4 Shots From 4 Films: Special Jess Franco Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 93th anniversary of the birth of Jesus Franco in Madrid, Spain!  One of the most prolific filmmakers of all time, Franco made movies that …. well, they’re not easy to describe.  Jess Franco was responsible for some of the most visually striking and narratively incoherent films ever made.  He made films that you either loved or you hated but there was no mistaking his work for being the work of someone else.

Today, in honor of his birthday, here are….

4 Shots From 4 Jess Franco Films

The Girl From Rio (1969, dir by Jess Franco)

99 Women (1969, dir by Jess Franco)

Nightmares Come At Night (1970, dir by Jess Franco)

Oasis of the Zombies (1981, dir by Jess Franco)

Live Tweet Alert: Join #FridayNightFlix for Goon!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 2011’s Goon!

It’s a hockey classic!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Goon is available on Prime!  See you there!

Film Review: On a Wing and a Prayer (dir by Sean McNamara)


Having just attended the funeral of his brother, Doug White (Dennis Quaid) and his family — wife Terri (Heather Graham) and daughters Bailey (Abigail Rhine) and Maggie (Jessi Case) — are flying back to their home in Louisiana.  Unfortunately, shortly after takeoff, their pilot suffers a heart attack and dies.  Now Doug, who’s had only one flight lesson in his entire life, has to not only fly the plane but also land safely.

Doug has people on the ground, trying to talk him through the landing even though they don’t know what is actually happening in the cockpit.  Hard-drinking Dan Favio (Rocky Myers) calls his friend, Kari Sorenson (Jesse Metcalfe).  Kari has never gotten over the death of his family in a similar plane crash so, for him, helping Doug land is about more than just saving Doug and his family.  It’s also about achieving his own personal redemption and hopefully finding the strength to forgive himself.

While this is going on, two kids — Donna (Raina Grey) and Buggy (Trayce Malachi) — follow the flight online and then head down to the airport so that they can watch it try to land.  To be honest, I’m really not sure why either one of them is in the movie.  When Donna first showed up, talking about how she wanted to be a pilot because “Mr. Jones” told her that girls can’t fly planes, I found myself dreading the inevitable moment when the kids would take it upon themselves to help Doug land the plane.  I dreaded Donna calling the cockpit and Doug going, “Wait a minute …. you’re just a kid!”  Fortunately, that moment didn’t happen but I was still left wondering why Donna and Buggy were in the film to begin with.

It feels almost churlish to be overly critical of a film like On a Wing and a Prayer because it is based on a true story.  Doug White really did have to land an airplane after the pilot died mid-flight and he really was instructed on what to do by a group of air traffic controllers and Kari Sorenson.  It’s a good story and the film ends with some undeniably touching shots of the real people involved in the landing.  That said, this is ultimately a film that many filmgoers will want to like more than they actually do.  Thanks to some dodgy special effects, the viewer never forgets that Dennis Quaid and his family aren’t really tapped up in the sky.  Instead, one is always aware that they’re just watching a movie and a rather cheap-looking one at that.  As well, the script is full of awkward dialogue and heavy-handed moments.  As soon as I saw that one of the daughters wouldn’t stop looking at her phone, I knew that she would be the one who would be forced to grow up in a hurry.  As soon as the other daughter ate something with nuts in it, I knew that there was going to be a desperate search for an epi-pen.

On the plus side, Dennis Quaid was as likable as ever and Heather Graham managed to wring some genuine feeling out of even the most sentimental of dialogue.  On A Wing and a Prayer was directed by Sean McNamara, who also directed one of my favorite films of 2011, Soul Surfer.  (Later this year, McNamara and Quaid have another project that is scheduled to be released, a biopic of President Ronald Reagan.)  On A Wing and A Prayer doesn’t really work as a film but, as a story, it at least reminds us of what people are capable of doing when they all work together.

Film Review: M3GAN (dir by Gerald Johnstone)


Gemma (Allison Williams) is a roboticist who works for America’s most successful Seattle-based toy company, Funki.  Funki is the company behind the Purrpetual Pets, the really annoying Furby rip-offs that every child wants to have.  Gemma has developed a child-sized humanoid robot that she calls M3GAN.  She thinks that it could be the new big toy but her boss, David (Ronny Chieng), disagrees.  David says to stick with what works and develop a new Purrpetual Pet.

