Retro Television Review: St. Elsewhere 2.9 “AIDS and Comfort”

Posted on August 1, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, St. Elsewhere makes history.

Episode 2.9 “AIDS and Comfort”

(Dir by Victor Lobl, originally aired on December 21st, 1983)

A city councilman named Anthony Gifford (Michael Brandon) has checked into St. Eligius under an assumed name. He’s complaining about fatigue. His lymph nodes are swollen. His immune system seems to be shutting down. Dr. White and Dr. Westphall look at the man’s x-rays and Dr. White says that it looks like Gifford might be suffering from a newly discovered disease that no one knows much about. The name of that disease is AIDS.

“Could he be …. gay?” Dr. White asks.

Westphall initially scoffs. He points out that Gifford is married and has two children. When Gifford is asked directly about his personal life, he admits to having affairs but is quick to say that they were all with women. Westphall later says that Gifford is either lying or they’ve discovered something entirely new about the virus and they need to call the CDC….

Today, with all we know about HIV and AIDS, it’s a bit jarring to hear some of the dialogue in this episode. Doing some research, I discovered that this was the first ever episode of network television to deal with the AIDS epidemic and that it aired at a time when there were still a lot of unanswered questions about how the disease was spread. (For instance, the episode aired shortly after the HIV virus has been discovered.)

When words get out that Gifford is a patient at the hospital and that he has AIDS, panic erupts. No one donates to the hospital’s blood drive because they’re scared the needles have somehow gotten infected. Even usually sympathetic characters — like Luther and Dr. Fiscus — refuse to be anywhere near the isolation ward. Gifford’s doctor, Peter White, requests that Gifford’s case be given to another doctor. Later, White asks everyone is Westphall is mad at him. Morrison replies that White acted unethically. White blames his wife and her fears of him contracting the disease by being in the same room as Gifford. (Not surprisingly, White is also the one who, because he won’t stop whining about his job, is responsible for word spreading about Gifford having AIDS.)

After spending nearly the entire episode denying it, Gifford finally admits to having had affairs with other men. As he leaves the isolation ward, he’s besieged by reporters. Getting in the elevator, he sees that someone has spray-painted “AIDS” on the wall. Before he leaves, he asks Westphall how long he has. Westphall grimly replies that most AIDS patients die within two years.

Later, while talking to Dr. Craig and Nurse Rosenthal, Westphall says, “Yeah, I know that’s how I felt about it at first. Then I started to think, Who am I? Why should any of us be penalized, fatally, for choosing a certain lifestyle, especially when you realize that it all boils down to chance anyway? And I tell you something I don’t give a damn for all this talk about morality and vengeful gods and all that. If you have AIDS, you’re sick, you need help. That’s all that matters. And that’s why we’re here, right?”

And yes, it’s a bit jarring to hear Westphall refer to being a gay as a “choosing a certain lifestyle,” but you again you have to consider when this episode aired and that it was also the first network television show to feature a storyline about AIDS. When this episode aired, saying that “If you have AIDS, you’re sick, you need help …. that’s all that matters,” took a certain amount of courage. For many viewers, this episode was probably the first they ever really heard about AIDS.

This episode dealt very honestly with AIDS. It actually helped that all of the character didn’t have the type of “perfect” reaction that television shows often present characters as having. Even Dr. Westphall, usually presented as being this show’s beacon of moral clarity, had to deal with his own prejudices. When it comes to a controversial topic, television shows too often portray their lead characters as being saints. This episode portrayed the staff of St. Elsewhere as being flawed and imperfect and, as such, it was a very effective and thought-provoking hour.

Pale Rider (dir. by Clint Eastwood)

Posted on May 31, 2025 by Leonard Wilson

We continue the Shattered Lens’ celebration of Clint Eastwood with 1985’s Pale Rider, one of my favorites. This was a film my long time friend Jay shared with me many years ago, as he owns most of Eastwood’s library of films. I like to think of it as a softer version of Eastwood’s own High Plains Drifter, which my father loved, but I couldn’t really get. It’s a tale of vengeance, but wrapped more in miracles.

