Retro Television Reviews: The Love Boat 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, things get awkward as we set sail on The Love Boat!

Episode 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”

(Dir by Jack Arnold, originally aired on January 28th, 1978)

It’s the most awkward cruise ever!

A beauty contest is being held on the ship!  The winner becomes Ms. Pacific Princess and, along with getting a lot of money, she also sacrifices a year of her life so that she can go on free cruises and promote the Pacific Princess line.  Along with being beautiful, the winner is also expected to be “virtuous.”  Of course, judging from The Love Boat, the cruise line seems to specifically cater to people who are desperately looking to get laid so the rules seem to be a bit hypocritical.

The head of the contest, Waldo Linden (Graham Jarvis), recruits Captain Stubing to act as host.  Unfortunately, after Stubing gets a few laughs from the jokes that Waldo has written for him, the Captain turns into a prima donna.  He starts punching up the script on his own.  Waldo, however, has even more to worry about than the captain.  Suzy (Maureen McCormick), one of the contestants, is secretly traveling with her boyfriend, Rick (Bobby Sherman).  When Waldo tries to disqualify Suzy for not being “virtuous,” another contestant, the klutzy Jeanette (Priscilla Barnes), asks that Waldo help her zip up her dress and, after Waldo kisses her, she points out that Waldo hasn’t been living up to his own standards.  Due to Jeanette’s blackmail, Suzy is allowed to compete and she wins!  But then she refuses the crown so that she can marry Rick and, as a result, Jeanette becomes Miss Pacific Princess.

While that’s going on, scandal-plagued Congressman John Whitcomb (Dick Van Patten) falls in love with Robin Brandt (Vickie Lawrence).  What the Congressman doesn’t know is that Robin works for a tabloid newspaper and Robin’s editor expects Robin to report on whether or not allegations of an affair are going to led to Whitcomb resigning his seat. 

All of that is certainly awkward but it’s nothing compared to the third storyline.  Almost everyone loves passenger Virgil Gibson (played by the engaging Scatman Crothers), who is always the life of the party and who loves to make people laugh.  The only person who doesn’t like him is Prof. Stephanie Hayden (Vernee Watson), who is on the cruise to work on a study about African-American history.  Hayden feels the Virgil is acting like a fool and playing into all of the demeaning stereotypes that white people have about black people.  Hayden encourages Isaac to learn more about his background and soon, Isaac is being rude to Virgil and telling him not to call people “boss.”

Captain Stubing notices this.  He approaches Isaac — while Isaac is working — and says, “I notice you’ve been reading a lot of black history.”

AGCK!  As soon as the very white Captain Stubing says those words to Isaac, the cringing begins.

Stubing goes on to explain that Virgil was a pitcher in the Negro Baseball Leagues and that, if not for him, blacks would never have made it into the major leagues.  “And I wouldn’t be serving drinks on this cruise,” a remorseful Isaac says.  “And I wouldn’t be teaching,” Stephanie agrees.  Stubing goes on to explain that Virgil is acting the way he acts because that’s the way blacks were expected to behave when Virgil was a young man.  After being chastised by the ship’s white authority figure, Isaac and Stephanie agree that they were wrong to judge Virgil.

And, in many ways, Captain Stubing does have a point about judging people and Isaac and Stephanie were being a bit harsh in their dismissal of Virgil.  But that doesn’t change the fact that this episode features the extremely white Captain Stubing explaining black history to not only the ship’s only black employee but also a black college professor who has spent her entire academic career researching and writing about black history.  Stubing is essentially telling two black people how they should interpret and feel about black history.  It’s incredibly weird to watch and one has to wonder why the writers thought that Stubing — as opposed to Virgil himself — was the correct character to explain Virgil’s past and Virgil’s character.  It just doesn’t feel right, at all.

That said, there was a lot to like about this episode.  Scatman Crothers shows the same charm here that he showed in The Shining.  As cringey as Captain Stubing is when he lectures on black history, the plotline of him turning into a diva was actually pretty funny and Gavin MacLeod seemed to be having fun playing up the pompous side of the character.  The beauty pageant subplot was dumb but Maureen McCormick actually gave a pretty good performance as Suzy.  This episode had its moments though, in the end, it will always be defined by the awkwardness.

 

Retro Television Reviews: The Love Boat 1.15 & 1.16 “The Eyes of Love / Masquerade / Hollywood Royalty / The Caper: Parts 1 & 2”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s episode of The Love Boat is one of historical value so let’s climb aboard and get to it!

