The North Texas Film Critics Association has announced its picks for the best of 2024!
BEST PICTURE Anora
The Brutalist
Conclave
Dune: Part Two
Sing Sing
BEST ACTOR
Adrien Brody – The Brutalist
Ralph Fiennes – Conclave Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Daniel Craig – Queer
BEST ACTRESS
Cynthia Erivo – Wicked Mikey Madison – Anora
Demi Moore – The Substance
Pamela Anderson – The Last Showgirl
Anya Taylor-Joy – Furiosa: A Mad Max Saga
BEST SUPPORTING ACTOR Kieran Culkin – A Real Pain
Guy Pearce – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Yura Borisov – Anora
BEST SUPPORTING ACTRESS
Isabella Rossellini – Conclave
Ariana Grande – Wicked
Aunjanue L. Ellis-Taylor – Nickel Boys Zoe Saldana – Emilia Pérez
Felicity Jones – The Brutalist
BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance Denis Villeneuve – Dune: Part Two
RaMell Ross – Nickel Boys
BEST FOREIGN LANGUAGE FILM The Seed Of The Sacred Fig (Germany) (TIE) Flow (Latvia) (TIE)
Kneecap (Ireland)
I’m Still Here (Brazil)
All We Imagine As Light (an international co-production involving companies from France, India, the Netherlands, Luxembourg, and Italy)
BEST DOCUMENTARY
The Remarkable Life of Ibelin
Sugarcane
Will & Harper
Daughters Super/Man: The Christopher Reeve Story
BEST ANIMATED FILM The Wild Robot
Memoir Of A Snail
Inside Out 2
Flow
Transformers One
BEST CINEMATOGRAPHY Jarin Blaschke – Nosferatu
Stéphane Fontaine – Conclave
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
John Mathieson – Gladiator II
Jomo Fray – Nickel Boys
BEST NEWCOMER
Marissa Bode – Wicked
Ethan Herisse – Nickel Boys Clarence Maclin – Sing Sing
Vera Drew – The People’s Joker
Aaron Pierre – Rebel Ridge
BEST SCREENPLAY Sean Baker – Anora
Brady Corbet & Mona Fastvold – The Brutalist
RaMell Ross & Joslyn Barnes – Nickel Boys
Coralie Fargeat – The Substance
Jesse Eisenberg – A Real Pain
GARY MURRAY AWARD (Best Ensemble)
Conclave Saturday Night
Sing Sing
Wicked
Dune: Part Two
Awards season marches on! Yesterday, the Columbus Film Critics Association announced its nominations for the best of 2024. The winners will be announced on January 2nd.
Best Film
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
Love Lies Bleeding
Nickel Boys
Nosferatu
Sing Sing
The Substance
Best Director
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two
Best Lead Performance
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Lily-Rose Depp – Nosferatu
Colman Domingo – Sing Sing
Cynthia Erivo – Wicked: Part I
Ralph Fiennes – Conclave
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Sebastian Stan – A Different Man
Best Supporting Performance
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Danielle Deadwyler – The Piano Lesson
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande-Butera – Wicked: Part I
Felicity Jones – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez
Bill Skarsgård – Nosferatu
Stanley Tucci – Conclave
Denzel Washington – Gladiator II
Best Ensemble
Anora
Challengers
Conclave
Dune: Part Two
The Piano Lesson
Sing Sing
Wicked: Part I
Actor of the Year (for an exemplary body of work)
Timothée Chalamet – A Complete Unknown and Dune: Part Two
Nicholas Hoult – The Garfield Movie, Juror #2, Nosferatu, and The Order
Cailee Spaeny – Alien: Romulus and Civil War
Sebastian Stan – The Apprentice and A Different Man
Zendaya – Challengers and Dune: Part Two
Breakthrough Film Artist
Brady Corbet – The Brutalist – (for directing and screenwriting)
Coralie Fargeat – The Substance – (for directing, film editing, and screenwriting)
Clarence Maclin – Sing Sing – (for acting)
Mikey Madison – Anora – (for acting)
Dev Patel – Monkey Man – (for acting, directing, producing, and screenwriting)
Best Cinematography
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
Jomo Fray – Nickel Boys
Benjamin Kracun – The Substance
Best Film Editing
Sean Baker – Anora
Marco Costa – Challengers
Jerome Eltabet, Coralie Fargeat, and Valentin Féron – The Substance
Nick Emerson – Conclave
Dávid Jancsó – The Brutalist
Nicholas Monsour – Nickel Boys
Best Adapted Screenplay
Robert Eggers – Nosferatu
RaMell Ross & Joslyn Barnes – Nickel Boys
Chris Sanders – The Wild Robot
Peter Straughan – Conclave
Denis Villeneuve and Jon Spaihts – Dune: Part Two
Best Original Screenplay
Sean Baker – Anora
Brady Corbet and Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers
Best Score
Volker Bertelmann – Conclave
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Robin Carolan – Nosferatu
Trent Reznor and Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two
Best Documentary
Daughters
No Other Land
Sugarcane
The Remarkable Life of Ibelin
Will & Harper
Best Foreign Language Film
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Kneecap
The Seed of the Sacred Fig
Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Frank Gabrenya Award for Best Comedy
Babes
Hit Man
My Old Ass
A Real Pain
Saturday Night
Thelma
Best Overlooked Film
Didi
His Three Daughters
Hundreds of Beavers
The Last Stop in Yuma County
Snack Shack
Thelma
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be Turbulence 3, featuring Rutger Hauer and a guy who looks like a discount version of Marilyn Manson! I picked it so you know it’ll be good.
