Moon, Review by Case Wright, Happy Horrorthon! *Some Spoilers*


Happy Horrorthon! My midterms are done; so, I have this brief window to be analytical that doesn’t involve Petroleum, Carbon, A piston, or some sort of torque. This film is the kind of horror film that I like that dares to be political. Duncan explores the hidden cost and ineffectiveness of best intentions. You have an intractable problem, but is the solution actually helping and are the people advocating it trustworthy? Moon presents the problem: Global Warming. The solution that is marketed and sold to the world is fusion by strip mining the Moon and sending the fuel back to earth. There are scenes where we see scars on the moon from the strip mining. Are we creating a new problem? Is the solution a net wash? Is the solution financing an evil regime? Why is environmentalism immune to cynicism? The exploitation of an unlimited labor? Have corporations done anything ever to warrant even our limited trust? These are the questions that Duncan forces us to confront with horror.

I know that this sounds ham-fisted, but the political statements are brilliantly subtle. This is not a right-wing political film either; on the contrary, it’s about presenting the moral imperative of considering unintended consequences as we push to solve real problems.

My eyes rolled so hard at the opening though when a corporate ad from Lunar, the mining company, pushed their “Green Energy” solution that I almost turned it off because the last thing I needed post-midterms was someone scolding me for 97 minutes. However, the opening was visually stunning; so, I hung with the film. Also, it starred Sam Rockwell and he’s awesome. This was the directorial debut of Duncan Jones who is immediately identified as David Bowie’s son, but you don’t need to confirm that with Wiki because he looks just like his Dad.

We are in a future where fossil fuels are thing of the past and fusion via strip mining the moon is providing the world with a New Eden; at least, that’s what the totally trustworthy corporation is telling us in it’s slick ad.

(Now, if you want to really end ALL fossil fuels, the solution is to perfect Tesla Coils and wirelessly transmit electricity this would obviate the need for batteries and would power the world constantly. Horrorthon is not just for great commentary; it’s for learning! )

The film is a one-man/two man show….huh…just wait. Sam Bell is a moon worker on a three year contact, maintaining the moon harvesters as they strip mine this essential rock that keeps our axis stable. In this future, the job of astronaut is less Neil Armstrong and more horrible non-union factory job. Sam is dirty, breaking down, beginning to hallucinate, and bored to tears. The live-link to planet earth has not functioned since his arrival and he’s surrounded by nearly completed hobbies like whittling towns from his memories. We are forced to see the horror of a human being in profound loneliness and hopelessness for our needs.

The next plot point has Sam checkinng on a malfunctioning harvester; however, he has a vision of his daughter and he crashes. We see him pass out as he’s being buried alive. Sam wakes to his only companion- a robot with Kevin Spacey’s voice. Important note is that this film was from 2009. Sam’s suspicious that there might be something outside of the ship and the robot appears to be able to talk live with the evil corporate leaders from earth. Sam is determined to investigate outside the ship. After a brief sabotage, Sam is able to investigate the moon harvester. He discovers a busted up copy of himself.

He’s confronted with Lunar’s answer to the high cost of unions, labor complaints, and pay: you don’t negotiate with employees, you grow them. If things go really wrong like two clones meet, you send in goons to kill them, and wake up new disposable people. What’s is so painful is that the corporation gave the clone’s a 3 year lifespan; so, we watch Sam Bell Prime disintegrate slowly in scene after scene, including one where he spits out a molar… yeeeeech. While we see the human toll, we also see the moon missing huge chunks of itself as result of the mining. So, we are committing this horrible evil, but is this clean energy just creating a new and unintended problem? We are so desperate to not think things through that we greenlight an idea to destroy our own moon and credulously accept corporate talking points.

This film was thoughtful and painful. Duncan Jones forces us to think take some time and… THINK. What are we doing? Maybe doing something just to do something isn’t the answer? We are confronted what we don’t want to consider: how did this sausage end up in this package? I’m not seeing any pollution; therefore, it’s not happening. Our society is less owl and more ostrich every day.

Happy Horrorthon!