Episodes 1.15 & 1.16 “The Eyes of Love / Masquerade / Hollywood Royalty / The Caper: Parts 1 & 2”

(Dir by Allen Baron, originally aired on January 21st, 1978)

This is an important episode for two reasons.

First off, this episode marked the first time that the opening credits featured video of the guest stars along with their names.  This was the only time that this was done during the first season, though it would become a regular feature of the show from the second season forward.

Secondly, excluding the three pilot films that aired before the series was ordered, this was the first super-sized two hour episode of The Love Boat.  This episode is split into two parts when it airs in syndication, which is why it’s listed as being the 15th and the 16th episode of The Love Boat

Oddly enough, despite all of that, it’s pretty much a standard episode.  Usually, whenever a TV shows airs an extra-long episode, it’s because some important event is occurring.  Usually, either someone’s getting married or someone’s leaving the show or maybe an actor died and the show needs an extra hour to pay tribute to them.  In this case, though, it’s just a typical cruise of the love boat, complete with three separate stories and a lot of time spent looking at the ocean.

For instance, Roz Rogers (Michele Lee) and Bill Teague (Fernado Lamas) are a famous and glamorous Hollywood couple who book a voyage and who are followed all the way to the dock by the paparazzi.  As quickly becomes clear, Bill and Roz’s relationship is not as perfect as the world believes.  Still, Bill is convinced that their relationship can be fixed by Roz co-starring in an old-fashioned adventure film that he wrote.  Along with having written the script, Bill hopes to direct, produce, and star in it.  Roz is a bit skeptical but fear not, everything works out in the end and she finally convinces Bill that she loves him for him and not because he’s a star.

Roz boards the boat with not just Bill’s script but also a large and valuable diamond.  A group of jewelry thieves follow her onto the boat, hoping to steal the diamond for themselves.  Vernon (Howard Gould) is the arrogant leader of the group.  Taffy (Karen Valentine) distracts Gopher, Doc, and the Captain by flirting with them.  Elwood (Larry Storch) is the group’s technician.  And Ox (John Schuck) is the muscle who tends to take things literally.  When the first attempt to steal the jewel fails, Vernon disguises himself as Captain Stubing and Gavin MacLeod gets a chance to do something more than just look slightly annoyed by the crew.  To be honest, I actually enjoyed the jewelry theft subplot far more than I was expecting.  Gould, Valentine, Storch, and Schuck all seemed to be having fun playing off of each other.  Plus, the whole story ended with a nice little twist that James Cameron would later use in Titanic.

(No, the Love Boat does not sink.)

While this is going on, a blind girl named Jenny (Stephanie Zimbalist) is stunned to discover that one of her former classmates, Steve (Desi Arnaz, Jr.), is also on the boat.  Jenny and Steve fall in love but Steve has recently gotten back his sight and Jenny worries that he won’t want to spend the rest of his life with someone who can’t see.  Fortunately, it turns out that Jenny’s wrong.

Finally, Alan (Dan Rowan) is horrified to discover that not only are both his wife (Juliet Mills) and his mistress (Adrienne Barbeau) on the cruise together but that they’ve become friends.  Alan was an adulterous jerk so it was pretty difficult to really care about this story.  

Again, it was pretty much a typical episode of The Love Boat, despite the extra length and the inclusion of a masquerade ball during the episode’s 2nd hour.  That said, the thieves were funnier than they had any right to be and the Jenny/Steve storyline was sweet.  The ocean scenery was lovely.  That’s really all I ask from The Love Boat.  This episode delivered.

Retro Television Reviews: The Love Boat 1.14 “Isaac’s Double Standard / One More Time / Chimpanzeeshines”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for love and monkeys!

Episode 1.14 “Isaac’s Double Standard / One More Time / Chimpanzeeshines”

(Dir by James Sheldon and Richard Kinon, originally aired on January 14th, 1978)

This is a bit of an odd episode.

It’s odd because it features yet another stowaway.  Somehow various characters were always managing to stow away on the boat.  This week, the stowaway was a chimpanzee.  How did a chimpanzee get on the boat?  Gopher brought her on.  Apparently, Gopher was under the impression that he had the week off so he agreed to look after a friend’s chimpanzee.  Then he discover that he actually was working that week so he decided that it would be a good idea to smuggle the chimpanzee onto the boat.  Of course, it doesn’t take long for Isaac and Julie to discover that Gopher has a chimpanzee in his cabin.  Neither one of them appears to be surprised that Gopher has a friend who owns a chimpanzee.  Me, I would want more information on whether or not Gopher’s friend worked for a circus or a zoo or a research lab.  I mean, most people just don’t own chimpanzees as pets.  Instead, everyone just accepts that Gopher is living with a monkey and that it is now their duty to keep Captain Stubing from finding out.