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on Tubi, hit play at 8 pm et, and use the #MondayActionMovie hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.
(Author’s note: I’m using the film’s original title of DRACULA 3D for my review. It seems to be going under the title of ARGENTO’S DRACULA as well, like in the image above. That’s also how I found it on Amazon Prime for my current viewing.)
If you’re one of my favorite directors or actors, I will watch all of your work, and I will probably like it. Such is the case with Dario Argento and Rutger Hauer. These two have been a part of so many great films over the years, but they have also been associated with some pretty bad stuff as well. I remember when I first read that Argento was making his own version of Dracula in 3D, and that Rutger Hauer would be playing the famous vampire hunter Van Helsing, the movie immediately went on my watch list. This means that I would google for more information every couple of days, as well as follow various entertainment-related websites looking for additional info. I also remember when the trailer was released. I specifically remember thinking that it looked awesome. I couldn’t wait to see it! And then it came out, and it seemed like everyone hated it. I made the mistake of reading reviews, which I often purposely avoid, and it seemed that many critics had a personal vendetta against the film. The reviewers weren’t content to just say it was a bad movie, they wanted me to know that it was an incompetent mess that everyone involved in should be completely ashamed of. There were a few exceptions to this universal shame, including my friend Lisa Marie Bowman, but that was definitely the general consensus. Because of this public disdain for the movie, I haven’t put that much effort into watching DRACULA 3D over the years. I’d started it a time or two, but I’d never actually finished it before. That is, until now. It’s a rainy day here in Central Arkansas, so I chose the movie for my wife and I to watch as the thunder rolled, and the rain came on in.
The plot of the DRACULA 3D sticks to most of the things I remember about watching Dracula movies over the years. Count Dracula (Thomas Kretschmann) seems to be inflicting a sort of reign of terror in his part of the world and all the locals seem to know that going out into the woods by yourself at night is a bad idea, but they keep doing it anyway. The movie opens with Tanja (Miriam Giovanelli) going to meet her boyfriend in a barn for a late night sex romp. Sadly, after he gets satisfied, he refuses to walk her back to town. She throws her cross necklace at him and walks away in anger. Soon a big owl flies down on her, turns into Dracula and starts sucking her blood. The next person I remember meeting is an out of towner named Jonathan Harker (Unax Ugalde). It seems Count Dracula has called him to his castle to organize his library or something. He visits with Dracula for a bit, listens to wolves howling in the distance, and then heads to his room. It turns out that Tanja is not dead but is now living at the castle with Dracula. She invites herself in to tempt Jonathan, a married man, with her assets. Of course, it isn’t long before she’s trying to suck his blood. Dracula isn’t having any of that though, and he shows up and reminds Tanja that “he’s mine,” before attacking Jonathan’s neck like it’s a lobster tail at an all-you-can-eat seafood buffet in Branson, MO! Soon Jonathan’s wife, Mina (Marta Gastini), and her friend Lucy (Asia Argento) show up at Dracula’s place since Jonathan seems to have gone missing. Dracula proceeds to suck on Lucy behind her knee, turning her into a member of the undead, and then tries to turn Mina into his eternal love. Finally, after all the activities above, Van Helsing (Rutger Hauer), Dracula’s old nemesis, shows up to try to end his reign of terror once and for all. I’ve probably missed some important details, but I think I got the gist of it. Feel free to correct me in the comments if I missed anything important.
