A Movie A Day #176: Honor Among Thieves (1968, directed by Jean Herman)


It’s Bronson and Delon, trapped in an airless vault!

While serving in the French Foreign Legion during the Algerian War, Dino Barran (Alain Delon) and Franz Propp (Charles Bronson) became unlikely friends.  Dino is a doctor while Franz is both a pimp and a mercenary.  When the war ends, both return to Paris.  Dino is ready to get on with his life but then he’s approached by Isabelle (Olga Georges-Picot), the lover of a man who Dino got killed in Algeria.  Isabelle has a job for Dino.  She has some files that she needs to return to a safe in an office building.  All Dino has to do is arrange a medical screening in the building and, when no one is looking, open the safe and drop off the documents.  Feeling guilty, Dino agrees.

The problem is that Franz has been following Dino and he has found out that Dino will be opening the safe.  While Dino just wants to put something in, Franz plans to take much more out.  After a fist fight, the two of them find themselves accidentally tapped inside the vault.  Working together, they have to both crack the safe and find a way out of the vault before they run out of the air.

Charles Bronson nearly did not make Honor Among Thieves.  Alain Delon wanted an American actor to co-star with him in the film and he specifically requested that Bronson be offered the part.  Up until this point, with the exception of a few B-movies like Machine Gun Kelly, Bronson had been a supporting player in Hollywood and had always resisted the temptation to follow the lead of Clint Eastwood and go to Europe in search of stardom.  When the film’s producer approached Bronson, he argued that only in Europe would an unconventional actor like Bronson be appreciated.  Though still skeptical, Bronson eventually accepted the offer.

It is a good thing that he did because Honor Among Thieves proved to be a huge hit and it made Bronson a star in Europe.  As a result of his tough and charismatic performance in Honor Among Thieves, Bronson went on star in films like Once Upon A Time In The West and other European hits.  It would be another 5 years before Death Wish made Bronson a star in America but, if not for Honor Among Thieves, Death Wish could very well have ended up starring Jack Lemmon (who was the choice of Death Wish‘s author, Brian Garfield).

As for Honor Among Thieves, it is an overlong and overly complicated heist film, the type that was very common in the 60s and which made a comeback with Steven Soderbergh’s remake of Ocean’s 11.  Ultimately, Honor Among Thieves does not work because the plot has too much padding (the subplot about Franz’s career as a pimp goes nowhere) and unanswered questions (it’s never explained what’s in the documents that need to be returned to the safe) but it is easy to see why Bronson became a star.  Bronson was already in his fifties by the time he made his best-known American films so Honor Among Thieves is a chance to see a younger and more energetic Bronson.  For once, Bronson actually seems to be enjoying himself, even smiling a few times.  For those of us who best know Bronson as the grim-faced avenger who gunned down criminals in countless film for Cannon, it is interesting to see Bronson playing someone who is actually having fun.

Honor Among Thieves was finally given an American release in 1973, following the success of Death Wish.  The original French title was Adieu l’ami.

 

That’s Blaxploitation! 10: HELL UP IN HARLEM (AIP 1973)


gary loggins's avatarcracked rear viewer

I’ve covered producer/writer/director Larry Cohen’s marvelously manic work in the horror genre ( IT’S ALIVE! , GOD TOLD ME TO ), but did you know the low-budget auteur also contributed some solid entries to the Blaxploitation field? Cohen’s gangster epic BLACK CAESAR starred Fred “The Hammer” Williamson and was such a smash a sequel was rushed into production and released ten months later. HELL UP IN HARLEM picks up right where the original left off, as ‘Black Caesar’ Tommy Gibbs is set up by corrupt DA DiAngelo and shot on the streets of New York City. Tommy has possession of some ledgers with the names of all the crooked politicians and cops on his payroll, and DiAngelo and his Mafioso friends want to put him out of circulation for good. Escaping via a wild taxi ride, Tommy is back in business and out for revenge.

This enables Cohen to serve up a series of crazy/cool set pieces that…

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Music Video of the Day: Talking In Your Sleep by The Romantics (1983, dir. ???)


https://www.youtube.com/watch?v=EtYbuHRVvGI

Last week’s hospital procedure was to see if they could find anything that could be causing this 20+ year chronic cough. The doctor doesn’t like to discuss the results immediately afterwards since you’d probably be too groggy. I agree with that. However, he did give me an envelope with some results inside of it. I didn’t have any plans to look at it without the doctor to interpret it for me. I was feeling pretty down, so I opened it up. I don’t know exactly what they are going to do, if anything, but they did find several things. I’m very happy about that. It’s really weird to be happy about doctor’s finding something wrong. But if they hadn’t, then I would have been back to square one. This has cheered me up to at least put a short post together. Unfortunately, it’s an example of one of the serious downsides to doing these posts. There’s another version of Talking In Your Sleep by The Romantics–of course there is.

