4 Shots From 4 Films: Special Michael Powell Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, TSL celebrates the 120th anniversary of the birth of Michael Powell, the British visionary who changed the face of cinema, both on his own and through his collaboration with Emeric Pressburger.  It seems appropriate that we pay tribute to Powell on the day before October, as his 1960 film Peeping Tom is considered by many to be the first slasher film.  (It’s not but it’s influence on the genre cannot be overstated.)

In honor of Michael Powell, TSL is proud to present….

4 Shots From 4 Michael Powell Films

I Know Where I’m Going (1945, dir by Michael Powell and Emeric Pressburger, DP: Erwin Hillier)

Black Narcissus (1947, dir by Michael Powell and Emeric Pressburger, DP: Jack Cardiff)

The Red Shoes (1948, dir by Michael Powell and Emeric Pressburger, DP: Jack Cardiff)

Peeping Tom (1960, dir by Michael Powell, DP: Otto Heller)

Late Night Retro Television Review: CHiPs 4.15 “Ponch’s Angels: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch continues to train Melanie and Paula.

Episode 4.15 “Ponch’s Angels: Part Two”

(Dir by John Florea, originally aired on March 1st, 1981)

We pick up where we stopped last week.  A man and his girlfriend are stealing purses and wallets at the marina.  Three escaped convicts are in a deserted house and digging for buried treasure.  Ponch and Jon are having to train two new motorcycle cops, Paula (Barbara Stock) and Melanie (Trisha Townsend).  When last we checked in, Ponch was kissing Melanie.  This episode opens with Ponch telling Melanie that they can never kiss again.

Ponch and Baker continue to train Paula and Melanie.  Ponch decides to switch with Baker.  He trains Paula while Baker works with Melanie.  But then almost the entire highway patrol comes down with the flu and, when Baker is put in charge while Getraer recovers at home, Ponch finds himself to work with both Paula and Melanie.  Once again, it’s all on Ponch because it’s The Ponch Show!

It’s all a bit exhausting to try to keep up with, to be honest.  Ponch and Baker spend this episode wondering whether or not women actually could handle being motorcycle cops.  Baker especially seems to be confused at the idea of a woman driving a motorcycle.  One gets the feeling that Ponch is just mad because he knows he’ll get fired if he tries to make a move on either woman.  Almost this entire episode is made up of Ponch trying to keep track of who is riding with who.

Luckily, Paula and Melanie prove themselves by catching the purse snatchers and also helping to catch the escaped convicts.  Good for them!  At the end of the opposite, they toss their motorcycle helmets in the air and leap for joy.  The picture freezes while Ponch and Baker have a good laugh.

I was not surprised to read that this episode was meant to be a backdoor pilot for a Paula/Melanie show.  Stock and Townsend were both likable and they acted well opposite each other so I could actually imagine them starring in a fairly entertaining series.  It didn’t happen, though.  Maybe the network felt that Ponch and Jon didn’t need the competition.

This was an okay episode of The Ponch Show.

Retro Television Review: Miami Vice 4.22 “Mirror Image”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, season 4 comes to a close.

Episode 4.22 “Mirror Image”

(Dir by Richard Compton, originally aired on May 6th, 1988)

Trying to recover from the assassination of his wife, Sonny Crockett throws himself back into his Sonny Burnett persona.  As this episode starts, Sonny has managed to get close to a ruthless drug dealer named Gutierrez (Antonio Fargas).  When Guiterrez blows up a boat that is full of rival drug dealers, the Vice Squad assumes that Gutierrez died in the explosion.  They also assume that Sonny was lost as well.

They are incorrect.  Gutierrez got off the boat before the bomb went off and somehow, Sonny was able to survive being blown up without suffering any sort of physical injuries.  However, mentally, he wakes up with amnesia.  When Gutierrez’s doctor tells Sonny that he’s a drug dealer and this his last name is “Burnett,” Sonny believes him.

In Ft. Lauderdale, Sonny quickly moves up in the organization of drug lord Miguel Manolo (Tony Azito).  Now believing himself to be a criminal, Sonny has no hesitation about murdering anyone who he views as being a threat.  He kills Gutierrez in cold blood about halfway through the episode.  At the end of the episode, he shoots a corrupt detective (Chris Cooper) in cold blood.  Tubbs, who has been investigating Manolo, witnesses that final murder.  “SONNY!” he yells as Sonny escapes in a speedboat and season 4 comes to an end.

