Late Night Retro Television Review: Pacific Blue 1.8 “Burnout”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Oh no!  It’s the cops!

Episode 1.8 “Burnout”

(Dir by Lyndon Chubbuck, originally aired on April 20th, 1996)

This episode of Pacific Blue opens with a hilarious scene of Victor and Cory sneaking up on some drug dealers that they’ve spotted making a sale.  What makes it hilarious is that Victor and Cory somehow manage to do this while 1) wearing their blindingly white t-shirts and 2) riding their bikes.  There’s not much good to say about this show but there’s an undeniable amusement factor in the show’s insistence that bicycle cops don’t look massively dumb creeping up on people while on their bikes.

It turns out that the dealers aren’t selling the usual “smack,” as Cory puts it.  Instead, they’re selling steroids!  Sheila (Shannon Tweed) is upset that one of her waitresses had gotten hooked on steroids and…. wait, who?  Sheila briefly appeared in the pilot episode but she hasn’t been mentioned since and this is certainly the first time that we learn that Lt. Palermo’s girlfriend owns a restaurant.  This episode acts as if Sheila is a regular character that we all know and love.

I get the feeling this episode was meant to air earlier in the season.  Not only does Sheila return but Chris is back to being her arrogant, bitter self.  Chris was a fighter pilot until her eyesight failed, a story we hear again and again in this episode.  (She no longer has 20/20 eyesight but whenever she talks about it, she makes it sound as if she literally went blind.)  Another pilot, Greg (Peter Barton), comes to visit her and makes a few jokes about how riding a bicycle is lame.  This gives Chris a chance to defend her job and to also call out Greg for being a sexist who just wants to get laid before returning to the skies.  Chris may be right about Greg but he’s played by the totally adorable Peter Barton so really, why not?

Meanwhile, on the beach, a schizophrenic man annoys the owner of a bodega by playing his saxophone.  Fights break out,  Cory tells the saxophone man to play his instrument under the pier.  Presumably, it will be easier for him to get mugged or murdered under there.  I like that the solution when it came to the crazy homeless man was just to find somewhere else for him to be crazy and homeless.  Don’t take him to a shelter or a hook him up with mental health professionals or anything silly like that.

This show …. ugh.  I’m really hoping the first season is an outlier and the subsequent seasons will be an improvement.  The only thing worse than bicyclists are people who are cocky about being bicyclists.  For 8 episodes now, it’s been one person after another expressing shock at the whole bicycle thing.  We get it.  We understand.  The cops look stupid on their Schwinns.  But, that’s the show.  If Pacific Blue is still trying to justify its existence after eight episodes, that’s not a great sign.

Retro Television Review: Fantasy Island 6.7 “Roller Derby Dolls/Thanks A Million”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, things get strange on the Island!

Episode 6.7 “Roller Derby Dolls/Thanks A Million”

(Dir by Don Weis, originally aired on December 4th, 1982)

Norman Hackett (Vic Tayback) is a sports fanatic who wants to coach his own athletic team.  Oddly, he doesn’t specify what type of team he wants to coach.  I would think that would be the first thing that a true sports fanatic would make clear.  “I want to coach the….”  Well, I can’t think of the names of any teams off the top of my head.  I’m not a sports person so …. okay, he could have said he wanted to coach the Cowboys.  You happy?  Yes, I’m from North Texas and our football team sucks,  Even I’m embarrassed by them and I don’t even follow football.  I’d be tempted to coach the Rangers except I know Erin would get mad at me if the team didn’t make it to the championship.  We also have a hockey team called the Stars but Leonard is the biggest hockey fan I know and, if anyone here at TSL deserves to coach hockey, it’s Leonard.  What’s that, you say?  The Mavericks?  Ehh.  I hate basketball.  Those squeaky shoes drive me nuts.  Plus Mark Cuban’s been kind of annoying ever since he decided to run for President in 2028.

Anyway, I’m rambling because this episode really wasn’t that interesting.  Because Norman didn’t make it clear what he wanted to coach, Mr. Roarke gives him a whistle and then introduces him to the Belles, an all-female roller derby team.  It turns out that roller derby is a big deal on Fantasy Island!  There’s a roller derby rink and everything.  It also turns out that Norman’s check bounced so, if he abandons the Belles, he’ll have to pay Mr. Roarke even more money …. wait, what?  Shouldn’t Norman just be sent home or something?  And doesn’t Roarke know enough to make sure the check clears before inviting someone to the Island?  No wonder Tattoo used to be in charge of the money.

