The Daily Grindhouse: Death Has Blue Eyes (dir by Nico Mastorakis)


Death Has Blue Eyes

Just in case you needed proof that I will literally watch and review anything, here’s a few thoughts on an extremely obscure Greek thriller, which was first released in 1976.  As often happened with exploitation films in the 70s, this movie was released under several different names.  It’s original Greek title was To koritsi vomva.  Apparently, in England, it was known as The Para Psychics, which is truly a hideous title.  I prefer the American title, Death Has Blue Eyes.

So, maybe you’re wondering how exactly it was that I ended up watching a totally unknown (and unsung) Greek thriller that was filmed long before I was even born.  The trailer for Death Has Blue Eyes was included on the first volume of 42nd Street Forever, an amazingly fun and entertaining compilation of grindhouse movie trailers.  (I imagine that I’m not alone in counting 42nd Street Forever as my introduction to the anything goes aesthetic of the grindhouse.)

Check out the trailer below!

I have to admit that this trailer became something of an obsession of mine.  Some of it, of course, was the music.  And some of it was because every second of the trailer screamed out “low-budget 1970s.”  But, beyond that, I loved this trailer because it contained so many scenes and yet it still told me absolutely nothing about the film.  Seeing as how there were very little information about Death Has Blue Eyes online, I would watch the trailer and I would try to figure out how all of the random scenes fit together.

I could tell, of course, that the film was an action movie.  It was also obvious that the film featured a woman with psychic powers and that she could apparently blow up tents and kill men in bowling alley.  Just as obviously, the two men — one dark-haired and one blonde — were trying to protect her from an evil organization.

But, beyond that, I found myself obsessing on the odd scenes of the two men and the woman on the beach.  Why, I asked myself, were they on that beach?  And why, in a few shots, did both the woman and the blonde guy have such dark circles under their eyes?  Why was their skin so much more pasty and white on the beach than it was in the rest of the trailer?  Why was the blonde guy laughing like a maniac as the tide came in?  Why did the dark-haired guy appear to look so shocked when he saw the blonde guy and the woman dancing?  Why were they dancing on the beach in the first place?  And why, while the mysterious woman looked on with a mournful expression, were the two men fighting in the ocean?

Could it be, I wondered, that the three of them were dead?  And maybe the beach was purgatory?  Perhaps that explained why the blonde guy was laughing.  Maybe he had been killed after opening that briefcase full of money.  Maybe he was laughing at the fact that, as soon as he became rich, he lost his life and found himself on Purgatory Beach.  All that trouble to get all the money and here was betrayed, dead, and in purgatory.  No wonder he couldn’t stop laughing.

And what about that briefcase full of money?  Obviously, this was a heist film.  The two men must have been friends until they both fell in love with the same psychic woman.  And then, after the heist and the fireworks show, the two men turned against each other.  They fought.  They died.  And they ended up in purgatory.

Yes, I thought to myself, that had to be it!

And, as soon as I figured that out, I knew that I had to see Death Has Blue Eyes.  I mean, how often do you get to see a film that so perfectly combines film noir with Catholic theology as the trailer for Death Has Blue Eyes?  Death Has Blue Eyes was obviously a forgotten classic, waiting for one brave red-headed film blogger to defend it!  And if that film blogger has mismatched eyes and loved to dance, all the better!

Unfortunately, it was not easy to see Death Has Blue Eyes.  There’s a few old (and expensive) VHS copies floating around but the film has never been released on DVD or Blu-Ray.  (I am lucky enough to have an old VHS player, as all good lovers of film and history should!)  However, a year ago, someone was good enough to upload Death Has Blue Eyes to YouTube and I finally got to see it!

51NAQXY0RvL

And all I can say is that my version is sooooo much better.

I was right about the film being an action film that featured two guys protecting a blonde with psychic powers.  But I was totally wrong about purgatory.  In fact, when I saw how the beach scenes were actually used in he film, I got angry because my version was so much better!

(Because the film contains a lot of nudity and some violence and I don’t want our little site to get in trouble, I’m not going to embed the video here.  But if you want to watch the film on YouTube, click here!)

Anyway, as for the film, it tells the story of Bob (Peter Winter) and Ches (Hristos Nomikos), who are two con artists who make a living by seducing older women and pretending to be guests at expensive hotels.  After Ches’s latest cougar victim kicks them out of her home, they find themselves homeless.  But then, they’re hired to serve as bodyguards for Christine (Maria Aliferi).  Christine is a powerful psychic who witnessed a political assassination.  Because she can read minds, she knows both who the assassin was and who he was working for!

