Late Night Retro Television Review: ChiPs 4.2 “Sick Leave”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, death comes to California.

Episode 4.2 “Sick Leave”

(Dir by John Florea, originally aired on September 28th, 1980)

Andy (Robert Viharo) is a veteran member of the highway patrol who, when he’s not chasing down bad guys, is a student at the the local college.  He wants to become an archeologist and go to Peru.  Unfortunately, Andy has a brain lesion and may not get the chance.  His behavior is erratic.  His vision is failing.  He refuses to admit that there’s anything wrong.  Can Ponch and Jon get him off the street before he gets someone killed?  Andy says that if he wants to die, he wants to go out saving someone’s life and not sitting behind a desk.  An escalating fraternity prank war makes Andy’s dream come true.  The theft of a fraternity’s prized bird sculpture leads to a high-speed chase and several overturned cars.  Andy manages to save a young woman from a crashed car but, when the car explodes, he ends up with a hunk of shrapnel sticking out of his back.  Ouch!  He dies in Baker’s arms.  If Ponch had been the one holding him, one can only assume that Andy would have been magically healed by the power of Estrada.

This is the rare episode of CHiPs in which someone dies.  In fact, I think this is only the third episode in which a traffic accident has led to a fatality.  It happened once during the pilotDuring the second season, several people were killed in a multi-car pileup.  For the most part, though, CHiPs features people who somehow manage to survive the most horrendous of crashes.  Andy is killed by a sharp hunk of metal but, the show suggests, he would have died anyway from the brain lesions.

Along with a rare death, this episode featured a lot of slo mo of doom.  At the start of the episode, Andy’s reckless driving causes Ponch to crash his motorcycle and we get to watch Erik Estrada’s stunt double fly through the air in slow motion.  Later, when Andy runs away from the exploding car, the entire scene is in slow motion.  It works.  There’s a reason why slow motion is so overused.  It’s incredibly effective.

Overall, this episode had good intentions but a somewhat shaky execution.  Robert Viharo went so overboard with his performance that you couldn’t help but wonder why Ponch and Baker were the only ones who noticed that Andy obviously wasn’t doing well.  Not even Sgt. Getraer seems to notice!  The main problem is that silly scenes of the fraternity prank war (one fraternity even rents a helicopter!) were mixed with scenes of Andy’s mind literally shutting down as we watched.  Tonally, this episode was a mishmash.  CHiPs, with its bass-heavy theme and Erik Estrada’s blinding smile, might not have been the right place to try to pull off a heart-rending drama.

The Killing of Billy The Kid (2023, directed by Brett Bentman)


In the year 1881, a recently arrested prisoner named Thomas Riley (Andrea Zirio) attempts to gain his freedom by offering to inform Sheriff Pat Garrett (Thom Hallum) about the location of a man calling himself Henry McCarty.  At first Garrett asks why he should care about a man named McCarty but, when Riley reveals that McCarty is actually the infamous Billy the Kid, Garrett becomes much more interested.

The Killing of Billy The Kid is a straight-forward account of the events leading up to the death of Billy the Kid (played here by Paul Addison).  While there are flashbacks to the pasts of both Billy and Garrett, the majority of the film is Garrett heading out to the location where Billy is hiding.  With a few notable exceptions, it sticks to the general accepted facts about the death of Billy the Kid.  Paul Addison plays Billy as being a cocky punk and probably comes closer to capturing Billy’s actual personality than a lot of other actors have.

The budget was obviously low (the imdb says it was made for only $30,000) but the film still looks good and it’s version of the old west feels duty and isolated enough to be passable.  I have seen the film listed as having a 90-minute runtime on some sites.  Every streaming version that I’ve found clocks in at 77 minutes and, when I watched the film, it didn’t seem like there were any parts of the story missing.  Addison and Hallum are convincing in their roles, looking authentic whether riding a horse or shooting a gun.  For western fans, there’s much to appreciate about The Killing of Billy The Kid.

Retro Television Review: Miami Vice 4.10 “Love At First Sight”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, as the drug epidemic rages out of control, Sonny searches for a serial killer.

Episode 4.10 “Love At First Sight”

(Dir by Don Johnson, originally aired on January 15th, 1988)

What the Hell, Miami Vice?