Speaking of money, Suzanne (Janet Leigh), Roger (James Noble), and Eddie (Art Metrano) come to the Island to take part in a contest.  The winner will get $1.000.000 from a mysterious benefactor.  The benefactor, by the way, is actually Eddie and it turns out that the entire contest is a private bet between him and Mr. Roarke.  Eddie thinks that people will do anything to get money.  (This is largely true.  Up until a few weeks ago, this moronic woman was trying to sue my dead father’s estate for half a million.  Fear not, she got nothing.)  Roarke believes that people are good at heart.  Eddie puts Suzanne and Roger through a series of increasingly dangerous tests to see how far they’re willing to go.  In the end, both Roger and Suzanne prove themselves to be good people, though Suzanne is the one who gets the money.  Roarke wins his bet and we’re left wondering how all this came about in the first place.  (Seriously, how does Roarke even know Eddie?)

Anyway, this was kind of a strange trip to the Island.  I’m not really happy about an episode of Fantasy Island featuring a story that isn’t really a fantasy.  Still, at least the scenery was nice.  That’s a beautiful island!

Retro Television Review: CHiPs 3.11 “The Watch Commander”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, a new boss gets on everyone’s nerves!

Episode 3.11 “The Watch Commander”

(Dir by Don Weis, originally aired on November 17th, 1979)

There’s a new watch commander and he’s not making any friends.  Lt. Harold Bates (Granville Van Dusen) previously worked in the PR Department at Sacramento and he sets out to make a bad impression from the minute that Sgt. Getraer first introduces him to the cops working out of the Los Angeles precinct.  Lt. Bates is all about following the book.  He notes every flaw, from a missed button to poor gas mileage.  Getraer tries to get him to understand that there’s more to being a cop than just following regulations and that being a member of the Highway Patrol means having to make split-second decisions.  Bates wants to know why Ponch isn’t wearing a regulation shirt.

In some ways, this is as close as CHiPs will ever get to The Caine Mutiny.  Nobody removes Bates from command but Bates still struggles to recover from making a terrible first impression and his own Queeg-like personality doesn’t help things.  His attempts to call out the members of the Highway Patrol who get the worst gas mileage backfires when Officer Grossman siphons gas out of Bates’s car, leading to Bates appearing at the bottom of the list.  Bates has no idea how to talk to or trust people.  Jon Baker tries to offer a helping hand, especially since both he and Bates served in Vietnam.  He invites Bates to go skydiving with him over the weekend.  Bates assumes it’s a set-up and turns him down.

We do get the usual car crashes and a subplot about a bunch of thieves who are stealing trucks from loading docks but the majority of this episode takes place at headquarters.  Ponch, who is said to still be on limited duty, is recovering from his accident and one gets the feeling that this episode was developed so Erik Estrada could be a part of the story without actually having to spend too much time on his bike.  (Estrada actually did injure himself during filming and those injuries were written into the show.)  In some ways, this is CHiPs at its most realistic because everyone always hates the new boss, especially one who thinks that he knows everything.

Going back to The Caine Mutiny, it was impossible not to feel sorry for Queeg, who was not a bad guy but instead just someone who wasn’t good at talking to people and who ultimately was let down by the people who should have been supporting him.  I never felt that type of sympathy for Bates, who really did just come across as being a jerk.  Thank goodness for Robert Pine, whose steadiness as Sgt. Getraer is well-used by this episode.  Pine is there to support Bates but he also protects his men.  This episode features Getraer at his most likable.  Everyone should be so lucky as to have a Getraer in their life.

Retro Television Review: Miami Vice 3.19 “Red Tape”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week …. has Tubbs turned evil?

Episode 3.19 “Red Tape”

(Dir by Gabrielle Beaumont, originally aired on March 13th, 1987)

There’s a turncoat in the Vice Department.  Someone is leaking information about search warrants to the bad guys and, as a result, cops are walking straight into booby traps.  When a routine search for a low-level thief leads to an explosion that kills one cop (Viggo Mortensen) and leaves Tubbs covered in the man’s blood, Tubbs announces that he’s fed up with all of this and he refuses to take another assignment until the leaker has been caught.  Castillo tells Tubbs he can either accept his new assignment or quit.  Tubbs says he’s done.

