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Retro Television Reviews: City Guys 5.11 “Cassidy Couch” and 5.12 “Brother From Another Mother”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  Almost the entire show is currently streaming on YouTube!

Despite the fact that the Neat Guys haven’t been neat for a while, it’s time to review two more episodes of City Guys!

Episode 5.11 “Cassidy Couch”

(Directed by Frank Bonner, originally aired on October 20th, 2001)

Chris’s dad is investing in a play being written and directed by Derek Wagner, one of Broadway’s hottest directors!  (Oh yeah, Chris is rich.  It’s kind of funny how that aspect of Chris’s character kind of got pushed into the background.)  Cassidy thinks that she would be perfect for the lead role of an innocent pilgrim girl.  Chris offers to ask his dad to pull a few strings but Cassidy says that she wants to get the job based on nothing but her ability.

When Chris and Cassidy go to the auditions, Chris is surprised to see that Cassidy is dressed up like a pilgrim.  Cassidy explains that you should always dress for the role you want.  Chris spots another actress waiting to try out and says that apparently, she’s planning on auditioning to be a hooker.  (Boooo!  Way to be judgmental, Chris.)  Cassidy sees that the actress is wearing a short skirt and a tank top and she throws a fit.  “Excuse me!” Cassidy snaps, before demanding why the actress is dressed like me on a warm day.  The actress informs Cassidy that the director only casts attractive women and that her pilgrim outfit isn’t going to get the job done.  Cassidy rips off her pilgrim outfit and auditions in her pajamas.

(Personally, I’m more interested in whether or not Cassidy is a member of Equity because I doubt Broadway’s hottest director is going to be working on a non-union show.)

Cassidy does get a part in the show, though it’s not the starring role.  When Chris takes Cassidy to her first rehearsal, he overhears Derek Wagner having an argument with the actress he did cast in the lead role.  The actress tells Derek that he’s a pig and then she quits.  Derek then goes into the rehearsal hall and, after Cassidy approaches him and thanks him for giving her a small role, he promotes Cassidy to the lead role!

Chris is worried that Derek is “going to put the moves” on Cassidy.  Cassidy is offended at Chris’s suggestions that Derek wouldn’t just cast her for her talent.  But then, one night at rehearsals, Derek does exactly what Chris said he would do.  Cassidy quits the play.  Determined to expose Derek for being a predator, Chris and Jamal invite him onto their radio show and Derek agrees.  Why would Derek agree to go on a high school radio show?  It’s because the show needs Derek to do something illogical so it can end the story without having to leave the roof of Manny High.  If Derek had refused to appear on the show, Cassidy wouldn’t get a chance to confront in the booth and expose him to the handful of students who are actually dorky enough to listen to Chris and Jamal’s show.

This episode dealt with a real issue so let’s give it some credit.  Unfortunately, all the credit in the world isn’t going to make up for concluding the episode with Derek getting exposed on a high school radio program.  Derek is a Broadway director who is busy putting together his latest show.  He’s not going to appear on the Manny High Morning Show and he’s certainly wasn’t going to appear on a show hosted by the boyfriend of the actress who he just sexually harassed and then fired.  Not everything can be resolved on the roof of the school, City Guys!

Don’t even get me started on the B-plot, which featured L-Train getting psychic powers and having a premonition of Ms. Noble’s impending death.  Jamal, Al, and Dawn were really worried that Ms. Noble would die because apparently, these high school seniors who are on the verge of graduating don’t have a life outside of obsessing on their principal.  Fear not.  Ms. Noble did not die.  The most interesting thing about the B-plot was that Al and Dawn were dating, despite having broken up several episodes earlier.  Again, it would appear that this episode was meant to air earlier in the season but NBC aired it later, continuity be damned.

Episode 5.12 “Brother From Another Mother”

(Directed by Frank Bonner, originally aired on October 20th, 2001)

Here is the plot description of this episode, courtesy of Wikipedia:

There is a heat wave going through New York, Dawn convinces Ms. Noble to allow a small waiting pool on the roof of Manny High. Instead Al and Chris secretly set up a large swimming pool for the whole school to enjoy and relax. Ms. Noble later finds out about the pool when one of the many interruptions preventing her from having a peaceful lunch break is leaking water coming from the ceiling. She tells Al to get rid of the pool. Before he does this, Al attempts to conquer his fear of the pool and learn how to swim, but in the process he almost drowns. Ms. Noble comes in the nick of time to rescue him and decides to teach Al how to swim before she gets rid of the pool. Meanwhile, Jamal’s father and El-Train’s mother develop an attraction for each other while attending a parent-principal conference. They set up a date and have the time of their lives. Jamal freaks out and doesn’t know what to think of this blossoming relationship, the possibility of someone else being his mother, and the future of a new family. While El-Train is ecstatic that his mother is finding some happiness in her life and he is looking forward to a possible future of Jamal becoming his brother and Mr. Grant his father.