My Dolphin, By Case Wright


I met My Dolphin 15 years ago. It was Christmas Day at Kitty Hawk. I didn’t have any kids yet and the presents were done. I was not hungover; those sorts of mornings happened later. It was a nice Christmas; in contrast to my Christmases growing up- they were very scary because of my Old Man. He would try to stay out of his cups for some holidays and that was always much much worse. I remember wishing that he would just drink and get it over with. Christmas Day back in those days were like distilled fear; I’d get smacked around and go for long walks in Virginia until late afternoon broke and my Old Man’s no drinking pledge would subside.

I was older now, but I still got anxious Christmas morning and liked to go for those walks alone. I needed to feel that wind . . . that cold December wind brace against my cheeks. On Christmas, Kitty Hawk has grey skies and bitter salty winds in beautiful abundance. I liked the way the wind smacked me around safely.

I left the beach house front door, shut it smartly, and remembered to lock it and check it. You can’t trust locks and doors at the Outer Banks the rust and decay is ubiquitous and the salt blows through everything like alpha particles clumsily meandering in space toward wherever they want to go. My shoes made that scraping sound where the salt and sand and shoes come together. I turned and looked ahead to the Dunes that I’d crossed thousands of times. There’s always these openings along the beach road that takes you along the length of island, until the next bridge, and the next barrier island and the next and the next. I always entered to the left entrance where it’s filled with countless footprints no matter what time of day; the wooden entrances just don’t have the same feel. I always looked both ways first, not for cars but to see just how empty it was both along the left and right. I went up and down the Dune entrance, seeing the ocean with that green color it has.

I was about to exhale, but then I heard the screams.

I saw a man trying to pull a beached dolphin back into the ocean. It was low tide and he would be pulling and then the dolphin would roll back to shore. Then, I was upon the man and breathing deeply. I had run at a sprint without thinking. The Man was skinny and no older than 30 with a full beard with beat up jeans and a wool sweater. He grabbed me and had tears in his eyes.

“Help!” “I can’t get him in! I already called emergency marine life, but they’re not answering.”

I grabbed the rear fin – (assume that what it’s called), the man grabbed around his center, and we dragged the dolphin towards the water. We were losing our footing. I remember digging against the wet sand, pulling as hard as we all could. His skin was rubbery, but rough from the sand. He tried to help us by bucking to get back into the sea. His blood was on my hands and washed away. With a pull of all of our strength, the Man, the dolphin, and I fell into the mini-shelf where ocean, sand, and pebbles met. The waves would hit and push us all back. This pattern went on ’til our hands were numb and our clothes were heavy and soaked. Every step was like fighting through foot deep wet snow. Finally, the three of us were exhausted.

I pulled the dolphin to the beach by myself; the Man told me that he was going for help, but we knew he wasn’t coming back because he couldn’t meet our eyes. I hugged My Dolphin and looked into his eyes- they had clear awareness and thought; that’s when I knew that for the first time in my life that I was going to have to help a person die.

My Dolphin was so scared. He wasn’t bucking or squirming anymore; we were too tired for that. He was in my arms and looked at me pleadingly. I shook my head, held my tears in, and told My Dolphin- “You’re gonna be okay. You’re gonna be okay.”

He sighed, looked away for a moment at the sea, and looked back at me- calmly. His eyes were telling me that it was going to be okay. My Dolphin died in my arms. Then, I let myself weep.

I’m sure that he had a name among his family, but I’ve always called him My Dolphin that is who he is and will remain to me. We all die, but My Dolphin passed in the arms of another person who loved him. We were gonna be okay…. we were gonna be okay.

Titans – When Good Shows Go Bad- Review By Case Wright


Who do you blame when a good show goes bad? In this case, I think we can blame Greg Berlanti. Greg is a terrific artist, but he spreads himself too thin, gets distracted, and all of his show go up in smoke after two seasons. I think he just gets bored too easily. Arrow was great the first two and a half seasons, but it started a rapid decline once Greg made 100 different cape shows. Titans follows that pattern as well. The first two season of Titans was some of the greatest television that I’d ever seen. It was realistic, dark, and had humor. The cast was diverse and terrific. The fight scenes looked amazingly real. Not since The Watchmen, could I see myself living in a world with superheroes.

Then Titans, like you’re first real relationship with a person whom you thought about marrying – fell apart when your study session with the blonde outdoorsy girl with the Italian last name took a left turn, your lady found out, and she quickly started dating an event planner with a ponytail.

