Late Night Retro Television Review: Good Morning, Miss Bliss 1.1 “Summer Love”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

With Check It Out! finished, it’s time to review a new show.  Continuing this feature’s tradition of highlighting the work of executive producer Peter Engel, it’s time for Good Morning, Miss Bliss, the show that would eventually become Saved By The Bell!

Episode 1.1 “Summer Love”

(Dir by Burt Brinckerhoff, originally aired on November 30th, 1988)

It’s the first day of school at JFK Junior High, located in beautiful Indianapolis, Indiana.

Miss Carrie Bliss (Hayley Mills), our narrator, is looking forward to a new year as a history teacher.  The school’s principal, Richard Belding (a surprisingly thin Dennis Haskins) is worried about a new year of out-of-control students and angry parents.  Miss Bliss’s best friend, Ms. Tina Palladino (Joan Ryan), worries that Mr. Belding has given her a bad schedule because of a disappointing school play she directed the previous year.

Miss Bliss has a date, the first one since her husband died.  Brian (Barry Jenner) is handsome and successful but romance will have to wait as Miss Bliss deals with the problems of her homeroom students.  Over the summer, pathological liar Zack Morris (Mark-Paul Gosselaar) told a girl named Karen (Carla Gugino, in one of her first roles) that he would soon be starting the 9th grade.  Of course, Zack is actually starting the 8th Grade but he figured that he would never see Karen again so why not…. oh my God, this kid is a terrible human being!  Anyway, Karen transfers to JFK and Zack has to pretend to be in the 9th Grade.  He does this despite the fact that all of his friends, Mickey (Max Battimo), Nikki (Heather Hopper), Lisa (Lark Voorhees), and the nerdy Screech (Dustin Diamond), are in the 8th Grade and Zack’s homeroom is in an 8th grade classroom.

Got all that?

Needless to say, this episode would not be remembered today if not for the fact that it was the first appearance of Mr. Belding, Zack Morris, Lisa Turtle, and Screech Powers.  These characters were, of course, later retconned to be Californians when Saved By The Bell started.  Miss Bliss did not make the transition to California and for that, we should all be happy.  Even in this first episode, Miss Bliss comes across as being a self-righteous know-it-all who obviously feels that she’s too good for a junior high in Indiana.  In her first scene, she brags about getting a good class schedule, dismisses Tina’s concerns about her own class schedule, and then smirks as Mr. Belding talks about his anxiety.  This would pretty much be Miss Bliss’s signature style for the rest of the short life of Good Morning, Miss Bliss.

How do our regulars do in their first appearance as the characters that would make them famous?  Dennis Haskins gives a semi-realistic performance as Belding, playing him as being a harried pencil-pusher as opposed to the cartoonish figure he would become later on.  Mark-Paul Gosselaar and Lark Voorhies do well-enough as Zack and Lisa, though both of their characters are far more simpler here than they would become later.  Dustin Diamond was only 11 year old when he was cast as Screech and he looked and comes across as being several years younger.  (I recently saw an interview with Mark-Paul Gosselaar where he explained that the main reason why Diamond struggled to fit in with the rest of the cast was because he was considerably younger than everyone else on the show.  I would say that he was probably too young.  Imagine looking back on your life as an actor and realizing that you were permanently typecast by a role you first played when you were 11.)

Anyway, this was a forgettable but historically important episode.  Just imagine if it had never aired.

Lisa Marie’s Week In Television: 7/13/25 — 7/19/25


Amy Bradley Is Missing (Netflix)

I watched this on Netflix true crime docuseries on Tuesday.  I was already familiar with the Amy Bradley case but it was still an interesting and heartbreaking story..  The sad truth of the matter is that with almost every case of a missing person, there are “sightings” that occur after the person has vanished.  Often times, the sightings are obvious mistakes or even lies but I can’t blame Amy’s family for clinging on to whatever hope they can.