Of course, the chimpanzee gets loose.  She runs around the ship, stealing food and clothes and surprising passengers.  Fortunately, she’s a well-trained chimpanzee and she doesn’t try to kill anyone.  In real life, Chimpanzees are known for being extremely dangerous and unpredictable.  On shows like this, they’re adorable! 

While looking for the chimp, Gopher meets and has a romance with Anne Parker (Kim Lankford), who has just had a nose job.  She’s insecure about her new nose.  Everyone assures her that her new nose looks great.  And it does!  As someone who spent most of her teen years planning on getting a nose job, I was really impressed with it.  (For the record, I still have my original nose and I now realize I wouldn’t change it for the world.)

While Gopher is dealing with the chimp, Isaac is freaking out because his mother (Pearl Bailey) is on the ship with her new boyfriend (Arthur Adams) and they’re sharing a cabin!  Isaac is being a little bit hypocritical because he happens to be sharing a cabin with his girlfriend, Charlene (Tracy Reed).  Isaac finally realizes he’s not being fair and he accepts the fact that his mother is having sex at his workplace.  So, it all works out.

Meanwhile, in our third storyline, Nanentte Fabray is a singer who is hired to provide the cruise’s entertainment.  She’s upset to discover that her pianist (Don Adams) is also her ex-partner.  Don’t worry, they get back together by the end of the cruise.  Of course, everyone’s too busy looking for the chimpanzee to notice.

This was not a terrible episode, just an odd one.  The Nanette Fabray/Don Adams storyline was pretty forgettable and, though it’s always cool when Ted Lange actually gets to do something other than make drinks, Isaac’s family situation played out predictably.  What made this episode stand out, for better or worse, was all the business with the chimpanzee.  How Gopher kept his job after that, I have no idea.  Chimpanzees have been known to kill people if they get stressed out and being dragged onto a cruise ship by a stranger seems like it would be a stressful situation.  Still, after all that, Gopher kept his job.  I’m beginning to think that Captain Stubing might not be the disciplinarian that the crew things he is.

Next week, we’ve got more love but hopefully less monkeys.

Retro Television Reviews: The Love Boat 1.13 “Too Hot to Handle / Family Reunion / Cinderella Story”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s Love!

Episode 1.13 “Too Hot to Handle / Family Reunion / Cinderella Story”

(Dir by James Sheldon and Richard Kinon, originally aired on January 7th, 1978)

It’s time for another cruise with three separate stories!

Newlyweds George (John Rubinstein) and Sally Allison (a youngish Kathy Bates) board the Pacific Princess, hoping to enjoy the ideal honeymoon.  Instead, it turns out to be one disaster after another.  Sally gets sunburned.  George gets poison ivy.  Having gotten off the boat in Mexico, Sally returns to discover a totally different couple staying in what she thinks is her cabin.  Uh-oh.  It turns out that Sally accidentally got on the Sun Princess and the Pacific Princess has already set sail without her!  This was a pretty simple storyline and, if anything, it mostly seemed to exist so that the show’s writers could see how many bad things that they could do to one perfectly innocent couple.  But John Rubinstein and Katy Bates are so likable as George and Sally that the story works.  You can’t help but hope the cruise gets a little better for them.  Kathy Bates was 29 when she appeared on The Love Boat and there’s nothing about her performance that would necessarily make you say, “Hey, that’s a future Oscar winner!”  But still, both she and John Rubinstein do a good job with the material that they’ve been given.

Meanwhile, Tommy (Bob Crane) is a middle-aged man who has been hired to work as a steward on the ship.  Captain Stubing takes an immediate dislike to the irresponsible, womanizing Tommy.  When he discovers that Tommy has been drinking on the job, Stubing comes close to firing him.  However, Tommy confesses that he’s drinking because he’s just discovered that the daughter who he abandoned years ago is on the cruise.  Wendy (Dori Brenner) has always believed that her father died in a shipwreck and she hopes that Stubing might know something about the wreck.  Seeking to help out Tommy, Stubing tells a lot of lies about Wendy’s “deceased” father but Tommy finally breaks down and confesses the truth.  At first, Wendy rejects Tommy but, with the help of her understanding husband (Robert Hays), she eventually forgives her father.