The problem is that all of Tubbs’s money is wrapped up with the department’s credit union and Tubbs can’t withdraw it quickly enough to get back to New York.  The usually cool and collected Tubbs throws a fit, getting himself arrested when he starts threatening people at the credit union.  Crockett gets him out of jail and Tubbs says their partnership is done.  Switek tries to open up about his feelings after Zito’s death.  Tubbs says he doesn’t care.  What’s going on with Tubbs?  He’s acting like a total jerk and he’s also loudly letting everyone know that he’s desperate to get out of Miami and that he needs money quickly….

If you guessed Tubbs was working undercover, you are correct!  It’s all an elaborate ruse to get crooked Detective McIntyre (Scott Plank) to approach Tubbs with an offer.  (McIntyre’s girlfriend is played by a young actress named Annette Bening)  Unfortunately, only Tubbs and Castillo know that Tubbs is still one of the good guys,  A hot-headed young detective named Bobby Diaz (Lou Diamond Phillips) thinks that Tubbs really is crooked.  Diaz already lost one partner to the leaker.  He’s looking for revenge and even while Tubbs and Castillo are planning to take down McIntyre, Bobby is planning to take down Tubbs.  In typical Miami Vice fashion, it all leads to shoot out that leaves the bad guys dead but which also leaves Diaz mortally wounded and cursing Tubbs with his dying breath.  Tubbs goes from pretending to hate his job to actually hating it.

Seriously, were there ever any unambiguously happy endings on Miami Vice?  It seems like nearly every episode ended with Crockett and Tubbs realizing that their latest victory — assuming they were lucky enough to even have one — would prove to pyrrhic. There would always be a new drug boss ready to replace anyone that they took out of the game.  There would aways be a new cop willing to betray his colleagues.  And there would always be a mountain of red tape, waiting to keep them from making a difference.  This episode was dark!

This season seems like it’s been more Tubbs-centric than previous seasons and, as dark as thing got, it was still a little fun to watch Phillip Michael Thomas go totally over the top as the angry Tubbs.  The scene in the credit union was one that I’m sure would be enjoyed by anyone who has ever had to deal with red tape.  One could argue that Tubbs go so far overboard that the bad guys should have been able to see through his ruse.  But, still, this episode was effectively moody and dark.  Watching it, it was hard not to feel that Thomas deserved more storylines than he got.

Next week: Crockett falls in love with Melanie Griffith!

A Note From Lisa To You Regarding Retro Television Reviews


So, some may have noticed a lack of retro television reviews this week.  I wish I had a better excuse than me being sick to give you but seriously, I’ve just been under the weather big time this week.  I went from 9 degree temperatures at Lake Texoma to 67 degree temperatures back home in Dallas and my asthma has basically just been kicking my ass for a week and a half now.  Plus …. well, I won’t go into the gory details but let’s just say this is not my week when it comes to feeling well.

I was going to try to get caught up on my television reviews today but then I realized that would essentially mean writing and posting 9 television reviews in one day and it would also mean that I would inevitably have to rush to get them all completed.  That, along with me being tired and ill, would probably lead to some badly written reviews on my part.  Add to that, the Oscars are approaching this weekend and Oscar Sunday is a big tradition around these parts.  It’s a tradition that also requires a bit of focus from me.

Long story short: I’m bowing to reality.  I’m sick and the world’s not going to end if there’s a week’s delay in reviewing the next episode of Malibu, CA.  I’m accepting that what Erin always tells me about taking care myself is true and that I need to perhaps get a little rest so I can get back to being 100% healthy and alert.  Retro Television Reviews will return on March 3rd with Miami Vice!  Thank you for your understanding and patience!

Late Night Retro Television Review: Check It Out! 3.8 “Mutiny on Mr. Christian”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, Howard leaves the store once again.  Chaos follows.

Episode 3.8 “Mutiny on Mr. Christian”

(Dir by Alan Erlich, originally aired on November 7th, 1987)

Howard goes on another one of the 100 vacations that he seems to take during the year, leaving Christian in charge of the store.  To no one’s surprise, Christian turns out to be a total martinet who times Marlene’s check-out speed, bothers Leslie at the deli, and refuses to give out the paychecks early.  “The book says 4:00,” Christian explains, “and I’m doing things by the book.”

When Howard returns early, Marlene rats on Christian and reveals, amongst other things, that Christian attempted to strip search a female shop lifter.  (Agck!  As someone who was a compulsive makeup stealer in her teen years, I’m glad Target didn’t have the same policy.)  Howard probably could fire Christian for the strip search stunt but instead, he …. well, he does nothing.