While Gemma is trying not to lose her job, she also has to deal with a new arrival in her home.  Following the tragic deaths of her parents and the destruction of her Purrpetual Pet, Gemma’s eight year-old niece moves in with her.  From the minute that Cady (Violet McGraw) shows up, things are awkward.  Gemma is more comfortable dealing with technology than with other humans.  When Cady attempts to play with a toy on Gemma’s bookshelf, Gemma quickly explains that it’s not a toy.  “It’s a collectible.”  In fact, it’s not until Gemma introduces Cady to M3GAN (played by Amie Donald with Jenna Davis providing her voice) that Cady finally starts to become comfortable in her new home.  M3GAN is the friend, older sister, and maternal figure that Cady is desperately looking for.  And even though Gemma knows that M3GAN is still being developed and could possibly malfunction, Gemma is kind of happy that Cady finally has someone other than Gemma to look after her.

And, of course, M3Gan is happy too.  M3GAN proves to not only be a quick learner but she also takes her duty to look after Cady very seriously.  When the neighbor’s dog bites Cady, the dog vanishes shortly afterward.  When the neighbor suggests that either Cady or Gemma had something to do with the dog’s disappearance, the neighbor ends up getting attacked in her garage.  When a bully tries to push Cady around before then attacking M3GAN, M3GAN reacts by ripping off his ear.  It may seem like it’s good to have M3GAN on your side but what about when M3GAN decides that Gemma isn’t doing a good enough job raising Cady?  What about when M3GAN herself starts to suspect that Cady needs to be disciplined?

M3GAN came out in January and it was, to the surprise of many, the first big critical and commercial success of 2023.  Some of that, of course, is because there really wasn’t much competition back in January.  Audiences that didn’t want to rewatch the Avatar or Black Panther sequels really didn’t have many other options other than M3GAN and Plane.

That said, M3GAN is an undeniably effective mix of satire and horror.  It works precisely because it captures what we all secretly fear, that AI is eventually going to kill us.  M3GAN may look adorable and she gets to show off some pretty good dance moves towards the end of the film but she’ll kill anyone who gets on her nerves and, as both Gemma and Cady find out, it’s pretty much impossible to turn her off.  It’s not just that M3GAN replaces Gemma as Cady’s primary caregiver.  It’s that the viewer knows that it’s totally possible that there’s an army of M3GANs out there, waiting to replace all of us.  At this point, I wouldn’t be surprised if, in the future, at least 50% of the reviewers over on Rotten Tomatoes will actually be advanced AIs, programmed to overpraise studio productions while only giving negative reviews to films that don’t necessarily need good reviews to sell tickets.

M3GAN works as both a satire and a horror flick.  The movie opens with a macabre  Purrpetual Pet commercial that’s cringey specifically because it feels so accurate.  As brought to life by Amie Donald and Jenna Davis, M3GAN is a wonderfully creepy character who is occasionally made sympathetic by the fact that, much like HAL in 2001 and the robots in Creation of the Humanoids, M3GAN seems to have more genuine feelings than the humans around her.  Indeed, with the exception of Violet McGraw’s Cady, there are no sympathetic human characters.  Gemma, for instance, is a very familiar type, someone who knows how to write code but who has no idea how to relate to anyone on an actual emotional level.  In many ways, her relationship with Cady is just as a manipulative and destructive as M3GAN’s.

M3GAN is a strong movie up until the final 20 minutes, when M3GAN suddenly starts to target people who she really doesn’t have any reason to go after.  But, overall, it’s an effective look at the future that we may have waiting for us.

Film Review: Champions (dir by Bobby Farrelly)


In Champions, Woody Harrelson plays Marcus Marakovich.

Marcus is a basketball coach.  He believes that he has the talent and the ability to be a coach in the NBA and he’ll tell that to anyone who will listen.  Unfortunately, Marcus also has a reputation for being self-destructive and temperamental.  He has sabotaged his career with too many public fights.  As his friend and fellow coach Phil (Ernie Hudson) tells him, Marcus knows everything about basketball but he doesn’t know how to connect with the players.  Marcus is so concerned with winning that he never gets to know the people that are playing for him.

