The Aching Familiarity Of The Unknown : Connor Willumsen’s “Anti-Gone”

Ryan C.'s Four Color Apocalypse

We’ve seen so much of this before, in fiction and fact : a post-apocalyptic future Earth, mostly submerged underwater by means of some unspecified climate-change-induced catastrophe, has descended into an equally-unspecified form of totalitarianism. Waterworld meets 1984, right?

A “slacker” couple, Spyda and Lynxa, while away the hours/days/weeks/years of their lives on a refurbished sailboat-cum-living-room; he’s a tattooed, visor-wearing, hopeless nostalgia-junkie who mostly speaks in movie quotes: reading, rather than film, appears to be her reality-exit of choice. Remind you of any dead-end couples you might have gone to college with — or may even know now?

And yet everything in Montreal-based cartoonist Connor Willumsen’s new Koyama Press graphic novel, Anti-Gone , is distinctly and unquestionably foreign, as well, entirely outside our experience, whether real or recieved : the economy of this world, rather than being in tatters, appears to be chugging along without a hitch; drugs remain…

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