Christian, however, gets back at Marlene by disguising his voice, calling her, and telling her that she has won two tickets to Atlantic City as a part of a newspaper sweepstakes that she was taking part in.  Marlene is super-excited and can’t wait to take her grandmother on a real vacation.  Christian suffers a pang of guilt.  When he later calls to tell Marlene that she didn’t win the tickets, Howard overhears him.  Christian is forced to tell Marlene what he did.  Instead of yelling at Christian, Marlene says she’ll just win the tickets for real.

Marlene does not win the contest.  But Howard, Leslie, and even Christian all buy her tickets to Atlantic City.  Awwwww!

Plotwise, this episode felt like a season two episode.  Howard is once again going on vacation whenever he wants.  Christian is once again acting like a jackass.  Leslie and Marlene are once again allied against the world.  Edna is not in the episode and neither is Viker.  Even the ending feels like a season two ending.  Marlene takes the tickets from Christian while Marlene returns the other tickets to Leslie and Howard so that they can get refunds.  They laugh about getting one over on Christian though they might want to consider that Christian, for once, tried to do the right thing without being ordered to do so.

That said, this episode works like a season 3 episode because it focuses on the show’s three most consistently funny performers, Jeff Pustil, Aaron Schwartz, and Kathleen Laskey.  Schwartz has fun with Leslie’s snarky insults.  Laskey brings an edge to Marlene’s sarcasm.  Jeff Pustil is always at his best when he’s portraying Christian’s attempts to weasel out of being held responsible for his actions.  The three of them more than make up for the fact that Don Adams himself feels a bit off in this episode.

All in all, this wasn’t the best episode of the show or even the third season.  But it still made me smile.

Retro Television Review: Welcome Back, Kotter 4.18 “The Sweat Smell of Success”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show can be purchased on Prime.

Buchanan High is in chaos!  Only one man can save the day but he’s not around anymore.

Episode 4.18 “The Sweat Smell of Success”

(Dir by Norman Abbott, originally aired on March 3rd, 1979)

Where is Mr. Kotter!?

I mean, don’t get me wrong.  I know why Gabe Kaplan was hardly ever on the show during the fourth season.  He was annoyed that the network refused to allow the Sweathogs to graduate from Buchanan High, despite the fact that the actors playing the Sweathogs were all in their late 20s and early 30s.  He was not happy about working with Marcia Strassman.  And he was shooting a movie for a good deal of the fourth season.  Kaplan felt that he moved on from the series and as such, he allowed his character to become vice principal and kept his appearances on  the show to a minimum,

But, in the narrative of the show, where is Mr. Kotter?  Usually, someone will mention that he’s out of town or busy with school business.  In this episode, he isn’t even mentioned.  It’s kind of disturbing how he’s vanished and no one seems to care.  The Sweathogs need his guidance and this episode, as dumb as it was, features a plot that feels like it would have been perfect for Mr. Kotter’s corny jokes and gentle mentoring.  Even more importantly …. who is the song welcoming back?  Kotter’s gone!  He’s not around to be welcomed back!

As for this week’s episodes, it appears that the show’s writers finally remembered that, at the start of the season, each of the Sweathogs was assigned a job around the school.  Freddie and Horshack run the school store.  Meanwhile, Epstein is in charge of the audio visual department.  But he sucks at his job so Woodman reassigns him to the school paper.  Horshack’s girlfriend, Mary Johnson, edits and writes the paper and is very earnest in her efforts to make the paper something worth reading.  That’s quite a chance from the Mary who tried to kill herself just a few episodes ago.

Anyway, Epstein turns the paper into a tabloid.  He suggests that Julie is having an affair with Woodman.  (“She’s not my type!”  Woodman declares, “Too tall!”)  He writes about Freddie Washington wore diapers until he was six months old.  Epstein describes Horshack as being a diva.  Epstein says that Beau is a member of the Ku Klux Klan. He says….

WAIT!  WHAT!?

Okay, one of these stories is far worse than the others.  Washington did wear diapers when he was a baby and Horshack is a diva and Julie probably is cheating on Gabe.  But Beau is a member of the Klan?  Where did this come from?  “I’m going to need a police escort to go home tonight,” Beau says while the audience laughs.

Seriously, don’t just toss around Klan accusations, folks.  It’s just common sense.

Anyway, Epstein’s friends get mad at him so Epstein quits the paper after publishing an expose of himself on the front page.  He returns to the audio visual department.  He still sucks at his job and I guess Mary is back to having to write, edit, and publish the entire newspaper by herself.  Is this a happy ending?

