This song is the title track of the album of the same name. The song is about a cyborg super hero who saved the world from destruction. The video is about the band playing the Hell out of the song.
Enjoy!
This song is the title track of the album of the same name. The song is about a cyborg super hero who saved the world from destruction. The video is about the band playing the Hell out of the song.
Enjoy!
Miriam Oliver (Karen Black) is a prim housewife who always keep her hair in a tight bun and who wears eyeglasses. After she starts to have dreams about going to her own funeral, Mrs. Oliver’s personality starts to change. Her husband, Greg (George Hamilton), can only watch as Mrs. Oliver puts on a blonde wig, ditches her eyeglasses, and starts to dress in revealing clothes. Greg wants to concentrate on starting a family but the new Mrs. Oliver only cares about going out and partying all night. She also wants to move into a new house, one that was previously owned by a woman named Sandy. Sandy, who was a student of the occult, died in a mysterious fire.
The Strange Possession of Mrs. Oliver is a good made-for-TV movie that gives viewers two Karen Blacks for the price of one! Black is undeniably sexy, whether she’s playing the prim Mrs. Oliver or the wild Sandy. But she also delivers a really good performance as she switches back and forth from being Mrs. Oliver and being Sandy. Richard Matheson provides an intelligent script while Gordon Hessler’s direction keeps you guessing as to whether Mrs. Oliver is truly possessed or if she’s just having a mental breakdown of some sort. This is an enjoyably twisty thriller with a good ending and a knockout performance from Karen Black.
One night, Natt is woken up by his friends Josh and Stan. Josh and Stan want Natt to step outside and have a drink. Natt has not seen or checked up on Josh and Stan for a while. Natt can be a friend and have a drink or he can go back to sleep. Either way, he is going to end up in a bad situation. Are Josh and Stan friends? Natt soon discovers that there are consequences for not keeping up with people.
Friends? is a choose you own adventure style horror game. You decide how Natt reacts to things and then you discover what happens as a result of Natt’s decisions. The majority of the decisions appear to lead to Natt dying a horrible and gruesome death. If you make the right choices, Natt can survive but it’s very difficult to get through the game without Natt taking on some damage, both physically and mentally.
A few typos aside, Friends? is well-written and the endings are gruesome and twisted enough to keep most horror game players happy. It doesn’t take long to discover that there are very real consequences to making the wrong decision. The game features multiple endings and multiple paths to those endings, making it a game that can replayed several times.
Play it and then check up on your friends. They would probably love to hear from you.
According to Iron Maiden lead singer Bruce Dickinson, this song and video are “all wrapped up in a lot of messages about greed and the destruction of the planet, with the top one-percenters sitting in their shiny castles, leaving everyone else outside to rot on a dying planet. It’s meant to be pretty on the nose about the current planetary situation”.
Taking place in a dystopian future in which the British slavishly follow behind the Americans while other world leaders ride atop nuclear missiles that are pulled by their slaves, it is fair to say that this video is “on the nose.” Fortunately, Eddie and the Four Bikers of the Apocalypse aren’t going to step to the side, especially not when there are people in ragged Iron Maiden shirts dying in the desert.
Enjoy!
Officer Donnelly (Michael Parks) of the Arizona Highway Patrol has snapped. One day, he doesn’t show up for roll call and instead drives out to the desert. Sometimes, he pulls people over and tells them that they’ve violated a traffic law. Sometimes, he stops to help a stranded motorist. Every encounter ends with Donnelly killing someone. When Donnelly reaches the town of China Lake, he flirts with a waitress (Lauren Tewes) and befriends Sheriff Sam Brodie (Tom Skerritt). Brodie is investigating the mystery of why so many people are turning up dead in the desert and he slowly comes to realize that his new friend is the one responsible.
The China Lake Murders was produced by the USA Network and it used to air regularly throughout the 90s. For a while, it held the record for the highest rated basic cable film. One reason why so many people would watch it whenever it aired was because the movie started out with a warning that it contained strong violence and some sexual content. That warning was all that it took to convince most people to watch the movie. While the sexual content is tame (we see someone’s bare back at one point), the violence is indeed strong.
