Concert Film Review: Pink Floyd: Live in Venice (dir by Wayne Isham and Egbert van Hees)


I’m actually a bit embarrassed to say that Venice is my favorite city in Italy.

I mean, it’s such a cliché, isn’t it?  Tourists always fall in love with Venice, even though the majority of us really don’t know much about the city beyond the canals and the gondolas.  I spent a summer in Italy and Venice was definitely the city that had the most American visitors.  Sadly, the majority of them didn’t do a very good job representing the U.S. in Europe.  I’ll never forget the drunk frat boys who approached me one night, all wearing University of Texas t-shirts.  One of them asked, “Are you from Texas?”

“No, sweetie, ah’m from up north.” I lied.

“You sound like you’re from Texas!” his friend said.

“No, ah’m not from Texas,” I said, “Sorry, y’all.”

I mean, that’s not something that would have happened in Florence or even Naples!  In Rome, handsome men on motor scooters gave me flowers.  In Venice, on the other hand, I had to deal with the same jerks that I dealt with back home!

That said, I still fell in love with Venice.  And yes, it did happen while I was riding in a gondola.  At that moment, I felt like I was living in a work of art.  I can still remember looking over the side of the gondola and watching as a small crab ran across someone’s front porch.  That’s when I realized that, by its very existence, Venice proved that anything was possible.

I’ve often heard that Venice is slowly sinking.  That Venice has a reputation as being a dying city would probably have come to a surprise to the drunk Americans who were just looking for a girl from Texas that summer.  And it would certainly come as a surprise to anyone who watched the 1989 concert film, Pink Floyd Live In Venice.

Just as with last week’s Pink Floyd concert in Pompeii, this was something that I watched more because of where it took place than who was performing.  There are some very good Pink Floyd songs and there are others that are just silly and overly portentous.  As well, I’ll always have mixed feelings about Pink Floyd due to the fact that — bleh! — Roger Waters was a founding member.  Whenever I hear any of their songs, I automatically find myself looking for coded moments of anti-Semitism.  Fortunately, by the time the band played in Venice, Waters had left the group.  As a result, I didn’t feel quite as conflicted over watching the Venice concert as I did the Pompeii concert.

As for the show, the band performed while floating on a barge while some members of the audience sat in gondolas.  It was a lovely sight that captured the otherworldly romance of Venice.  The concert itself was a bit uneven, with the first half in particular dominated by songs that just seemed to go on and on and which often exposed the limits of lead singer David Gilmour’s vocal range.  The second half was a greatest hits collection and it was a notable improvement.  If Gilmour’s raspy vocals seemed limited during the first half of the concert, they were perfect for songs like Comfortably Numb and Money.  The highlight of the concert and the film was undoubtedly the performance of The Great Gig In The Sky, which created a feeling of the heavens descending upon Venice.

In the end, Venice was the true star of the concert.  For a dying city, it looked beautiful and vibrant.  I can’t wait to return.

Music Video of the Day: Johnny B. Goode by Judas Priest (1988, directed by Wayne Isham)


In 1988, Judas Priest became one of the many bands that have covered this classic tune from Chuck Berry.  Their version reached number 64 on the UK Singles chart.

This video was directed by Wayne Isham, who worked with everyone who was anyone in the 80s and 90s.

Enjoy!

Music Vide of the Day: Angry Again by Megadeth (1993, directed by Wayne Isham)


Megadeth’s Angry Again was a part of The Last Action Hero soundtrack, which was as acclaimed as the film itself was criticized.  The song was a hit for Megadeth and the video, which featured scenes from the film mixed with the band performing, went into heavy rotation on MTV.

This video was directed by Wayne Isham, who directed several videos for Megadeth and just about every other band that was prominent during the 80s and the 90s.  If you were in a famous band, you probably worked with Wayne Isham at least once.

Enjoy!

Music Video of the Day: Alone Again by Dokken (1985, directed by Wayne Isham)


Bringing to life one of the best metal power ballads of the 80s, Alone Again alternates between scenes of Don Dokken performing before a crowd and sitting alone in his hotel room.  Even though Dokken can control the stage and stand in front of thousands of fans, he still feels alone afterwards.

This video was directed by Wayne Isham, who was one of those directors who worked with everyone who was anyone.

Enjoy!

Music Video of the Day: Kickstart My Heart by Mötley Crüe (1989, directed by Wayne Isham)


Today’s music video of the day was filmed at Hollywood’s famed Whisky a Go Go, while Mötley Crüe was preparing to embark on their tour promoting Dr. Feelgood.  Did Sam Kinison really drive the band to their performance?  It wouldn’t surprise me if I did.  More than any other stand-up, Sam Kinison was the comedic voice of heavy metal.

This video was directed by Wayne Isham, who directed videos for practically everyone.

Enjoy!

Music Video of the Day: Sad But True by Metallica (1992, directed by Wayne Isham)


In today’s music video of the day, Metallica takes on the blind faith that people have in their religious beliefs.  James Hetfield has said that he got the idea from watching Magic, a movie about a ventriloquist (played by Anthony Hopkins) who believes that his puppet is alive.  Both Jason Newsted and Lars Ulrich have stated that this song was their favorite from their self-titled, fifth studio album.

The music video was filmed in San Diego in January of 1992.  It was directed by frequent Metallica collaborator, Wayne Isham.

Enjoy!

Music Video of the Day: I’m Not A Girl, Not Yet A Woman by Britney Spears (2001, dir by Wayne Isham)


“But Lisa …. this isn’t a Christmas video!”

Actually, it is.  This video dropped on Christmas Day.  Well, okay, in all honesty, it dropped on December 26th, 2001. That’s close enough as far as I’m concerned.  Anyone who thinks that singing about heartache while standing on a mountain in the desert isn’t a Christmas tradition has obviously never spent December in West Texas.  That said, this video was filmed in Arizona and Utah and Britney really was standing on top of those mountains and singing her heart out.

Enjoy!

Music Video of the Day: A Touch of Evil by Judas Priest (1990, directed by Wayne Isham)


Though Rob Halford has said that the lyrics are actually a metaphorical look at a love/hate relationship, both this song and the accompanying video are usually said to be about demonic possession.

This video was directed by Wayne Isham, who is another one of those directors who seems to have done at least one video for every single successful band out there.

Enjoy!