Of course, Marcus has more problems than just his inability to connect with players.  An on-court brawl leads to Marcus losing his assistant coaching job.  A drunk driving incident leads to Marcus landing in jail.  Phil bails him out but Marcus will still have to do community service to avoid serving time.  Marcus is assigned to spend the next 90 days coaching The Friends, a basketball team made up of players who have learning disabilities.  Though at first reluctant, Marcus doesn’t want to go to prison and, after a rough start, he and the Friends start to bond.  Marcus becomes a better coach and the Friends become a better team and soon, it looks like they might even be playing in the North American Special Olympics Finals in Winnipeg.  Along the way, Marcus also falls for Alex (Kaitlin Olson), the sister of one of his players.

Champions is a heartfelt film that suffers from the fact that there’s really not a single surprising moment to be found within it.  As soon as Woody Harrelson shows up as a hard-drinking and cynical basketball coach who is looking for one more chance to make it to the NBA, most members of the audience will know exactly what to expect.  It’s not a shock that he eventually bonds with his players.  It’s not a shock that he falls in love with Alex nor that he eventually calls Alex out for using her brother’s needs as an excuse to not get close to anyone.  It’s not even a surprise when Cheech Marin shows up as the cheerful manager of the rec center where the Friends practice.  And it’s certainly not a surprise that Marcus’s work with the Friends leads to him getting an offer from an NBA team, an offer that might not be as altruistic as Marcus wants to believe.  (The team is mired in a scandal and feels that hiring Marcus would bring them some good publicity.)  Marcus is faced with a big decision and the choice that he makes won’t surprise anyone.  At one point, Marcus specifically mentions the film Hoosiers, as if the simple act of acknowledging the fact that Champions isn’t exactly breaking new ground will somehow make up for the film’s predictability.

That doesn’t mean that Champions isn’t a likable film, of course.  It’s a crowd pleaser.  The actors playing the Friends actually are all learning disabled and the film portrays them all as individuals with their own unique personalities and abilities.  It’s hard not to get excited for them when they succeed on the court and the film refuses to use any of their disabilities for cheap laughs.  The film’s heart is in the right place and there’s always something to be said for that.  But, as I watched Champions, I became very much aware that this was a film that I wanted to like more than I actually did.  It was hard for me not to compare Woody Harrelson’s well-meaning but self-destructive coach to the similar character than Ben Affleck played in The Way BackThe Way Back worked because it took a familiar character type but then allowed that character and the story to go in an unexpected direction.  Watching Champions, it was hard for me to not wish that the film had been willing to take a few more risks.

Monday Live Tweet Alert: Join Us For Drive and Top Gun!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1997’s Drive!  Selected and hosted by Sweet Emmy Cat, this movie features Mark Dacascos!  So, you know it has to be good!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1986’s Top Gun, starring Tom Cruise, Val Kilmer, Anthony Edwards, and John Stockwell!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Drive on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Top Gun, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy. 

Film Review: Rumble in the Bronx (dir by Stanley Tong)


First released in 1995, Rumble in the Bronx is known for two things.

First off, it’s the film that finally made Jackie Chan a star in America.  Chan had been an international star for two decades before starring in this film but he had initially struggled to break into the American film industry.  Before Rumble in the Bronx, no one in Hollywood was quite sure what to do with an actor who was both skilled at martial arts and who also had perfect comedic timing.  Indeed, the very title of  Rumble in the Bronx seems to designed to make Americans feel comfortable with the film.  Jackie Chan may have been from Hong Kong and the film itself may have been dubbed and it may have been released internationally before New Line got around to releasing it in the States but it was a film about the Bronx!  And what’s more American than the Bronx?

Except, of course, Rumble in the Bronx wasn’t filmed in the Bronx.  The other thing for which this film is remembered was that it may have taken place in the Bronx but it was filmed in Vancouver.  From the minute the audience sees Jackie walking through this film’s version of the Bronx, it’s pretty obvious that he’s in Canada.  All of the extras are very polite.  The city streets are surprisingly clean.  Even the graffiti is rather mild in tone.  (Reportedly, the production spray-painted the locations every morning and then cleaned up all the graffiti at night.)  When the film shows us its version of an NYPD stationhouse, the building is so neat and clean that it seems like it should be in a Canadian tourism brochure.  New York has never looked more inviting than when it was played by Vancouver.