The rest of the film is basically a nonstop collection of car chases, exploding tents, and random assassins.  (What’s odd is that Christine can blow people up by merely looking at them and yet, she still needs bodyguards.)  It doesn’t make a bit of sense and the two “heroes” are incredibly unlikable but, because it’s such a product of its time, the film is oddly watchable.  It’s terrible and there’s no purgatory but it’s still probably the only film ever made about two gigolos hired to protect a blonde with ESP from a bunch of motorcycle-riding assassins.

That said, I still think my version of the film is better!

Check out some footage below, along with listening to a bit of the film’s score.  As I said, it’s all very 70s.

Straight No Chaser: The Marx Brothers in MONKEY BUSINESS (Paramount, 1931)


gary loggins's avatarcracked rear viewer

monkey1

After filming their stage successes THE COCONUTS (1929) and ANIMAL CRACKERS (1930), The Four Marx Brothers made their first movie written directly for the screen. MONKEY BUSINESS showcases the anarchic comedy style the brothers were famous for in a very loosely plotted script by humorist S.J. Perelman and Will B. Johnstone (with “additional dialogue” by Arthur Sheekman) full of crazy comic moments.

The brothers play stowaways on an ocean liner bound for America who get mixed up with a pair of rival gangsters. Groucho, of course, gets mixed up with gangster Briggs’s wife, the wonderful Thelma Todd. She takes the role usually reserved for Margaret Dumont, but her youth and beauty give it a different spin. Groucho and Thelma are perfect foils, whether it’s their comic banter (Thelma: “My husband will wallop me” – Groucho: “Always thinking of your husband. Couldn’t I wallop you just as well?”) or their zany dance routines. Thelma would make…

View original post 337 more words

Song of the Day: Turn the Page (Metallica)


MetallicaTurnthePage

Through good times and bad I have always been a huge fan and follower of Metallica. Even as they foolishly went off track following the path Bob Rock set for them throughout most of the 1990’s through the disastrous St. Anger debacle as they tried to return to their earlier sound, I have always followed this band which made up the original Big 4 of thrash metal (Metallica, Anthrax, Slayer and Megadeth).

It was on their 1998 cover album, Garage Inc., that the band released one of their most popular songs. It wasn’t an original, but a cover of the classic Bob Seger hard rock song about the hard road and life of a musician. Seger’s “Turn the Page” is just one of those hard rock tunes that latches onto the listener and forces them to listen and understand. Most such songs tend to be quite pretentious with nothing much to say once the listener really pays attention. The same cannot be said about Seger’s song.

Metallica decided to cover this song for their Garage Inc. album which was all about them covering their own favorite hard rock and metal songs of the past. While Metallica kept the original’s tempo, they added their own heavier and harder edge to song that straddles the line between hard rock and heavy metal. Even James Hetfield’s alcohol and cigarette ravaged vocals lent a sense of the hard road and life the track sings about.

The biggest change from the Seger song to Metallica’s cover has to be the accompanying music video which still remains one of the most controversial in MTV’s music video history (well, when they still played music videos). Seger’s song was released in 1973 when the concept of music video was nonexistent. With Metallica’s cover it was almost a guarantee that it would get a music video and what a video it was and still is.

The video was directed by Jonas Akerlund who had made a name for himself directing some of the most creative and innovative music videos of the day. His take on the song switches from a musician’s hard road and life on the road to that of a single mother trying to make ends meet as an erotic dancer by day and a prostitute by night to provide for her young daughter. The video was banned from receiving any sort of airplay on MTV as it dealt and showed the disturbing side of such a life. The fact that the tamer version of the video (below) still couldn’t make it on the airwaves just showed how much more haunting and controversial the uncensored version turned out to be.

