Last month, at this time, we asked you which four films you were most looking forward to seeing in the month of October. The results are in and it appears that October is going to be all about The Thing, Footloose, The Rum Diary, The Skin I Live In, and The Ides of March. Thank you to everyone who voted.
Here’s November’s poll. As always, you can vote for up to four films and write-ins are accepted. So, let us know — which films are you looking forward to seeing in November?
I am happy to say that it’s a beautiful day today. After dealing with a record number of 100 degree days that slowly plodded along without so much as a breeze or a cloud in the sky, I am happy to say that, as I type this, the temperature outside is 84 degrees, the sky is gray with storm clouds, and, here at Le manoir d’Bowman, we’ve got the windows open and we’re loving the breeze. To me, it seems like a perfect time for 6 more of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.
From acclaimed director John Boorman comes … whatever this is. For the longest time, I assumed that this film starred Sean Connery as someone named Zardoz but having watched the trailer, I now see that Connery played Zed. That makes sense. With that pony tail and red diaper, Connery looks more like a Zed than a Zardoz here. I like the flying head, just because I keep imagining that after the head dropped off all those guns, Connery shouted, “Give me more, Head!”
Now, this is a trailer that could have used a big floating head. The Norseman appears to be yet another oddly ambitious, very low-budget film from the John Boorman of Texarkana, Charles B. Pierce.
Pierce was also responsible for The Evictors. “It’s happening again…” Much as the trailer for the Norseman featured the co-star of Eaten Alive, Mel Ferrer, the trailer features the star of Suspiria, Jessica Harper.
Grindhouse and exploitation films loved to exploit Yankee paranoia, which helps to explain films like Tick…Tick…Tick. (It also helps to explain — but throughly fails to justify — the latest remake of Straw Dogs.)
5) The Flesh and Blood Show (1974)
This film is from one of the few British directors to actually be worth the trouble, the criminally underappreciated Pete Walker.
6) Sister Street Fighter (1974)
This film co-stars the legendary Sonny Chiba. I can’t watch this trailer too many times because I know it’ll inspire me to show off my karate moves. Last time I did that, I ended up with a sprained ankle.
When I’m Not There was first released in 2007, most critics gave most of their praise and attention to Cate Blanchett’s performance as one of the film’s six different representations of Bob Dylan. In fact, Blanchett was even nominated for Best Supporting Actress for grabbing her crotch and wearing a painfully fake mustache. When I first saw I’m Not There, I thought that Blanchett’s performance was overrated. Having recently rewatched it on DVD, I’ve changed my opinion slightly. I now think that her performance as “Jude Quinn” is probably the worst performance she’s ever given. Once you get over the fact that Cate Blanchett’s playing a man, the quicker it becomes obvious that she’s not a very convincing man.
In fact, on subsequent viewings, I’ve come to realize that the only part of the film that really works for me is the final section. This is the section where an aging Bob Dylan is played by (of all people) Richard Gere. This is the section where Gere is known as Billy the Kid and he ends up wandering through a surrealistic frontier town while searching for his dog. The town is full of people who look like they escape from an especially grim Fellini film and Bruce Greenwood pops up as Pat Garrett. When I first saw I’m Not There, this final sequence seemed drawn out and rather silly. However, on subsequent viewings, I’ve come to appreciate the fact that, with this end sequence, director Todd Haynes is at least finally being honest about being pretentious.
Another point in this sequence’s favor is that it features a haunting performance of Dylan’s Goin’ To Acapulco by Jim James and Calexico. The contrast between the heartfelt delivery of the song, the intellectual pretensions of the entire film, and the inherent Hollywood slickness of Richard Gere all add up to create a scene that I truly love.
As I’ve mentioned in the past, I don’t follow football, baseball, or any other sport created by putting something random before the word “ball.” Why would I ever need sports when I’ve got the Oscars? A few nights ago, I found myself asking Arleigh just what exactly was meant by all this talk of “fantasy football.” Seriously, I assumed that it was some sort of football team made up of hobbits, elves, and talking Narnia animals. Turns out I was wrong but it also turns out that whereas some of you have got your fantasy football drafts, I’ve got my fantasy Oscar season. And you know what? My fantasy Oscars always turn out to be a lot more interesting than the real Oscars.
But, ultimately, it’s the real Oscars that matter and, as we enter the Fall, the real Oscar season is heating up. Not only are the self-styled Oscar contenders lining up to be released but the pieces of the eventual ceremony are starting to come together as well.