Wow, that sounds terrible!  This kind of makes me glad that this episode is one of the many from season 5 that has not been uploaded to YouTube.  How exactly could they put a large swimming pool on the roof with Ms. Noble noticing?  And why does everything have to be on the roof?  Wouldn’t it actually be hotter on the roof than it would be if they put the pool in the courtyard or something?  Add to that, how many times could Jamal freak out over the possibility of his father dating someone.  Grow up, Jamal!

Next week, this show will be two episodes closer to being over.

Retro Television Reviews: The Love Boat 2.22 “Love Me, Love My Dog/Poor Little Rich Girl/The Decision”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for Isaac’s heart to get broken, yet again!

Episode 2.22 “Love Me, Love My Dog/Poor Little Rich Girl/The Decision”

(Dir by Roger Duchowny, originally aired on February 24th, 1979)

Isaac has sworn off falling in love with passengers.  As he explains it, he’s fallen in love with a movie star, a singer, a criminal, and a journalist and, every time, the romance ended as soon as the ship docked.  Isaac is tired of getting his heart broken and, unlike Doc and Gopher, he doesn’t view romance as just being a game.

Still, as soon as Isaac spots Selena Moore (Debbie Allen) boarding the ship, he’s interested.  He insists that he’s not going to act on his attraction but both Gopher and Doc tell him that it’s okay to just have some fun.  And when Selena starts showing up at the bar and telling Isaac about her doubts about whether or not she wants to get married to her fiancé, Isaac decides to follow Gopher and Doc’s advice.  He and Selena have a shipboard romance.

And, of course, Isaac falls in love.  He said that he wouldn’t but he does because that’s just who Isaac is.  Isaac is the most sincere character on the show.  Gopher is goofy.  Doc is a walking HR nightmare.  Julie is practical.  The Captain is stern.  And Isaac is the one who impulsively falls in love, even though he knows he’s probably going to get hurt.

When Isaac trips and falls after one night of dancing, Doc jokingly declares that Isaac will never walk again.  Selena runs away in tears.  That really should have been a clue that she loved her fiancé more than she was letting on.  When the ship finally returns home, Isaac can only watch as Selena greets her fiancé, who turns out to be an older man who uses a wheelchair.  Isaac can only wipe away a tear and hand the roses that he got for Selena to a random passenger.  It’s a bit sad, even though the outcome was predictable.  Ted Lange and Debbie Allen both made the story work far better than one might expect it to.

And it’s a good thing that Lange and Allen worked so hard because the other two stories are nowhere near as strong.

One of the stories features Fannie Flagg as Alicia Finch, an eccentric woman who sneaks her terrier (played by Cricket) onto the boat.  (Cricket gets her own credit, which is cute).  Alice meets Mason Randolph (Gene Rayburn), a single man who also loves dogs!  Unfortunately, Cricket starts yapping and biting whenever she sees Mason.  It looks like Alicia and Mason will never be.  However, when the boat docks, Mason’s dog is waiting for him.  Even though Mason’s dog is quite a bit bigger than her, Cricket takes a liking to him.  This story was extremely predictable and Gene Rayburn was a bit annoying as Mason.  (Apparently, he was a game show host and he delivers almost all of his lines as if he’s waiting for the audience to applaud.)  On the plus side, Cricket was really cute.

Finally, Suzanne Welles (Maren Jensen) is a waitress who has won the lottery but now that she’s rich, she’s not sure if auto mechanic Alan Harmon (Dennis Cole) really likes her or just wants her money.  Alan is also the Captain’s mechanic and Stubing comes up with a plan that’s so stupid that it makes you wonder if he should really be in charge of cruise ship.  Basically, Stubing tells Suzanne that she’s right about Alan and that he’s only after her for the money.  Alan then says that the Captain is correct.  Stubing thinks that if Suzanne’s suspicions are confirmed, she’ll be able to relax and fall in love with Alan without worrying about why he’s pursuing her and …. wait, what?  How does that make any sense?  Why would Suzanne continue to spend time with Alan after he tells her that he’s only interested in her for the money?  I mean, the boat is full of single, handsome men.  The plan is idiotic but somehow, it works!  Everyone tells the captain that he’s a genius.  Seriously, what a weird story.  I mean, Isaac is pouring out his heart and getting hurt again and the Captain is busy encouraging his passengers to lie to each other.