Turn the Page

On a long and lonesome highway,
East of Omaha
You can listen to the engines
Moanin’ out it’s one note song
You can think about the woman,
Or the girl you knew the night before
But your thoughts will soon be wanderin’,
The way they always do
When you’re ridin’ 16 hours,
And there’s nothin’ much to do
And you don’t feel much like ridin’,
You just wish the trip was through

(Chorus)

Here I am, on the road again,
There I am, up on the stage
There I go, playin’ star again,
There I go, turn the page

So you walk into this restaurant,
All strung out from the road
And you feel the eyes upon you,
As you’re shakin’ off the cold
You pretend it doesn’t bother you,
But you just want to explode
Yeah, most times you can’t hear ’em talk,
Other times you can

All the same old cliches,
Is it woman, is it man
And you always seem outnumbered,
You don’t dare make a stand
Make your stand

(Chorus)
Ah But here I am, on the road again,
There I am, up on the stage
Here I go, ah playin’ star again,
There I go, turn the page
Woah

Out there in the spotlight,
You’re a million miles away
Every ounce of energy,
You try and give away
As the sweat pours out your body,
Like the music that you play

Later in the evenin’,
As you lie awake in bed
With the echoes of the amplifiers,
Ringin’ in your head
You smoke the day’s last cigarette,
Rememberin’ what she said

What she said

Yeah, and here I am,
On the road again,
There I am, up on that stage
Here I go, playin’ star again,
There I go, turn the page
And there I go, turn that page

There I go, yeah, Here I go, yeah, yeah
There I go, yeah, Here I go, yeah
Here I go, There I go
And I’m gone

Val’s Movie Roundup #13: Hallmark Edition


cupid_tNone_jpg_290x478_upscale_q90

Cupid, Inc. (2012) – Okay, who would have thought that Jamie Kennedy would actually be decent as Cupid? This is the guy who taught us how to survive a horror movie and was in Son Of The Mask (2005). But yep, he plays Cupid and does a good job. But he really isn’t a big part of the film all things considered. That falls to Joely Fisher. The deal is that she has to get a new couple together by Valentine’s Day, then she will find her true love. If Jamie Kennedy showed up and told me that, then I would probably ask him if I should see Dinotopia: Quest for the Ruby Sunstone (2005), but she takes him up on his offer. The rest can be boiled down to four words: It’s a Hallmark movie. Believe it or not, this is my first Valentine’s Day Hallmark movie, so I guess it’s the best one I have seen. I’ll tell you this, it’s much better than Gabe the Cupid Dog (2012).

Fixing-Pete-2012

Fixing Pete (2011) – This one is kind of like Recipe For Love, but not as good. This has dark haired Brooke Burns who is tasked with making over a frat boy looking guy for his upcoming book tour. People often complain about female stereotypes, but this one has the male stereotypes in spades when we are introduced to Pete (Dylan Bruno). Luckily, that doesn’t last long and the two move closer and closer to each other. It’s nice, but if you can find Recipe For Love, then watch that instead.

url

Murder 101: New Age (2008) – Once again it’s time for the Van Dykes to solve a murder. This time there are four of them. We’ve got Dick, Barry, Shane, and Carey. As the title suggests, the New Age movement plays a part here. Apparently, after The Nanny, Charles Shaughnessy joined the New Age movement. Basically there’s a room with him dead and gun in his hand while the only other people there are in a really deep meditation. So who killed him? It goes from there. I can’t believe it took till my third Murder 101 movie to realize that Barry Van Dyke’s character is not a cop, but a PI. Not sure then why the Van Dykes seem to just take over the investigation, but who cares. All that matters is that there is a scene where you get to see Dick Van Dyke play tennis on the Wii. When I saw that, I knew my life was complete. Actually, there are several humorous lines surrounding technology. Better than the mystery movies you get from Hallmark nowadays.

Poster

Dad’s Home (2010) – Been awhile since I watched Mr. Mom (1983), but I think it’s probably quite similar. Except kill off the Mom and set it during this generation’s Great Depression. Really, that’s it. We watch him as he settles into his new role as a stay at home dad while looking for work. Before he had a nanny that took care of his kids, but she’s let go after he’s let go from his job. Not sure why she was let go though since he somehow is able to keep this very expensive home and cause of the ending where I swear he decides to not work again. Of course, there has to be a romance thrown in. The hot and nice blonde teacher takes a liking to him and things progress. The only thing that was memorable was when dad interviews for a job at a tech company. The head of the company actually refers to Social Network Accounts as SNAs. I couldn’t even find that in Urban Dictionary. He asks him if he podcasts. I also swear he asked him if he was on Orkut. That’s the social network that was really popular in Brazil. He also asks if he “does Twitter”. What? Was this intentional to show that the guy was actually clueless about the industry he was in or did the writers not know what they were talking about. Or were they trying some feeble attempt to make fun of tech companies. I think it’s the feeble attempt one since they mention a company acupuncturist. Grow up! These are jokes I would expect from a standup comedian. You can skip this one.

