10 Horror Films That Should Have Been Nominated For Best Picture


Horror films!

Audiences love them but the Academy has never quite felt the same way.  True, there have been a few horror films nominated.  The Exorcist was a major contender.  Jaws was nominated.  So was The Sixth Sense.  Silence of the Lambs won.

But, for the most part, horror films have struggled to get Academy recognition.  While the Academy has recently shown a willingness to honor science fiction, the horror genre has yet to benefit from the decision to increase the number of best picture nominees.

Because I love horror and I love movies and I love lists, here are ten horror films that I think deserved a best picture nomination:

  1. Frankenstein (1931)

One of the most popular and influential horror films of all time, Frankenstein was sadly ignored by the Academy.  It’s certainly better remembered than the film that won best picture of 1931, Cimarron.

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2. Psycho (1960)

Psycho may have received nominations for best director, supporting actress, cinematography, and art design but the film that made people afraid to take showers did not receive a nomination for best picture.  The winner that year was a legitimate classic, The Apartment.  But it’s hard not to feel that Psycho should have, at the very least, received a nominations over the other 4 films nominated.

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3. Night of the Living Dead (1968)

George Romero’s zombie classic may have set the standard for zombie movies to come but it was not honored the Academy.  The Academy was more comfortable with Oliver!

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4. The Texas Chainsaw Massacre (1974)

1974 was a very good year for the movies and certainly, I would not argue that The Texas Chainsaw Massacre deserved a nomination over The Godfather Part II, The Conversation, or Chinatown.  But over The Towering Inferno?  That’s another story.

5. Suspiria (1977)

Oscar nominee Dario Argento?  In a perfect world, yes.

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6) Halloween (1978)

The night he came home … to Oscars!  If nothing else, John Carpenter’s score definitely deserved to win.

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7) Dawn of the Dead (1979)

Few sequels have been nominated for best picture.  Dawn of the Dead definitely should have been one of them.  Who wouldn’t want to see, at the very least, Tom Savini’s speech as he accepted his special award for best makeup?

8) The Shining (1980)

Stanley Kubrick’s film may be recognized as a classic now but the reviews, when it was first released, were mixed.  So, I guess we shouldn’t be surprised that it wasn’t given any recognition by the Academy.  It’s a shame because I’ve watched The Shining a few dozen times and it still scares the Hell out of me.

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9) The Cabin In The Woods (2012)

One of the best films of the new century, this joyful tribute to the horror genre was sadly overlooked by the Academy in 2012.

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10) The Neon Demon (2016)

Is Nicholas Winding Refn’s The Neon Demon truly a horror movie?  It’s close enough.  Though the film opened to mixed reviews, it’ll be recognized as a classic in another ten years.

 

10 Trailers For 10 Of The Scariest Films Ever Made!


For today’s special Halloween edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers, I present ten trailers for ten of the scariest films that I’ve ever seen!

Are these the scariest films of all time?  Well. I’m not going to say that because horror is subjective and what scares me might not scare you and blah blah blah blah.

So, these might not be the scariest ten films of all time.  But then again, they might…

Night of The Living Dead (1968)

The Exorcist (1973)

Torso (1973)

Suspiria (1977)

Shock (1977)

The Shining (1980)

Henry: Portrait of a Serial Killer (1990)

The House of the Devil (2009)

Insidious (2010)

The Conjuring (2013)

 

Horror on the Lens: Night of the Living Dead (dir by George Romero)


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Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally iconic review!)

ENJOY!

Horror on the Lens: Night of the Living Dead (dir by George Romero)


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Happy October!  It’s been a great horror month here at the Shattered Lens!  Not only have we shared a record number of reviews but we’ve also received a record number of site views!  Thank you everyone for reading and commenting and, to our new readers, we hope you’ll stick around even after Halloween!

Now, here at the Shattered Lens we have a tradition.  Every Halloween, we share one of the greatest and most iconic horror movies ever made.  That film, of course, is George Romero’s Night of the Living Dead!  Enjoy and have a great Halloween!

(And after you’ve watched the film, be sure to check out Arleigh’s review!)

 

 

Horror on The Lens: Night of the Living Dead (dir by George Romero)


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Happy Halloween!

Here at the Shattered Lens, we’re all about tradition!  And what could be a better tradition than watching Night of the Living Dead on Halloween?

Watch it below and enjoy!  And then, after you’ve watched it, be sure to read Arleigh’s excellent review!

R.I.P. Richard Matheson


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News hit the internet today that legendary author Richard Matheson passed away at the age of 87.

Matheson has been instrumental and influential in horror and dark fantasy pop culture of the 60 or so years. Stephen King and George A. Romero, undoubtedly two of the most recognizable masters of horror of their generation, has called Matheson a major influence in their work. Where would the zombie genre of today be without Matheson’s groundbreaking vampire novel, I Am Legend, which gave Romero the idea to make his Night of the Living Dead. It is also this very same vampire novel whose influence could be seen throughout King’s own classic vampire tale with Salem’s Lot. Even King’s own foray into a zombie novel, Cell, would be dedicated to Matheson.

Yet, Matheson’s influence wouldn’t just be felt in the literary world. He would pen some of the best Twilight Zone episodes and would also provide Roger Corman with screenplay adaptations of Edgar Allen Poe’s short stories and novellas. He would also provide Hollywood with screenplays based on his own stories that would become classic horror and dark fantasy films in their own right.