Each year, one of the most important pieces of the ceremony is the announcement of just who exactly will be hosting the big event. Last year, James Franco and Anne Hathaway were announced as hosts and we all know how that eventually went. Perhaps that’s why the producer of the upcoming show, hack director Brett Ratner, has decided to go the opposite direction. Rather than picking someone who represents the future of Hollywood, he has instead picked someone who very much represents the past.
The host of the 84th Academy Awards will be Eddie Murphy.
Perhaps not coincidentally, Eddie Murphy is also appearing in Ratner’s upcoming film, Tower Heist. (By the way, I’ve already predicted that Tower Heist is going to suck just on the basis of the trailer. Hopefully, I’ll be wrong because, quite frankly, it makes me happy when Ben Stiller gets to appear in a good film. But seriously — even the title is lazy.)
I can’t really say for sure how I feel about Eddie Murphy as host of the Oscars because, to be honest, I really haven’t seen that many of his films. I thought he was kinda good in Dreamgirls but otherwise, Eddie Murphy has always come across as being … well, the term that comes to mind is “washed up.”
Personally, I’m a part of the minority who feels that Anne Hathaway and James Franco weren’t half as bad as everyone seems to think. Hathaway, I felt was likable and goofy and Franco — well, I kinda sorta like James Franco. The fact that the two of them were so ill-suited for their hosting duties brought a very nice sort of unpredictable vibe to the show. You never knew if James Franco was going to suddenly chop his arm off on-camera.
Say what you will about Eddie Murphy, I know he’s not going to chop off his arm on live TV.
Well, I guess I should start this off with an apology to all the British leftists out there who might have wandered over here after accidentally misinterpreting the title of this post. This post does not feature anyone named Paddy, Tony, or Gordon. (Actually, Paddy Ashdown is apparently not a member of the Labour Party but I just happen to like his name.) Instead, it’s just the latest entry in a series I like to call Lisa’s Marie’s Favorite Grindhouse and Exploitation Trailers.
For some reason, this trailer just screams Labor Day to me. I have to be honest though, I think there’s a double meaning to the title.
I get the feeling this movie was the Winter’s Bone of its day.
This is one of my favorite trailers if just because I imagine I’m probably kin to half the people in this film (and in Moonrunners, for that matter.)
However, you don’t have to go to Louisiana to be gator bait…
Speaking of things living underground, C.H.U.D. apparently stands for Cannibalstic Humanoid Underground Dwellers. I’ve got this one on DVD and, to be honest, I’ve never been able to stay awake through the whole thing. But the trailer is effective and you can tell it’s from the 80s because there’s no attempt to show that the little doggie escaped.
Okay, so this trailer is kinda boring (though I imagine all you boys will enjoy all the boobies) up until that final image which just totally freaks me out for some reason. “Where are you going? The party’s just begun…” Agck!
And now, I’m off to find myself a Labour Party — a Labor Day party, that is.
In just another few days, the summer movie season will end and we’ll enter the fall. The fall movie season is when all of the prestigious, massively hyped “quality” films are released. These are the films that everyone is expecting to see remembered at Oscar time. We expect more out of films released in the Fall and therefore, when a film fails to live up to the expectation of perfection, we are far more quicker to simply damn the whole enterprise by exclaiming, “That sucked!”
Below are 15 upcoming fall films which I think are going to “suck.” Quite a few of them are “prestige” films though a few of them most definitely are not. However, they are all films that I fully expect to be disappointed with.
Quick disclaimer: This list is based on only two things, my gut instinct and the advice of my Parker Brothers Ouija Board. These are my opinions and solely my opinions and they should not be taken as a reflection of the opinions of anyone else involved with this web site. Got it? Good, let’s move on to the fun part:
So, guess what I did earlier today? That’s right — I put on a blindfold, a stumbled over to my ever-growing DVD, Blu-ray. and even VHS collection and I randomly selected 12 films!
Why did I do this?
I did it so you, the beloved readers of Through the Shattered Lens, could once again have a chance to tell me what to do. At the end of this post, you’ll find a poll. Hopefully, between now and next Sunday (that’s August 21st), a few of you will take the time to vote for which of these 12 films I should watch and review. I will then watch the winner on Sunday and post my review on Monday night. In short, I’m putting the power to dominate in your hands. Just remember: with great power comes great … well, you know how it goes.
