Vincent Price, Peter Lorre, Boris Karloff, and Basil Rathbone had all appeared together on film in various combinations seven different times, but never all at once until THE COMEDY OF TERRORS. This black comedy masterpiece spoofs AIP’s own Poe flicks and Shakespeare, with the quartet of chiller icons having a grand old time playing Richard Matheson’s delicious screenplay to the hilt. Horror and noir vet Jacques Tourneur gets to direct the old pros, and the supporting cast features classic comic Joe E. Brown and Rhubarb The Cat (more on him later!).
Price is Waldo Trumble, the besotted, greedy proprietor of Trumble & Hinchley Funeral Parlor. He’s cruel to wife Amaryllis (Joyce Jameson), a failed opera singer (“I wish her vocal chords would snap”) who he married only to gain control of the company from her doddering old, half-deaf father Amos. “Demon rum will get you yet!”, she tells Waldo, to which…
NBC-TV tried to bring a horror anthology series back to prime time during the 1972-73 season with GHOST STORY, executive produced by the one-and-only William Castle . Sebastian Cabot played Winston Essex, introducing the tales from haunted Mansfield House hotel. GHOST STORY had great writers, including Richard Matheson (who helped develop the concept), Robert Bloch, Harlan Ellison, Henry Slesar, and Hammer vet Jimmy Sangster, some good directors (Richard Doner, John Llewelyn Moxey, Robert Day), and a plethora of Hollywood talent: Karen Black, Kim Darby, Angie Dickinson, Melvyn Douglas, Patty Duke, Jodie Foster, Helen Hayes, Tab Hunter, John Ireland, Janet Leigh, Patricia Neal, Jason Robards, Gena Rowlands, Martin Sheen, and William Windom.
Despite all this, the show got clobbered in the ratings by the CBS FRIDAY NIGHT MOVIE and ABC’s comedy duo of ROOM 222 and THE ODD COUPLE. A mid-season title change to CIRCLE OF FEAR (dropping the Cabot segments in the process) didn’t help, and…
How have I ignored Roger Corman here for so long, save for a short “Cleaning Out the DVR” review of THE TERROR ? The King of the Low Budget Quickies has long been a favorite filmmaker of mine, and has probably had more impact on American cinema than people realize. Well, now that TCM is running its month-long salute to AIP, I’m about to rectify that oversight. (By the way, Corman himself is cohosting the retrospective every Thursday night along with TCM’s own Ben Mankiewicz!)
American International Pictures scored a hit with 1960’s HOUSE OF USHER, an Edgar Allan Poe adaptation starring Vincent Price and directed by Corman. Studio honchos James Nicholson and Samuel Z. Arkoff looked at the box office numbers and, realizing they had a cash cow on their hands, asked Corman to produce a follow-up. Rapid Roger decided on PIT AND THE PENDULUM, shot in 15 days for less…
Wow. It’s hard to believe that is going to be my final televised horror of the year. (Though I imagine this feature will return in October of 2016 — just in time for election season!) Well, let’s get right to it!
For our final televised horror, I have selected a classic episode of The Twilight Zone. In Nightmare at 20,000 Feet, William Shatner is a man who, though being scared of flying, finds himself on an airplane. And guess what he sees out on the wing?
This episode was written by one of Arleigh’s favorite writers, the great Richard Matheson. It was directed by Richard Donner and originally aired on October 11th, 1963.
Enjoy Nightmare at 20,000 Feet! And here’s hoping that all of our readers have had a wonderful, safe, and happy Halloween!
When I first decided to feature old, horror-themed television episodes this month, I knew that I had to include Nightmare At 20,000 Feet.
This is perhaps the most famous episode of Twilight Zone. William Shatner plays a man on an airplane who is both terrified of flying and who has spotted a gremlin out on the wing. As Shatner desperately tries to convince his fellow passengers that he’s not crazy, the gremlin cheerfully goes about his destructive business.
This is one of the few episodes of The Twilight Zone not to have been downloaded onto YouTube and, at first, I was worried that I wouldn’t be able to share it. Fortunately, site subscriber and frequent commenter KO tracked it down on Hulu for me and, as a result, we are very happy to present the classic fright fest Nightmare At 20,000 Feet!
This episode was written by Richard Matheson and directed by Richard Donner, who would later direct such films as The Omen, Superman, and Lethal Weapon. It originally aired on October 11th, 1963.
http://www.hulu.com/watch/440824
(Incidentally, originally an episode of Goosebumps was scheduled to be featured tonight. However, the YouTube account that was hosting that video has been suspended. The episode in question was The House of No Return, which many people believe features an early performance from Ryan Gosling. Having seen the episode before it was taken off YouTube, I can assure you that Ryan was nowhere to be seen.)