The cruise was definitely mixed bag.  The Ted Lange/Debbie Allen story was nicely done.  Cricket was cute.  Lauren Tewes got to wear a really pretty dress for the ship’s Mexican Fiesta Night and I loved the sparkly blue evening gown that Maren Jensen wore while having dinner at the Captain’s table.  But the non-Isaac stories were, respectively, bland and incredibly dumb.  I guess no vacation is perfect.

Retro Television Reviews: Fantasy Island 3.4 “Baby/Marathon”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week’s episode is saved by the one and only Herve Villechaize.

Episode 3.4 “Baby/Marathon”

(Dir by George McCowan, originally aired on October 5th, 1979)

Fantasy Island is going to be hosting a marathon competition so Tattoo decides to greet Mr. Roarke while carrying a replica of the Olympic Torch.

Tattoo proceeds to light a huge flame in a cauldron.  A group of Islanders start trying to splash water on the fire, leading to Tattoo yelling at them to leave the flame alone.  Mr. Roarke, who appears to be even more disgusted than usual with Tattoo’s antics, barks at his assistant to put on his tuxedo and head down to the docks so that they can greet their guests.

Bunny Kelly (Barbi Benton), Gretchen Wasserman (Arlene Golanka), and Olaf Olafsen (Peter Isacksen) have all come to the Island so that Olaf can compete in the marathon and hopefully win enough money to keep their barbell factory open.  (Don’t blame me, I didn’t write this script.)  When Olaf is injured while trying to lift some weights, Bunny enters the marathon in his place!  (At first, Bunny tries to disguise herself as Olaf but, when that doesn’t work, Mr. Roarke declares that Bunny can compete as herself.)

Can Bunny defeat the men who have shown up to run the marathon?  Well, it won’t be easy.  Bruno Glass (Bruce M. Fischer) is so evil that he often stops in the middle of the race so that he can laugh at everyone else’s misfortune.  Helping out Bruno is his trainer, Dr. R.M. Funk (Dick Martin).  Using techniques that would be more appropriate for a cartoon, Bruno sabotages the other racers.  Somehow, Bruno is able to do this despite the fact that the entire race is being televised live to the world.  Fear not!  With the help of friendly competitor Eugene (Paul Petersen), Kitty makes it to the finish line.  When both Kitty and Eugene sprain an ankle towards the finish line, they carry each other to a tied victory!  The factory is saved and everyone falls in love!

As you have probably already guessed, the whole marathon was pretty stupid.  There really didn’t seem to be any sort of set rules as to how the marathon would be run.  Olaf and Gretchen grabbed a car and drove alongside Kitty for most of the race.  Meanwhile, Dr. Funk was somehow able to commit numerous acts of open sabotage without anyone noticing.  Because Dr. Funk and Bruno were so cartoonish, it made it difficult to take seriously the possibility that they might win.  There was no suspense whatsoever, which made for a pretty boring fantasy.

I preferred the episode’s other story, in which Tattoo was placed in charge of finding a family to adopt an orphaned baby.  At first, Tattoo wanted to adopt the baby himself but eventually, he realized that the child would be better off with Thomas (Joshua Gallegos) and Mary (BarBara Luna), two Islanders who already had a large family and who had more experience taking care of babies.  There was nothing surprising about the story but seriously, Herve Villechaize’s portrayal of Tattoo’s dilemma was surprisingly touching.  While Villechaize was notoriously difficult on the set of Fantasy Island, he also used his fame to speak out in support of abused and neglected children and he really seemed to be put his heart into this episode of Fantasy Island.  When Tattoo said that he wanted to make sure the baby had the best and most loving home possible, one got the feeling that he was speaking for Villechaize as well.

So, this was yet another mixed episode of Fantasy Island.  Ultimately, it was saved by the sincerity of Herve Villechaize.

Retro Television Reviews: Hang Time 5.7 “Joint Venture” and 5.8 “Revolver, Problem Solver?”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

This week, Silk gets a new job and he also gets a gun!  It’s a wild time in Indiana with Hang Time!

Hang Time 5.7 “Joint Venture”

(Dir by Miguel Higuera, originally aired on October 30th, 1999)

Somehow, Silk and Eugene are the new managers of Deering’s hottest club, The Matrix!

Right away, this episode the makes the mistake of asking us to suspend our disbelief.  I’ve accepted a lot of weird things when it comes to Hang Time, like the entire team spending Christmas in New York and Antonio somehow just moving from Texas to Indiana without his parents.  But seriously, why would two high school students be hired to manage a club?  And even if you could accept the idea of two high school students being given that type of responsibility, who in their right mind would hire Silk and Eugene?  We haven’t seen anything on this show to indicate that either one of them comes across as being the sort of person who could handle that much responsibility.