Anywho, once Alan Ritchson (Hawk) moved on to Reacher on Amazon Prime, the show lost its heart; it stopped being realistic. The worst example of this was casting Jay Lycurgo as Tim Drake. To be clear, he is a good actor, but he’s 100lbs soaking wet. See below.

This character had no superpowers and Tim was knocking out dudes twice his size with one punch. It looked straight up silly. Caped crusader movies are kinda goofy just by having people run around in these weird outfits. This was a bridge too far. His acting is good, but this is an action show- not some IFC thinkpiece about skinny Gen-Z bloggers. When he tried to fight and look tough, I couldn’t help but laugh. It’s just stupid looking and takes you totally out of their world. Don’t waste your time- Greg has clearly moved on and let the laziest writing and casting take over. All of the realism and fun has been drained out of the show with the precision of a surgeon.

“51%” Jonathan Crane develops a fear toxin because that’s what he does. “Home” – we watch Hawk die and the series with him. “Souls” – we see Hawk, Tim, and Donna again, but sadly all 100lbs of Tim Drake doesn’t stay dead- too bad for us. “Troubled Water”, “The Call is Coming From Inside The House”, “Prodigal”, and “Purple Rain” Donna comes back to life and Tim Drake – The hero who no one deserves- saves the day from fear toxin by making it rain lightning or something similarly dumb.

But Case, this review is so short. My response: I didn’t give up on this show, Greg did. There is nothing worthwhile here anymore. Take up a hobby, but don’t watch this show anymore. It’s simply not worth it. Greg, you are loved and have proven to make great television; well, up to 26- 38 episodes of it before you lose that lovin feelin. You’ve lost that lovin feelin could be Greg’s Biography. Greg, try a new song as your spiritual touchstone…Waterfalls are pretty and nice, but if you go chasing them – you lose your greatest love- stick to the rivers and the lakes that you’re used to. Please let’s both not kid ourselves, The Flash and Legends was never going to complement Arrow and my study session was NEVER about the books.

The Great Philosophers TLC knew it best…. Greg, have a listen…..

Reacher S1 Ep4 “In a Tree”, (Dir. Christine Moore) Review by Case Wright


I hope that you missed me! I have been knee-deep in differential equations and a back injury, but like Reacher, I’m continuing on- It got picked up! Also, I have been reading the first book and I can confirm that this show is very true to the book. I think that’s why I like it so much- it’s throwback to the mini-series of the 80’s, 90’s, and 00’s- Shogun, North and South, Jesse Stone, and The Stand. These were book adaptions that strove to be true to the source material. Today, we are used to craptacular adaptations like “It” an ok film, but had nothing to do with the source material and openly rejected it.

Reacher episodes, like the mini-series of yore, continue from the moment the last episode ends, but unlike the mini-series of yesteryear they use different directors for each episode. Luckily, they pick old hands at familiar with the action/mystery genre. This episode is directed by Christine Moore – if it’s an action packed mystery show- she has directed it. Period. She can direct the Hell out of a fight scene.

Reacher is rummaging through the assassin vehicle and putting everyone in the truck who he killed. To fit them all in, he breaks their dead legs. YEECH! Keep in mind, this is not just a mystery for Reacher- it’s a revenge story. They killed his brother- his only family and he would kill the whole town if they were all in on it.

They find Joe’s car and there’s a great bit of dark comedy when Reacher jokes to Finley how he killed two more people and they’re in the car a few feet from them. There’s a total understanding that the rules have been broken. Society itself died in Margrave. They are the only law and vengeance is the only punishment, which explains why the backdrop of Iraq is always present. Yes, Reacher has terrible PTSD, but Margrave typifies Iraq after the fall.

After Iraq fell, events happened that should not have. I was not there, but things happened just the same. Society is a mile long and an inch deep. We are always one sustained power blackout from tribal conflict and feudalism. Reacher reveals to Roscoe that he caught three pedophiles abusing local boys. He gave them a choice to turn themselves in or answer to him. They chose Reacher and he executed them. She rapidly gets on board with dumping bodies at the airport parking garage. Wow. COLD BLOODED!