You should first know that Westerns aren’t really my genre when it comes to film types I often watch. I don’t have a lot of historical background when it comes to Westerns overall. If you asked for a short list of my favorites, I’d give up Rustler’s Rhapsody (it’s a fun comedy), The Good, The Bad & The Ugly (my Dad watched it often), Blazing Saddles, and in terms of books, the first few books of Stephen King’s The Dark Tower. I only recently watched Shaneafter Logan was first released, and I love the Red Dead Redemption games.

Pale Rider takes place in California around the time of the gold rush. Outside the town of LaHood, named after the wicked Coy LaHood (Richard Dysart, The Thing), we have a group of miners settled in that are hoping to strike it rich. It’s somewhat difficult with LaHood’s henchmen trying to drive them out at every turn, to steal the land. Hull Barrett (Michael Moriarty, Q The Winged Serpent) hopes to be successful, living with his fiancé Sarah (Carrie Snodgress, The Fury) and her daughter, Meghan (Sydney Penny, The Wife He Met Online). The most recent attack from LaHood’s men has shattered the miners’ morale and few are spared. Even Meghan’s dog is killed, causing her to wish for a miracle.

When LaHood’s son, Josh (Chris Penn, True Romance) and some other baddies (including The Thing‘s Charles Callahan, reuniting with Dysart) confront Hull, a stranger steps in. He handles them all easily with an axe handle, and as thanks, Hull welcomes him to the Miners area for room and board. Of course, having a stranger brings up all sorts of questions from the townsfolk, who don’t appear to be too trusting. Is he an outlaw, possibly? Even Meghan’s a little apprehensive at first, with her quote from Revelations 6:8 forshadowing the Pale Rider’s presence. Everyone is put at ease when they find our stranger is actually a Preacher, though Hull is still a bit curious about the six bullet sized scars on the man’s back. Can the Preacher help the Miners keep their land and stop LaHood?

From a casting standpoint, Pale Rider is damn near perfect. Although Eastwood is the main star in his own film, he comes across more as an accessory for everyone else in scenes. Moriarty does most of the heavy lifting, as does Snodgress and Penny. Their characters are all easily likable and the supporting cast (particularly Doug McGrath’s Spider) shine in their parts. Dysart’s LaHood is a dark character and there’s a wonderful verbal conflict between him and Eastwood in one scene that’s just sweet to watch to see who loses their cool first.

Pale Rider is both pretty simple and well executed from a story standpoint. It bears some similarities to Eastwood’s other film, High Plains Drifter. Though the town isn’t painted in red, there are allusions to the idea that the Preacher may be something of.a specter or ghost of vengeance. We’re not given any kind of full story as to why the Preacher’s here. We are shown that both The Preacher and LaHood’s Marshall, Stockburn (John Russell, The Outlaw Josey Wales) share a history, but that’s it. The story, like the Preacher and the events around him, moves in mysterious ways.

What I love the most about Pale Rider is the way the Preacher changes the minds (and hearts) of those around him. The miners learn to fend for themselves. His enemies are often in shock over what he does (and at least one flips from bad to good). It kind of reminds me of Wild West version of John Wick or Nobody, with a character whose reputation precedes him.

Bruce Surtees was the Cinematographer for Pale Rider, who also worked on a number of Eastwood’s earlier films, including The Outlaw Josey Wales and Play Misty for Me. Pale Rider has some beautiful landscape shots of the West (as the film was filmed in Idaho). Despite all the well lit shots, there are still moments where faces are obscured by the brim of a hat or the contrasts in a candlelit room.

The story isn’t without some dark areas or some odd moments. A dog is killed, and there’s a scene where Meghan is nearly raped, but there’s some intervention before things can get out of hand. Both instances help to show how dark the villains are in the overall tale. Both Sarah and Meghan seem to take their own shine to The Preacher, one already in a relationship and the other too young for what she’s asking for, but I took it to just be that their both a bit mesmerized by the Preacher’s presence in different ways.

Overall, Pale Rider is a wonderful offering by Eastwood, with fine performances by everyone involved. The Preacher does what he can to make things better around him with a peaceful approach. When push comes to shove, however, the guns come out blazing.

The Eric Roberts Collection: The Perfect Summer (dir by Gary Wheeler)

Posted on April 12, 2025 by Lisa Marie Bowman

It’s the perfect summer …. or is it?