This storyline hinges on a huge coincidence.  What are the chances that Tommy and Wendy would just happen to end up on the same cruise together and that Tommy would be assigned to serve as Wendy’s steward?  On top of that, what are the chances that Wendy would just happen to have a picture of her mother sitting out where Tommy could see it?  It’s all fairly predictable but, if you’ve seen Auto Focus, it’s interesting to watch Crane’s performance here.  This episode aired just a few months before Crane was murdered in Arizona and it’s easy to see the charismatic but irresponsible and self-destructive Tommy as being a reflection of who Bob Crane himself had reportedly become at the time of his death.  Tommy is a character who lives with a lot of emotional pain and regret and Crane is so surprisingly effective in the role that it’s hard not to wonder if perhaps, on some level, he related to Tommy.

Finally, in the show’s final storyline, Bill Edwards (Bruce Solomon) is a supermarket manager who has booked a cruise with his wife, Doreen (Judy Luciano).  When a wealthy advertising exec cancels his trip, Julie and Gopher decide to let Bill and Doreen stay in the man’s luxury cabin.  This, of course, leads to Stubing mistaking Bill for the ad exec!  Suddenly, Bill and Doreen are sitting at the captain’s table and competing for an advertising contract!  Eventually, the truth comes out but business tycoon Greg Beatty (David White) is so impressed with Bill’s ideas that he arranges for Bill to get a job with an actual advertising company.  Mad Men it’s not!  However, it’s still a charming little story, largely due to the performances of Bruce Solomon and Judy Luciano.

If last week’s episode was a “lesser Love Boat,” this week’s episode show just how much fun The Love Boat could be.  Yes, all of the stories are fairly predictable but the guest stars all perform their roles with a lot of energy.  Bob Crane brings a poignant sense of regret to his performance as Tommy while Bruce Solomon and Judy Luciano are exactly the type of attrative couple that you would want to meet on a cruise.  And, as I said already, it’s impossible not to like John Rubinstein and Kathy Bates as the newlyweds who just can’t catch a break.  The regular cast is used sparingly but effectively in this episode.  Fred Grandy gets a nice scene where he has to explain to John Rubinstein that Kathy Bates got on the wrong boat.  Bernie Kopell plays Doc Bricker as being an agent of chaos.  It’s a fun episode and what more can you ask for?

Retro Television Reviews: The Love Boat 1.12 “The Old Man and the Runaway / The Painters / A Fine Romance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  We’re expecting you.

Episode 1.12 “The Old Man and the Runaway / The Painters / A Fine Romance”

(Directed by Stuart Margolin and James Sheldon, originally aired on December 24th, 1977)

Hey, this episode of The Love Boat aired on Christmas Eve!  Oddly enough, unlike last week’s episode, it was not a holiday-themed episode.  You really do have to wonder if there was some sort of scheduling snafu at ABC and perhaps the episodes were shown out-of-order.  Then again, it could be that ABC realized that everyone would be busy getting ready for Midnight Mass on Christmas Eve so they decided to burn off a lesser episode while no one was watching.

(Doesn’t everyone spend Christmas Eve getting ready for Midnight Mass while their aunt tells them to dress more like the Virgin and less like the Magdalene?  Or was that just my experience?)

Yes, this is a lesser episode of The Love Boat.  It’s not a terrible episode but, at the same time, it’s not all the memorable.  A big problem is that there’s not really much romance on this cruise.  The show was called The Love Boat for a reason and, when there’s no love, it just doesn’t feel right.

For instance, one subplot dealt with two incompetent painters (played by Arte Johnson and Pat Morita) painting the captain’s office during the cruise.  They kept screwing up the job, which led to Captain Stubing getting progressively more and more annoyed.  From the start, I guessed that the punchline would be that the painters were screwing up on purpose so that they could stay on the boat and get a free cruise and …. yep, that’s exactly what it was.  Johnson and Morita were a good comedy team but the story itself felt like filler.

Meanwhile, a grumpy old widower (Will Geer) discovered that he was sharing his cabin with a teenage runaway (Bayn Johnson), who had stowed away on the ship and who was planning on meeting up with her boyfriend in Mexico.  Once he got over complaining about her being young and irresponsible, Geer convinced her to return to her parents.  Again, it wasn’t terrible and Bayn Johnson did a good job of keeping her character from getting annoying but it felt a bit out of place on The Love Boat.  Obviously, the 75 year-old man and the 16 year-old runaway weren’t going to fall in love and leave the ship arm-in-arm while the crew smiled knowingly.  Instead, this was a typical generation gap story.  The most interesting thing about this story is that this was the second time that a runaway managed to stowaway on the Love Boat.  Does that boat not have a security team?  Don’t you actually have to show your tickets to board the boat?  How does these people keep sneaking aboard?