So is the performance of Michael Parks, who plays Donnelly as the ultimate nightmare cop. In many ways, Donnelly epitomizes everything that people hate about the police. He’s a bully who hides behind his uniform and his badge. The movie never explains why Donnelly suddenly snapped but watching him, it’s easy to guess that he’s always been a sadist. He channeled his cruelty into law enforcement and now that he’s crossed the line and is killing random people, he still believes that his uniform will protect him. Tom Skerritt, on the other hand, is the epitome of what most people would hope a cop would be, fair-minded and more concerned with helping the community than controlling it.
The China Lake Murders is a little slow. Since it’s revealed early on that Parks is the killer, there’s not much suspense during the middle section of the film. Things pick up, though, when Skerritt and Parks finally go after each other. The two veteran actors bring a lot of gravitas to their roles and their final confrontation does not disappoint.
In this Twine game, you wake up in a train. The train appears to be deserted, except for you. Outside the windows, everything appears to be dark. Do you explore the train and try to discover why you have become a passenger and just where exactly it is that you’re going? Or do you go back to your compartment and wait for an answer?
This is a short and simple Twine game, written in the style of an old Choose Your Own Adventure book. You are given various options that you can use to explore the train and hopefully learn what is going on. Make the right choices and you’ll find the answers. Make the wrong choice and you’ll fall victim to a fate of Lovecraftian horror. The game takes less than ten minutes to play and I do wish there had been a few more options but the game’s story is intriguing and it does a good job of capturing the player’s attention. This game really makes use of a classic Interactive Fiction scenario. You wake up with no idea where or even who you are. You spend the rest of the game trying to answer those questions. There are a few typos in the game but, for all I know, there’s probably a few typos in this review. None of them are serious enough to really interfere with the experience of playing the game itself.
Grim Reaper may be in jail but they are still going to rock you to Hell!
Let’s see what our friends Beavis and Butt-Head had to say about this one.
Enjoy!
Now that we are halfway to October, I decided to share my personal favorite cover from The Tomb of Dracula.
The Tomb of Dracula was a comic book that ran for 70 issues, from 1972 to 1979. It was published by Marvel and it’s generally considered to be one of the best of the horror comics. It was also the first comic book to feature the character of Blade, who was later brought to life by Wesley Snipes in one of the first successful films to be based on a Marvel comic.
I’m a Tomb of Dracula fan and a collector. I’ve got nearly every issue of Tomb of Dracula and it’s companion magazine, Dracula Lives. Below is my favorite cover:

Previous Great Moments In Comic Book History:
In 1977, during the 16th episode of The Muppet Show, Kermit The Frog got a chance to interview Vincent Price and show off his vampire moves. Later, no worse for wear, Vincent joined with the Muppets to sing a song.
I’m surprised that this episode was aired on January 16th, 1977 and not during October.
Here is the scene that lives forever in meme form:
Previous Moments In Television History:
As if Stepfather II was not bad enough on its own, 1992 saw the release of Stepfather III.
Once again, Jerry Blake/Gene Clifford manages to survive being mortally wounded at the end of the previous film. After he recovers, he is sent to the exact same institution that he previously escaped from. Guess what happens? He escapes again! Now using the name Keith, he marries Christine Davis (Priscilla Barnes) and become stepfather to her son, Andy (David Tom). Andy is in a wheelchair. Keith is convinced that Andy is faking his condition and keeps calling him “slugger.” When Andy doesn’t respond, Keith prepares to move on to another single mother (Season Hubley). But, before he can move on, Keith needs to take care of his current family. Good thing that he has a woodchipper.
Terry O’Quinn did not return for Stepfather III. The Stepfather is played by Robert Wightman, who looked and sounded nothing like Terry O’Quinn. The film tries to explain it away by saying that the Stepfather got plastic surgery after he escaped from the institution but, unless the plastic surgeon was God, there’s no way that Jerry/Gene could ever have become Keith.
Stepfather III goes through the motions and even repeats the first film’s “buckle up for safety” gag. By repeating all of the key scenes from the first (and even the second) movie, the third movie only succeeds in reminding us that The Stepfather doesn’t work without Terry O’Quinn’s performance and Joseph Ruben’s intelligent direction. Keith becomes a standard movie slasher with a wood chipper. He does inspire Andy to get out of his wheelchair, in a scene that will inspire more laughter than cheers.
One positive note: Season Hubley is in this movie! Much as with Jill Schoelen in the first movie and Meg Foster in Stepfather II, this franchise had a way of attracting actresses who deserved better.