could kill someone just by being used to write that person’s name, Micki draws the line at living comic book characters.  However, Ryan does some research and discovers that a cursed comic book was indeed purchased from the store.

Seriously, think about this.  Ryan not only witnesses a murder but the murder is committed by his favorite comic book character and then he discovers that it’s all linked to the cursed antique store where Ryan just happens to work.  That’s an amazing coincidence!  Jack would probably be concerned about how all of that came to happen but, oddly enough, Jack is not in this episode.

Instead, it falls to Ryan and Micki to track down the comic book.  This leads them to the man who created the robot, Jay Star (played by special guest star Ray Waltson).  Jay Star created the robot in the 40s and became a hero to comic book readers everywhere but he feels that he wasn’t properly compensated for his services.  (This is something that happens far too often to real comic book artists as well.  Some people have definitely gotten a lot of money as a result of all the Marvel films but the families of Jack Kirby and Steve Ditko have not.)  The comic book company kept the rights to his character and they refused to publish the issue in which Jay killed him off.  The company is still making money off of Jay’s work while Jay lives in obscurity as a recluse.  At the start of the episode, Jay Star does not own the cursed comic book.  However, he does manage to track it down and steal it from its current owner, Cal (David Hewlett).  Soon, Jay is transforming into the killer robot and seeking revenge on everyone who he feels has betrayed him.

This was one of the stronger episodes of Friday the 13th.  What really set this episode apart from some of the ones that came before and after was that Ryan had a personal stake in recovering the cursed item.  As he explains it to Micki, comic books were the one constant he had during his dysfunctional childhood.  He grew up admiring artists like Jay Star and dreaming of being one of them and of being a hero who could solve all of the world’s problems.  In this episode, Ryan discovers that his hero is a murderer and John D. LeMay does a very good job of playing Ryan’s disillusionment.  The episode ends on a rather sweet note, with Micki encouraging Ryan to remember Jay Star for his talent and not for his crimes.

The episode is also distinguished by Ray Waltson’s empathetic performance as Jay Star, a villain for whom you can’t help but have some sympathy.  When Jay transforms into the killer robot, the episode itself switches to comic book-style animation, which is one of those gimmicks that works far better than one might expect.  Even the robot was about as scary as a monster on a low-budget show like this could possibly be!

This was a good episode.  I hope Ryan never stopped drawing.

Retro Television Reviews: T and T 2.8 “Every Picture….”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. and Amy battle the Canadian Mafia!

Episode 2.8 “Every Picture….”

(Dir by Don McCutcheon, originally aired on November 21st, 1988)

This episode of T and T continues to insist that the show is taking place in a place called Metro County.  It even features a newspaper called the Metro County Eagle and suburb of Metro County that is called Ridley.  As well, it appears that all of the cars in Metro County have American-style license plates.

Listen, T and T, you’re not fooling anyone.

We can all see the snow on the ground.

We can all see the frozen breath whenever a scene takes place outside.

We have all noticed how polite all the extras are.

We can all see the hockey hair and the denim jackets.

Even more importantly, we can all hear the accent whenever anyone apologizes or asks, “What’s this all aboot?”

Everyone knows that T and T totally takes place in Toronto!  Obviously, a lot of a Canadian shows deliberately tried to leave their setting ambiguous so that they could appeal to viewers in the United States.  Interestingly enough, the most successful syndicated Canadian show in the United States was Degrassi, which was always proudly and forthrightly Canadian.

As for today’s episode, it opens with a waitress named Kathy (Jacqueline Samuda) fleeing from a diner after she happens to see her picture in the newspaper.  It turns out that a lot of people have noticed that picture.  One of them is a burly mob hitman (Paul Coeur) who calls the paper and demands to know who took the picture.  When the editor refuses to name names, the hitman breaks into the office to search for the name himself.

Because Amy is friendly (and maybe more!) with the editor, she volunteers T.S. to investigate the photograph.  T.S. and Amy track down the photographer, a nerdy teenage prodigy named Lenny (Robert Haiat).  After talking to Lenny, they track down the diner where Kathy worked and eventually, they break into Kathy’s apartment.  Kathy isn’t there.

“She either left in a hurry or she’s a bad housekeeper,” T.S. growls.

Meanwhile, the hitman kidnaps Lenny and demands that he take him to the diner where the picture was taken.  When Lenny’s father tells T.S. that the abduction is all his fault, T.S. says, “I’m going to make this right!”

Kathy, it turns out, is actually named Maria.  Because she testified against her mob boss brother, she’s in the Canadian witness protection program.  Lenny kind of ruined all that by taking her picture.  Now, she’s hiding out in a church but, after the hitman catches a priest entering Kathy’s apartment, he’s able to track her down.  This hitman is so evil that he’s prepared to shoot Kathy in the head in the middle of a church!  Luckily, T.S. shows up just in time.

“HEY, FOOL!” T.S. shouts before beating the crap out of the hitman.

There’s a simplicity to T and T that you really have to admire.  For all the talk of T.S. being a detective and an advocate of peace and understanding, he solves most of his problems by either punching someone out or throwing them through a window.  This show reminds us that the simple solution is sometimes the best.

Anyway, you know what?  This was a really good episode.  The mystery was intriguing.  The show generated actual suspense over who would find Kathy first.  The scene in the church was nicely atmospheric.  Even the sentimental ending, with Kathy giving T.S. a crucifix to thank him for saving her life, felt totally earned.  Way to go, Toronto!

Here Are The 2023 Nominations of the Chicago Film Critics Association


The Chicago Film Critics Association have announced their nominees for the best of 2023!  The winners will be announced on December 12th.  For now, here’s what has been nominated in the town of Capone!

BEST PICTURE
Barbie
Killers of the Flower Moon
May December
Oppenheimer
Poor Things

BEST DIRECTOR
Greta Gerwig – Barbie
Todd Haynes – May December
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Teo Yoo – Past Lives

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Huller – Anatomy of a Fall
Natalie Portman – May December
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Jodie Foster – Nyad
Sandra Huller – The Zone of Interest
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Arthur Harari & Justine Triet
Barbie – Greta Gerwig
The Holdovers – David Hemingson
May December – Samy Burch
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth & Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
The Zone of Interest – Jonathan Glazer

BEST ANIMATED FEATURE
The Boy and the Heron
Leo
Robot Dreams
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DOCUMENTARY
20 Days in Mariupol
Beyond Utopia
Kokomo City
Menus-Plaisirs – Les Troisgros
Still: A Michael J. Fox Movie

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
The Teachers’ Lounge
The Zone of Interest

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Kyle Edward Ball – Skinamarink
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

MOST PROMISING PERFORMER
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Milo Machado Graner – Anatomy of a Fall
Charles Melton – May December
Dominic Sessa – The Holdovers
Teo Yoo – Past Lives

BEST ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Asteroid City – Robert D. Yeoman
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte Van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Lukasz Zal

BEST COSTUME DESIGN
Asteroid City – Milena Canonero
Barbie – Jacqueline Durran
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat

BEST EDITING
All Dirt Roads Taste of Salt
John Wick: Chapter 4
Killers of the Flower Moon
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer

BEST ORIGINAL SCORE
Barbie – Mark Ronson & Andrew Wyatt
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Goransson
Poor Things – Jerskin Fendrix
The Zone of Interest – Mica Levi

BEST USE OF VISUAL EFFECTS
Barbie
Godzilla Minus One
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer
Poor Things

Live Tweet Alert: Join #FridayNightFlix For Uncle Buck!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1989’s Uncle Buck!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Uncle Buck is available on Prime and Tubi!  See you there!