Finally, the third storyline felt a bit more like a Love Boat story.  Cruise director Julie (Lauren Tewes) is super-excited when she sees that Sean McGlynn (Anson Williams) is a passenger on the cruise.  Julie and Sean grew up together and Julie always had a crush on him.  At first, Julie and Sean have fun hanging out but, whenever Julie tries to flirt, Sean panics and runs off.  Julie worries that there’s something wrong with her (oh, Julie!) but …. nope, Sean’s a priest.  Apparently, he was having a crisis of faith when he boarded the boat, which is why he didn’t tell anyone he was a priest.  But, when his roommate (Tom Poston) has a heart attack, Sean delivers the last rites and his faith is restored.  (Don’t worry.  His roommate survives and has a surprisingly quick recovery.  Doc Bricker is a miracle worker!)  Anyway, Sean leaves the boat wearing his collar and Julie stays on the boat, no doubt waiting for someone else from her past to buy a ticket.  It’s a bit of a shame, as Lauren Tewes and Anson Williams did make a cute couple.  Then again, we all know that Julie and Gopher belong together.

Like I said, this was not a terrible episode.  It just wasn’t particularly memorable.  It needed just a bit more romance.  After all, love is life’s sweetest reward.

Retro Television Reviews: The Love Boat 1.11 “Lonely at the Top/Silent Night/Divorce Me, Please”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time to spend the holidays on the big seas!

Episode 1.11 “Lonely at the Top/Silent Night/Divorce Me, Please”

(Dir by Alan Baron, originally aired on December 10th, 1977)

Yay!  It’s a Christmas cruise!

Every season, The Love Boat did a special Christmas episode.  Last year, MeTV presented a marathon on Love Boat Christmases and what I discovered is that every Christmas episode featured the crew working through the holidays and missing their families.  Nearly every Christmas episode also featured someone dressing up as Santa Claus and at least one veteran of the Golden Age of Hollywood.

The very first Christmas episode opens with the Julie, Isaac, Gopher, and Doc talking about how much they miss their families.  We find out that Gopher’s family lives on a farm.  Julie is from Oregon.  Doc is from Las Vegas.  (The show always tried to portray Doc as being some sort of Sinatra-style swinger, despite the fact that he was played by the very even-tempered Bernie Kopell.)  Their conversation is interrupted by Captain Stubing who explains that 1) he’s divorced and 2) he’s a middle-aged man who doesn’t get along with his stepmother.  Not only does he not have a family but the sea is his home and he has more to worry about than everyone’s holiday spirit.

Much as with Doc being a swinger, Captain Stubing being a stern taskmaster was a recurring theme during the first season of The Love Boat.  The crew was always talking about how Stubing had a reputation for demanding perfection for those working under him and being quick to fire anyone who failed to live up to his standards.  And yet, we never really see anything that would back up Stubing’s fearsome reputation.  Just as how Bernie Kopell was a bit too even-tempered to be believable as a legendary playboy, Gavin MacLeod was a bit too naturally pleasant to be believable as someone who would strike fear in the hearts of his crew.  While I have no idea what Gavin MacLeod was like offscreen, when he’s onscreen he comes across as being likable and friendly.  Whenever Captain Stubing is meant to be upset or disappointed with his crew, he comes across as being more petulant than fearsome.  That’s certainly the case in this episode.  Captain Stubing may say that he’s not into the holidays but you never believe him.

Of course, that works to this episode’s advantage.  Realizing that he’s failing to bond with his crew and that his lack of holiday spirit is rubbing everyone the wrong way, Stubing turns to Father Mike (Dick Sargent) for advice.  Father Mike is escorting a group of children to an orphanage in Mexico but he still takes time to give Stubing some counseling.  Let the crew know that you care about them, Father Mike says.  Stubing attempts to do so but his attempts at small talk are so awkward that the crew just becomes more frightened of him.  Finally, Stubing resorts to dressing up like Santa Claus.  The crew may be scared of him but Father Mike’s orphans love him.  Anyway, it all works out in the end and believe it or not, I actually did find myself getting invested in this very silly storyline.  Gavin MacLeod may not have been believable as a stern captain but he was likable enough that it’s hard not to feel bad about him having a bad holiday.