The club is a big hit but Silk and Eugene are shocked to discover that someone is selling marijuana in the bathroom!  Instead of shutting down the club (which is what the show suggests they should have done for some reason), Eugene and Silk call the cops and arrange for two undercover cops to come to the club and arrest the dealer.  However, at the same time, Kristy and Mary Beth are trying to write an award-worthy story for the school newspaper and they decide to go undercover as well.  Their plan is to buy marijuana from the dealer and then write a story about it.

Yep, who wouldn’t think they were stoners?

Anyway, as you probably already guessed, this leads to the undercover cops trying to arrest not just the dealer but also Mary Beth and Kristy.  Michael and Julie see the cops grabbing their friends and, since they don’t know that they’re cops, a huge brawl breaks out.  The club is wrecked!  For some reason, the cops then call Coach K., who comes down and yells at everyone.  Luckily, only the dealer goes to jail.  Eugene and Silk lose their jobs, which they never should have had in the first place.

This is the type of episode that I hate, where every single problem could have been solved by everyone not being an absolute idiot.  Let’s move on.

Hang Time 5.8 “Revolver, Problem Solver?”

(Dir by Miguel Higuera, originally aired on November 6th, 1999)

Silk’s father is a cop!  That seems like the sort of thing that would have been helpful during the previous episode.  Anyway, this guy who was arrested by Silk’s father starts threatening Silk.  The guy carries a knife and tries to stab Silk at school.  Seeing as how that’s attempted murder and the attack was witnessed by Silk’s friends, it seems like it would have been pretty easy for Silk to call the cops and get the guy sent to prison for a decade.  Instead, Silk decides to handle things himself by getting a gun.

Yes, really.

Meanwhile, the team needs to raise money so Mary Beth arranges a car wash.  Coach K’s car ends up getting flooded with water after the team washes it without rolling up the windows.  How dumb are these people?  Anyway, the guy who wants to kill Silk shows up at the car wash with his knife.  Silk pulls out his gun but the bad guy easily grabs it away from him.  In the ensuing struggle, a shot is fired.  A window shatters.  Mary Beth nearly gets shot.  The bad guy gets arrested and Silk get cited for having an illegal gun.

Remember when Coach K made everyone sign that contract not to do anything dangerous during the season?  Under the terms of that contact, Silk should have been cut from the team.  I mean, Eugene nearly got kicked off the team for wanting to ride a skateboard.  Meanwhile, Silk is putting everyone’s lives in danger.  But Coach K is a big old hypocrite and Silk is allowed to keep playing basketball for Deering High.

I will compliment this episode, though.  For a teen sitcom that was produced by Peter Engel, the fight scene between Silk and the knife guy was surprisingly well-choreographed and filmed.  As well, this is the first episode to really allow Danso Gordon to do some acting as opposed to just standing in the background and Gordon does a pretty good job with the role, even if Silk’s action don’t always seem realistic.  This was another episode where almost everything that happened was the result of people not having any common sense.  It had a good message about being safe and careful with guns but it was still frustrating to watch.

Next week, Kristy hangs out with a goth and Michael discovers that some people are racist.  Indiana’s a crazy place.

Film Review: Detective Knight: Independence (dir by Edward Drake)

Posted on by Lisa Marie Bowman

The Detective Knight trilogy comes to a close with Detective Knight: Independence.

If you haven’t been keeping up with the wonderfully pulpy adventures of Detective James Knight, here’s a quick refresher of what happened last year.  First off, in Detective Knight: Rogue, Detective Knight (Bruce Willis) sought vengeance after his partner, Fitz (Lochlyn Munro), was seriously wounded during a robbery.  Fitz recovered but not before Knight has dispensed some vigilante justice of his own.  The surviving bad guys went to prison but sadly, so did Detective Knight.

Fortunately, Detective Knight was released from prison in Detective Knight: Redemption.  He was released because a cult of people who dressed up like Santa Claus and who chanted, “Ho!  Ho!  Ho!” while committing their crimes were terrifying the city.  With the help of Detective Knight, the police were able to stop the Santa Cult.

In Detective Knight: Independence, Knight is once again on the police force.  He and Fitz are still quick to shoot first and ask questions later.  That said, Knight is trying to make amends with his estranged wife and spend more time with his daughter.  That’s not going to be easy, though, because there’s a new threat in town …. just in time for the 4th of July!