Of course, the main giveaway that this film was shot in Canada was that there are mountains in the background.  Majestic mountain ranges are one of the few things that you cannot find in New York City.  When the bad guys drive someone out of the city so that they can threaten him, they end up in front of an absolutely gorgeous mountain stream.  Seriously, I’m sure I’m not the only person who wanted to travel to Canada after watching Rumble in the Bronx.

But, hey …. it’s a Jackie Chan movie!  If you can’t suspend your disbelief while watching a Jackie Chan movie then when can you suspend it?  The film’s plot is not terribly complex.  Jackie plays a Hong Kong cop who comes to New York for his uncle’s wedding.  While his uncle is on his honeymoon, Jackie looks over his uncle’s store and protects it from the local gang.  Jackie also befriends Nancy (Francoise Yip) and her wheelchair-bound brother, Danny (Morgan Lam).  Both Nancy and Danny need someone to look out for them and to encourage both of them to reject the seedier temptations of the Bronx.  They also need Jackie to protect them from the golf-loving crime lord, White Tiger (Kris Lord).

The plot is mostly an excuse for a series of increasingly elaborate fights and stunts.  As always, it’s fun to not only watch Jackie Chan in action but to also try to spot all the moments in which he nearly killed himself performing his own stunts.  Rumble in the Bronx is the film in which Jackie Chan broke his ankle while jumping onto a hoverboat.  One can actually see the ankle bending at an extremely awkward angle.  I actually covered my eyes when I realized what was happening because it was obviously very painful.  If anyone had any doubt of how painful it was, Jackie included footage of him howling in pain during the end credits.  That said, as painful as it was to watch Jackie’s ankle snap, it doesn’t change the fact that this film’s finale actually involves a hovercraft!  Even without Jackie’s stunts, the action in this film’s finale would be enjoyably and shamelessly over the top.  But knowing that Jackie was out there risking his life to make the film makes it all the more enjoyable.  And it also helps that Jackie Chan is a legitimately good actor, one who gets a lot of laughs out of the fact that the characters that he plays are often as shocked by some of the things that he does (and survives) as the audience is.

Myself and a few others watched Rumble in the Bronx on Friday as a part of our weekly #FridayNightFlix get-together.  We had a blast.  Another film that we recently watched for #FridayNightFlix, Escape From The Bronx, is famous for its line of “It is time to leave the Bronx”  but you know what?  Why would anyone ever want to leave beautiful Vancouver?

Retro Television Reviews: We’re Fighting Back (dir by Lou Antonio)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1981’s We’re Fighting Back!  It  can be viewed on YouTube!

We’re Fighting Back opens with a title card informing the viewer that the film that they are about to see is based on a true story and that the characters are based on the Guardian Angels, a group of New Yorkers who took it upon themselves to patrol neighborhoods and the subways.  However, the film’s plot is fictionalized and all of the names have been changed and basically, the entire story is made up.  It gets the film off to a strange start.  This film is based on a true story, except that it’s not.

Morgan “Case” Casey (Kevin Mahon) is a young man living in New York with his father.  When his father is mugged in the subway and ends up in the hospital, Case decides to take it upon himself to patrol the trains.  He recruits his co-workers at the local hamburger place.  Benny (Ramon Franco) says he is streetwise.  Ling (Brian Tochi) claims that he’s good at fighting.  Preacher (Paul McCrane) …. well, I’m not sure what Preacher’s special skill is but he’s recently moved to New York from Alabama.  Case and his friends lose their first big fight against a gang of muggers, which leads to Case yelling at all of them and announcing that they need to recruit more members and get trained up on how to fight.  Preacher thinks that Case is putting everyone’s life in danger but Case is determined to clean up the neighborhood.

Teaming up with some former gang members, Case forms the organization that will become the Guardian Angels.  Among those who join are a tough waitress named Chris Capoletti (a young Ellen Barkin) and a Hungarian immigrant named Janos (an equally young Stephen Lang).  At first, attorney Elgin Jones (Joe Morton) thinks that Case and his organization are going to be a bunch of lawless vigilantes but, after meeting Case and seeing Case refuse to allow an obvious psychopath to join the group, Elgin decides to become a part of Case’s anti-crime crusade.