While this is going on, Dan Barton (John Gavin) and his wife, Lila (Donna Mills), attempt to enjoy the holiday cruise.  The only problem is that Dan has just been released from prison and he is struggling to adjust to being on the outside.  No soon has Dan boarded the ship then he spots his former law partner, Walter (Dean Santoro).  Walter committed the crime that Dan went to prison for and Dan becomes obsessed with getting revenge on him.  Lila, meanwhile, wonders if Dan will ever give up his anger.  There’s something a bit jarring about going from Captain Stubing dressing up like Santa Claus to Dan Barton plotting to murder someone.  John Gavin gave a good performance but the shift in tone between his story and the rest of the episode was almost too extreme.  It’d be like if they had made an episode of The Office where Pam suddenly found herself tempted to cheat on Jim with a member of the documentary crew.  Tonally, it just felt out of place.

Finally, everyone thinks that Paul (Shecky Greene) and Audrey Baynes (Florence Henderson) are the perfect couple but actually, they’re both sick of each other and they spend most of their time thinking about getting a divorce.  The gimmick here is that we hear their thoughts.  So, Paul will tell Audrey how much he loves her and then we’ll hear him think something like, “Yeah, I’d love to toss you overboard.”  It’s a one joke premise that gets old pretty quickly.  Also, needless to say, this is The Love Boat and not The Divorce Boat.  Things work out.

My reaction to this episode was a bit mixed but, to be honest, I like Christmas shows.  Even if they’re not perfect, I still like them.  And it was hard for me not to smile at the Christmas tree in the ship’s lounge or at all the decorations hanging on the ship’s walls.  The Captain’s story had a lot of Christmas spirit and I enjoyed that.  If you can’t spend the holidays at home, The Love Boat seems like a good substitute.

Retro Television Reviews: The Love Boat 1.10 “Dear Beverly/The Strike/Special Deliver”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard!  We’re expecting you!

Episode 10.10 “Dear Beverly/The Strike/Special Delivery”

(directed by Allen Baron, originally aired December 3rd, 1977)

Tonight’s voyage is all about misunderstandings!

For example, Beverly Blanchard (Eva Gabor) is an advice columnist who has built a career out of helping people work their way through misunderstandings.  When she boards the Love Boat, she is swarmed by fans who all want her advice.  She even leads a little seminar by the pool, in which she asks people if they have any problems that she can help with.  Unfortunately, what she doesn’t understand is that her husband, Russ, is feeling neglected.  Usually, I would say that Russ should stop feeling sorry for himself but Russ is played Leslie Nielsen, who is so superlikable in his stiffly earnest way that it’s hard not to have some sympathy for him.  When Beverly finds out that Russ has been spending time with another passenger (Stephanie Blackmore), she writes a column in which she announces her retirement so that she can give Russ the attention he deserves.  Personally, I would think a better column would be about why husbands shouldn’t cheat on their wives, especially with someone who they’ve known for less than 24 hours.

Speaking of cheaters, Jeff Smith (Robert Urich) cheated on his wife, Gail (Pamela Franklin), and now they’re separated.  When Jeff boards the ship, he tries to pursue a romance with Julie but he quickly admits that he’s still hung up on his wife.  What Jeff doesn’t know is that Gail is also on the ship and she’s 9 months pregnant!  Now, considering that this is The Love Boat, it probably will not surprise you to learn that Gail goes into labor while on the boat and it’s up to Doc and Jeff to deliver the baby while the rest of the crew waits outside.  Fortunately, the baby makes it and Jeff and Gail get back together.  But what about Jeff cheating on Gail?  Well, Gail takes responsibility for that, saying that she drove him to it.  I was expecting at least one member of the crew to tell her that Jeff was responsible for his own decisions but instead, everyone nodded alone.  Like, what the Hell?

Meanwhile, Captain Stubing was upset to learn that Chef Antonio Borga (Al Molinaro) was going to be in charge of the ship’s kitchen for the cruise.  Apparently, there was bad blood between the two.  When Borga refused to work, Stubing attempted to prepare dinner himself.  The results were disastrous but the Chef respected the Captain for trying.  And perhaps Chef Borga realized that Captain Stubing could probably get him fired for insubordination.  Well, the important thing is that everyone came to an agreement and people got to eat.

This was a weird episode.  The Chef storyline seemed like filler.  The other two stories both featured women making excuses for cheating husbands.  If this episode wanted to remind me that The Love Boat is very much a show of the 70s, it succeeded.  This episode had a lot of boat but not a lot of love.

