Monday Live Tweet Alert: Join Us For Exterminators of the Year 3000 and Police Academy!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 1983’s Exterminators of the Year 3000!  Selected and hosted by me, this Italian film is one of the many rip-offs of Mad Max to come out in the 80s.  It’s non-stop action, with a futuristic motorcycle gang trying to control a world where rain is unknown!  The movie starts at 8 pm et!  Here’s the playlist!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1984’s Police Academy, the classic comedy that inspired a franchise!  The film is available on Netflix!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start the Exterminators of the Year 3000 playlist  at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start Police Academy, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.  And reviews of these films will probably end up on this site at some point over the next few weeks. 

Retro Television Review: Long Journey Back (dir by Mal Damski)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1978’s Long Journey Back.  It  can be viewed on YouTube!

I’m one of those drivers who always gets nervous around train tracks.

Perhaps it’s because I watched too many gory movies while I was learning to drive or maybe I’m just being overly cautious but I always have a fear that I’m going to be the driver whose car ends up getting stuck on the tracks while the train comes barreling down.  The fact that it’s apparently impossible to just stop a train without it rolling forward for at least a mile or two adds to my fear.  You get stuck on those tracks and, at the very least, you’re going to lose your car.  At the worst, you’ll lose your life.  Maybe if you’re lucky, you’ll only lose a limb.  Or maybe …. well, you get the point.  Most people make it a point to slow down whenever they hear the sound of a train coming or to stop and wait for those little barrier things to come down on other side of the tracks.  Myself, I always speed up if I see tracks approaching.  I figure that the quicker I drive over them, the quicker I don’t have to worry about getting hit by a train.

The 1978 film Long Journey Back did not do much to cure me of my fear of train tracks.  Within the first ten minutes of the film, a school bus ended up getting stuck on a set of train tracks and, in a genuinely frightening sequence, smashed into by a train.  Most of the students are killed.  So is the driver.  Celia Casella (Stephanie Zimbalist) survives being in the bus but most of her friends don’t.  Celia loses a leg and, when she eventually awakes from her coma, she can neither speak nor remember the accident.  Celia makes remarkable progress but it’s still difficult for her to adjust her post-accident life.

The film spends as much time with Celia’s parents as it does with Celia.  Her mother, Laura (Cloris Leachman), keeps a journal about Celia’s progress and never gives up faith that her daughter will recover.  However, Laura is sometimes so determined to only focus on moving forward that she overlooks the fact that Celia needs time to mourn not only her former life but also the friends that she lost in the crash.  Meanwhile, Celia’s father, Vic (Mike Connors), is a grim realist who, in a moment of emotional exhaustion, admits that he sometimes wonders if Celia wouldn’t have been better off dying in the crash.  Vic is someone who keeps everyone grounded in reality but who sometimes forget that Celia needs to have hope for the future.  Celia is not the only member of the family who has to learn how to live a new life.  From the minute that train hits that bus, everyone’s old life ends and a new one begins.

The film follows Celia’s recovery, her long journey back.  It’s a well-done film, featuring excellent and emotional performances from Zimbalist, Connors, and especially Leachman.  To its credit, the film avoids easy sentiment.  The film celebrates Celia’s strength and her parent’s love while acknowledging that the journey back is not going to be an easy one and it’s possible that Celia might never make it all the way back.  I cried more than a few times while watching Long Journey Back.  It’s a film that earns its tears.

Scenes That I Love: Coyote Shivers and Renee Zellweger perform “Sugar High” in Empire Records


It’s not Rex Manning Day but it is Coyote Shivers’s birthday!

Here, he and Renee Zellweger do their part to save the store by performing Sugar High on the roof.

4 Shots From 4 Films: Special Bert I. Gordon Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 100th birthday to director Bert I. Gordon!  Known as Mr. BIG, both because of his initials and the fact that his films often dealt with things becoming bigger than they should, Gordon made his directorial debut in 1954 and continued to work all the way through 2014.  And that means that it’s time for….

4 Shots From 4 Bert I. Gordon Films

King Dinosaur (1955, dir by Bert I. Gordon, DP: Gordon Avil)

Beginning of the End (1957, dir by Bert I. Gordon, DP: Jack A. Marta)

Village of the Giants (1965, dir by Bert I. Gordon, DP: Paul Vogel)

The Mad Bomber (1973, dir by Bert I. Gordon, DP: Bert I. Gordon)

Live Tweet Alert: Watch Cabin Fever with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, ArtAttackNYC will be hosting 2002’s Cabin Fever!

From director Eli Roth comes the story of a flesh eating virus and the people that it infects!  Scream as bodies are consumed from within!  Gasp as Rider Strong tries to establish a career away from Boy Meets World!  And no matter what …. stay out of the water!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and a few other streaming sites.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Scenes That I Love: Giovanni Lombardo Radice Dances in The House on The Edge of the Park


Today, the Shattered Lens wishes a happy 68th birthday to the great Italian actor, Giovanni Lombardo Radice!

I’ve shared this scene before but I’ll happily share it again.  In Ruggero Deodato’s The House On The Edge of the Park, Giovanni Lombardo Radice shows a bunch of rich jerks how he can dance.  Dancing with Radice is his frequent co-star, Lorraine De Selle.  And, wearing the yellow suit, is David Hess.

Live Tweet Alert: Join #FridayNightFlix for Teen Wolf!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1985’s Teen Wolf!

Michael J. Fox plays a teenager who is also a werewolf!  And a basketball player!  And yes, ultimately, those two things do come together!  It’s the original Hang Time!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Teen Wolf is available on Prime, Tubi, Pluto, Paramount+, and almost every other streaming service known to exist.

See you there!

4 Shots From 4 Films: Special Stephen King Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Mr. Stephen King!

In others words, it’s time for….

4 Shots from 4 Stephen King Films

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Maximum Overdrive (1986, dir by Stephen King, written by Stephen King, DP: Armando Nannuzzi)

Sleepwalkers (1992, dir by Mick Garris, written by Stephen King, DP: Rodney Charters)

The Stand (1994, dir by Mick Garris, written by Stephen King, DP: Edward J. Pei)

Scenes That I Love: Bill Murray in Zombieland


He’s not a zombie!

He’s Bill Murray!

And today is Bill Murray’s birthday so it seems like a good time to share a scene that I love.  In this scene from 2009’s Zombieland, Bill Murray proves that not even the zombie apocalypse can stop the Murraycane.

(Unfortunately, Bill comes to a tragic end in Zombieland but at least he gets to enjoy himself for a while.)

Here’s The Trailer For Hellraiser


Oh hey, they’re rebooting Hellraiser because of course they are.

Here’s the trailer.  It looks like they really want to make sure that we understand how the box works.  The best horror films don’t overexplain.  Anyway, this comes out in October so I guess look forward to the review.