After watching DRACULA 3D, the multitude of critics may have been right if all they cared about is a great movie by “movie criticism” standards. That just doesn’t describe me though. I watch movies because I like the people in them, and the people who make them. I certainly don’t expect perfection, and I certainly value entertainment over some self-important “message.” The critics have always gone out of their way to disparage my hero Charles Bronson, and I just keep watching his movies anyway. I have to admit I had that same feeling when watching DRACULA 3D. I think this movie is fun, and I don’t really give a shit what the critics think. Based on past movies like SUSPIRIA and BLADE RUNNER, maybe the critics have a right to expect more out of Argento and Hauer. But then again, if any person expected that level of cinema back in 2012 when they watched this movie, I wonder if they should consider going into another profession. DRACULA 3D never intended to compete with those classics. It is camp of the highest order, it’s on purpose, and it should be judged as such. The special effects are cheesy, the boobs are plenty, and the performances are over the top. Dario Argento has made some of the best movies I’ve ever watched. I don’t think he just forgot how to make a movie. This is the movie he meant to make, and, in my opinion, the campiness adds to the charm. Thomas Kretschmann gives a committed performance as Dracula, and Rutger Hauer is very serious as Van Helsing, without a hint of comedy or goofiness. With all the crazy things going on around them, I think their “serious” performances are perfect for the movie. If I had any complaint about the movie, it would be that Hauer doesn’t show up until over an hour into the one hour, 50-minute runtime. However, once he comes to town, Van Helsing pretty much takes over the movie from that point forward. As a big time, fan of Hauer, I enjoyed his Van Helsing turning badass and dispatching everyone who had seemed unkillable up to that point.
My final word is if you’re truly a fan of Argento or Hauer, you should enjoy this film. Don’t expect TENEBRAE or THE HITCHER. Just enjoy it for what it is… a cheesy, B-movie take on a legendary story. That was enough for me!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1981’s Galaxy of Terror!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime and Tubi! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy!
Yesterday, the Austin Film Critics Association did their part to keep Austin weird by announcing their nominees for the best of 2024! The winners will be announced January 6th!
Best Picture
Anora
The Brutalist
Dune: Part Two
Conclave
Love Lies Bleeding
Nosferatu
Nickel Boys
The Substance
Sing Sing
Wicked
Best Director
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Rose Glass – Love Lies Bleeding
Denis Villeneuve – Dune: Part Two
Best Actress
Pamela Anderson – The Last Showgirl
Marianne Jean-Baptiste – Hard Truths
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance
Best Actor
Adrien Brody – The Brutalist
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Hugh Grant – Heretic
Best Supporting Actress
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Best Supporting Actor
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Jeremy Strong – The Apprentice
Best Ensemble
Anora
The Brutalist
Conclave
Dune: Part Two
Sing Sing
Best Original Screenplay
Sean Baker – Anora
Brady Corbet & Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers
Best Adapted Screenplay
Dana Fox & Winnie Holzman – Wicked
Greg Kwedar & Clint Bentley – Sing Sing
RaMell Ross & Joslyn Barnes – Nickel Boys
Peter Straughan – Conclave
Denis Villeneuve & Jon Spaihts – Dune: Part Two
Best Cinematography
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Jomo Fray – Nickel Boys
Greig Frasier – Dune: Part Two
Benjamin Kracun – The Substance
Best Editing
Sean Baker – Anora
Coralie Fargeat, Jérôme Eltabet, & Valentin Féron – The Substance
Dávid Jancsó – The Brutalist
Joe Walker – Dune: Part Two
Hansjörg Weißbrich – September 5
Best Original Score
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Robin Carolan – Nosferatu
Trent Reznor & Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two
Best International Film
Emilia Perez
Flow
I’m Still Here
Kneecap
The Seed of the Sacred Fig
Best Documentary
Dahomey
No Other Land
The Remarkable Life of Ibelin
Super/Man: The Christopher Reeve Story
Will & Harper
Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Best Voice Acting/Animated/Digital Performance
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Amy Poehler – Inside Out 2
Sarah Snook – Memoir of a Snail
