Retro Television Review: T and T 2.19 “Family Honour”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

It’s ninja time!

Episode 2.19 “Family Honour”

(Dir by Ryszard Bugajski, originally aired on May 15th, 1989)

First things first, I have to admit that I smiled when I saw the title “Family Honour” flash on the screen.  T and T was a Canadian-produced show that always desperately tried to convince viewers that it was actually taking place in the United States.  But that “Honour,” which no one on the production staff probably even gave a second thought to, totally gives the game away.  It’s like when a Yankee trying to pretend to be from the South says that they’ve been waiting “in line” instead of “on line.”

(Of course, Texans like me also have little tells that give away our place of origin.  Me, I drop the g’s on “ing” so casually that I don’t even realize that I’m doin’ it half the time.)

Anyway, this episode begins in medias res.  Mrs. Shimada (Brenda Kamino) has invited Amy and T.S. to her home so that she can thank them by serving them tea.  Apparently, Amy arranged for a centuries-old Samurai sword to be returned to the Shimada family.  T.S., meanwhile, has been guarding the sword because of how valuable it is.  Still, that doesn’t stop a ninja from breaking into the house and trying to kill Kim (Lisa Jai), the ten year-old to whom the sword has been gifted.  Fortunately, Turner is there to run him off.

Mr. T vs. ninjas!?  Hell yeah!

Unfortunately, there aren’t really many scenes of Mr. T fighting the ninjas.  There’s one scene where he gets flipped onto his back by an apprentice ninja.  And there’s another where T.S. grabs a sword out of a ninja’s hand and then knocks him out with one punch.  That was pretty cool.  But, considering the potential here, it’s hard to be disappointed by the fact that Mr. T himself never put on a ninja outfit or flew through the air.

Instead, T.S. confronts Kim’s uncle, Ikuta (Denis Akiyama).  Having left Japan after bring shame onto the family, Ikuta relocated to Canada and opened up his own ninja training academy in Toronto.  T.S. thinks that Ikuta wants the sword for himself and he also thinks that Ikuta is trying to kill his own niece so that he can be rewarded with special ninja powers.  (Uhmm …. okay, then.)  Ikuta says that’s ludicrous and it turns out that T.S. was too quick to judge Ikuta.  It’s not Ikuta who is trying to steal the sword.  It’s Ikuta’s main student, James (David Orth)!  Ikuta proves his worth by defending Kim from James.  Turner, more or less, just observes.

That seems to be a pattern with the last few episode of T and T.  As of late, Turner hasn’t been as active a participant as in the past.  Instead, it’s hard not to feel that he’s mostly just there so that the show can introduce new characters, all of whom could potentially be spun off into another series.  This episode felt much like a backdoor pilot for a show that would have followed Ikuta as he regained his honour.  That said, this was still a marked improvement over last week’s episode.  You really can’t go wrong with ninjas.

Live Tweet Alert: Join #FridayNightFlix For Talladega Nights!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, we’ve got a comedy classic, 2006’s Talladega Nights!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Talladega Nights is available on Prime!  See you there!

Song of the Day: Baba O’Riley by The Who


Today is the 80th birthday of Who vocalist Roger Daltrey so it seems only appropriate to pick one of The Who’s most recognized songs for today’s song of the day.  Enjoy Teenage Wasteland!

Okay, just kidding.  I know the name of the song is Baba O’Riley.  But seriously, there are thousands of people out there who think that this song is called Teenage Wasteland and, when I first wrote the first draft of my review of Summer of Sam, I may have actually been so exhausted that I actually referred to it as being Teenage Wasteland but, fortunately, if that did indeed happen, Jeff pointed out my mistake before I hit that publish button.  Pete Townshend, who wrote the song, later said that the reference to a “teenage wasteland” was inspired by the audience Woodstock and it was not meant to be complimentary.

This performance, featuring Daltrey’s amazing vocals, is taken from the 1979 concert film, The Kids Are Alright.

Scenes That I Love: The Crew of Apollo 13 Sees The Moon in Ron Howard’s Apollo 13


Today, the Shattered Lens wishes a happy birthday to director Ron Howard!

Ron Howard has been in the film business for his entire life, first as an actor and then as a director.  He is perhaps the epitome of the mainstream, Hollywood film director and, as such, he doesn’t always get the credit that he deserves.  He’ll never be considered an auteur but no matter!  Ron Howard makes efficient and often entertaining films and, in this age of bloated budgets and self-indulgence, there’s something to be said for his professional approach.