Well, at least Beau didn’t get killed.

Next week, it’s time for the school talent show!  Wow, Mr. Kotter would have loved that.  RIP.

Retro Television Review: St. Elsewhere 1.13 “Family History”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

Usually, I review this show on Friday but, yesterday, my week of visiting Lake Texoma in freezing weather finally caught up with me and I spent most of the day congested and curled up in bed.  As a result, St. Elsewhere got preempted until today.  Now, let’s see what’s happening at St. Eligius….

Episode 1.13 “Family History”

(Dir by Kevin Hooks, originally aired on February 8th, 1983)

After being a background character for the past few episodes, Dr. Wendy Armstrong (Kim Miyori) finally gets her time in the spotlight with this episode.  When Charlie Heller (Keenan Wynn) comes into the ER with a chronic nosebleed, Dr. Armstrong is too quick to assume that it’s nothing serious.  Dr. Westphall, who is in an especially crappy mood this episode, reprimands her for not getting a family history before making her diagnosis.  A chastened Armstrong gets Charlie’s family history and comes to suspect that he has a rare blood condition that only seems to effect Jewish men.  A very expensive test confirms Armstrong’s diagnosis.  Armstrong is excited.  “I was right!” she says.  Westphall again reprimands her, telling her that she now needs to tell Charlie that he has a chronic condition and will have to take medicine for the rest of his life.

Seriously, Westphall was not in a good mood during this episode!  But I don’t blame him.  From her first appearance on the show, Dr. Armstrong has been complaining nonstop.  No matter what happens in the hospital, she seems to take it as a personal affront.  Now, after several episodes of complaining about the other doctors, Armstrong fails to do a simple thing like get a family history.  No wonder Westphall was all like, What are you bragging about?

That said, even if his mood was understandable, I would not want to get on Westphall’s bad side.  Even after Armstrong makes the correct diagnosis, Westphall takes the time to say, “Next time, do what I told you to do.”  Agck!

While Westphall was dealing with whatever was eating away at him, Dr. Chandler was getting annoyed by John Doe’s refusal to try to remember anything about his past.  Even when John Doe’s real father showed up and explained that Doe was his son, Dave Stewart, he refused to try to remember anything.  Eventually, Chandler snapped at Dave for refusing to even try.  Chandler, of course, is played by a young Denzel Washington so, when he gets mad, it’s like having the voice of God call you out.  After Chandler’s reprimand, Dave finally makes an effort to remember his past.  He realizes that, when he was shot, he had a vision of his deceased mother welcoming him to heaven.  Awwww!

Dr. Craig’s friend has his gender affirmation surgery.  Crag met his friend’s lover, a trans man.  Needless to say, this episode featured a lot of scenes of Craig rolling his eyes as he struggled to come to terms with everything he was learning about his old friend.  It was all pretty predictable but William Daniels did a great job playing up Craig’s confusion and single-mindedness.

And finally, Peter was happy because his wife wanted to get back together.  I get the feeling any happiness Peter feels is destined to always be temporary.

This episode was a bit uneven.  Armstrong’s story would have been compelling if Armstrong herself was a more interesting character.  The highlight of the episode were the scenes between Denzel Washington’s doctor and Tom Hulce’s amnesiac.  It’s always enjoyable to watch two good actors perform opposite of each other.

Next week, the great Norman Lloyd takes center stage as Auschlander’s cancer returns.

 

Late Night Retro Television Review: Highway to Heaven 3.14 “All That Glitters”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, a conman seeks refuge in a church.

Episode 3.14 “All that Glitters”

(Dir by Michael Landon, originally aired on January 7th, 1987)

There’s a fire raging in the city and elderly homeowners are being forced to evacuate.  “Father” Jonathan and “Father” Mark open up an abandoned church so that the people have some place to stay while the fires are burning.  Good for them and also good for this show for finally acknowledging Catholicism.

Also hiding out in the church and disguised as a priest is Charley Trapola (John Pleshette), a con artist who, despite his criminal profession, actually has a good heart.  Charley has a briefcase with him, one that is full of money.  A group of criminals want the briefcase back but, at least initially, they know better than to try anything in the church.  Instead, they decide to wait for Charley to come out.  Inside the church, Charley gets to know Wanda (Didi Conn), a shy but kind-hearted woman who goes to Confession every day.