Dezi (Jack Kilmer) is an EMT who has always dreamt of being a cop.  Unfortunately, he’s never been able to qualify for the force.  Even when he shows up at a cop bar and just tries to have a beer in peace, the bartender approaches him with a baseball bat and two detective toss him out of the place.  When Dezi is subsequently fired for refusing to give aid to a wounded man (the man in question was a bank robber and Detective Fitz actually told Dezi to go help a bleeding civilian in the bank and leave the robber to die), Dezi snaps.  First, Dezi steals a uniform, a badge, and a gun.  After dispensing some vigilante justice on some muggers, Dezi decides that he would like to rob a bank.  Yes, you read that correctly.  In just a matter of hours, Dezi goes from pretending to be a cop to pretending to be a criminal.  As the film progresses, it starts to become pretty clear why the police force didn’t want to hire this guy in the first place.

Unfortunately, for Dezi, his fellow EMT and occasional lover, Ally (Willow Shields), had a connection to Detective Knight and soon, Knight is on Dezi’s trail.  It all leads to a 4th of July confrontation on a baseball field.

Even though Bruce Willis is playing the title character, he’s not present for much of Detective Knight: Independence.  As with the other two Detective Knight films, it’s obvious that Willis was only on set for a day or two.  While Willis is still a physically imposing actor, there’s none of the wise guy swagger that made Willis a star.  Instead, Detective Knight is a fairly grim character.  As always, it’s a bit difficult to watch Willis in films like this, especially with the knowledge of his recent health struggles.  That said, the Detective Knight films are definitely the best of Willis’s final films and, despite the limitations imposed by his health, Willis comes across well in them.  Considering that this is Willi’s final film, certain lines hit in a way that they otherwise might not.

As with the previous Detective Knight films, the majority of the screen time is given over to the man that the Detective is pursuing.  Jack Kilmer gives a strong performance as the unbalanced Dezi.  When he first appears, he’s almost a sympathetic character.  The cops were being bullies when they kicked him out of their bar.  His boss was being unreasonable when she announced that, rather than suspend him, she was just going to fire him because she didn’t like his attitude.  When Dezi first puts on his stolen badge and uniform, it’s hard not to sympathize with his happiness because he finally has what he wants.  But almost immediately, the power goes to his head and he loses control.  He becomes a frightening character but still, it’s hard not to feel sorry for him as he yells, “I’m not the bad guy!”  Of course, Dezi is the bad guy and the tragedy of his character is that he’ll never be able to understand why that is.

He’s right, you know.

For those of us who remember him in films like Die Hard, Pulp Fiction, and The Sixth Sense, late-era Bruce Willis films can be difficult to watch and I understand and respect why some people simply can’t bring themselves do it.  And, obviously, several of Willis’s later films do leave one feeling as if the actor has been exploited by filmmakers who cared less about his legacy and more about making money off of his name.  That said, the Detective Knight films do not feel exploitive, certainly not in the way that many of his 2022 films did.  Instead, the trilogy serves as a tribute to Willis and his status as one of the world’s most popular movie stars.  As pulpy as it may be, Detective Knight: Independence allows Bruce to go out on a good note.

Scene I Love: Tom Cruise Dances In Tropic Thunder

Posted on by Lisa Marie Bowman

Today, the Shattered Lens wishes a happy 61st birthday to one of the last remaining movie stars, Tom Cruise!

While it’s tempting to celebrate this day by sharing a scene from a film like Top Gun: Maverick or one of the Mission Impossible sequels or maybe even something like Magnolia, Jerry Maguire, Edge of Tomorrow, or Risky Business, I am going to go with a clip from 2008’s Tropic Thunder.  There’s a lot talent in this particular scene, with Bill Hader and Matthew McConaughey both giving good performances.  But, of course, the whole thing is dominated by Tom Cruise’s wonderfully demented performance as Les Grossman.

“We do not negotiate with terrorists!”

Retro Television Reviews: Under the Influence (Dir by Thomas Carter)

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1986’s Under the Influence!  It  can be viewed on YouTube!

Noah Talbot (Andy Griffith) is an upstanding member of the community.  He owns a hardware store.  He has a large family.  He’s known as a gruff but folky storyteller.  He’s a deacon in his church and helps to collect the offering every Sunday.

He’s also a drunk and a bit of a bully.  His family walks on eggshells around him, fearful of setting him off on one of his benders.  He occasionally spends the night in jail, arrested for trying to drive drunk.  Even when he gets bailed out, his first instinct is to go back to the bar.  The folks at the bar love him, don’t you know.  The people at the bar are always happy to see him and never bother him about whether he’s had too much.  The people at the bar never let him down the way that he feels his family has left him down.