In this 2013 film, teenage Jake (Adam Horner) moves to California with his mother, Alyssa (Sydney Penny). They move in with Jake’s grandfather, surf shop owner Lou Reynolds (Eric Roberts). At first, Jake is miserable. He misses his friends. He doesn’t know what to make of the California lifestyle. He has a crush on Kayla (Katie Garfield) but he feels insecure because he can’t surf and, when he does buy a surfboard, it’s promptly broken in half by the local surf bullies.

(Is there really such a thing as surf bullies? I’ve never lived on the beach so I really haven’t had much experience with surfers. The ones that I met in Hawaii and Galveston all seemed pretty cool, though. But, in the movies, they’re all like, “Can’t surf our beach, brah.” A part of me suspects that movies should not be used as a guide for real life.)

It’s a good thing that Lou just happens to be a legendary surfer! While Alyssa pursues a romance with Marcos (Louis Mandylor), Lou tries to teach his grandson how to surf. It’s not always easy. Jake gets frustrated easily and he doesn’t quite understand the zen philosophy behind surfing. But, with Lou’s help, Jake gets the hang of it and soon, Jake is ready to enter the big surging competition!

If this all sounds familiar, that’s because you’ve already seen a hundred films like this. Think of The Karate Kid, but with surfing and Eric Roberts as the mentor. It’s all very predictable but the beach is pretty. The ocean is majestic. My favorite American Idol also-ran, Jason Castro, shows up for a few minutes. And Eric Roberts actually gets a fairly substantial role and a chance to show what a good actor he can actually be! There’s absolutely nothing surprising about the film but, for what it is, The Perfect Summer works.

Previous Eric Roberts Films That We Have Reviewed:

Retro Television Reviews: Half Nelson 1.9 “Beverly Hills Princess”

Posted on May 5, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

Today, we close the book on the adventures of Rocky Nelson in Beverly Hills.

Episode 1.9 “Beverly Hills Princess”

(Dir by Bernard McEveety, originally aired on May 10th, 1985)

The hottest new thing in Beverly Hills is a movement called Emotional Awareness. Led by the slick Dexter Breen (played by Marjoe Gortner, who was himself a former child evangelist) EA is a self-improvement cult that definitely should not be mistaken for Scientology. Not surprisingly, EA is a scam. Dexter and his people encourage the rich and the powerful to confess all of their secrets during “Awareness Sessions” and then use those secrets to blackmail their followers.

Businessman George Farrell (Dick Van Patten) is sick of being blackmailed. However, when George tries to confront Dexter, he gets into a struggle with one of Dexter’s goons. The goon has a gun, which goes off. Fear not, George is not wounded. However, he is arrested for murder when the goon drops dead. Because George doesn’t want to admit that Dexter was blackmailing over him over an affair he had with a congresswoman, George finds himself sitting in prison.

Fortunately, George Farrell is a client of Beverly Hills Security! After being approached by George’s 14 year-old daughter, Leslie (Sydney Penny), Rocky (Joe Pesci, who was shorter than Sydney Penny) makes it his mission to prove that George didn’t mean to kill anyone. To do this, he’ll visit two more of Dexter’s victims (played, in this week’s cameos, by Rich Little and Lyle Waggoner). He’ll also steal several cars, including a police car. Why is Rocky stealing cars? Because he keeps wrecking them, of course! Detective Hamill (Gary Grubbs) isn’t happy about all of the wrecked cars. When he demands to know why Chester (Fred Williamson) keeps Rocky employed despite all of Rocky’s mishaps, Chester replies, “Because he cares!”

As usual, Rocky recruits Beau (Dick Butkus), Kurt (Bubba Smith), and Annie (Victoria Jackson) to help him out. When Rocky discovers that one of Dexter’s victims is holding auditions for a drag revue, Rocky decides that Annie should audition. “But I’m a real woman!” Annie replies. At this point, I was expecting thing to get pretty cringey but, by the standards of when the show was produced, the whole drag revue subplot was handled with maturity and with a relative lack of cheap jokes. I sat there dreading the moment that Bubba Smith and Dick Butkus would put on ball gowns and start speaking in falsetto but it didn’t happen. Instead, they just mentioned how talented all of the performers were. It was pretty clear that the director of the revue was being blackmailed because he was gay but, again in contrast to a lot of shows and movies from the period, both the show and Rocky treated the character with respect. It was an unexpected moment in a show that many would probably dismiss as just being another generic detective series.

