A Movie A Day #16: Boycott (2001, directed by Clark Johnson)


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Originally made for HBO, Boycott is one of the best and, unfortunately, least-known films made about the life of Martin Luther King, Jr.  Boycott tells the story of the Montgomery Bus Boycott, starting with the arrest of Rosa Parks for refusing to sit in the back of the bus to the eventual integration of the Montgomery public transportation system.  Clark Johnson directs Boycott in a semi-documentary, handheld style, which adds an immediacy to the oft-told story.

Boycott focuses on the role that 24 year-old Martin Luther King, Jr. (played by Jeffrey Wright) played as the leader of the Montgomery Bus Boycott and how the boycott’s success turned King into a national figure.  Jeffrey Wright does a great job playing the young King and it’s interesting to watch as the initially uncertain King finds both his voice and his strength as a leader.  Boycott works as a good companion piece to Selma, not the least because Carmen Ejogo plays Coretta Scott King in both of them.

Also giving a noteworthy performances are Terrence Howard as King’s second-in-command, Ralph Abernathy and Erik Dellums in the role of Bayard Rustin, who was one of King’s closest confidants but, because he was gay, was often left outside of the movement’s inner circle.  Before they worked together on Boycott, Dellums, the son of former U.S. Rep. Ron Dellums, co-starred with Clark Johnson on Homicide: Life on the Street.

Boycott is a tribute to not just Martin Luther King but also the entire civil rights movement.

Music Video of the Day: Them Heavy People by Kate Bush (1978, dir. Keith MacMillan)


I was originally planning on doing five political music videos this week. Then I decided I’d feature some beautiful things rather than things that remind people of fear and uncertainty. They’ll be plenty of other days to spotlight things like America by Kurtis Blow and the obscure Schizophrenic Breakdown by Chainmale. With that in mind, I am doing a video from each decade of Kate Bush’s career from the 1970s to the 2010s.

I know that Wow and Wuthering Heights are more well-known early Kate Bush videos, but I thought this one was appropriate for MLK Jr. Day that also happens to be Religious Freedom Day since the song is about having a desire to learn as much as possible. Also, it’s a pretty good introduction to what you can expect from Kate Bush: beautiful music videos, meaningful/heavy lyrics, interpretive dance/dancing, and being goofy at times.

She’s also known for her live performances, which makes sense considering videos like this one. There’s a video for Wow that is made up of a compilation of live performances, and you can see the two dancers from this video all over it. I remember reading someone’s comment somewhere that she worked with the same dancers for decades. Don’t quote me on that. However, it wouldn’t surprise me.

A little Easter Egg to look for is that Kate didn’t have her armpits shaved in this video. I only bring that up since a few years later Nena would get written up in British tabloids when she didn’t have them shaved during a tour in the UK.

Enjoy!

A Movie A Day #15: Special Bulletin (1983, directed by Ed Zwick)


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“We interrupt our regularly scheduled programming for a special report…”

Led by veteran anchor John Woodley, the RBS news team is providing continuing coverage of a developing crisis in Charleston, South Carolina, where terrorists are holding several members of the coast guard, a local new reporter, and his cameraman hostage on a small tugboat.  These are not typical terrorists, though.  Two of them are nuclear scientists.  One of them is a social worker.  Another one is a nationally-renowned poet.  The final terrorist is a former banker robber who was just recently released from prison.  This unlikely group has only two demands: that the U.S. government hand over every single nuclear trigger device at the U.S. Naval Base and that RBS give them a live television feed so that they can explain their actions to the nation.  If either of those demands are not met, a nuclear bomb will be detonated and will destroy Charleston.

This made-for-TV movie was shot on video tape, to specifically make it look like an actual news broadcast.  Though much of the movie seems dated when compared to today’s slick, 24-hour media circus, Special Bulletin was convincing enough that, when it was originally broadcast in 1983, it caused a mini-panic among viewers who missed the opening disclaimer:

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Because the movie deals with the threat of nuclear terrorism instead of a U.S.-Soviet nuclear war, it still feels relevant in a way that many of the atomic disaster films of the 1980s do not.  Beyond making an anti-nuclear statement, Special Bulletin is also a critical look at how the news media sensationalizes every crisis, with the RBS news team going from smug complacency to outright horror as the situation continues to deteriorate.  David Clennon and David Rasche are memorable as the two most outspoken of the terrorists and Ed Flanders is perfectly cast as a veteran news anchor struggling to maintain control in the middle of an uncontrollable situation.  Special Bulletin won an Emmy for Outstanding Drama Special and can be currently be found on YouTube.

Keep an eye out for Michael Madsen, who shows up 57 minutes in and gets the movie’s best line: “That guy’s a total psycho ward.”

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Music Video of the Day: Titta in i men lilla kajuta by Björn (1969, dir. ???)


