This isn’t my usual custom, but since I collaborated with Mike Freiheit on the story “Walk A Mile In My Shoes : A Jonestown History” (I wrote it, he drew it) in editor Robyn Chapman’s new Silver Sprocket-published anthology American Cult, I thought I’d shamelessly plug it here and, of course, encourage all of you to order it. I’ll have more to say about it on my Patreon in fairly short order, I would guess, but for now I’ll regale you all with some sample art pages from the book and the publisher’s official promotional text. I’ll resume regular programming (that being reviews, naturally) with my next post, I promise, but hey, this is the first comic I’ve been a part of as a creator, so I hope you don’t mind indulging me a bit — and I also hope you’ll consider supporting this very worthy project.
When it comes to writing, anyone who’s watched either Sicario, Hell or High Water or Yellowstone know that Taylor Sheridan’s a force to be reckoned with. The Sons of Anarchy alum has a pretty good track record. With his latest, Those Who Wish Me Dead, he’s also working in the Director’s chair, his first film since 2017’s Wind River.
Whether it’s onscreen or through activism, Academy Award Winner Angelina Jolie (Girl, Interrupted , Maleficent) always maintains a powerful presence. Jolie’s performance mixed with Sheridan’s script should prove to be really interesting. Based on Michael Koryta’s book, Jolie plays a forest firefighter who finds herself protecting a small child on the run. The film also stars Nicholas Hoult (The Favourite), Jon Bernthal (The Accountant), Tyler Perry (Gone Girl), Aiden Gillen (King Arthur: Legend of the Sword) and Finn Little (Angel of Mine).
Those Who Wish Me Dead is part of the WB’s Same Day Premieres, meaning that HBO Max subscribers can watch the film when it’s released on May 14, or in theatres.
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Today is Francis Ford Coppola’s birthday! Coppola is a bit of a controversial figure among some film scholars. While everyone agrees that, with the first two Godfathers, he directed two of the greatest films of all time (and some people would include Apocalypse Now on that list as well) and that he was one of the most important directors of the 70s, his post-Apocalypse Now career is often held up as a cautionary tale. Some say that Coppola’s career suffered because of his own excessive behavior and spending. Others argue that he was treated unfairly by a film industry that resented his refusal to compromise his vision and ambitions. Personally, my natural instinct is to always side with the artist over the executives and that’s certainly the case with Coppola. Coppola has only completed three films since the start of this current century and none of them were widely released. Say what you will about the films themselves, that still doesn’t seem right.
Regardless of how one views his latter career, Coppola is responsible for some of the best and most important films ever made. And today, on his birthday, it’s time for….
“Kate picked up a sailor in Brooklyn and was never the same again.”
There’s so many ways to interpret those words that I don’t know if I should be happy for Kate or scared. Luckily “just 12 hours for love” indicates that I should be happy for Kate, even if she was operating under a time limit. I just like how the blurb makes it a point to say that she picked up the sailor “in Brooklyn.” I guess the story would have been different if he was a Staten Island sailor.
This video for Modern Love is probably as straight forward as you can expect any music video from David Bowie to be. Filmed during the Serious Moonlight Tour to support Let’s Dance, the video features Bowie and his band performing an encore at Philadelphia’s Spectrum Theater.
This video was directed by Jim Yukich, who did videos from everyone from Iron Maiden to Debbie Gibson to Phil Collins.