There’s no way to quantify just how many people Richard Matheson has touched and influenced with his work, but one would be hard pressed not to find someone who hasn’t come across something that had Matheson’s fingerprint whether it was one of his stories, films based on his works or a tv episode that he didn’t have a hand in writing. Then there’s those who have seen or read something that had been influenced by his work.

Today the world has lost of the giant’s in his field of work. Yet, as his best known work says as it’s ending, Matheson will survive far longer than he had lived: HE IS LEGEND.

On a personal note, I count Matheson as one of the biggest influences in my life. Everything he has done or touched have had a hand in showing me the power of the written word. Much of what I watch and read has been influenced by his work. Where would horror and dark fantasy be without him to set the path for future writers and filmmakers. Whether they care to admit it or not they, just like myself, owe Richard Matheson a debt of gratitude for work in the field.

A giant of a man has passed into legend and it’s now up to us, his admirers and fans, to continue on his work of providing the world with quality genre entertainment.

6 Trailers of the Dead


Hi and welcome to the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation trailers!  To be honest, I’m usually way too ADD to come up with (let alone maintain) any sort of theme with my trailer posts but this weekend — almost by pure chance — a theme has emerged!  So, without further hold up, let us consider 6 Trailers of the Dead!

1) Night of the Living Dead (1968)

How have I done nearly a 100 of these posts without featuring the trailer for George Romero’s landmark Night of the Living Dead?

2) The Astro-Zombies (1968)

Apparently, 1968 was a big year for the dead returning to life.

3) The Majorettes (1986)

The Majorettes was directed by the late Bill Hinzman, the guy who played the Cemetary Zombie in Night of the Living Dead.

4) Dawn of the Dead (1978)

To be honest, I think I’ve already featured this trailer in an earlier post.  However, there’s no way that you can start a post with Night of the Living Dead and then end it with Day of the Dead without finding some room for Dawn of the Dead in the middle.

5) Dead Heat (1988)

Wow, this looks really, really, really … not good.  However, according to Wikipedia, it’s about zombies and it’s got the word “dead” in the title so it works theme-wise.

6) Day of the Dead (1985)

I’ve watched this trailer several times and those arms still make me jump every time!

Horror Classic Review: Night of the Living Dead (1968)


Lisa Marie has been posting some very good pubic domain horror films for the past couple weeks and I think it’s about high time I posted one of the best public domain films. This one happens to be a horror film and also happens to be one of the best horror films ever made. I would be of the mind to call this one of the most important films ever made in the last hundred years.

The film I speak of is George A. Romero’s classic and iconic horror film from 1968 simply called Night of the Living Dead. I’ve reviewed and posted this film from over a year ago, but it’s only been recently that Youtube has had a quality HD version of the full film uploaded to its site. Now, people don’t need to go find and buy the countless DVD versions of this film floating around in almost every store imaginable. I think even 7-11 and corner mom-and-pop stores carry a dvd of this film. This is why public domain films can be such a boon to films of the past (though also a curse since some transfers of pubic domain films are beyond awful) that tend rarely get a video release.

Fortunately, Night of the Living Dead is not one of those films. It’s the opposite in that it’s a film that many consider the birth of modern horror cinema and one of the perfect example of guerrilla filmmaking. It’s a film that didn’t just change how we look at horror now (gone are the gothic trappings that most horror had prior), but it also was one of the few horror films to successfully marry not just scares but thought-provoking themes and ideas. Even now most horror films fail to do one of the other let alone both at the same time.

The modern zombie genre of entertainment (films, stories, video games and even protest movements) owe it’s existence to this little low-budget horror film from the late 60’s by a Pittsburgh native and his friends who decided to pool their money together and make a horror flick. It’s a film that still stands the test of time. When all the hoopla over the Paranormal Activity nonsense, remakes of horror (both good and bad) and teen-sanitized horror goes by the wayside this film will continue to impress, remain relevant and still scare (pardon my French) the shit out of young people discovering it for the first time.

Scenes I Love: Assault on Precinct 13


I think by now both fellow writers for the site and those who frequent said site know of my love for all and everything John Carpenter. I consider him one of the most underappreciated American filmmakers. All his films contribute something even those where one wonders if he has lost his mojo (I’m looking at you Ghosts of Mars). One of his very first films and one that still resonate with many of his fans is the low-budget and modern remake of Howard Hawk’s Rio Bravo. The latest “Scenes I Love” come from this remake which was called Assault on Precinct 13.

This was a film made for just $100,000 and while the low-budget shows it doesn’t stop Carpenter from creating a grindhouse classic. One of my favorite scenes in this film is the scene chosen. It’s very close to the beginning of the film as a violent street gang called the Street Thunder has vowed a blood vendetta against the LAPD and the citizens of LA. The scene in question show just how far these gangbangers were willing to go with their vendetta.

There’s always been several cardinal rules of grindhouse filmmaker and this scene definitely stays true to the notion that nothing is off-llimits. Carpenter shows just how much he understands this rule. In mainstream films children are oft put in danger but never to the point that they actually die on-screen. There’s always some adult to save them in the end and give the film a happy Hollywood ending. Carpenter doesn’t care for that and this scene proves just how much he doesn’t.

The first time I saw this scene I was surprised, shocked and left speechless. Carpenter had the stones to kill that young girl (and a blond in pigtails at that) with her ice cream cone right on the screen. From that moment on I knew I was in for a ride and I wouldn’t know whether Carpenter would take it easy on his audience or just continue to mess with them. This scene begins a chain reaction of why I love Carpenter films and will continue to love his past, present and future work.