Another early music video with Björn. I’m quite sure the blonde is Agnetha, but she doesn’t sing in this one.

Enjoy!

ABBA retrospective:

  1. Bald Headed Woman by The Hep Stars (1966, dir. ???)
  2. Tangokavaljeren by Björn (1969, dir. ???)
  3. Vårkänslor (ja, de’ ä våren) by Agnetha & Björn (1969, dir. ???)
  4. Ring, Ring by ABBA (1973, dir. Lasse Hallström)
  5. Ring, Ring by ABBA (1973, dir. ???)
  6. Love Isn’t Easy (But It Sure Is Hard Enough) by ABBA (1973, dir. ???)
  7. Waterloo by ABBA (1974, dir. Lasse Hallström)
  8. Hasta Mañana by ABBA (1974, dir. ???)
  9. I Do, I Do, I Do, I Do, I Do by ABBA (1975, dir. Lasse Hallström)
  10. I Do, I Do, I Do, I Do, I Do by ABBA (1975, dir. ???)
  11. Bang-A-Boomerang by ABBA (1975, dir. Lasse Hallström)
  12. SOS by ABBA (1975, dir. Lasse Hallström)
  13. Mamma Mia by ABBA (1975, dir. Lasse Hallström)
  14. Knowing Me, Knowing You by ABBA (1976, dir. ???)

Now Would Be A Good Time To “March” Down To Your Local Bookstore Or Comic Shop


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

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I have a feeling that Donald Trump supporters — at least those still capable of being honest with themselves — harbor at least one of the same worries that those of us who oppose him do, namely : that one day his big, fat, stupid, disgusting mouth with write a check that his big, fat, stupid, disgusting ass can’t can’t cash.

Okay, yeah, they might quibble with the colorful (but, I would submit, accurate) adjectives I just used in describing the various anatomical “attributes” of their chosen God Emperor, but still, come on — everybody knows this guy is liable to say something irrevocably stupid at any given time. And while he’s had nothing but praise for the likes of Putin, Assad, Dutarte, and other cheap, pathetic despots, the fact that he’s singled out Congressman John Lewis — a genuine icon of the Civil Rights era and inarguably one of…

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A Movie A Day #14: Eyewitness (1970, directed by John Hough)


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In Eyewitness (which is also known as Sudden Terror), eleven year-old Ziggy (Mark Lester) witnesses a policeman (Peter Vaughan) assassinating a visiting African dignitary but, because he has a history of “crying wolf,” he can’t get anyone to believe him.  Not his older sister, Pippa (Susan George).  Not his grandfather (Lionel Jeffries), the lighthouse keeper.  Not the housekeeper, Madame Robiac (Betty Marsden).  Not even Tom Jones (Tony Bonner), a tourist who fancies Pippa.  When he sees two policemen driving up to his grandfather’s lighthouse, Ziggy panics and runs.  Though John Hough’s direction, which is full of zoom shots and Dutch angles, is dated, Eyewitness holds up well as a tight thriller.  Susan George was beautiful in 1970 and Peter Vaughan is a great villain.

If Sam Peckinpah had ever made a children’s movie, it would probably look a lot like Eyewitness.  The movie starts out with Ziggy playing on the beach and pretending to be a soldier while imaginary gunshots and explosions are heard in the background.  It ends with a strange joke about a man who looks like Hitler, followed by a cheery freeze frame.  In between all that cheeriness, the assassin and his brother (Peter Bowles) chase Ziggy across Malta and kill anyone who gets in their way, from a friendly priest to a ten year-old girl being held by her father.  I counted ten onscreen death, which is a lot considering that this British movie was released at a time when some were still arguing that Jon Pertwee-era Dr. Who was too scary for children.  There’s even an exciting car chase that ends with one car overturned and the blood-covered survivors struggling to drag themselves out from underneath the wreckage.  How many British children were traumatized by Eyewitness?

 

Growing Pains: YOU’RE A BIG BOY NOW (Warner Brothers 1966)


gary loggins's avatarcracked rear viewer

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Francis Ford Coppola  was still a UCLA film student when he made YOU’RE A BIG BOY NOW, the 1966 coming of age comedy he used as his MFA thesis. The young Coppola was 27, and had gained experience working for Roger Corman ; indeed, Corman gave him his first break when he hired Coppola to write and direct the horror quickie DEMENTIA 13. But YOU’RE A BIG BOY NOW was his first major studio release, and put him on the map as a talent to keep an eye on.

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Bernard Chanticleer is a 19 year old nerd with a way-overprotective mother and disinterested, authoritarian father. He works for Dad at a New York City library, and is constantly goofing up on the job. Dad thinks it’s time for Bernard to spread his wings and move on his own, much to Mom’s displeasure. She finds him a room at a house owned by Miss Thing, who’s tenants include conservative…

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