Here are the 12 films that I randomly selected this afternoon:
Abduction — From 1975, this soft-core grindhouse film is based on the real-life abduction of Patty Hearst and was made while Hearst was still missing. Supposedly, the FBI ended up investigating director Joseph Zito to make sure he wasn’t involved in the actual kidnapping.
Aguirre, The Wrath of God — From director Werner Herzog and star Klaus Kinski comes this story about a Spanish conquistador who fights a losing battle against the Amazon.
Black Caesar — In one of the most succesful of the 70s blaxploitation films, Fred Williamson takes over the Harlem drug trade and battles the mafia.
Don’t Look Now — Donald Sutherland and Julie Christie are a married couple who attempt to deal with the death of their daughter by going to Venice, Italy. Christie quickly falls in with two blind psychics while Sutherland pursues a ghostly figure in a red raincoat through Venice. Directed by Nicolas Roeg.
The Lion In Winter — From 1968, this best picture nominee stars Peter O’Toole and Katharine Hepburn as King Henry II and his wife, Eleanor of Aquitaine. Taking place on Christmas Eve, Henry and Eleanor debate which one of their useless sons will take over a king of England. This film is also the feature debut of both Anthony Hopkins and Timothy Dalton.
Logan’s Run — From 1976, this sci-fi film features Michael York and Jenny Agutter as two future hedonists seeking Sanctuary and instead finding Peter Ustinov and a bunch of cats. Filmed in my hometown of Dallas.
Lost Highway — From director David Lynch comes this 1997 film about … well, who knows for sure what it’s about? Bill Pullman may or may not have killed Patricia Arquette and he may or may not end up changing into Balthazar Getty.
Mystic River — From director Clint Eastwood comes this film about murder, guilt, redemption, and suspicion in working-class Boston. Starring Sean Penn, Kevin Bacon, and Tim Robbins.
Naked Massacre — From 1976, this stark film is something a grindhouse art film. It takes the true life story of Chicago mass murderer Richard Speck and transfers the action to Belfast. Also known as Born for Hell.
Night of the Creeps — From 1986, this film features alien slugs that turn an entire college campus into a breeding ground for frat boy zombies. Tom Atkins gets to deliver the classic line: “Well don’t go out there…”
Petulia — Considered by many to be one of the best American films ever made and one of the definitive films of the 60s, Petulia tells the story of a divorced doctor (George C. Scott) who enters into an odd relationship with Julie Christie. Directed by Richard Lester, this film also stars Joseph Cotten, Richard Chamberlain, and the Grateful Dead.
What Have You Done To Solange? — From 1975, What Have You Done To Solange is a classic giallo that features dream-like murders, disturbing subtext, and one of the best musical scores of all time.
So, there’s your 12 films. Vote once, vote often, have fun, and I await your decision.
Voting will be open until Sunday, August 21st.
Hi. Good morning. I’m sitting here in my beloved Pirates shirt with my hair a big mess and an aggressive kitty trying to dig his claws into my thigh as a sign of affection as I try to complete this thing known as “waking up” but I’m still a happy girl and I’ll tell you why.
First off, we’re only six posts away from hitting that magical 1,000th post. And, once we hit a thousand, Arleigh is going to give us all a 50% raise on our current Shattered Lens salary. Yay! I know I can really use the money as I’m getting ready to go back to school and get my master’s.
Secondly, I’m happy because it’s Saturday! And that means it’s time for 6 more of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.
This trailer is for the Italian satire/sci-fi film The 10th Victim. As this trailer makes clear, the film’s American distributor wasn’t quite sure how to sell this particular film.
By contrast, the distributors of Chained Heat appear to have known exactly who would be sitting in their audience. Chained Heat has a reputation for being one of the sleaziest of the Women in Prison films and that’s saying something. I actually saw this playing on cable once though I was kinda *ahem* tied up at the time and as such, didn’t pay too much attention to it.
3) Penitentiary (1979)
Continuing on a prison theme, here’s the trailer for Penitentiary. This film was made by Jaama Fanaka, the director of Welcome Home, Brother Charles.
4) Delinquent Schoolgirls (1973)
Yeah, I haven’t actually seen this film but I’m going to guess that the trailer is probably more exploitive than the actual film. This is a classic example of the exploitation tease. Also, this is yet another example of a ’70s trailer that makes me go, “Ewwwwww!” at the sight of a dumpy man running around in his man panties. I mean, seriously — ewwwww, 1970s, ewwww!