Hopefully, next week’s cruise will be a bit less problematic.

Retro Television Reviews: The Love Boat 1.9 “The Captain’s Captain / Romance Roulette / Hounded”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love?  Don’t worry.  Love won’t hurt anymore.

Episode 1.9 “The Captain’s Captain / Romance Roulette / Hounded”

(dir by Jack Arnold, originally aired on November 26th, 1977)

As I watched the opening scenes of the cruise’s passengers making their way onto the Love Boat, I noticed that this episode was directed by Jack Arnold.  I did some online checking and I discovered that this was indeed the same Jack Arnold who directed It Came From Outer Space, Creature From The Black Lagoon, The Incredible Shrinking Man, Tarantula, and a host of other so-called B pictures.  By the time the 70s rolled around, Arnold was directing blaxploitation films (including Fred Williamson’s Boss) and episodic television.  As I watched the episode, I found myself wondering which member of the cast probably asked Arnold the most questions about shooting Creature From The Black Lagoon.  I guess that it was probably Fred Grandy, since apparently he’s a pretty intelligent guy.

As for the show itself, it featured the typical three-story structure.  Gary Burghoff (who I had just watched on Fantasy Island) played a passenger who found himself trapped in his cabin with a security dog that had somehow gotten loose.  As I’ve mentioned before, I have a fear of big dogs so this particular scenario would be quite traumatic for me.  Burghoff, however, got along with the dog and even helped to deliver her puppies.  Awwwwwwww!  Big dogs are scary but little puppies are cute!

While Captain Stubing was dealing with the dog problem, his irascible father (played by Phil Silvers), who was himself a former cruise ship captain, was wandering around the ship and eventually falling in love with a cook named P.J. Muldoon (Judy Canova).  Captain Stubing was skeptical of his father’s romance but, by the end of the episode, he was proposing a toast to his future stepmother.  This storyline was fairly predictable but Phil Silvers and Gavin MacLeod were believable as father-and-son and their scenes together added some depth to Captain Stubing, a character who, in other episodes, has come across as being a bit flat.

Finally, Jane Curtin played Regina Parker, a literature professor who was on the cruise with two friends from college (Joanna Kerns and Susan Heldfond).  The three of them played a game, in which they basically had to make the first man that they heard use a certain word fall in love with them for the duration of the cruise.  The word was “screwdriver.”  When Regina went up to Isaac’s bar to wait for someone to order a screwdriver, she was taken by surprise when Frank (Vincent Baggetta), the ship’s plumber, walked up with a toolbox and asked for someone to hand him a screwdriver.  Regina started to hit on Frank.  Frank almost immediately fell in love with her and he let her read some of his poetry.  Even though his poetry was terrible, Regina fell in love with him.  As you can guess, Frank eventually found out about the game but, by the end of the episode, he and Regina were promising to write each other every day.  In its undeniably silly way, this was actually kind of a fun storyline.  Curtin and Baggetta actually had a lot of chemistry.  Frank’s poems still sucked though.

All in all, this was a pleasant episode.  The guest stars were likable and the cruise itself looked like it would have been a lot of fun.  Was this episode life’s sweetest reward?  It was good but I wouldn’t go that far.  Love is life’s sweetest reward.

Retro Television Reviews: The Love Boat 1.8 “Lost and Found / The Understudy / Married Singles”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love exciting and new….

Come aboard!  We’re expecting you!

Episode 1.8 “Lost and Found / The Understudy / Married Singles”

(Directed by Stuart Margolin, originally aired on November 19th, 1977)

This week’s cruise is all about secrets and lies.

For instance, Durwood Moss (Steve Allen) and Maisie Nolan (Polly Bergen) are currently separated and their therapist has suggested that they try taking separate vacations.  Maisie books a cabin on the cruise so Durwood books the cabin next door.  As Durwood explains it, being in separate cabins counts as being on separate vacations.  Not letting anyone know that they’re married (albeit unhappily so), Durwood pursues Barbie (Loni Anderson) and Maisie flirts with Jack (Joshua Plymouth).  Of course, Durwood and Maisie end up realizing that they’re still in love.  Fortunately, Jack and Barbie also fall in love with each other!