And …. well, that’s pretty much it.  There’s not much of a plot here.  Case and Preacher are briefly estranged but they are friends again by the end of the movie.  Eventually, Case faces off with Tony (John Snyder), the gang leader who mugged his father.  For the most part, though, this is a film without much real conflict.  In this film’s portrayal of urban crime, it turns out to be remarkably easy to clean up a neighborhood.  Apparently, you just need to get a bunch of people to give a damn.  One watches the movie and wonders why no one ever came up with this extremely simple solution in the past.  The film goes out of its way to tell us that Case is not some sort of Charles Bronson-style vigilante but Case never has to face any muggers as dangerous as The Giggler.  If Case lived in the Death Wish 3 neighborhood, who knows what type of approach he would have gone with.

Under the best of circumstances, this film would seem simplistic.  Watching this film after the past few years, in which we’ve seen an increasing number of unarmed people getting hurt and killed by self-appointed vigilantes who felt that they shouldn’t have been in their neighborhood or train car, it’s hard not to feel that We’re Fighting Back is incredibly naïve and rather irresponsible.  (The Death Wish films are so shameless and over the top that they’re difficult to take seriously as any sort of manifesto.  We’re Fighting Back plays out with all the earnestness of a call to action.)  Need to clean up your neighborhood?  Just do it yourself!  Just fight back!  Obviously, that’s an idea that appeals to a lot of people but, in reality, it rarely seems to work out the way that it should.

May Positivity: Never Ashamed (dir by Edward T. McDougal)


The 1984 film, Never Ashamed, gets off to a lawles start with two teenagers, Tim Hughes (Tim Elwell) and Marty Sullivan (Jon Jacovic) stealing an ice cream truck.  Even though the ice cream man yells at them that he owns the truck and that he needs it for his job, Tim and Marty take off with it.  They speed down the street.  They play the ice crea, music.  They toss out the ice cream.  And, eventually, they get stopped by the police.

Tim’s father, a liberal talk show host named Sid Hughes (Stan Adams), thinks that Tim is just being a normal, out-of-control teenager.  Tim’s mother (Denyse Leahy) is far more concerned and she suggests that perhaps Tim should attend a special summer camp for juvenile delinquents.  Sid is not happy to hear that it’s a Christian summer camp.  (At one point, we see Sid getting upset when Ronald Reagan gives a speech about prayer in school so we know how Sid feels about religion.)  However, Sid finally gives in.

This is followed by a montage of Tim doing summer camp stuff.  For me, not being a camp-type of person, the montage was horrifying.  I cringed at all of the canoeing, the playing, the laughing, the singing, and all the rest.  It was a montage of happiness but all of the smiles seemed a bit too wide and calculated.  To be honest, it reminded me of the type of activities that were used to brainwash Nick Mancuso in Ticket to Heaven and Michael O’Keefe in Split Image. 

Still, Tim has a great time and, when his parents pick him up from camp, Tim announces that he’s now a Christian.  Sid is horrified and starts talking about Jim Jones and the People’s Temple.  Tim’s old friends are astonished, especially Marty.  Marty is not happy when Tim starts hanging out with a new crowd at school.

Here’s the thing.  We’re supposed to like Tim’s new friends but, honestly, Marty does kind of have a point.  Tim’s new friends are so bright and cheery and perfect and well-behaved that they really do come across as being a little creepy.  And when Marty says that he wants to be able to spend some time with his oldest friend without having a bunch of strangers following them around, Marty again has a point.  At times, it seems as if Tim’s new friends really do expect him to spend every waking moment with them.  If Tim’s not going to their study group, then he’s going to the “Christian car wash.”  When Marty says, at one point, that he really needs to talk to Tim about some problems that he’s having in his life, Tim’s response to tell him to come to church with Tim and his new friends.  Marty gets upset about that and again, it’s hard not to feel that he has a point.  Marty needs someone to talk to and it wouldn’t kill Tim to have a sincere, one-on-one conversation with Marty.  If Tim wants to invite Marty to church after that conversation, there’s nothing wrong with that.  But, at that moment, it was obvious that Marty needed to feel that he was more to Tim than just another invitee.

