Requiem For A Dream — And A City : Frank Santoro’s “Pittsburgh”


Ryan C.'s Four Color Apocalypse

Look, I get it : Frank Santoro’s constructed “persona” within the comics scene rubs some people the wrong way, and that’s started to bleed over into how folks view his work. That’s as unfair to his comics on a purely technical level as it is entirely understandable on a human one, but once in awhile something comes along that’s bound to silence all naysayers, a la Tarantino’s Inglourious Basterds or Alan Moore’s Providence, which is to say : a work so undeniably accomplished that even people who “have it in” for the creator(s) behind it based on their “off the field” statements (usually those perceived, correctly or otherwise, to be a reflection of egocentrism) can’t argue with the FACT that they’ve produced something extraordinary. Something that will stand the test of time, no doubt — but may even take it one step further and be well and truly timeless

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One response to “Requiem For A Dream — And A City : Frank Santoro’s “Pittsburgh”

  1. Pingback: Lisa’s Week In Review: 12/16/19 — 12/22/19 | Through the Shattered Lens

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