In Conclusion: 10 Final Thoughts on The Friday the 13th Franchise


Over the previous two weeks, I reviewed all 11 films in the Friday the 13th franchise.  I reviewed the final film, appropriately enough, on Friday the 13th.  Now that I’ve sat through all 11 of these films, I’d like to provide just ten thoughts in conclusion:

1) Have you seen Cabin In The Woods yet?  While that brilliant film is obviously influenced by a lot of films, the Friday the 13th influence was especially obvious, right down to the crazy old man trying to let everyone know that they were doomed.

2) As for the Friday the 13th franchise itself, what is left to be said?  I think my interest in these films comes from the fact that even though their critically reviled and utterly dismissed by many, they’ve managed to survive and they’re still being watched by viewers (like me) who weren’t even born and/or weren’t old enough to see the majority of them when they were first released in theaters.  Like it or not — and again, this is a point that should be obvious to anyone who truly appreciated Cabin In The Woods — these films appeal to something primal in human nature.

3) The most frequent complaint made against the Friday the 13th franchise is that the films are anti-female.  I don’t agree.  I think that, unfortunately, a lot of people who watch these films are anti-female but I don’t think that the same can be said of the films themselves.  Quite frankly, if I was ever cast in Friday the 13th, I would rather play a victim than a survivor because the victims are the ones that are remembered afterwards.

4) Instead of seeing the Friday the 13th films as some sort of attempt to punish women, I see them as simply being updated bits of American folklore.  Those famous urban legends — the escaped mental patient with the hook hand, the vanishing hitchhiker — are about as close as America can get to having its own mythology and the Friday the 13th franchise (and similar horror films) are a reflection of that mythology.

5) Much like the scary story told at slumber party or around a campfire (not that I’ve been near a campfire though I have been to a few thousand slumber parties), Friday the 13th is meant to be a communal experience.  It’s a chance to admit that we’re all scared of the dark.  We scream and jump because, ultimately, it’s fun to do that in the safety of a theater or your own home.

6) Friday the 13th, as a franchise, was at its best when it kept things simple.  As you may have noticed from my reviews, I struggled more with the gimmicky later films in the series than I did with the originals.

7) The first two Friday the 13th scenes are both excellent examples of how to use a low budget and a largely unknown cast to your best advantage.  There is a lesson there for all aspiring filmmakers.

8) Having now rewatched the 11 films in the franchise, I have to say that I think that Part 4 is the best, followed by Part 2.  Part 3 remains the worst while Jason Takes Manhattan is perhaps the most pointless.  Ted White was the best Jason but Kane Hodder is a close second.

9) When I was reviewing these films, Peter M. Bracke’s book Crystal Lake Memories proved to be an invaluable resource.  I highly recommend it to anyone who is interested in film, horror, or both.

10) Finally, did you all enjoy me devoting two weeks to reviewing one film franchise or were you thinking to yourself, “Oh my God, Lisa, give it a rest already!”  I enjoyed writing them but, to be honest, I’m really in the mood for a romantic comedy now.

Well, that does it for Friday the 13th.  Again, I hope everyone enjoyed revisiting this franchise with me and I hope that everyone will enjoy revisiting the James Bond films with me in October.  As always, stay supple!

Poll: Which Films Are You Most Looking Forward To Seeing In May?


For last month’s poll results, click here.

Below, you’ll find the poll for May.  As always, you can vote for up to four films and write-in votes are accepted and welcomed.  Vote once, vote often!

Scenes I Love: The Eyptian Feast Conversation From Blood Feast


So, last week, our newest contributor here at the Shattered Lens, The Trash Film Guru, posted his wonderful review of Herschell Gordon Lewis’s The Gruesome Twosome.  Reading that review got me thinking about the unique cinematic vision of Mr. Lewis.  Though I’ll be reviewing Scum of the Earth and Something Weird later on this week, I would like to first share with you one of my favorite scenes from the work of Herschell Gordon Lewis.

Below, in all it’s glory, is the famous Egyptian feast conversation from Lewis’s 1963 epic, Blood Feast.  The caterer here is played by Mal Arnold, who appeared in several of Lewis’s films.

6 Trailers For Hard Men And The Women Who Have To Put Up With Them


Hi there and welcome to another edition of Lisa Marie’s Favorite Grindhouse and Exploitation trailers!  Today, we bring you 6 trailers specifically made to appeal to audiences made up of hard men and the women who have to put up with them.

1) Phantom Soldiers (1988)

Let’s start things off with this trailer from the Philippines.  I never thought I’d see a trailer as violent as the trailer for Massacre Mafia Style but then I came across this one for Phantom Soldiers.  “You’re a hard man…but the answer is no.”

2) Megaforce (1982)

This appears to be the family friendly version of Phantom Soldiers.  I always love how these trailers for obviously terrible movies always claim to be bringing “the greatest spectacle ever” to audiences.  Myself, I want to find and slap whoever thought it was a good idea for the bearded guy to wear a powder blue headband while talking about how the good guys always win “…even in the 80s!”

3) The Junkman (1982)

I guess if families weren’t watching the bearded man in the skin-tight outfit and the blindingly blue headband, they were witnessing the “chase thriller for the 80s…JUNKMAN!”

4) Terror in the Midnight Sun (1959)

I’ve never seen this film nor had I ever heard of it until I came across this trailer on YouTube.  But I think that our readers who happen to be creature movie fans will enjoy this one.

5) The One-Armed Executioner (1983)

All this exposure to grindhouse and exploitation films must be getting to me because I kept expecting someone to go, “That’s not my arm, baby,” as I watched this trailer.  Agck!