Meanwhile, 8 year-old Theodore Denison, Jr. (James Bond III) lies and says that he has his parents’ permission to be on the cruise by himself.  Of course, it turns out that he’s actually a runaway.  On the cruise, he meets Sharon and Richard Baker (Sandy Duncan and Jim Stafford), a married couple that is struggling to come to terms with the death of their son.  Sharon wants to adopt Theodore and Theodore wants to be adopted.  But then Theodore’s real parents show up and apologize for the fight that caused Theodore to run away in the first place.  Still, Sharon and Richard at least find the courage to try to move on from their tragedy.

Finally, Connie Evans (Jo Ann Harris) is an assistant cruise director who has been assigned to the ship.  Julie (Lauren Tewes) is supposed to be training Connie but it soon becomes clear that, in typical All About Eve fashion, Connie is plotting to steal Julie’s job.  Connie’s plan is … well, it’s interesting.  She continually screws up the simplest of duties and then claims that she was only doing what Julie trained her to do.  When she shows up for dinner in a skimpy outfit, she claims that it’s what Julie told her to wear.  I guess the plan is to make Julie look like she’s bad at training people but just because someone isn’t good at training, that doesn’t mean that they’re bad at their overall job.  In fact, it would seem that most people would look at Connie’s actions and say, “You should have had enough common sense to know better, even if that’s what Julie told you.”  Anyway, it all works out, albeit somewhat bizarrely.  The captain reprimands Connie.  The crew hates Connie and goes out of its way to humiliate her.  And yet, even after it become obvious that Connie has been trying to get her fired, Julie agrees to help Connie because she thinks Connie has the makings of being a great cruise director.  Just how painfully nice is Julie?

This was not a bad episode.  The stuff with Durwood and Maisie was a bit dull but the other two storylines worked.  Sandy Duncan brought a lot of emotional sincerity to her plotline and Jo Ann Harris was hilariously conniving in the role of Connie.  This episode was a cruise that I enjoyed.

Will I also enjoy the next cruise?  Find out next week!

Retro Television Reviews: The Love Boat 1.7 “Julie’s Old Flame / The Jinx / The Identical Problem”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love, exciting and new!

Let it go, it floats back to you!

We all float down here!

Episode 1.7 “Julie’s Old Flame / The Jinx / The Identical Problem”

(Directed by Don Weis, originally aired on November 12th, 1977)

The Love Boat is jinxed!

Or, at least, that’s what the crew assumes when they meet Horace and Henrietta McDonald (played by Ray Bolger and Harriet Nelson).  Horace and Henrietta first met when they were children and they’ve been in love ever since.  In fact, they met each other on a cruise.  Unfortunately, that cruise was the Titanic!

(Remember, when this episode aired, it had been 65 years since the Titanic sank.  So, there were still a few elderly survivors around.)

Anyway, the crew worries that Horace and Henrietta might bring bad luck with them and, before you know it, everyone’s getting injured.  Doc Bricker gets hit by a door and ends up having to wear a bandage on his head.  Gopher trips in the lounge.  Isaac gets whiplash after falling in the pool.  Julie ends up wearing an eye patch.  To be honest, I think the crew is just clumsy.

While the crew is trying not to die, identical twins Ellen and Helen (Diana Canova) are trying to keep the crew from realizing that they’re both on the boat.  (They only bought one ticket.)  One of the twins falls in love with Doc Bricker.  The other can’t stand him.  Bricker being Bricker, he really doesn’t care how the twins feel about him.  He just wants to get laid.  Still, Bricker spend most of the episode very confused and very afraid of the Titanic jinx.

Meanwhile, Julie is shocked when she discovers that Buddy Stanfield (David Hedison) is on the cruise!  Buddy is a wealthy and handsome attorney and he’s also Julie’s former lover.  They had a whirlwind romance in Paris but then Julie discovered that Buddy was married and her heart was broken.  Now, Buddy claims that he’s divorced and Julie starts to fall for him again.  It’s pretty obvious that Buddy is lying but who can blame Julie when he’s played by the classy and suave David Hedison.  Hedison played Felix Leiter in Live and Let Die and License to Kill.  In between dealing with the jinx, the crew tries to proect Julie from Buddy.  Of course, Buddy’s wife eventually shows up but at least Julie has her friends to support her!

Anyway, this was a pretty predictable episode and the plot with the twins was way too silly to believed.  It didn’t help that the twins appeared to be in their early 20s while Doc Bricker is in his 40s at least.  But David Hedison was a perfect cad and Ray Bolger (who, of course, is best-remembered for playing the Scarecrow in The Wizard of Oz) and Harriet Nelson were an adorable couple.  This episode was nothing special but it was still enjoyable while it lasted.