The members of his family each cope in their own individual way.  Noah’s wife (Joyce Van Patten) is in denial and spends a lot of her time popping pills.  His oldest daughter, Ann (Season Hubley), is driven to succeed at work and spends all of her time both hating her father and desperately hoping for his approval.  (When she tells him that she got a raise at work, he berates her for only getting a 6% increase in her salary.  “That’s just a cost of living increase!” he snaps at her.)  His eldest son, Stephen (Paul Provenza), fled to Los Angeles and is trying to make a career as stand-up comedian.  (“You’re no David Letterman,” Noah tells him.)  His youngest daughter, Terri (Dana Anderson), secretly replaces Noah’s liquor with water and food-coloring.  And his youngest son, Eddie (Keanu Reeves), is becoming an alcoholic himself.

Having read all that, you may be wondering just how exactly Keanu Reeves could be the son of Andy Griffith and it’s a fair question.  This was one Keanu Reeves’s first acting roles and he does a pretty good job in the role of Eddie.  That said, he looks so totally different from both Andy Griffith and Joyce Van Patten and the actors playing his siblings that I was half-expecting someone to mention that Eddie had been adopted.  Then again, Paul Provenza doesn’t really bear much of a resemblance to the actors playing his parents either.  Dana Anderson and Season Hubley do, at least, look like sisters.

Lack of family-resemblance aside, all of the actors in Under the Influence do a good job of inhabiting their characters.  For those who are used to seeing Andy Griffith playing friendly Southerners in reruns of The Andy Griffith Show and Matlock, it’s shocking and a little disturbing to see him playing an abusive, alcoholic jerk in Under the Influence.  Noah is someone who would not only destroy his own family to get a drink but who would then blame them for it happening in the first place.  Noah may be under the influence of alcohol but the entire family is suffering because they’re under the influence of Noah.  By the time Noah is spitting up blood and demanding that his youngest son sneak liquor into his hospital room, the viewer knows there is no hope for Noah but hopefully, his family will escape.

It doesn’t make for a particularly happy movie but, speaking as someone who grew up in an alcoholic household, I can attest that it does make for an honest portrayal of what addiction does not just to the addict but also to the people around the addict.  I cringed in sympathy through nearly the entire film, especially as I watched three of the four children react in the same ways that I did.  (Unlike Eddie, I never became much of a drinker and instead developed an aversion to alcohol in general.)  It’s a film that feels real and one’s heart aches for the entire family.  If it could happen to Andy Griffith, it could happen to anyone.

Film Review: Purple Rain (dir by Albert Magnoli)

Posted on by Lisa Marie Bowman

“Prince could actually act.”

That was my main reaction to watching the 1984 film, Purple Rain, a few nights ago.  Over the years, there have been a lot of music stars who have attempted to make the transition to acting.  Some have been more successful than others.  While some have stuck to playing versions of themselves, others have attempted to become actual character actors and the end results have often been mixed.  Being a strong stage performer does not neccesarily mean that person is automatically going to be a convincing film actor and the history of the movies is full of famous singers whose personality seemed to evaporate as soon as they had to act for the cameras and try to sound convincing while reciting dialogue.  Taylor Swift has built up a strong and incredibly loyal fanbase but you wouldn’t necessarily believe that she was one of the world’s biggest stars if you only knew her from her wan and bland performances in Cats and Amsterdam.  Indeed, while watching her in Amsterdam, it’s kind of hard not to be thankful when that car drives up and brings her performance to an end.

Prince, on the other hand, could truly act.

In Purple Rain, he plays The Kid.  The Kid is an enigmatic musician living in Minneapolis, Minnesota.  He’s the front man of a band called The Revolution and he sings songs that are, at times, almost disturbingly personal.  The Kid rides a purple motorcycle and he’s one of those musicians who is driven to record almost every sound that he hears.  (At one point, The Kid listens to a recording of an unidentified woman sobbing.  Who exactly the woman was or why she was crying are questions that are never answered, though I think it’s possible it was supposed to be the Kid’s mother.)  He performs to escape from the scars of his upbringing.  His father (Clarence Williams III), a failed musician, regularly beats his mother (Olga Karlatos, who memorably lost an eye in Lucio Fulci’s Zombi 2).  No one can deny The Kid’s talent but he’s also known for being a bit of a control freak and the other members of the Revolution sometimes feel that he’s not willing to give them the credit and opportunities that they deserve and….

Okay, obviously there are some similarities between The Kid and the man playing him.  Purple Rain was Prince’s first film and his first acting role and it makes sense that he would want to play a character in a situation that he was familiar with.  But that still doesn’t change the fact that Prince gives an excellent and charismatic performance in the lead role.  Unlike so many other singers-turned-actors, he doesn’t lose his spark when he has to remember his lines.  His presence doesn’t evaporate when the camera is turned on him.  Instead, if anything, Price feels even more natural off-stage than on.  Whether the Kid is being playful or serious, driven or defeated, Prince is never less than convincing.  Yes, the audience never forgets that they’re watching Prince.  But, at the same time, the Kid comes to life as an individual character with his own life and problems and personality separate of the actor who is playing him.