Robbie Williams/Jonno Davies – Better Man
Best Stunt Work
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man
Best First Film
Vera Drew – The People’s Joker
Zoe Kravitz – Blink Twice
Josh Margolin – Thelma
Arkasha Stevenson – The First Omen
Sean Wang – Didi
The AFCA also acknowledges standout works from directors who live in Austin. Our nominees for 2024:
The Bikeriders (Jeff Nichols)
Fugitive Dreams (Jason Neulander)
Hit Man (Richard Linklater)
Sasquatch Sunset (Nathan and David Zellner)
Sing Sing (Greg Kwedar)
2022 was a big year for my wife Sierra and I when it comes to “movie tourism.” I’ve already discussed our trips to Pennsylvania and Colorado to celebrate my healthy obsession with the late, great action movie icon Charles Bronson. In that same year, we spent some time in the beautiful city of Casper, Wyoming. About 40 miles from Casper is a place called “Hell’s Half Acre.” Sierra lived in Casper for 18 years, and she told me that the movie STARSHIP TROOPERS was filmed there. I had no idea. I had watched the movie way back in late 90’s because it was directed by Paul Verhoeven, the Dutch director who had made a star out of Rutger Hauer before coming to America and directing films like ROBOCOP, TOTAL RECALL, and BASIC INSTINCT. I remember it being graphically violent, but I honestly didn’t remember much about it. The fact that it was filmed out in the middle of nowhere outside of Casper piqued my interest, and I was determined to know more.
In a nutshell, STARSHIP TROOPERS stars Casper Van Dien as Johnny Rico, a young man who joins the military after graduation to become a citizen, and because of his love for his high school sweetheart Carmen (Denise Richards). As part of his service, he finds himself in a war against the bug aliens of Klendathu. Every day is a battle for survival as the soldiers try to save the human race. Aside from Van Dien and Richards, director Verhoeven has assembled an excellent supporting cast that includes veterans like Michael Ironside, Clancy Brown, and even Rue McClanahan. Maybe it’s because I visited the location, but I enjoyed the movie much more now, than I remember enjoying it back in the 90’s.
Hell’s Half Acre stood in for the alien planet of Klendathu in STARSHIP TROOPERS. It’s an interesting looking area that reminds me of the look of the Grand Canyon when viewed from afar. It turned out to be the perfect place for an alien planet, even if there was always a chance that the cast and crew might run into a rattlesnake or two. Here’s a picture I took of the sign on the premises that tells you a little more about Hell’s Half Acre.
The picture at the top of the article shows how Hell’s Half Acre is used in the movie to represent the alien planet of Klendathu. Here’s an image of the movie’s star, Casper Van Dien, on location. I met several people in Casper who remember when the actors and the crew were staying in Casper during filming, and they all spoke very positively of Van Dien. I also find it interesting that Casper Van Dien is filming this movie just outside of Casper, Wyoming. What are the chances?
Here are few of the pictures we took on our visit. I sent the picture below to my son while we were out of town and asked him if he knew where we were. His guess was The Grand Canyon!
Making movies is one hell of a business, and visiting Hell’s Half Acre was a great reminder of the imagination it takes to create movie magic. It was also a fun way to spend part of day, especially for a movie lover like me!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix presents 1989’s Major League!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Major League is available on Prime! See you there!
Some of my favorite trips have been related to my obsession with movies and Charles Bronson. Today, I share a wonderful day that my wife and I spent in Southern Colorado. I hope you enjoy!
In September of 2022, my wife and I attended two different out of state weddings. First, we drove to Casper, WY, and officiated a wedding for the children of some of Sierra’s long time friends. After leaving Casper, we headed towards Estes Park, CO, for another friend’s wedding. While sitting on the deck of our lodge in Estes Park, listening to a beautiful Rocky Mountain stream flowing down below, an amazing idea just hit me like a brick, and I wouldn’t let it go. So, I started researching the filming locations for Charles Bronson’s MR. MAJESTYK because I knew it was filmed in southern Colorado. While Sierra slept, I began planning out a route for our tour of the locations. The next morning I hit her up about my plan, and she was game. Man, I’m a lucky guy!