6) She-Devils On Wheels (1968)

After all that, it’s time for some girl power, don’t you think? From director Herschell Gordon Lewis, who also directed the Gruesome Twosome.  “This picture is not for children…”

The Results Are In And Tonight Belongs To Neely O’Hara!


Hi there!

So, last week at this time, I asked you which movie I should watch on March 20th.  I gave you twelve possible movies and I asked you to vote.  678 votes were cast and, despite strong showings by An Education, Crazy/Beautiful, and Nightmare City, the winner is Valley of the Dolls!

And for that, I thank you.  As some of you may know, my dream is to someday play Neely O’Hara in a remake directed by our own Arleigh Sandoc.

I will be watching Valley of the Dolls tonight.  Look for my review of it either on Wednesday or Thursday.

And to everyone who voted — Lisa Marie loves you!

*MWAH*

Scenes I Love: The Opening of the Godfather


I was recently lucky enough to catch a showing of the classic film The Godfather at the Cinemark West Plano theater down here in DFW and, in honor of that occasion, allow me to present this scene that I love.  This is the opening of The Godfather and it’s one of the best first scenes in cinematic history.  In just a matter of minutes, director Francis Ford Coppola tells us everything that we need to know about Vito Corleone (Marlon Brando) and his business.

Add to that, I love the cat!

84th Annual Academy Awards: The Winners


Here’s what won earlier at the 84th Annual Academy Awards:

Best Picture: The Artist

Best Director: Michel Hazanavicius for The Artist

Best Actor: Jean Dujardin in The Artist

Best Actress: Meryl Streep in The Iron Lady

Best Supporting Actor: Christopher Plummer in Beginners

Best Supporting Actress: Octavia Spencer in The Help

Best Adapted Screenplay: The Descendants

Best Original Screenplay: Midnight in Paris

Best Original Score: The Artist

Best Original Song: “Man or Muppet” from The Muppets

Best Art Direction: Hugo

Best Cinematography: Hugo

Best Costume Design: Hugo

Best Editing: The Girl With The Dragon Tattoo

Best Makeup: The Iron Lady

Best Sound Editing: Hugo

Best Sound Mixing: Hugo

Best Visual Effects: Hugo

Best Animated Short Subject: La Luna

Best Live Action Short: The Shore

Best Documentary Short Subject: Saving Face

Best Documentary Feature: Undefeated

Best Foreign Language Film: A Separation

Best Animated Film: Rango

As far as how my predictions stacked up against the actual Oscars, I came out of tonight with a score of — ahem — 11 for 24.

The Academy Was Wrong: 20 Times That The Wrong Film Won Best Picture


Hi everyone! It’s Oscar Sunday which, as we all know, is a national holiday. 

And, like many holidays, things occasionally don’t go the way they should.  Often times, the day starts with such promise and ends with such bitterness as the Academy announces that the best film of the year is a film that we all know didn’t deserve the title.

Below, you’ll find a list of 10 instances when the Academy got it wrong.  Please note that these are just my own personal picks.  You may disagree and you are welcome to do so (as long as you understand that, ultimately, I’m always right.)

Also, please note that I have limited myself to only considering films that were actually nominated for best picture.  You could make a great argument for films like Psycho, 2001, The Dark Knight, and others.  However, none of those films were even nominated for best picture and therefore, I have not considered them for this list.

(Also, if this list seems to be dominated by more recent Oscar picks, that’s because it’s more likely that I’ve been able to see a film that was released in 2007 as opposed to film from 1927.)

Anyway, here’s my chronological list of 20+ nominees that should have won:

1941 — Citizen Kane (lost to How Green Way My Valley)

1952 — A Place In The Sun (lost to An American In Paris)

1967 — The Graduate (lost to In The Heart of The Night)

1973 — The Exorcist or American Graffiti (lost to The Sting)

1976 — All The President’s Men (lost to Rocky)

1986 — Hannah and Her Sisters or A Room With A View (lost to Platoon)

1990 — Goodfellas (lost to Dances With Wolves)

1994 — Pulp Fiction (lost to Forrest Gump)

1995 — Sense and Sensibility or Babe (lost to Braveheart)

1996 — Fargo (lost to The English Patient)

1999 — The Sixth Sense (lost to American Beauty)

2000 — Crouching Tiger, Hidden Dragon (lost to Gladiator)

2001 — In The Bedroom (lost to A Beautiful Mind)

2002 — Lord of the Rings: The Two Towers (lost to Chicago)

2003 — Lost in Translation (lost to Lord of the Rings: The Return of the King)

2004 — The Aviator (lost to Million Dollar Baby)

2005 — Capote or Brokeback Mountain (lost to Crash)

2006 — Babel (lost to The Departed)

2009 — An Education (lost to The Hurt Locker)

2010 — Black Swan (lost to The King’s Speech)

6 Trailers Delayed


This weekend, because of both the Oscars and some personal matters I have to take care of, I will not be posting my usual Lisa Marie’s Favorite Grindhouse and Exploitation Trailers post.  I sincerely apologize but I promise that the feature will return in two weeks time, on March 10th.

Let me take this time to ask a question of my fellow grindhouse and exploitation film enthusiasts.  Are there any trailers that I have yet to feature that you personally think I should?  In other words, what are your favorite trailers?  If you’re feeling too shy (or not shy enough) to use the comments box below, feel free to e-mail me at LisaMarieBowman@live.com.

Again, the feature will be back in two weeks.  Until then, here’s a picture of a racoon holding a kitty.