Season 4 was truly uneven, featuring some terrible episodes and also some episodes that were good but not particularly memorable.  Before I started this season, I read that it was considered to be the worst of Miami Vice‘s five seasons and, having now watched every episode, I can see why.  Sonny marrying Caitlin never made any sense.  Most of the villains were either generic or ludicrous.  Most of the episodes just didn’t have the style that made the first three seasons so memorable.  Even worse than the boring episodes were the ones that tried too hard to be quirky.  Trudy going into space was definitely not a great idea.  With all that in mind, this final episode was great.  The action was stylish, Don Johnson actually seemed invested in the story for once, and Phillip Michael Thomas got to show off his own skills as an actor.  If only the entire season had been this good!

As well, I should mention that, along with Chris Cooper as a bad cop, this episode also featured Julia Roberts as Manolo’s girlfriend.  Roberts didn’t really get to do much but, even in a small role, her screen presence was obvious.  It’s not a surprise she became a star.

Next week …. we’ll start the final season of Miami Vice!

Join #MondayMania For Stalked By My Doctor: Patient’s Revenge!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for Stalked By My Doctor: Patient’s Revenge!  Dr. Albert Beck is back!

You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Scenes That I Love: The Conclusion of The Passenger


Today’s scene that I love comes from 1975’s The Passenger, a film directed by Michelangelo Antonioni.  Antonioni was born 113 years ago today, in what was then the “Kingdom of Italy.”

In The Passenger, Jack Nicholson plays a journalist who, because he’s bored with his life, impulsively assumes the identity of a deceased American businessman.  What he discovers is that the businessman was an arms dealer and that the people that the arms dealer were doing business with still expect to get their weapons.  Despite the fact that he knows that it might cost him his life, Nicholson is still drawn to see just how far he can take his new existence.

The film’s enigmatic final scene, in which Nicholson goes to a hotel to wait as both the people who double-crossed and his wife search for him, is Antonioni at his best.

4 Shots From 4 Films: Special Nicolas Winding Refn Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy 55th birthday to Danish director Nicholas Winding Refn!  Drive was one of the first films to really be celebrated on this site, receiving reviews from several contributors.  Personally, I preferred The Neon Demon.

In honor of of the man and his work, it’s time for….

4 Shots from 4 Nicolas Winding Refn Films

Bronson (2008, dir by Nicolas Winding Refn, DP: Larry Smith)

Drive (2011, dir by Nicolas Winding Refn, DP: Newton Thomas Sigel)

Only God Forgives (2013,dir by Nicolas Winding Refn, DP: Larry Smith)

The Neon Demon (2016, dir by Nicolas Winding Refn, DP: Natasha Braier)

Monday Live Tweet Alert: Join Us for Don’t Kill It!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 2016’s Don’t Kill It!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Don’t Kill It on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

Late Night Retro Television Review: Degrassi: The Next Generation 1.7 “Basketball Diaries”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, Jimmy decides that Ritalin might be key to improving his jump shot.  Meanwhile, Liberty makes a fool out of herself

Episode 1.7 “Basketball Diaries”

(Dir by James Allodi, originally aired on April 29th, 2002)

This epiosde features two stories.  The weaker of the two, not surprisingly, focuses on Liberty and her desire to do the video announcements.  Ashley finally agrees to let Liberty do them before the big basketball game with Earl Grey Academy.  Liberty, of course, bombs.  Paige laughs because she thinks that Ashley set Liberty up.  Feeling guilty, Ashley gives Liberty some pointers and then allows Liberty to do the post-game announcements.  Liberty does much better and Ashley says that Liberty will be great when she starts regularly doing the announcements …. after Ashley graduates.

This storyline was a Liberty storyline so who cares.  During the first three seasons, Liberty was the most annoying character on the show and her storylines were always cringe.

Fortunately, the episode’s other storyline features Jimmy and Spinner.  Jimmy is worried about making the basketball team, especially with Ms. Kwan constantly on his back about reading Lord of the Flies.  Jimmy convinces Spinner to hand over his last Ritalin.  As a result, Jimmy goes crazy on the court and scores a lot of points but he also injures his teammate, Sean.  Meanwhile, Spinner loses focus and moons the gym.