Roscoe and Reacher check into an airport Hotel and get a call from Joe’s former partner, but she doesn’t even give them a hint as to what the investigation is about. She will meet them at the airport, but I got to write that it was WEIRD that she didn’t give a hint about what his brother was investigating. Shortly after the call, the building sexual tension between Roscoe and Reacher releases in a fairly long scene.

Meanwhile, the mayor pulls Finley off of investigating the case and threatens his career. Reacher and Roscoe find the motel where Joe was staying and get his his hidden notes. Reacher and Roscoe get pursued by killers….again. When they are all together to meet Joe’s former partner at the airport, they see her, and then she vanishes. Reacher searches for her and finds her bleeding out. Back to square one.

The Tomorrow War, Review by Case Wright


I loved this movie and really loved live tweeting it with Lisa Bowman. There are some critics (killjoys) who want to pick on the movie because it doesn’t “make sense.” No one said this was being made for the Science Channel; so, just cool it and enjoy! Do I think that time travel is a bunch of nonsense? Yes, but so what?! I don’t believe in “Letters of Transit,” Facehuggers, or the Force.

I can relate to the hero A LOT; he’s a Veteran with Daddy issues who is trying to get a career going in STEM and he has a young daughter. The film opens with us learning he is teaching high school science and can’t get a private sector job. He feels like he’s meant for more, but can’t get there. He and his wife are hosting a Christmas party and watching soccer. Dan, I know that times are tough, but why bring soccer into it? I don’t think that people watch soccer on purpose. How could they? Why make your life harder? Our future-selves appear and ask for help in fighting aliens who are turning us into snacks. We agree to help and mobilize a global draft.

This is where most critics get worked up. Why help fight a battle that is already lost? I’ll tell you! The movie makes more sense than people think. Why send Dan Forester (Chris Pratt) and millions of other people from our time to fight aliens from the future? They needed cannon fodder while they protected researchers who created a toxin to kill the male and female aliens. Without that toxin, Dan would not have been able to defeat the alien queen. Take that! The whole plan is to get the toxin finished and have Dan go back and kill all the aliens with it. Without it, she would’ve eaten him. Yes, we needed the cannon fodder. If Dan succeeds, wouldn’t that bring all the draftees back to life? Yeah, maybe? Einstein didn’t really didn’t have to deal with too many aliens and wormholes. I would put that in the column of …. relax.

Back to the movie, Dan gets drafted and his wife wants him to get his estranged father to help him remove his draft tracking device. Dan’s father abandoned him and his mother; so, Dan gets angry at his father and decides to honor his draft commitment and fight aliens. He goes to the future with no training, fights aliens, and retrieves the toxin. Way to go, Dan.

These monsters are gross and good adversaries. They’re fast, they shoot spikes, the eat you, they have natural armor, and can coordinate attacks. We are doomed. After he gets the toxin, he meets his grown daughter Muri who is the head of the resistance. We learn Dan fell into a depression because he couldn’t live a bigger life and he abandons his family just like his father did. This is why Muri drafted Dan: She wanted him to be his best self and to be the special person that he needed to be after his military life was over. She gives her father a chance to be a hero again. When Muri finishes the toxin, he goes back to save the future or the past …it’s kinda confusing.

I have given quite a bit of the film away, but it’s still amazing. I appreciate the critique that Charlie (Sam Richardson) brought too much humor to the film. I actually liked it, but I could’ve lived without it as well. Instead of the endless jokes, I would’ve liked more development of Dorian (Edwin Hodge). His lines popped more and brought more seriousness to the film. Were Charlie’s jokes funny? Yes, but while the jokes went on, I thought- I really wish I could hear more from Dorian interacting with Dan.

The direction was very well done. I love a well choreographed action movie without a lot of cutaways. This delivered. I was surprised to learn that Chris McKay’s filmography was heavily in animation. I hope he gets more opportunities for live action. The final battle scene was a lot of fun. I liked that the female characters had depth, kicked ass, and had real arcs. Because of that, my daughters love watching the movie with me. I can only write that we haven’t seen the movie six times.

*Spoilers* Reacher, S1 Ep3, “Spoonful”, Review By Case Wright, (Dir: Stephen Surjik)


We need to create a list of people in this show who don’t want to kill Jack Reacher. I can think of three people… Oscar, Roscoe, and maybe….Jasper. Jasper could snap. How many times can you dig testicles out of a dead man’s stomach before you go homicidal… twice… three times?! Not many more (see below).