Big Brother 27 (24/7, CBS, Paramount+, Pluto TV)

I am continuing to watch and write about Big Brother for the Big Brother Blog.  It’s an interesting group of houseguests.  At first, I thought I was going to dislike Ava because she seemed like she was trying too hard to be quirky but she’s now become my favorite.  With her ribald but sweet sense of humor and her quiet strength, she reminds me a lot of my sister, the Dazzling Erin.  My least favorite houseguest, as of now, is Jimmy because he’s trying too hard to be iconic.  As for Rachel the returning player, she makes for good television but I can already tell this season is going to be rigged to keep her around for as long as possible.  Julie Chen Moonves’s habit of saying “Love one another,” continues to annoy me because it just feels so insincere.

Captain Planet and the Planeteers (Prime)

For some reason, a lot of people on X/Twitter were posting clips from this old environmentalist cartoon on Thursday.  I watched two episodes on Prime, one where Captain Planet taught about drug abuse and another where Captain Planet taught about AIDS.  Captain Planet had God-like powers but mostly he just flew around and lectured people.

T.J. Hooker (Tubi)

I was looking for a new show to review so I watched an episode of T.J. Hooker on Tubi.  William Shatner is a hard-nosed cop and gives a very Shatnerish performance.  Adrian Zmed is his frequently half-naked partner.  I’m not ready to review T.J. Hooker yet but maybe soon.  From what I saw, it looks like one of the most 80s shows ever made.

 

 

 

King of New York (1990, directed by Abel Ferrara)


Drug kingpin Frank White (Christopher Walken) has been released from prison and is again on the streets of New York City.  Frank might say that he’s gone straight but, as soon as he’s free, he’s  partying with his old crew (including Laurene Fishburne, Steve Buscemi, Giancarlo Esposito, and others).   While Frank’s agent (Paul Calderon) goes to all of the other city’s gangsters and explains that they can either get out of Frank’s way or die, three detectives (Victor Argo, David Caruso, and Wesley Snipes) make plans to take Frank out by any means necessary.  Meanwhile, Frank is donating money to politicians, building hospitals, and presenting himself as New York’s savior.

King of New York is the epitome of a cult film.  Directed by Abel Ferrara, the dark and violent King of New York was originally dismissed by critics and struggled to find an audience during its initial theatrical run.  (It was lumped in with and overshadowed by other 1990 gangster films like Goodfellas and Godfather Part III.)  But it was later rediscovered on both cable and home video and now it’s rightly considered to be a stone cold crime classic.  Walken gives one of his best performances as Frank White and that’s not a surprise.  The film was clearly made to give Walken a chance to show off what he could do with a lead role and Walken captures Frank’s charisma and humor without forgetting that he’s essentially a sociopath.  Walken gives a performance that feels like James Cagney updated for the end of the 80s.  What’s even more impressive is that all of the supporting characters are just as memorable as Walken’s Frank White.  From Laurence Fishburne’s flamboyant killer to David Caruso’s hotheaded cop to Paul Calderon’s slippery agent to Janet Julian’s morally compromised attorney, everyone gives a strong performance.  (I’m usually not a Caruso fan but he’s legitimately great here.)  They come together to bring the film’s world to life.  Everyone has their own reason for obsessing on Frank White and his return to power.  I’ve always especially appreciated Victor Argo as the weary, veteran detective who finds himself trapped by Caruso and Wesley Snipes’s impulsive plan to take down Frank White.  Frank White and the cops go to war and it’s sometimes hard to know whose side to be on.

Director Abel Ferrara has had a long and storied career, directing films about morally ambiguous people who are often pushed to extremes.  Personally, I think King of New York is his best film, a portrait of not just a criminal but also of a city that combines the best and the worst of human nature.  The action is exciting, the cast is superb, and Frank’s justifications for his behavior sometimes make a surprising amount of sense.  Thought there’s occasionally been speculation that it could happen, there’s never been a sequel to King of New York and it doesn’t need one.  King of New York is a film that tell you all that you need to know about Frank White and the city that he calls home.

 

Retro Television Review: The American Short Story Episode 7: The Displaced Person


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of Flannery O’Connor’s longest short story.