So, the reason why I love this storyline is becuase it features every myth that people seem to believe about ADD.  For the record, the medication does not give you super powers and also most people don’t suddenly go wild just because they miss one pill.  I have ADD.  There have been days when I’ve forgotten to take my pills and, while there is definitely a difference in those days than the day when I do take my pills, I’ve still always managed to survive without breaking the law or crashing my car or doing any of the other things that always seem to happen on television.  Whenever I forget to take my pills, I usually end up doing something like deciding it would be a good idea to start doing daily late night retro television reviews on top of everything else that I have to do.

(The first time my mom ever took me to an appointment to get my perscription refilled, she said she could tell who was at the doctor’s office for ADD because we were the ones who couldn’t go 5 minutes without grabbing another magazine to look through.)

As for Jimmy, he wins the game but he still gets cut from the team because he’s not a good teammate.  That’ll teach him to take Ritalin without a perscription!

Retro Television Review: Homicide: Life on the Street 4.8 “Sniper, Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, Lisa will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, a sniper terrorized Baltimore.

Episode 4.8 “Sniper, Part One”

(Dir by Jean de Segonzac, originally aired on January 5th, 1996)

This week, Bayliss investigates a red ball!

Actually, the case turns out to be a red ball within a red ball!

And then it turns into a third red ball!

A red ball is a term used for a case that is going to draw a lot of media attention and which is going to result in pressure from the guys in command.  It’s an actual term, one that was introduced in the David Simon book that served as the inspiration for Homicide.  I’m pretty sure that the term was also used in The Wire, though perhaps not as much as it was used in Homicide.

It’s hard not to notice that, starting with the third season, there have been a lot of red balls on Homicide.  If one were to judge solely based on seasons 3 and 4, one might be justified in thinking that Baltimore was the serial killer capitol of the world.  That’s not really a complaint because most of the red ball episodes have been pretty entertaining.  Still, it’s very much a contrast to the first two seasons, where the emphasis was always put on gritty realism and the recurring theme was that, outside of the Homicide detectives, the media didn’t really care about the majority of the murders taking place in Baltimore because the victims were almost always minorities in economically disadvantaged neighborhoods.

This latest red ball involves a sniper who is gunning down people at random and leaving behind a hangman game at each location.  He’s trying to figure out a 9-letter word.  It’s an odd motivation but serial killers are odd people.  Bayliss, who is suffering from back pain and popping muscle relaxants like candy, gets the case because, as he continually reminds us, he was the one who answered the phone.  (Somehow, Bayliss does manage to get through the investigation without bringing up Adena Watson.)

While Bayliss tries to find a killer who shoots people at random, Russet deals with the brass.  Colonel Barnfather, who was originally quite enthusiastic about promoting her, now suddenly hates her and the episode ends with Russert getting demoted back down to being a detective.  (So, I guess that Giardello’s homicide squat will be getting a new investigator.)  Russert’s demotion felt like it came out of nowhere but, from a dramatic point of view, it made sense.  This show already has Giardello as the beloved boss.  It didn’t also need Russert in the role.

As for the killer, he is tracked down by his signature on the receipt that he signed when he purchased his chalk.  He turns out to be a nervous insurance agent who has a big house in the suburbs and who is playing a hangman game in his study.  When Bayliss attempts to negotiate with him and asks him to leave the study, the insurance agent asks for a letter.  “Uhmm …. B,” Bayliss says.  B turns out to be just the letter that was needed and the insurance agent promptly shoots himself in the head.

The word that he was trying to come up with turns out to be Eromitlab.  Look at in a mirror.

This was a good episode, even if it did sometimes go a bit over the top with everyone shouting, “We’ve got a red ball!” and the nonstop montages of the detectives swarming the streets of Baltimore.  I’ve really grown to love Kyle Secor’s performance as Tim Bayliss and this episode featured Bayliss at his loopy best.  For an episode about a serial sniper who ended up killing eight people, there was a rather odd sense of humor running through it.  This is an episode that started with Jay Leno coming in the Waterfront Bar.  (Munch tells Bayliss that Leno is probably sick of people treating him like he’s famous so they decide to ignore him until Leno gets mad and leaves the bar.)  When the first shooting is called in, the phone rings several times before anyone is able to answer, leading to Munch to question whether a murder has actually occurred if no one answers the phone.  Bayliss obsesses on his upcoming back surgery.  “Its says a possible side effect is death!” Bayliss exclaims, looking over the information about the operation.  Meanwhile, Brodie gets on everyone’s nerves with his big video camera.

Ominously, this episode with a second sniper climbing up to the roof of the building.  The red balls continue.