As for the film’s plot, it’s a fairly simple one.  The Revolution is one of three bands that hold down the house band slot at the First Avenue nightclub.  The Kid’s rival, Morris Day (played by Morris Day), plots to replace the Revolution by putting together an all-girl group called Apollonia Six.  Apollonia Six is led by Apollonia (Apollonia Kotero), who is the Kid’s girlfriend.  As Morris explains it, the Kid is too wrapped up in himself to help out Apollonia or the Revolution’s Wendy and Lisa.

And Morris Day has a point.  As soon as Apollonia tells the Kid that she’s going to be working with Morris, the Kid responds by striking her.  It’s a shocking scene but, as the film shows, it’s all the Kid learned at the hands of his father.  It’s only after a personal tragedy that the Kid starts to realize that he does not have to be just like his father.  That said, let us hope that the Kid invested in some therapy and some anger management courses after the end credits rolled.

As a character, the Kid would be unbearable if not for the strength and charm of Prince’s performance.  Prince is amazing when he performs on stage and the film’s soundtrack still holds up but what makes the film work are the moments when Prince shows us the Kid’s vulnerable side.  Self-loathing is not an easy feeling to play and it’s an even more difficult feeling to make sympathetic but Prince does both.  The Kid knows that he’s self-destructive and immature but he’s also sincere in his desire to be better than his past. The film leaves you to wonder if he’ll succeed.

Personally, I really hope he did.

Lisa Marie’s Week In Television: 6/25/23 — 7/1/23

Posted on by Lisa Marie Bowman

As a part of my effort to get caught up with all of the potential Emmy nominees, I watched a lot of television this week.  This was a week of binging!  Here’s a few thoughts on what I watched:

1923 (Paramount Plus)

A western set in the 1920s, starring Harrison Ford and Helen Mirren?  Seriously, what took so long?  Between watching Hot Fuzz last week and binging 1923 this week, I’ve also come to newly appreciate Timothy Dalton.

Are You Being Served? (Sunday Night, PBS)

The womenswear staff had to temporarily share space with the menswear staff!  No one got along but the audience loved it.  This show is single-handedly challenging all of my assumptions about the natural superiority of British humor.

The Bear (Hulu)

I was dreading watching The Bear because everything I read about it made it sound like the type of depressing show that I usually can’t stand but, having now binged the first season, I can now say that it was far better than I was expecting.  A lot of that was due to the steady and empathetic lead performance of Jeremy Allen White.  I’m looking forward to binging the second season.

Beavis and Butt-Head (Thursday, Paramount Plus)

Smart Beavis and Smart Butt-Head attempted to abduct Tom Anderson so that they could experiment on him.  Unfortunately, their anal prober broke down but luckily, Tom was able to repair it.  However, once he found out what it was for, he announced that he didn’t want to join the Elks that badly and he walked out of the flying saucer.  Meanwhile, teen Beavis and Butt-Head tried to convince Cody to let them play his video game.  Cody’s parents loved Beavis and Butt-Head.  Apparently, this week’s episode was the second season finale.  It was an okay wrap-up.  As always, I enjoyed the Tom Anderson stuff.  Cody and his parents were kind of boring but at least we got to watch Beavis and Butt-Head beat each other up while watching a relaxation video.

Dirty Pair Flash (YouTube)

On Friday night, I watched the fifth episode of Dirty Pair Flash.  Lilly and Yuri were supposed to go on a stakeout but Lilly had a date.  Yuri was not happy.  Personally, I was on Lilly’s side.  Just because you have a job, that doesn’t mean that you don’t get to have a life!

Fantasy Island (Tubi)

You can read my thoughts on Fantasy Island here!

Forgive or Forget (YouTube)

I watched an episode on Thursday.  Robin Givens was giving people paternity tests.  Robin yelled at all of her guests for being a bunch of cheaters.  I watched another episode on Friday, in which Robin was ordering even more cheating men to “get into the doghouse.”  Robin was very loud and very shrill and so was her audience.  Say what you will about Mother Love’s style of hosting, at least the sound of her voice didn’t induce migraines.

A Friend of the Family (Peacock)

I finally watched this miniseries about how Jan Broberg was abducted not once but twice by the same friend of the family and oh my God, was it ever creepy!  It’s easy to watch the Brobergs in this show and dismiss them as just being unbelievably naïve but, as the Jan mentioned in her introduction to the show, it was a different time.  This miniseries featured excellent performances from Jake Lacey, Colin Hanks, Anna Paquin, and McKenna Grace.