Episode #7: “The Displaced Person”

(Dir by Glenn Jordan, originally aired in 1977)

Life at a Georgia farm is thrown into turmoil when the farm’s owner, widow Mrs. McIntyre (Irene Worth), agrees to give a job to a Polish refugee named Mr. Guizac (Noam Yerushalmi).  As World War II has just ended and Father Flynn (John Houseman) has assured Mrs. McIntyre that Guizac can drive a tractor, Mrs. McIntyre is happy to give Guizac a home in America.  Less happy are the people who already work at the farm, most of whom see the hard-working Guizac as being a threat.  Mrs. Shortley (Shirley Stoler) worries that her husband (Lane Smith) is going to lose his job to Guizac.  Meanwhile, a young farmhand named Sulk (Samuel L. Jackson) enters into a business arrangement with Guizac, one that causes Mrs. McIntyre to change her opinion of Guizac.  Needless to say, it all ends in tragedy.

This adaptation is based on a short story that Flannery O’Connor wrote after her own mother hired a family of Polish refugees to work at their family farm, Andalusia.  This adaptation was actually filmed at Andalusia, only a few months after Flannery O’Connor’s death.  The furniture seen in the house was O’Connor’s own furniture.  The peacocks the drive Mrs. McIntyre crazy and which cause Father Flynn to have a religious epiphany are the same peacocks that roamed the farm when Flanney O’Connor lived there.  The cemetery that Mrs. McIntyre visits is the O’Connor family cemetery.  It brings a sense of authenticity to the film, one that is often missing from films made about the South.

The adaptation moves at a deliberate pace but it’s well-acted and it stays true to O’Connor’s aesthetic.  Those who might complain that there are only two likable characters in the film — Mr. Guizac and Father Flynn — are missing the point of O’Connor’s story.  Even Mrs. McIntyre, who initially seems to be trying to do the right thing, is blinded by the prejudices of race and class.  Father Flynn never gives up on trying to redeem both Mrs. McIntyre and the rest of the world but one gets the feeling that he might be too late.

The cast is what truly makes this adaptation stand-out.  Irene Worth, John Houseman, Lane Smith, Robert Earl Jones, they all give excellent performances.  Samuel L. Jackson was very young when he appeared in The Displaced Person but he already had the screen presence that has since made him famous.  The best performance comes from Shirley Stoler, who plays Mrs. Shortley as being a master manipulator who, unfortunately, happens to be married to a worthless man.  Mrs. Shortley does what she does to protect her husband.  Mr. Shortley does what he does because he’s a loud mouth bigot.  Everyone has their own reasons, to paraphrase Jean Renoir’s The Rules of the Game.  In this story, those reasons lead to tragedy.

Live Tweet Alert: Watch The Funhouse With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1981’s The Funhouse!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Song of the Day: Something (The Beatles)


Ok, time to get back in the saddle.

The latest entry in the “Greatest Guitar Solos Series” comes courtesy of The Beatles and one of the best songs, if not the best one, from their 1969 album, Abbey Road.

The song is the George Harrison penned “Something” and its been acknowledged by musicians and critics to be the greatest love song that doesn’t have the mention the word love (on a serious note, it is the greatest love song).

The guitar solo is performed by George Harrison and arrives as part of the song’s outro.

Something

[Verse 1]
Something in the way she moves
Attracts me like no other lover
Something in the way she woos me

[Chorus]
I don’t want to leave her now
You know I believe and how

[Verse 2]
Somewhere in her smile, she knows
That I don’t need no other lover
Something in her style that shows me

[Chorus]
I don’t want to leave her now
You know I believe and how

[Bridge]
You’re asking me, will my love grow?
I don’t know, I don’t know
You stick around, now, it may show
I don’t know, I don’t know

[Guitar Solo]

Great Guitar Solos Series

Scene That I Love: Christopher Walken in King of New York


Today’s scene is from Abel Ferrara’s 1990 gangster epic, King of New York.  Featuring Christopher Walken and a host of familiar faces, it’s one of those scenes that simply just has to be seen.

4 Shots From 4 Films: Special Abel Ferrara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the birthday of Abel Ferrara.  It’s time for….

4 Shots From 4 Films: Special Abel Ferrara Edition

Ms. 45 (1981, dir by Abel Ferrara)

Fear City (1984, dir by Abel Ferrara)

King of New York (1990, dir by Abel Ferrara)

Bad Lieutenant (1992, dir by Abel Ferrara)