Trailer: Beasts of No Nation


BeastsofNoNation

Netflix has had some recent success with creating their own content with such critically-acclaimed shows such as House of Cards, Orange Is the New Black and, most recently, with Daredevil. As their success continue they’ve now begun to create their own content in the full feature-length film area.

One such film is the adaptation of the 2005 novel Beasts of No Nation by Uzodinma Iweala. It’s about the story of the young boy, Agu, who is forced to join a rebel group in some unnamed West African nation to become a child soldier. The book, and the film, will allow us to witness his journey from innocent child to a young child-soldier who sees and participates in wartime atrocities.

Beasts of No Nation stars young actor Abraham Attah in the role of Agu with Idris Elba taking on the role of the sadistic and manipulative Commandant. It also marks the follow-up project for Cary Joji Fukunaga whose most recent work was the first season of a little series on HBO called True Detective.

Beasts of No Nation premieres simultaneously on Netflix and a limited amount of small and independent theaters on October 16, 2015.

Trailer: Let Me Make You A Martyr


Here’s the trailer for Let Me Make You A Martyr, an upcoming crime film that has been getting a lot of attention because it features Marilyn Manson as a hit man.

I’m not sure how I feel about this trailer.  I like the visual atmosphere and it’s look like the film uses Manson to good effect.  At the same time, that droning voice over gets on my nerves.

I’ll be looking forward to discovering whether Let Me Make You A Martyr is another Cold In July or another Paperboy.

Less Than Grand Guignol: TWO ON A GUILLOTINE (Warner Bros, 1965)


gary loggins's avatarcracked rear viewer

two1

TWO ON A GUILLOTINE was one of those movies that used to air frequently on Boston’s Channel 56. I’d seen it numerous times, and had largely forgotten about it when TCM aired it recently. I wondered how it held up after all those decades so, good little film blogger that I am, I DVR’d it to review. While it’s certainly no classic, TWO ON A GUILLOTINE isn’t as bad as the title would imply.

two4

The movie’s about a famous stage magician, The Great Duquense aka Duke (Cesar Romero), who passes away. The papers say he “vows to return from the grave”. His estranged daughter Cassie (Connie Stevens) shows up at the funeral. She’s a dead ringer for her mom, who mysteriously vanished twenty years ago. Duke’s will is read (at the Hollywood Bowl, no less), and Cassie is set to inherit his estate if she’ll stay at his home for seven days…

View original post 438 more words

The Third Annual Academy Awards: 1916


Over on Through the Shattered Lens Presidents the Oscars, Jedadiah Leland and I have been reimagining Oscar history, one year at a time! Today, we take a look at 1916, the year of Thomas H. Ince, Civilization, and Intolerance!

Lisa Marie Bowman's avatarThrough the Shattered Lens Presents The Oscars

Thomas H. Ince, the 2nd President of AMPAS Thomas H. Ince, the 2nd President of AMPAS

In the long history of the Academy of Motion Picture Arts and Sciences, 1916 was dominated by one man: Thomas H. Ince.

Today, Ince is a largely forgotten figure and his many accomplishments have been overshadowed by the mysterious and potentially sordid circumstances of his death in 1924.  However, in 1916, Ince was one of the most popular figures working in the film industry.  He was the first producer to build his own studio in California and, with D.W. Griffith and Academy President Mack Sennett, founded the Triangle Motion Picture Company.  When, following the 2nd Academy Awards ceremony, Sennett announced the he would not be running for a second term as president of the AMPAS, Ince was the obvious choice to replace him.

As President, Ince immediately launched a recruiting drive to bring more industry professionals into the organization…

View original post 1,487 more words

Film Review: The Gift (dir by Joel Edgerton)


The_Gift_2015_Film_Poster1

Because of the nature of The Gift, this post is going to contain minor spoilers.  There’s no way to talk about what makes the film work so brilliantly without giving away a few plot points.  Such is the nature of the beast and all that.  So, if you don’t want to deal with spoilers, allow me just to say this: Go see The Gift.  See it tonight.  See it tomorrow.  See it this weekend.  But, definitely — go see it!

(And if anyone tells you that The Gift is not worth seeing than that person is not really your friend and you need to start hanging out with a better class of people.)

Ryan has already reviewed The Gift and, having watched the film earlier today, I agree with everything that he had to say.  That’s why I am happy to add my voice to his and encourage you to see The Gift.  With this week pretty much dominated by ruminations on the colossal failure of The Fantastic Four and the upcoming weekend guaranteed to be dominated by the release of both Straight Outta Compton and The Man From UNCLE, there’s a definite risk that The Gift is going to get lost in the shuffle.