Jenny Jones (YouTube)

“Stop dissing my dreams!” children said to their parents, who refused to support their show business dreams.  A flustered Jenny Jones encouraged the parents to be more accepting of their kids.  The show that I watched on Thursday was over 20 years old and none of the kids became stars.  What a bunch of losers!  Shame on them for wasting everyone’s time.

King of the Hill (Weekday Afternoons, FXX)

I watched two episodes on Friday, both of which were personal favorites of mine.  First, Hank was happy that Bobby was getting into church until Hank discovered that Pastor K was a long-haired skater.  This episode featured the classic line, “Don’t you realize you’re not making Christianity better, you’re just making rock and roll worse!”  This was followed by the episode where Hank was excited that his new neighbor was a former Cowboy until he discovered that “Big Willy” Lane wasn’t the hero that he thought he was.  These were two excellent episodes, funny and heartfelt.

The Marvelous Mrs. Maisel (Prime)

The final season of The Marvelous Mrs. Maisel was brilliant, with the time jumps reminding us that the story isn’t ending even if the show is.  My main fear was that the show would do some sort of alternate history thing to save fan favorite Lenny Bruce but, though the temptation was undoubtedly there, the show didn’t.  If Midge watching Jeopardy with Susie in 2005 didn’t bring a tear to your eye, I don’t know what to tell you.

The Master (Tubi)

I wrote about The Master here!

Only Murders In The Building (Hulu)

I enjoyed the first season of Only Murders In The Building but, even during that season, I was aware that the show would probably end up becoming a bit too self-satisfied for its own good.  I could forsee a future of slumming stars stopping by to hang out with Steve Martin and Martin Short.

This week, I watched the second season with a bit of trepidation.  I did end up enjoying it, even if the second season didn’t quite have the thrill of discovery that made the first so likable and replacing Sting with Amy Schumer just confirmed my fear that the show is heading towards the trap of celebrity self-indulgence.  That said, Steven Martin, Martin Short, and Selena Gomez continue to be delightful and hopefully, the show will survive season 3’s addition of Meryl Streep to the cast.  (Like many talented people, Meryl is at her worse whenever she’s slumming.)

Paul T. Goldman (Peacock)

I watched this non-fiction miniseries on Monday night.  It basically featured an apparently mentally disturbed man explaining his paranoid theories about why his marriage failed.  To be honest, it all felt a bit mean-spirited.  Paul T. Goldman didn’t seem to be in on the joke and he made some pretty serious accusations against people who weren’t there to defend themselves.  The whole thing held my interest but still felt pretty icky.

Perry Mason (HBO)

It’s a shame that HBO has cancelled Perry Mason.  I watched the second season this week and I found myself very much enjoying its stylish portrayal of 1930s Los Angeles.  The story itself didn’t do much for me but the show was such a visual treat and Matthew Rhys was so well-cast as Mason that it was still compulsively watchable.

Shrinking (AppleTV+)

This week, I finally caught up with Shrinking, which is a dramatic sitcom about therapists and their patients.  I laughed more than I was expecting to at the show’s dark humor but, to be honest, the main appeal of this show is watching Harrison Ford prove that he’s still one of our best actors.  Between this and 1923, it’s hard not to regret that Harrison Ford waited so long to start doing television.

Ted Lasso (AppleTV+)

It’s finally over!  I was never as huge a fan of Ted Lasso as some people were and the third and perhaps final season didn’t really hold my interest when I watched it this week.  (Admittedly, some of that could be because I felt a bit rushed with the Emmys coming up.)  Jason Sudeikis is a likable actor and, even if the show wasn’t my favorite, the final episode did warm my heart a bit.  I will say this: if this show was your  favorite, I understand why and I don’t think any less of you.

Wednesday (Netflix)

I enjoyed Wednesday more than I expected I would.  Netflix has a pretty uneven history when it comes to horror adaptations (remember when Case and I used to suffer through their Sabrina show?) but Wednesday was enjoyable and, of course, Jenna Ortega was perfectly cast in the lead role.

Welcome Back Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Yellowstone (Paramount Network)

This is another show that I meant to watch earlier but I only got around to the latest season this week.  I loved the mix of political melodrama and gorgeous scenery.

Yes, Minister (Monday Morning, PBS)

Jim Hacker made the mistake of thinking for himself during a television interview and talking about the need to cut back on wasteful government expenditures.  Fortunately, Sir Humphrey was able to remind Hacker of his proper place.