Back when I knew I was going to be starting a several week rollercoaster of antibiotic side-effects, I did a post on Goodbye To You by Scandal. That video looked very similar to this one. It was just more lively. I bring it up because while doing that post I was also looking at other videos by Scandal, such as the one for Love’s Got A Line On You. There’s the professional version with Patty Smyth decked out in her best 80’s prom dress. Then there’s the two versions that just have the band performing against a white background. The only reason they are notable is because you get to see Jon Bon Jovi playing with them. Beyond the, There’s another version?, I would say that this one is for completionists only, like those other Scandal videos. For those people, I felt I might as well do this while I remember it exists.

In general, I have been feeling particularly bad. Lisa may jump in from time to time. If I need to bow out completely, then I’ll say so. One upside to feeling bad is that I blaze through a lot of movies. With that in mind, it means I can tie this post of video for a Detroit, Michigan band to Canada’s 150th anniversary.

During the past week, I watched what may be the worst–non-Hallmark–Canadian film trying to masquerade as an America one that I’ve seen so far. That film being The Masked Saint (2016). It’s a pro-vigilante film about a wrestler turned pastor that moves to Michigan, dresses up like Santo, and violently defends his flock. I knew it was Canadian the second I saw a big American flag on the back wall of his church for no discernible reason. It was also the last film starring Canadian wrestler Roddy Piper. It’s kind of sad that he went out with this film, but considering the movies he made, I get the impression he had a good sense of humor.

Also, The Romantics’ album In Heat, which included this song, did well in Canada and the Netherlands. The first is obvious. The second ties to Canada because they have a special place in the Netherlands since they were some of the first soldiers to arrive to liberate the Dutch during WWII. They also took in the future queen of the Netherlands, Beatrix, during the war. She’ll come up again when I eventually do a certain Golden Earring video–but that’s for another day.

Enjoy!

A Movie A Day #175: Telefon (1977, directed by Don Siegel)


Across America, strange things are happening.  Seemingly ordinary, middle-aged citizens are, without explanation, attacking formerly top secret government facilities.  The attackers are from all different walks of life.  One was an auto mechanic.  Another was a priest.  There was even a housewife who, after blowing up a power station, committed suicide with a poison pill that the KGB stopped issuing a decade ago.  Before launching their attacks, each one of them received a phone call in which a Russian man recited a poem by Robert Frost.

The Americans may not understand what is happening but the Soviets do.  Immediately after the Cuban Missile Crisis, the KGB planted sleeper agents across the United States.  They hypnotized and brainwashed the agents so thoroughly that they no longer remember that they are agents.  The Frost poem was the trigger designed to activate the agents, all of whom were meant to attack what were then valuable parts of America’s infrastructure.  With the arrival of détente, the program was abandoned and the sleeper agents were simply left behind in the United States.  But now, a former hardliner (Donald Pleasence), is activating the agents one by one.  Because he has a photographic memory, KGB colonel Charles Bronson is sent to the United States to track down and kill Pleasence before the United States discovers the truth about what is happening.  Lee Remick, as an American KGB agent, is assigned to work with him but is also ordered to kill him once the assignment has been completed.

That Telfon is one of Charles Bronson’s better post-Death Wish films is largely due to the presence of Don Siegel in the director’s chair.  As a director who specialized in intelligent genre films and who helped to make Clint Eastwood one of the world’s biggest stars with Dirty Harry, Coogan’s Bluff, The Beguiled, and Escape from Alcatraz, Don Siegel was the ideal director to bring out the best in Bronson.  Like St. Ives, Telefon features Bronson in an uncharacteristically cerebral role.  For once, he spends more time analyzing clues than he does shooting people and Bronson is surprisingly credible as a man with a photographic memory.

As directed by Siegel, Telefon is almost a satire of the type of violent action films that Bronson usually made for directors like Michael Winner. In Telefon, both the bad guys and the good guys are equally clueless.  All of the KGB sleeper agents are dumpy and middle-aged and the film continually emphasizes that they’ve all been brainwashed to attack targets that are no longer strategically important.    Donald Pleasence, playing one of his raving villains, wears a blonde, Beatles-style wig for much of the film.