And that’s unfortunate.  Much like the thematically similar UnfriendedThe Gift comes disguised as a conventional thriller but, once you start to unwrap it, you discover that there are layers and layers of subtext and The Gift is actually one of the best and most thought-provoking films of the year.

Like many great Lifetime films, The Gift opens with a married couple living a deceptively wonderful life.  Simon (Jason Bateman) is friendly and charming and appears to be on the verge of getting a big promotion at work.  He and his wife, Robyn (Rebecca Hall), appears to be happy and in love.  They have also got a friendly dog named Mr. Bojangles and they’ve just moved into a beautiful new house.  After spending the last few years in Chicago, they’ve relocated to Simon’s home state of California.  They’re looking forward to starting a family.  Everything’s perfect.

And then, while out shopping for furniture, they run into Gordo (Joel Edgerton).  Gordo explains that he went to high school with Simon.  (At first, Simon swears to his wife that he doesn’t even remember Gordo but that soon proves to be false.)  The socially awkward Gordo starts to send Simon and Robyn progressively more and more extravagant gifts.  After Simon tells Robyn that Gordon was known as Weirdo in high school, Robyn starts to feel sorry for Gordo and insists that Simon try to be friendly towards him.  Simon, however, remains weary of Gordo and his intentions.  At first, it seems like Simon is just being cautious but, as the film unfolds, we discover that Simon has his own reasons for wanting to avoid his old classmate.

The more Gordo tries to insert himself into Simon and Robyn’s life, the more we start to see the cracks behind their “perfect” marriage.  Robyn, it turns out, had previously suffered a miscarriage and has a history of abusing prescription medicine.  Meanwhile, it’s revealed that, behind Simon’s fast smile, there lies a condescending control freak.  (Gordo mentions that Simon ran for senior class president on a “Simon says” platform.)

There’s more to Simon and Gordo’s relationship than either one of them is initially willing to admit.  In high school, Simon was a bully and Gordo was his number one victim.  That Gordo wants revenge on Simon should not be surprising.  That’s obvious from the trailer.  No, the genius of the film is to be found in the way that it subtly reveals that, as an adult, Simon is still as much of a jerk and a bully as he was in high school.  He’s just gotten a lot better at hiding it. The same traits that made Simon a bully in high school have helped him to find material success in the real world.   When Gordo reeneters his life, Simon can no longer hide who he really is.  Gordo is not just his former victim.  Gordo is proof of what lies underneath Simon’s perfect facade.  When Robyn finally convinces Simon to apologize to Gordo, Simon cannot do so convincingly because he’s not so much sorry as he’s just inconvenienced.  When Gordo refuses to accept the apology, Simon’s mask falls away and he reveals his true nature, setting up the film’s devastating conclusion.

(I’m not going to spoil how the film ends but I will tell you that it left me breathless and stunned.  It’s not a happy ending but it is absolutely the right ending for the story that’s being told.  As both the film’s director and writer, Joel Edgerton deserves a lot of credit for staying true to the movie’s theme.)

Rebecca Hall is well-cast as Robyn but, ultimately, the film is dominated by the performances of Jason Bateman and Joel Edgerton.  (Interestingly enough, both Bateman and Edgerton are made up so that they superficially resemble each other, allowing Gordo to literally become the personification of Simon’s ugly side.)  Edgerton transforms Gordo into a character who is both scary and pathetic at the same time.  Meanwhile, Jason Bateman — oh, where to begin?  For the longest time, it’s been impossible for me to look at Bateman without flashing back to that scene in Juno where he hit on Ellen Page.  Now, however, I don’t think I’ll ever be able to look at Jason Bateman without hearing him yell, “Accept my apology!”  Jason Bateman has played a lot of less-than-sympathetic characters but Simon … well, Simon may be the worst.  As an actor, Jason Bateman deserves a lot of credit for not shying away from revealing the truth about Simon.  It takes courage to play such an unlikable character and talent to make that character compelling even when the viewer can’t stand him.

The Gift is an excellent and thought-provoking thriller, the type of film that will both make you jump with fright (I screamed during a certain shower scene and that’s all I’ll say about that) and leave you with much to think about after the end credits roll.

It’s a film that you need to see now.