5) Manhattan Baby (1982)
The title makes it sound like a second-rate Broadway musical but actually, Manhattan Baby was (along with the far better remember New York Ripper) Lucio Fulci’s follow-up to the brilliant Beyond trilogy. I’ve sat through this film a few times and I’m still not sure why it’s called Manhattan Baby. Maybe Fulci was trying to start a trilogy of New York-themed horror films. Maybe The House By The Bronx was meant to be next…
6) Return of the Evil Dead (1972)
This is the sequel to Armando De Ossorio’s Tombs of the Blind Dead and, arguably, the best of the Blind Dead films.
Oh my God, yesterday sucked.
First off, I was supposed to be seeing Capt. America but when we were standing in line to get our tickets, I started to feel dizzy and then I kinda sorta ended up fainting. Which I know sounds like something serious but, to be honest, I faint all the time. I’m like a Tennessee Williams heroine that way. It’s no big deal except to my sister and my boyfriend who decided that instead of going to the movies, I should go home, lay down, rest, and “take care of myself.” so, I told them that they were crazy and that I was perfectly fine and they were like, “You’re so full of it, Lisa Marie,” and then I stood up to show them how healthy I was and I guess I didn’t put my feet on the ground correctly because suddenly, I was going down again and anyway, long story short, I ended up being dragged back to the house.
And then once I got back home, one of my longtime twitter followers suddenly decided to unfollow me because apparently, I haven’t been a good enough friend to him. Which I found interesting considering that I had just spent the past week literally holding his hand while he attempted to get over not one but two girls who never liked him in the first place. So, yeah, learning that despite my best efforts, I’m apparently just a self-centered bitch who foolishly uses twitter to talk about what I want to talk about as opposed to devoting all of my time to helping some asshole deal with problems that a 12 year-old should be able to freaking handle, well, that kinda sorta hurt my feelings just a little bit. (Contrary to popular opinion, redheads with big boobs actually do have feelings. Go figure!)
However, things are not a complete bust. First off, as I type this, I’m watching the old episode of Degrassi where Emma and Alex have that huge fight in the school hallway while Paige and Spinner skip school and Ashley gets dressed up like Elvis and then Mr. Simpson finds out his cancer is in remission. I love that episode. And, along with watching Degrassi, I’m also putting together the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.
Things are looking up already.
1) Last House On The Left (1972)
Yep, that’s the kind of mood I’m in. I’m starting things off with the trailer for the evil grindhouse/drive-in movie to end all evil grindhouse/drive-in movies, the original Last House on the Left. Why? Because, as the trailer tells us, the road leads to nowhere…
2) Destroy All Monsters (1968)
If I do get out of my present funk, it’ll be due to trailers like this one. It’s just so goofy!
Erin claims that actual cheerleader camp was nothing like the cheerleader camp in this trailer.
This Canadian action film stars Tommy Lee Jones, who was also apparently in Capt. America. Not that I would know.
5) The Undertaker and His Pals (1966)
Believe it or not, I’ve got this one on DVD and this is one of those films that looks a lot more extreme in the trailer than it actually is. The film itself is a collection of bad performances, juvenile humor, and silly gore effects. The trailer looks a lot more sick than the actual film, which is why it’s a classic of grindhouse advertising.
This is yet another trailer from the fertile mind of Larry Cohen. It’s alive! What is it? It can either be your dream or your NIGHTMARE! Much like me.
Hi there and welcome to the latest edition of Let’s Second Guess The Academy. Previously, we second-guessed the Academy’s choice for best picture of 1990, 1994, and 1998. It seems only fitting that we now jump ahead another 4 years and reconsider the race for best picture of 2002.
In 2002, the Academy nominated five films for best picture. Those films were Chicago, Gangs of New York, The Lord of the Rings: The Two Towers, The Pianist, and The Hours. They ultimately named Chicago the best film of 2002. Were they right?
And now, here’s my favorite part of second guessing the Academy. What if none of the five nominated films had been released in 2002? Which other films would you have nominated? Below is a list of some of 2002’s most acclaimed and memorable films. You can vote for up to 10 replacement nominees and write-in votes are allowed.
As always, have fun!
Through the Shattered Lens 