Though the ending is a let down, Telefon is still one of the best of Bronson’s late 70s films.

Gremlin: Movie Preview/Review and trailer


grmlin

 

Directed by:  Ryan Bellgardt

Cast: Adam HamptonKristy K. BooneGeoff Barron

 

Preview:

Adam receives a mysterious box from a relative containing a creature that will kill everyone he cares about. The only way to be rid of the curse is to give the box to someone he loves. As the ominous timer on the box counts down to its end, he can only imagine the horrors that await. Does he give the box away to save his family, or unleash a monster upon humanity? He can’t destroy it. He can’t escape it. He can only give it to someone he loves…

 

Review:

Often I don’t like horror movies (actually rarely) But this time I got pulled in, so to speak. This movie will eventually eat at you. Literally EAT AT YOU!  Also, would be a good idea not to cover your eyes!

 

Would I recommend this movie? 

With a blind shot!

Gremlin_Stills_4_1.55.1.tif

 

Now let’s all gather around and watch the trailer:

 

Yeh, I am freaked out too!

 

Gremlin will be available on VOD July 11th

Music Video of the Day: Hangar 18 by Megadeth (1990, dir by Paul Boyington)


If y’all already didn’t already known in which direction my musical tastes tends to run, you probably could guess just by doing a search and seeing who, out of the 18 writers on the site, has spent the most time writing about The Chemical Brothers and the Electric Daisy Carnival.  In other words, I’m not going to pretend that I know much about Megadeth.

But I do know that it’s World UFO Day and this video certainly seems to fit with the theme!

Enjoy and keep watching the skies!

You Absowutewy Must Wead “Batman/Elmer Fudd Special” #1 — Sewiouswy


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

If thewe’s one fing I weawwy wuved about —-

Okay, that’s gonna get on your nerves and mine really quickly, isn’t it? Let’s start over.

I won’t kid you — when these DC/Looney Tunes crossovers were first announced, I was scratching my head a bit. Some of the team-ups (Marvin The Martian and Martian Manhunter, for instance) made more sense on paper than others (I’m looking at you, Bugs Bunny and The Legion Of Super-Heroes), but at five bucks a pop, they were going to have to offer something more than an intriguing novelty to get my money. The just-released Batman/Elmer FuddSpecial #1 certainly meets that criteria by featuring an “A-List” creative team — Tom King on scripting chores, Lee Weeks on art — and a damn nice-looking cover, so what the hell, right? You only live once, and if you’re as broke as the average comic book collector, you…

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A Movie A Day #174: St. Ives (1976, directed by J. Lee Thompson)


Raymond St. Ives (Charles Bronson) is a former cop-turned-writer who desperately needs money.  Abner Procane (John Houseman) is a wealthy and cultured burglar who needs someone to serve as a go-between.  Five of Procane’s ledgers have been stolen.  The thieves are demanding a ransom and Procane believes that St. Ives is just the man to deliver the money.  But every time that St. Ives tries to deliver the money, another person ends up getting murdered and St. Ives ends up looking more and more like a suspect.  Who is the murderer?  Is it Janet (Jacqueline Bisset), the seductive woman who lives in Procane’s mansion?  Is it Procane’s eccentric psychiatrist (Maximillian Schell)?  Could it be the two cops (Harry Guardino and Harris Yulin) who somehow show up at every murder scene?  Only Ray St. Ives can solve the case!

Charles Bronson is best remembered for playing men of few words, the type who never hesitated to pull the trigger and do what they had to do.  St. Ives was one of the few films in which Bronson got to play a cerebral character.  Ray St. Ives may get into his share of fights but he spends most of the film examining clues and trying to solve a mystery.  The mystery itself is not as important as the quirky people who St. Ives meets while solving it.  St. Ives has a great, only in the 70s type of cast.  Along with those already mentioned, keep an eye out for Robert Englund, Jeff Goldblum, Dana Elcar, Dick O’Neill, Daniel J. Travanti, Micheal Lerner, and Elisha Cook, Jr.  It’s definitely different from the stereotypical Charles Bronson film, which is why it is also one of my favorites of his films.  As this film shows, Bronson was an underrated actor.  In St. Ives, Bronson proves that, not only could he have played Mike Hammer, he could have played Philip Marlowe a well.

St. Ives is historically significant because it was the first Bronson film to be directed by J. Lee Thompson.  Thompson would go on to direct the majority of the films Bronson made for Cannon in 1980s, eventually even taking over the Death Wish franchise from Michael Winner.