Val’s Movie Roundup #12: Hallmark Edition


finding-a-family.7565

Finding A Family (2011) – This movie is about a kid named Alex (Jared Abrahamson) whose mother has serious mental problems. She has a great degree, but her mental problems absolutely cripple her. As you can guess, they create major issues for her son who has to live with her day after day. Ultimately, Alex has himself emancipated. He wants to go to Harvard and works hard in school to make this work while not forgetting his mother. Then he decides that he really does want a family and starts writing to people asking them to take him in. It’s a nice story that really only had one issue and a minor personal complaint.

The issue is that I have some experience in this area and the depth to which his mother’s mental problems should affect him, don’t. Don’t get me wrong, it’s not like The Blind Side (2009) where they gutted and flattened two amazing people, but it’s noticeable. The other thing is a minor complaint. In the old days you did receive a letter from colleges you applied to telling you whether you were accepted or not. However, I applied in 2006 and we was never sent a letter. You checked their website to find out whether you were accepted or not. This film was made in 2011. I know it’s more dramatic and familiar to go with the letter thing, but it’s time to move on.

You’ve seen it all before, but if you want to see again, then check this one out.

banner_gengap

Generation Gap (2008) – There really isn’t much to talk about here. You’ve seen this plot a million times before. We meet Dylan (Alex Black) who is just too much for his mother because of a few scenes of rebellion. His Mom, played by Catherine Mary Stewart, calls up her father played by Ed Asner and dumps Dylan on him. After a few scenes of Asner acting like a dick, which he seems to think he is entitled to do because he’s old, both him and the kid calm down. The film does three things: 1. Asner and the kid come to realize that despite being different ages, they both occupy the same time and place on Earth, 2. Asner hooks up with Rue McClanahan who sounds weird without her Southern accent, 3. The kid also gains a romantic interest.

The only other noteworthy things are that they age Asner by about 10 years to have his character able to have been in WWII. The other is that the kid walks in on Asner and three other guys playing Halo. Pretty funny. Remember that scene in The Wizard (1989) where Beau Bridges is supposedly playing Teenage Mutant Ninja Turtles, but we now know thanks to AVGN that he was probably playing Winter Games for the NES? Well, they actually show that Halo is what is being played and I wouldn’t be surprised if Asner and the others were actually playing.

This one is cliched, but okay.

MV5BMTgyODAzNjUzOV5BMl5BanBnXkFtZTcwMDY3MzgxMw@@._V1_SY317_CR3,0,214,317_AL_

Expecting A Miracle (2009) – This is a weird movie. It seems to be nice and have it’s heart in the right place, but there are some odd bits. It introduces us to a couple played by Jason Priestley and Teri Polo who have been trying to get pregnant. It seems that the couple has tried IVF several times, but there doesn’t seem to be any mention of sex whatsoever. Did they try that?

To try and calm down, they take a vacation and wind up in a small Mexican town that seems to consist only of a courtyard. Cheech Marin is here along with some other characters who conveniently speak English. There is a kid who has something wrong with his leg and is convinced that a special ceremony is going to fix it. This is the kind of place populated with people who are like the magic negro/eccentric characters that turn your life around simply by coming into contact with them.

Polo is told a line that basically says God decides whether you will have kids or not. Okay, but does that mean God also controls the adoption process which is brought up numerous times during this film. Maybe it’s the film’s way of saying that God sometimes is trying to tell you that it’s not necessary to pass on your genetic material, but instead to save a poor kid who needs a family and people who will love them.

The rest is harmless and kind of nice, but then comes the ending. The kid in the village is miraculously cured of a condition with his leg during a ceremony. The couple talk about adopting him. At the very end, they are at home working through the adoption process, talking about how much paperwork there is to adopt a kid. The wife goes to the bathroom and takes a pregnancy test. She’s pregnant! Then there are the credits. Did they have sex? Was it IVF again? Did they still follow through and adopt the kid? No answers.

It’s nice and everything, but I can’t honestly recommend it. Just a little too weird and relies on people’s assumptions about the nobility and happiness about simple rural communities.

Murder101_IfWishesWereHorses_0001.jpg

Murder 101: If Wishes Were Horses (2007) – Another Hallmark murder mystery, but just like Murder 101, this was good. As always, I’m terrible about following the plots of these movies. It all begins when a horse is kidnapped. Once again, Dick Van Dyke is brought in to help with the case. Barry Van Dyke is back again as well, but this time Shane Van Dyke joins in on the fun. This is your standard murder mystery movie in the vein of Diagnosis Murder, Murder, She Wrote, and Mystery Woman as opposed to recent movies like Wedding Planner Mystery and Garage Sale Mystery. This one’s fine.