18 year-old Anne Marie Henderson (Diana Hyland) is being pressured, by her family, to marry Robert, a dull stockbroker (Robert Hogan). However, Anne Marie is still in love with her former fiancee, David (Roger Davis). As the day of her marriage approaches, Anne Marie suddenly finds herself being chased by a woman in black who yells at her not to get married…
This episode of the Twilight Zone was originally broadcast on February 21st, 1964. It was directed by Elliot Silverstein and written by Richard Matheson.
In this poignantly haunting episode of the Twilight Zone, Gladys Cooper plays a lonely widow who starts to receive mysterious phone calls from a stranger.
This episode was written by Richard Matheson (and based on his short story Long Distance Call) and it was directed by Jacques Tourneur. Tourneur is probably best known for directing moody horror films like Cat People and Curse of the Demon and he brings a similar atmosphere to Night Call.
News hit the internet today that legendary author Richard Matheson passed away at the age of 87.
Matheson has been instrumental and influential in horror and dark fantasy pop culture of the 60 or so years. Stephen King and George A. Romero, undoubtedly two of the most recognizable masters of horror of their generation, has called Matheson a major influence in their work. Where would the zombie genre of today be without Matheson’s groundbreaking vampire novel, I Am Legend, which gave Romero the idea to make his Night of the Living Dead. It is also this very same vampire novel whose influence could be seen throughout King’s own classic vampire tale with Salem’s Lot. Even King’s own foray into a zombie novel, Cell, would be dedicated to Matheson.
Yet, Matheson’s influence wouldn’t just be felt in the literary world. He would pen some of the best Twilight Zone episodes and would also provide Roger Corman with screenplay adaptations of Edgar Allen Poe’s short stories and novellas. He would also provide Hollywood with screenplays based on his own stories that would become classic horror and dark fantasy films in their own right.
There’s no way to quantify just how many people Richard Matheson has touched and influenced with his work, but one would be hard pressed not to find someone who hasn’t come across something that had Matheson’s fingerprint whether it was one of his stories, films based on his works or a tv episode that he didn’t have a hand in writing. Then there’s those who have seen or read something that had been influenced by his work.
Today the world has lost of the giant’s in his field of work. Yet, as his best known work says as it’s ending, Matheson will survive far longer than he had lived: HE IS LEGEND.
On a personal note, I count Matheson as one of the biggest influences in my life. Everything he has done or touched have had a hand in showing me the power of the written word. Much of what I watch and read has been influenced by his work. Where would horror and dark fantasy be without him to set the path for future writers and filmmakers. Whether they care to admit it or not they, just like myself, owe Richard Matheson a debt of gratitude for work in the field.
A giant of a man has passed into legend and it’s now up to us, his admirers and fans, to continue on his work of providing the world with quality genre entertainment.
“Charlton Heston IS the Omega Man!” This movie is the second of three film adaptations of Richard Matheson’s classic novel I am Legend.
2) Last House On Dead End Street (1977)
This film is reportedly one of the most purely grindhouse films ever made. It’s also next to impossible to see. The Trash Film Guru has seen it and I’m insanely jealous. As for this trailer, it’s short but rather effective. It’s also perhaps the hundredth trailer to feature the “It’s only a movie” tagline.
3) Deranged (1974)
“A man so obsessed with death that he became…DERANGED!”
4) Equinox (1970)
I own the Criterion edition of this film. It’s actually kind of fun in its own silly way.
5) Vengeance of She (1971)
This is a Hammer film. I love how increasingly excited the narrator gets as he talks about vengeance.
6) Endgame (1983)
Finally, let’s end this entry with yet another look at a post-apocalypse future. From the iconic Italian director Joe D’Amato, it’s Endgame.
Hi there and Happy October 25th! For today’s treat from the ranks of horror films that have fallen into the public domain, I present to you one of the most important films in horror history. Though it wasn’t appreciated when it was first released back in 1964, The Last Man On Earth was not only the 1st Italian horror film but George Romero has also acknowledged it as an influence on his own Night of the Living Dead.
It’s easy to be a little bit dismissive of The Last Man On Earth. After all, the low-budget is obvious in every scene, the dubbing is off even by the standards of Italian horror, and just the name “Vincent Price” in the credits leads one to suspect that this will be another campy, B-movie. Perhaps that’s why I’m always surprised to rediscover that, taking all things into consideration, this is actually a pretty effective film. Price does have a few over-the-top moments but, for the most part, he gives one of his better performances here and the black-and-white images have an isolated, desolate starkness to them that go a long way towards making this film’s apocalypse a convincing one. The mass cremation scene always leaves me feeling rather uneasy.
The film is based on Richard Matheson’s I Am Legend and no, it’s nowhere as good as the book. However, it’s a lot better than the Will Smith version.
If you have 87 minutes to kill, please enjoy The Last Man On The Earth.
Through the Shattered Lens 