Like many people, I was broken-hearted when it appeared that Tom Hiddleston’s Loki was killed during Avengers: Infinity War. Then I was happy to see that he came back (in a fashion) in Avengers: Endgame! As for the upcoming Disney+ series featuring Loki …. well, let’s just watch the trailer and patiently wait for June 11th, shall we?
It looks good to me but, of course, you knew I was going to say that. I’m among those who feels that Tom Hiddleston can do no wrong so I’m going to be happy to see him in just about everything. Does this series make Loki the first Marvel villain to get his own MCU vehicle? Good for him. Who doesn’t love Loki?
I couldn’t find out much about the content of this book, other than it was published in 1951 by Venus Books and it was, by 1951 standards, considered to be “adult reading.” Amos Hatter was a pseudonym for James W. Lampp, who wrote several of these type of books under different names. The book is about a girl who has a wild past and whether or not she can go on to have a normal life despite it. Because, of course, men can do whatever they want whereas women are expected to spend the rest of their lives apologizing for their decisions. What I like about this cover is that the lady with a past doesn’t look like she has any regrets whatsoever.
This cover was done by Howell Dodd, who has been featured many times in the past and who will be featured much more in the future.
Demolition Man is a song that’s had a long history. It was first written in 1980 by Sting, while he was staying at Peter O’Toole’s home in Ireland. It was written for the Police but they never got around to recording it. In 1981, Grace Jones requested that Sting send her a song. Sting sent over the demo for Demolition Man and Grace Jones was then the first artist to release a recording of the song. It was only after the release of Grace Jones’s version that The Police released their own version and, of course, Sting has gone on to regularly perform the song as a solo artist. And, of course, the song reached a whole new level of popularity with the release of the Sylvester Stallone/Wesley Snipes/Sandra Bullock action film of the same name.
The music video for Grace Jones’s version was shot during her One Man Show tour. The video was included on compilation that was released in 1982 to promote interest in Jones’s latest album, Living My Life. Like all of the videos shot during the tour, it was filmed at either London’s Drury Lane Theater or The Savoy Theater in New York City. The video was directed by Jean-Paul Goude, the French artist who was a long-time collaborator with Grace Jones and the father of her son, Paulo.