Jasper desperately groping for his mental Happy Place.

We learn from BRIEF exposition that Jack’s estranged brother Joe was in the Secret Service and high up boss: Director of special investigations – anti-counterfeiting. Somehow Margrave is involved in counterfeiting?! What’s special about Reacher is that at its heart it’s a Whodunnit. It’s a mystery with so much action, but it’s a mystery show like if Sherlock Holmes traded in his opium for LOTS of freeweights. Jasper identifies the latest murder victim as a trucker who worked for Kliner. This trucker got into a jam and got a high priced lawyer somehow to get him out of it.

They develop a plan: Oscar will search a crooked prison guard’s home and Reacher goes to the lawyer posing as a prospective client. Both end with severe beatings. Oscar gets beaten and arrested by redneck cops who mistake him for a burglar and Reacher just plain beats up the lawyer until he gives up information. Obviously, they are planning on taking this case to court.

The next plan is to confront KIiner at his office. Why? This did not make sense, but it enabled Oscar to show some more emotions. With their hand tipped, EVERYONE has to go into quasi-hiding. This town really sucks. Roscoe has a run-in with the world’s most obvious sociopath- KJ- Kliner’s horrible kid. KJ tries to drive a wedge in Roscoe and Reacher’s relationship by accusing him of being a war criminal. We all hate KJ. Oscar goes to Atlanta to find some intel on Hubble the accountant. Hubble stopped coming to the Atlanta office for work a year ago. What was he doing? Well, money laundering. So…. Ok, I guess Oscar just really wanted to hangout in Atlanta. Yes, there’s a lot going on.

Reacher goes back to crooked prison guard’s bar to find him. He doesn’t, but he does get to beat the Hell out of several people. The crooked prison guard skipped town. Once again, Reacher is tailed by two South American Hitmen who try really really hard to kill him, but Reacher beats them to the punch and shoots them dead. Reacher discovers the crooked prison guard is dead in their trunk. I really need to get a body count on this show; we have to be edging into Total Recall territory.

This is a fun episode and it really forces all the heroes to understand that there will be no arrests. This is the wild west and it’s murder and vengeance every single day.

Reacher, S1 Ep2, “First Dance”, Review by Case Wright (Dir. Sam Hill), Teleplay- Scott Sullivan


The cold opens in this show are awesome; the end of the last episode feeds right into the opening of the following episode. It is literally a long movie. Reacher needs to follow up his next lead with Paul’s wife (Kristen Kreuk) and sneaks around the house and finds a vegetation clue- Really. Reacher is Sherlock Holmes/Shane/Batman. This small clue leads him to where his brother’s killer lied in wait. I know that I’m throwing a lot at you, but you have to understand that this show does not let up- There is no exhaling. You are like Reacher; you can’t stop. Then, he beats A LOT of people who try to mess with him. Why? Just why? Messing with Reacher…. ohhhh… bad idea. Side note: he’s got a soft spot for animals. I can relate to this man… so well, except he’s a bit taller.

The people killing off these Margrave residents are rough; I didn’t know you could mix crucifixion and castration, but here we are. I need a counter-clicker like they have a sporting events to keep track of all of the murders.

The writer and director establish that the town officials are as crooked as a mountain road. The killers see Charlie, Paul’s wife, as a loose end so she has to run her for her life with her children and go into hiding. Venezuelan special forces are trying to kill Reacher…and well everyone who connected to this unknown criminal enterprise.

Side note: Reacher never wears a shirt. I’m assuming it’s because of an allergy fabric sensitivity.

Roscoe is assigned to keep tabs on Reacher and it leads to dancing and partial nudity. I know that reads as contrived, but it did seem to work. There is real chemistry between Reacher and Roscoe. Sam Hill, the director, is not just great setting up tension, but he knows how to pace a story. However, they all seem to be anti-shirt. You see more shirt-wearing at a pool.

The episode ends with Roscoe seeing that her house was raided and she is targeted by the killers as well. Who isn’t marked for death?! How do they even get the mail in this town?

I thoroughly enjoyed this episode. Watch this show!