This episode was okay.  Usually, when Jonathan and Mark go undercover as clergyman, they’re portrayed as being wishy-washy Episcopalians or vaguely liberal Methodists so I was happy that they were Catholic for this episode.  John Pleshette and Didi Conn were both well-cast as this episode’s guest stars.  They eventually made for a very sweet and likable couple.  My main issue with this episode is that it tried to do a bit too much.  Not only did we have Charley being chased by the gangsters but we also had Wanda dealing with her shyness and Mark and Jonathan dealing with the people were seeking shelter and looking for their loved ones.  This episode — and not that weird marriage counseling episode — would have benefitted from an extra hour.  As it was, it just felt a bit overstuffed.  As well, this is another episode in which Jonathan reveals early on that he’s angel and, oddly enough, Charley has no hesitation about believing him.  I always prefer the episodes where Jonathan doesn’t reveal who he really is.  When Jonathan reveals that he’s an angel, it almost seems like cheating.  The show is always more effective when people decide to open up their hearts on their own as opposed to doing so because they feel they’ve been ordered to.

There’s an odd scene where the three thugs break into the church and pull a gun on Jonathan.  After Jonathan gives them fair warning about “the boss,” the main thug attempts to shoot Jonathan.  Needless to say, the bullets don’t have any effect on an angel.  However, a sudden blue lights fills the church and suddenly, the three men are apparently zapped out of existence.  Jonathan later jokes that he’s not sure where the three men are but that they probably aren’t happy.  So, did the three men go straight to Hell?  Are they dead?  I understand the logic behind the scene but it’s not really something you expect from a show where the main theme is usually that everyone has a chance for redemption.

Next week, Dick Van Dyke plays a homeless puppeteer …. uh oh.  This sounds like it could a little bit cringey …. well, we’ll see.

 

 

Retro Television Review: Malibu CA 2.3 “Aloha”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

Even by Malibu CA standards, this week’s episode is incredibly stupid.

Episode 2.3 “Aloha”

(Dir by Gary Shimokawa, originally aired on October 23rd, 1999)

Peter can’t figure out why no one is coming to his restaurant.

Gee, Peter, maybe it’s because your idiot sons work there and are constantly screwing everything up.  Maybe it’s because your only waitress is constantly complaining about everything in the most overdramatic way possible.  (Seriously, after only three episodes, Lisa — the Malibu CA character, not me! — is perhaps the most annoying human being ever.)  Maybe that all has something to do with it….

No, actually, it’s because there’s a new restaurant called Aloha, which features the Cocoanuts, a group of girls who wear bikinis and dance while the patrons are eating.  I can’t imagine anyone going to this restaurant on a date but apparently, all of the single men on the beach love it.  Murray has eaten at the restaurant 21 times in a row!  Jason and Scott go down to Aloha with their father and Jason immediately starts dancing with the girls.  Peter accuses both Jason and Murray of betraying him.

It’s easy to laugh at Peter’s misfortune, especially since it’s his own damn fault for being a terrible business owner.  But when he announces that he might lose the restaurant because he stupidly took out a loan, Jason and Scott bully Murray into using his trust fund to invest in The Lighthouse.  Co-owner Murray wants to have a pirate night.  “Arggh!” Peter says.

Anyway, Jason and Scott eventually bully Murray into applying to be one of the Cocoanuts and after Murray is hired, everyone stops going to Aloha and they return to the Lighthouse because there are only two restaurants in Malibu.  Myself, I’m wondering how exactly Murray got hired.  On the show, it’s suggested that Murray was hired because, otherwise, he would have sued the owner of Aloha for sex discrimination.  That’s not exactly how that law works, though.  Even if the owner did hire Murray to work at Aloha, he wouldn’t be required to make Murray one of the dancers.  He could have just used Murray as a waiter or dishwasher or …. WAIT ON MINUTE!  Murray already has a job!  Just two episodes ago, he was working at The Lighthouse!  What the Hell!?

There’s an equally stupid B-plot.  Traycee wants to date the guy who changes out the coke machine on the beach.  He’s not into flashy celebrities who Traycee works a dark wig and glasses and pretends to be a librarian.  It all seems to be working until he sees Traycee in a bikini and realizes that she’s not actually a librarian …. WHAT!?  Why would Traycee, whose entire life is about being famous, like this guy in the first place?  And why are Lisa (the character, not me!) and Stads still on the show when its obvious that the show really doesn’t have anything for either of them to do?  It would perhaps help if Lisa and Stads didn’t both have exactly the same killjoy personality.  Anyway, Traycee ends up single again but she lands on the cover of Soap Opera Digest.

God, this show was stupid.