Seriously, remember when this show was about Crockett and Tubbs going after drug dealers while Phil Collins played in the background?  Season 4 feels like a completely different show.

This week’s episode finds Sonny going undercover (*massive eye roll as Sonny does his, “My name is Sonny Burnett” routine for the thousandth time*) and joining a video dating service.  The plan is for Sonny to bust prostitutes but instead, he finds himself as the latest client to be targeted by a serial killer.

Sonny goes on dates, never knowing if the woman he’s with is a killer.  One woman approaches him with something behind her back.  Is it a knife?  No, it’s a vibrator!  “I can see the headlines now — Undercover cop slugs woman after assault with a sex toy!” Sonny says while wearing a yellow sweater and having a nice grapefruit breakfast at his mansion.

Meanwhile, cocaine is flooding Miami, the crack epidemic is spiraling out of control, there are communist taking over Central America, Fidel Castro is still alive, there’s a lot of going on out there and apparently it’s being ignored so Sonny can be used as serial killer bait — hey Vice Squad, why don’t you let the homicide detective deal with the murders while you get back to what you’re supposed to be doing?

Caitlin, Sonny’s wife, worries.  Oh, how she worries.  Her best friend tells her that she’s knew what she was getting into when she married a cop.  If Sonny is trying to maintain his undercover identity, should Caitlin be telling people that she married a cop?  Shouldn’t she be like, “I’m married to drug dealer!  His name’s Burnett and he just looks like that guy who used to play college football?”  That Sheena Easton was not a professional actress is pretty obvious in this episode.  When she previously appeared, she was a singer playing a singer and that brought some authenticity to her performance.  Now, she’s having to pretend to be the worried wife of a cop and her acting limitations are much more easier to see.

The killer is eventually revealed to be a woman (played by David Bowie’s future wife, Iman) with multiple personalities.  When she feels threatened, she turns into her brother and uses a knife to castrate the men from the dating service.  Will Sonny survive?  Yes, he does.

Don Johnson directed this episode and usually, when a cast member directs an episode of their show, their character tends to take a background role so they can concentrate on directing.  Not our Don!  This episode is so much about Sonny that the rest of the Vice Squad is barely in it.

This episode really made me miss the subtlety of Brian Dennehy playing a televangelist or James Brown kidnapping people for aliens.  Get it together, Miami!

Live Tweet Alert – #MondayMuggers present NOBODY (2021), starring Bob Odenkirk!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday July 7th, we are showing NOBODY (2021), starring Bob Odenkirk, Aleksey Serebryakov, Connie Nielsen, Michael Ironside, Colin Salmon, RZA, and Christopher Lloyd.

The plot: A docile family man slowly reveals his true character after his house get burglarized by two petty thieves, which, coincidentally, leads him into a bloody war with a Russian crime boss.

So, if you think you might enjoy watching a “nobody” turn into a badass and take on the Russian mafia, and you’ve about 90 minutes to spare, then we’ve got the movie for you! Join us tonight for #MondayMuggers and watch NOBODY. It’s on Amazon Prime! I’ve included the trailer below:

Monday Live Tweet Alert: Join Us for Lethal Tender!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1996’s Lethal Tender!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Lethal Tender on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Scene That I Love: Janet Leigh and Pat Hitchcock in Psycho


Yesterday was Janet Leigh’s birthday and today is Pat Hitchcock’s birthday so it seems appropriate that today’s scene that I love should feature both of them.  From 1960’s Psycho, this scene features Leigh and Hitchcock as office co-workers who meet the very wealthy Mr. Lowry (played by Frank Albertson).

“He was flirting with you.  He must have seen my wedding ring,” remains one of the greatest lines ever written.

4 Shots From 4 Films: Special Robert Eggers Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today the Shattered Lens wishes a happy birthday to director Robert Eggers!  It’s time for….

4 Shots From 4 Robert Eggers Films

The Witch (2015, dir by Robert Eggers, DP: Jarin Blaschke)

The Lighthouse (2019, dir by Robert Eggers, DP: Jarin Blaschke)

The Northman (2022, dir by Robert Eggers, DP: Jarin Blaschke)

Nosferatu (2024, dir by Robert Eggers, DP: Jarin Blaschke)