Plus, he gave us this absolutely beautiful scene from 1995’s Apollo 13.  In this scene, Jim Lovell (Tom Hanks) takes a look at the moon and, for a minute, thinks about what could have been.  Though Lovell may dream of walking on the moon, he knows it won’t happen and that his only concern now is getting both himself and his crew back home.  He’s a professional, much like Ron Howard himself.

4 Shots From 4 Films: Special Zack Snyder Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 58th birthday to Zack Snyder!  Zack Snyder has been a favorite (and occasionally a not-so-favorite) of many of the people who have written for this site.  Speaking for myself, I loved Sucker Punch and disliked Man of Steel.  (Arleigh, for the record, liked both.) But Snyder is a filmmaker about whom no one seems to be neutral.  That’s definitely something of which to take some pride.  I was not a fan of the whole idea behind the Oscar Fan Favorite nonsense that took place a few years ago but there was something satisfying about both of those awards being won by films directed by a man who Hollywood has often tried to dismiss.

In honor of Zack Snyder’s birthday, here are….

4 Shots From 4 Films

Watchmen (2009, dir by Zack Snyder, DP: Larry Fong)

Sucker Punch (2011, dir by Zack Snyder: DP: Larry Fong)

Batman v Superman: Dawn of Justice (2016, dir by Zack Snyder, DP: Larry Fong)

Zack Snyder’s Justice League (2021, dir by Zack Snyder, DP: Fabian Wagner)

Music Video of the Day: Waiting On A Twist of Fate by Sum 41 (2024, dir by Ravi Dahr)


The graffiti on the wall reads, “Capitalism sucks,” so I can only assume that this song and Sum 41’s Heaven :x: Hell will both be given away for free at some point in the near future.  (The irony of being anti-capitalism while paying homage to the Ramones will probably be missed by most of the people who watch this video.)

That said, this music video deserve some major credit for bringing some chaos to the punk rock museum.  Punk rock was never meant to be mainstream but somehow, that is what it has become.

Enjoy!

Late Night Retro Television Review: Highway to Heaven 1.23 “The Right Thing”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan encourages an elderly man not to give up.

Episode 1.23 “The Right Thing”

(Dir by Victor French, originally aired on March 27th, 1985)

Elderly Harry Haynes (Lew Ayres) lives with his son (Michael Durrell), his daughter-in-law (Marcia Rodd), and his grandson, Matt (Matthew Labyorteaux).  When Harry wets the bed one too many times, his daughter-in-law demands that he be moved to a nursing home.  (I suppose it’s a sign of the time that, too modern ears, that may sound like the set up for a tasteless joke but it’s actually how the episode begins and Lew Ayres does such a good job portraying Harry’s shame and panic that your heart just breaks for him.)  Harry isn’t happy about going to the nursing home and he’s on the verge of giving up on life.  Fortunately, the new orderly is Jonathan Smith and Harry is the week’s mission.  Jonathan isn’t just in the nursing home to pass out magazines and books.  He’s also there to encourage Harry not to give up hope.

This episode is the epitome of what most people would probably come up with if they were asked to describe a typical episode of Highway to Heaven.  It’s sentimental, emotional, and so achingly sincere that it’s hard not to get caught up in it, regardless of how heavy-handed and occasionally simplistic the storytelling may be.  With Jonathan’s encouragement, Harry starts to run with his grandson.  Harry and Matt enters a grandparent/grandson relay race together.  Harry’s son says that, if Harry wins, he’ll be allowed to move back home.  Harry does win  but it turns out that no one told his daughter-in-law about the deal.  To the show’s credit, Harry’s daughter-in-law is not monster.  She’s just exhausted from having to take care of the house, her teenage son, and an elderly man.  Harry realizes that it wouldn’t be fair to her for him to move back in so, instead, he announces that he’s going to travel and see as much of the world as he can in the time he has left.

There was nothing subtle about the plot of this episode but Lew Ayres gives a sensitive and honest performance as Harry and Matthew Labyorteaux matches him as Harry’s grandson.  (Lew Ayres was an excellent actor whose career began in the early days of Hollywood.  He starred in the Oscar-winning All Quiet on The Western Front but his own pacifist beliefs led to him being temporarily blacklisted when he registered as a conscientious objector.  He later made a comeback, appearing in films like Johnny Belinda and Advise and Consent but never receiving an Oscar nomination, due to the controversy over his beliefs.)  This is a sweet episode, even if it is perhaps a bit simplistic with its message that old age can be held off by simply not giving up.  Sad to say but aging is going to get us all eventually.

Retro Television Review: King Of The Building 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing King of the Building, which aired on CBS in 1987.  The entire show is currently streaming on YouTube!

This week, Richard Lewis is a doorman.