Marty feels that he has a lot to be upset about.  He runs for junior class president on a platform of parties and drugs but he loses to the nerdy and boring Wayne, who is one of Tim’s new friends.  Marty doesn’t feel close to his family.  His grades are slipping.  His best friend is pretty much ignoring him.  Marty is supposedly a drug dealer who regularly goes down to Mexico to pick up cocaine.  While Marty is definitely a bit cocky and irresponsible, there’s absolutely nothing about him that suggests he’s the type to sneak across the borders with bricks of cocaine in a duffel bag and I was shocked when I discovered that the movie was actually being serious about that.  In a surprisingly well-directed sequence, Marty has his friends toss firecrackers at the Christian car wash while he sneaks into the church and steals some money.

Never Ashamed is only 64 minutes long.  It’s obviously one of those films that was made specifically to be viewed by church youth groups.  It’s definitely a product of its time and, in the end, it is perhaps most interesting as a time capsule.  I imagine that watching this film is the equivalent of stepping into a time machine and setting the destination for 1984.  (“You look like Scott Baio!” one of Tim’s new friends excitedly tells him.)  It’s a sincere film but, at the same time, it’s also a film that is very much about preaching to the choir.  As happy as Tim and his new friends are, I think most people would feel that Marty seems like he would be more fun to hang out with.

The TSL Grindhouse: Black Shampoo (dir by Greydon Clark)


The 1976 film, Black Shampoo, tells the story of Mr, Jonathan (played by an expressionless actor named John Daniels).  Mr. Jonathan is the hottest hairstylist on the Sunset Strip.  Rich women flock to his salon so that Mr. Jonathan can do their hair and, as the first scene in the film makes clear, do a lot more as well.  Black Shampoo begins with a wash and rinse that soon leads to Mr. Jonathan’s client saying, “It is bigger and better!” while the singers on the film’s funk-heavy soundtrack tell us that, “He’s a real man.”

Mr. Jonathan is so popular that the women who come into his salon are visibly upset if they’re told that their hair will be done by Mr. Jonathan’s two associates, Artie and Richard.  “Artie doesn’t have the right equipment!” one woman exclaims while another complains, “My hair’s a mess …. I haven’t had my hair done in over a month.”  Fortunately, helping to keep the place running is Mr. Jonathan’s new administrative assistant, Brenda St. John (Tanya Boyd).  In fact, Mr. Jonathan could even see himself settling down with Brenda.

Unfortunately, Brenda is the ex-girlfriend of a white gangster named Mr. Wilson (Joe Ortiz).  And Mr. Wilson is determined to get Brenda back, even if it means sending two of his thugs down to Mr. Jonathan’s and messing the place up.  It’s easy for them to vandalize the salon and to harass Artie and Richard because Mr. Jonathan hardly ever seems to be there.  He’s always either visiting a client at home or taking part in a falling in love montage with Brenda.  When Brenda is kidnapped, Mr. Jonathan falls into a deep depression.  Eventually, though, Mr. Jonathan realizes that he has to rescue Brenda and retrieve the black book that proves that Mr. Wilson is a crime lord.  Fortunately, Mr. Jonathan is as handy with a chainsaw as he is with a hair blower.

Ugh.  This film …. I mean, to be honest, the movie seems like it’s going to be fun when it starts.  Yes, the acting is terrible and the dialogue is risible but it’s such a 70s film that I assumed it would be kind of fun.  And there are some enjoyably silly moments, like the whole falling in love montage.  But, as the film progresses, the violence and the film’s overall tone just gets uglier and uglier.  That, in itself, is not a problem.  In fact, you could argue that violence should be ugly because it’s violence.  But, in the case of Black Shampoo, too much of that ugly violence is played for titillation.  When Mr. Wilson threatens to sodomize a character with a curling iron, the film seems to take a certain delight in Mr. Wilson’s sadism.  The film is certainly not on the side of the poor guy who is being threatened.  Instead, it feels like the film is saying, “Do you think will show this happen or do you think will cut to another scene?  Keep watching to find out!”  It’s gross.

It would help if Mr. Jonathan were himself an engaging character but John Daniels’s performance in painfully dull.  He has a definite physical presence, though he definitely looks a lot better on the film’s poster than he does in the actual movie.  But, when he has to deliver dialogue or show emotion, he’s so awkward that it’s like staring at a brick wall and waiting for it to do something.  As a character, Mr. Jonathan should be someone who moves with a certain confidence and swagger.  John Daniels usually seems like he’s more busy trying not to look straight at the camera.

On the plus side, everyone’s hair looks beautiful.