While Rocky is stealing cars, Dean Martin is searching for his. No, Rocky didn’t steal Dean’s car. According to Dean, Sammy Davis, Jr. stole it. In this episode, Dean shares all of his scenes with Fred Williamson. Because this was Half Nelson‘s final episode, this was also Dean Martin’s last onscreen moment. Dean passed away ten years later.

Yes, this was indeed the final episode of Half Nelson. In fact, towards the end of the episode, Rocky crashes Chester’s car and then comments that he’s probably going to get fired as a result. Since this was the final episode, I guess we can assume that, once George got out of prison, Rocky was unemployed and on the next flight back to New York City. I hope he got to take the dog with him.

As for the episode itself, it wasn’t a bad way to wrap things up. Everyone got to do something. Chester defended Rocky, for once. Victoria Jackson got to sing a song. Joe Pesci got one final chance to make a joke about his height, snapping that he was “5’4,” when he heard a report that a car had been stolen by a man standing “5’2.” Dean Martin was clearly unwell during filming but he still had a devilish twinkle in his eye. As always, Marjoe Gortner was a good villain. On the negative side, Rocky didn’t so much solve the mystery as he just stumbled into solutions and Detective Hamill’s intense dislike of Rocky never made any sense. As well, Hamill and Annie were dating in the previous episode but they barely even acknowledged each other in this one, which leads me to suspect that this episode was originally meant to air earlier than it did.

Having now watched the entire show, it’s easy to see why Half Nelson failed to attract a regular audience, despite it’s strong pilot. The show never really found the right balance between comedy and drama and, far too often, it turned into a retread of Beverly Hills Cop. The ensemble often felt underused, with Jackson and Williamson spending far too much of their time sitting in the office. The show had a great star in Joe Pesci but many episodes got bogged down with the antics of Bubba Smith and Dick Butkus.

Here’s the thing, though. The show was always interesting, specifically because it did star Joe Pesci. There was something undeniably fun about having stolid TV actors — like Robert Reed and Dick Van Patten — appearing opposite a combustible force of nature like Joe Pesci. Though there were a few times that Pesci did seem a bit bored with going through the detective show motions, he was still a force of chaos and, by his very presence, he made Half Nelson into something more than just another generic crime show.

Next week, we start Freddy’s Nightmares!

What Lisa Watched This Afternoon #119: Killer Crush (dir by Anthony LeFresne)

Posted on April 11, 2015 by Lisa Marie Bowman

Earlier this afternoon, I finally got a chance to watch the Lifetime original film Killer Crush.

Why Was I Watching It?

Killer Crush premiered last week but I missed it because I was at Easter Vigil with my family. However, I set the DVR to record the film. Then, I came home and I got wrapped up in doing about a thousand different things at once and it’s only been this afternoon that I finally got a chance to sit down and watch Killer Crush.

What Was It About?

It’s a story as old as the Lifetime network. A mentally disturbed young woman named Paige (Daveigh Chase) develops a crush on one of her professors (Rick Roberts). Paige gets a job working for the professor, taking care of his sick wife (Sydney Penny). Since the film is called Killer Crush, you can probably guess that things don’t go as well as one might hope.

What Worked?

As far as mentally disturbed crush movies are concerned, Killer Crush was pretty good. Rick Roberts and Sydney Penny both made for sympathetic victims. Meanwhile, Daveigh Chase fully committed herself to playing the unstable Paige and even managed to generate some sympathy for her self-destructive character. Director Anthony LeFresne kept the action moving at a good pace. The end result is an above-average, Canadian-made Lifetime film.

What Did Not Work?

As well-made as the film was, it was also rather predictable. As far as Lifetime movies about psychotic obsession are concerned, Killer Crush really didn’t bring anything new to the table.

“Oh my God! Just like me!” Moments

I related to Paige’s relationship with her sister (Melanie Scrofano). Hopefully, if I’m ever involved in a murder, my sisters will be as concerned as Paige’s sister was.

Lessons Learned

Obsessive crushes never turn out well. Unless, of course, it’s my obsessive crush on James Franco…