Episode 1.1 “Pilot”

(Dir by James Komack, originally aired on July 31st, 1987)

Joey (Richard Lewis) is the …. KING OF THE BUILDING!

Well, no.  Actually, he’s just a doorman for a Park Avenue apartment building.  The owner of the building, Mr. Jamison (Simon Jones), is the real king of the building but the elderly residents all prefer to deal with Joey.  That’s because Mr. Jamison is greedy and venal and always looking for an excuse to kick people out of their apartments.  His latest target is Mrs. Gladstone (Billie Bird), who has dementia and thinks that Joey is her son, Elliot.

(Mrs. Gladstone has a sitcom form of dementia, where all of her mistakes are quirky and she never loses her temper or gets paranoid or disappears for hours on end.)

When Mr. Jamison brings in a social worker (Lora Staley) to try to get Mrs. Gladatone ruled incompetent, Joey and the other workers at the building conspire to make it appear as if all of Mrs. Gladstone’s confusion is due to Mr. Jamison keeping her apartment in disrepair.  The social worker declares that Mrs, Gladstone will be fine as long as Joey is working at the building.

(Personally, I would think this would lead to Mr. Jamison just firing Joey so he could then get rid of Mrs. Gladstone but that doesn’t seem to occur to him.  Of course, Joey also mentions that he’s a member of a union so maybe Joey has his job for life.  I hope it pays well.)

This was a pilot for a series that presumably would have followed Joey as he protected the elderly residents from Jamison.  It only aired once and it didn’t lead to a series.  Watching the pilot, it’s easy to see why.  Richard Lewis, who passed away two days ago, was a comedian who was acclaimed and famous for his ability to comedically explore what it meant to be truly neurotic.  There’s not really anything neurotic or obsessive or even particularly interesting about Joey.  He gets nervous and he complains a lot but, in the end, he’s just a blue collar doorman who doesn’t like his boss.  Lewis is likable but miscast in the role.  Watching him, one gets the feeling that Lewis was holding back all of his natural instincts to play the rather subdued and sensible Joey.

Despite the failed pilot, Richard Lewis would continue to appear in television and moves for the rest of his life and he became a bit of a cultural institution.  On Curb Your Enthusiasm, he often played the voice of reason to Larry David and proved that one could play sensible without losing his edge.  And, of course, a generation will always remember him as King John.

Rest in peace, Richard Lewis.

Music Video of the Day: So Much (For) Stardust by Fallout Boy (2024, dir by Brendan Walter)


For today’s music video of the day, we have the latest from Fallout Boy.  This song has a very surreal, otherworldly feel to it and, as such, it is ideal for a day like February 29th, a day that only exists every four years.

Enjoy!

Late Night Retro Television Review: Monsters 1.22 “Satan In The Suburbs”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

Odd episode, this week.

Episode 1.22 “Satan In The Suburbs”

(Dir by Warner Shook, originally aired on May 13th, 1989)

Despite having graduated from Yale (and having the sweatshirt to prove it), Xantipe Finch (Deborah Strang) is struggling.  Unable to interest any publishers in any of her books and raising her son, Marty (Danny Gerard), alone, Xantipe is forced to make extra money through baking and selling cookies.  The bill collectors keep calling and threatening to turn off her electricity and to kick her and Marty out onto the streets.

Then a mysterious man (played by a young Chris Noth) materializes in her kitchen.  The man says that he’s come from Hell.  Because he won a football bet with Satan, the man has been allowed to come to Earth and to recruit Xantipe to write his autobiography.  If the book is published, the man will continue to be a happy demon.  If the book fails, he’ll be either demoted or turned into a low-level angel.  Huh?  What?  I don’t know.  It didn’t make any sense while the man was explaining it and it doesn’t make any sense now that I’m typing it up.

Reluctantly, Xantipe helps the man.  The man, for his part, deals with the bill collectors and also starts to corrupt both Xantipe and her son.  The book gets written and published but Xantipe rejects the devil’s influence, even though it means returning to a life of struggling to pay the bills.  The episode ends with Xantipe back in her kitchen, baking cookies.  The man is also there but he now has tiny angel wings on his back.

Yeah, I don’t know what any of it means either.  It makes even less sense when you watch it.

This was not a great episode.  It was never really explained why the book has to be written, why Xantipe had to be the one to help write it, or why the man turned into an angel.  The episode ended with a suggestion that Xantipe and the man were now in love but there was nothing in the 20 minutes that preceded it that would have set the audience up for that ending.  Chris Noth was adequate as the demon and Deborah Strang was likable as Xantipe but otherwise, this episode felt like filler.