Scenes That I Love: Chuck Norris Defends America in The Delta Force


Today is Chuck Norris’s birthday and to celebrate, today’s scene that I love comes from one of his best films.  In this sequence from 1985’s The Delta Force, Chuck shows that even his motorcycle is a force to be reckoned with.

Scenes That I Love: Alain Delon in Purple Noon


Alain Delon was left out of last week’s Oscar memorial montage but that doesn’t mean we can’t honor him here.  In today’s scene that I love, Alain Delon walks with style.  This is from the end of 1960’s Purple Noon, a French adaptation of Patricia Highsmith’s The Talented Mr. Ripley.

Scenes That I Love: Mardi Gras in Easy Rider


Happy Mardi Gras!

For today’s scene that I love, here is the Mardi Gras sequence from 1969’s Easy Rider.  Featuring Peter Fonda, Dennis Hopper, Karen Black, and Toni Basil walking through the streets of New Orleans, this scene was actually filmed during Mardi Gras.  Those are real Mardi Gras floats and real Mardi Gras participants staring at the camera.  That’s an actual citizen of New Orleans with whom Dennis Hopper appears to have nearly gotten into a fight.  Personally, I relate to Toni Basil in this scene.  She is having a good time no matter what!

I just love how Toni Basil can’t help but dance, no matter what.

Scene That I Love: Mad Max Meets The Night Rider


Today’s scene of the day comes from the original Mad Max, directed by George Miller and starring Mel Gibson as Australia’s favorite apocalypse survivor.  In this scene, Max — who is still trying to be a servant of law and order — chases The Night Rider!

The Night Rider has become a bit of a fan favorite, which is saying something for someone who really isn’t in the film for that long.  As Mad Max takes place before the total collapse of civilization, it’s temping to see The Night Rider as a harbinger, letting Max and his other police colleagues know what the future for holds all of them.

Scene that I Love: The Opening Of The Oscar


Today’s scene that I love come from the classic Hollywood melodrama, 1966’s The Oscar!

Behold the glory that was Hollywood!

Actually, this film makes Hollywood look pretty low-rent.  Hopefully, though, this will be Frankie Fane’s year.

Scenes That I Love: Meet The Mother Of Tears from Dario Argento’s Inferno


Today’s scene that I love comes from Dario Argento’s 1980 masterpiece, Inferno.  In this music scene, a music student in Rome finds himself suddenly being watched by the legendary Mother of Tears (played by Ania Pieroni)Inferno is one of Agento’s best films and this is one the film’s best scenes.

Scenes I Love: Reggie Bannister in Phantasm


I read yesterday that Reggie Bannister, one of the most beloved horror character actors out there, isn’t doing too well.  He has gone into hospice care.  Those words — “hospice care” — will always bring a tear to my eye.  My Dad went into hospice care last year and died a month later, which I was told was longer than most people survive in hospice.  Being the naive idiot that I was, I have to admit that, up until the end, I was still expecting my Dad to make a full recovery and just magically get out of bed.  Sadly, that’s just not the way these things work.  Hospice is end-of-life care and any medical professional who doesn’t make that clear while recommending it is doing a disservice to not only their patients but also their families.

Reggie Bannister is best-known for his appearances in the work of Don Coscarelli.  He’s one of those actors who just makes you smile whenever he appears on screen.  Anyone who has watched Phantasm loves Reggie, with his ice cream truck and his guitar and his whole laid back vibe.  Today’s scene that I love is a simple but wonderfully human moment from 1978’s Phantasm, featuring Bill Thornbury and the great Reggie Bannister.

Scenes That I Love: “No, Mr. Bond….” from Goldfinger


Seeing as how today would have been Gert Frobe’s birthday, it seems only appropriate that today’s scene of the day should be one of the best moments from the original Bond franchise.  In 1964’s Goldfinger, Frobe sets the standard by which all other Bond villains would be judged.