Reacher shirt allergy sufferer.

Reacher, S1 Ep1, “Welcome to Margrave” Review by Case Wright (Dir. Thomas Vincent)


Reacher is the greatest show in ten-years! In fairness, I’m a fan of Alan Ritchson (Titans) and Malcolm Goodwin (iZombie). These men have deserved a series for A WHILE!!! It’s great to see talented people have success. It’s how it should be. It reaffirms the power of great art; it can’t be stopped. Thomas Vincent, the director, appears to be on the arthouse side. I was stunned to find out that an arthouse director pulled me into this action packed show by my proverbials. Nick Santora wrote this pilot perfectly. I was pulled deeper into every scene. We need to work on new adjectives to describe how good this show is.

What makes a great Pilot? It has to establish all of the characters, immediate danger/conflict, a mythology, and show not tell. This show had barely any exposition at all. I haven’t seen that done in years. In a time, when lazy writing is the norm, this show tosses all of that aside. Alan was born to play this part. I will get into this deeper later on, but he has the most believable portrayal of a Veteran since Battlestar Galactica. Someone helped Alan act like us and he did a great job of it.

“Welcome to Margrave” opens with Jack Reacher walking toward a diner with no obvious possessions. Reacher is rapidly arrested for a crime he didn’t commit and he’s pulled into this town’s intrigue and bodies are dropping. He walks with some discomfort, which is clear in the pilot until the last scene. Why was this important? Veterans always kind of feel a little naked because we’re permanently out of uniform. We never really get over it. We’re always just a little fish out of water.

Finlay (Malcolm Goodwin) the chief detective has no idea where to begin to solve these murders. The town is just 1700 people in there are two people dead by the end of the pilot. Finlay discerns that a local business accountant Paul Hubble is involved and tries to get him to talk to Reacher by locking them both up at the local prison. However, unknown to Finlay, someone wants Reacher and Paul dead. Let’s take just a moment to offer some respect to the writer and director for opting for the hard road of storytelling. They’ve set all of this conflict up without an exposition fest -that takes talent and discipline. It also leads to the greatest fight scene I’ve ever seen. Not since the Titans “Pilot” did I see a fight scene of this caliber. It topped it.

This show has heart, violence, mystery and intensity. Reacher discovers that the second body is his brother Joe. His physicality changes; he’s more relaxed in both speech and walking. Why? Because now Reacher has a mission: Revenge. Alan Ritchson pulled this transformation off brilliantly.

I have to also discuss Malcolm Goodwin as Finlay. His marriage is failed and now his career is a mess because this town is confronted with two murders in two days. His performance is like a pressure cooker; he’s trying desperately not to explode. I loved it.

I highly recommend this show. It should be picked up immediately!

Titans S3 Ep6, “Lady Vic”, Review by Case Wright


The holidays are over and I know A LOT about Electricity, Magnetism, and Titans. The episode opens with a brutal scene of a woman killing two cops. I almost had to look away. It is NOT for the faint of heart. What got to me was the cold psychopathy of it. The reason for this little Kill-spree is poorly developed. It quickly cuts to Wayne Manor and Blackfire is now a quasi-Titan and she still prevents me from totally concentrating. She and Superboy have REAL chemistry. So… pretty sure that’s happening very soon. Kyptonians get all the luck!

Lady Vic really more of a B-Storyline. We see how Barbara Gordon and Dick became an item. Boy knows girl, boy and girl both dress flamboyantly, and boy and girl knock over a museum for an old trinket, which of course leads to Knocking Boots. There’s a lid for every pot, but museum heist leading to intercourse doesn’t seem like a direct route to me, but what do I know- I study hours of Math …. for fun. Through flashbacks, we learn that Babs and Dick went on heists for fun, but ended up killing Lady Vic’s husband, brother… or something.

I guess that I have to note that there is a plotline of when will Blackfire and Superboy hook up? However, this plot-line is just so predictable that it’s not great. The show needs Hawk back. He added a terrific wisecracking element and Gar and Superboy just don’t quite make up for his loss.

Jason Todd is still Red Hooding with Dr Crane. Lady Vic works for him too, but just as a side-hustle.

This episode was more disjointed than a knee replacement, but I guess you have to watch it to prepare for the next episodes.