I always tell my friends on my “This Week in Charles Bronson” Facebook page that my visit to Southern Colorado on September 6th, 2022 was one of the great days of my life. As we visited the filming locations for MR. MAJESTYK in Canon City, Manzanola, and La Junta, I felt like I was hanging out with the spirit of Charles Bronson. One of the most interesting things about the experience is how similar the locations looked in 1974 and 2022, a span of 48 years. It’s so important to find that woman in life who let’s you be you, and Sierra spent time with me as I made videos of my experiece, reenacted certain scenes from the movie, and took pictures at every specific location I could find. We ended up spending that night at a hotel in Dodge City, KS, which somehow seems like the perfect ending to a fairy tale of a day!
I shared the picture at the top from the interesting “tunnel” locations in Canon City, Colorado. This was our first stop of the day. There’s an interesting scene in MR. MAJESTYK where melon farmer Vince Majestyk (Bronson) lures hitman Frank Renda (Al Lettieri) into his hunting country which featured those amazing rock tunnels. I always thought they were so cool. This is actually a hiking trail called The Tunnel Drive Trail that runs alongside the Arkansas River and Royal Gorge Route Railroad.
After leaving Canon City, we went to the town of Manzanola. This is the town where the bar and cafe sequences are filmed in MR. MAJESTYK. In the movie, the bar was painted white. For some reason, they’ve gone for pink at this point!
It was in Manzanola where I reenacted a scene where Vince Majestyk walks across the street to supervise the hiring of his melon picking crew. I found out that it’s actually a very busy highway, US Route 50, to be exact. I tried to cross the street about the same place where Charles Bronson did, but I also had to try to not to get run over. You can see a car passing by as I walk in the picture below. I made sure that interesting “triangle” doorway was present in both pictures.
We were hoping to have lunch at “The Majestyk Cafe” in Manzanola, but it was closed the day after Labor Day in 2022. I found the owners’ thoughts on Colorado’s mask mandates at the time to be interesting. Check out the picture of the door below. If I ever make it out that way again, hopefully we’ll get to check out their lunch special!
After leaving Manzanola, we went to La Junta where we visited a few more locations. You can see below that La Junta’s Police and Fire department building is still using the same signage.
One of the best scenes in the entire film is the sequence where they break hitman Frank Renda out of the prison transport bus. That scene is also filmed in La Junta. It starts at the Zavala Building with one of Renda’s henchman putting a stocking over his head. You can see a plaque that says “Zavala Building” behind Taylor Lacher below. We found that spot.
I took so many more pictures that day. I also recorded several videos as I visited the various locations. They are documented as the “Adventures of the Colorado Crains” on the This Week in Charles Bronson YouTube page. It was an awesome day, and I hope you enjoyed a few of the highlights!
On December 19th, the Dallas-Fort Worth Film Critics Association announced its picks for the best of 2024!
BEST PICTURE Winner: ANORA Runners-up: THE BRUTALIST (2); CONCLAVE (3); DUNE: PART TWO (4); A COMPLETE UNKNOWN (5); THE SUBSTANCE (6); WICKED (7); NICKEL BOYS (8); A REAL PAIN (9); SING SING (10)
BEST DIRECTOR Winner: Sean Baker, ANORA Runners-up: Brady Corbet, THE BRUTALIST (2); Denis Villeneuve, DUNE: PART TWO (3); Coralie Fargeat, THE SUBSTANCE (4); RaMell Ross, NICKEL BOYS (5)
BEST ACTOR Winner: Ralph Fiennes, CONCLAVE Runners-up: Adrien Brody, THE BRUTALIST (2); Timothee Chalamet, A COMPLETE UNKNOWN (3); Colman Domingo, SING SING (4); Hugh Grant, HERETIC (5)
BEST ACTRESS Winner: Mikey Madison, ANORA Runners-up: Demi Moore, THE SUBSTANCE (2); Karla Sofia Gascon, EMILIA PÉREZ (3); Angelina Jolie, MARIA (4); Marianne Jean-Baptiste, HARD TRUTHS (5, tie); Nicole Kidman, BABYGIRL (5, tie)
BEST SUPPORTING ACTOR Winner: Guy Pearce, THE BRUTALIST Runners-up: Kieran Culkin, A REAL PAIN (2); Edward Norton, A COMPLETE UNKNOWN (3); Denzel Washington, GLADIATOR II (4); Clarence Maclin, SING SING (5)
BEST SUPPORTING ACTRESS Winner: Zoe Saldaña, EMILIA PÉREZ Runners-up: Margaret Qualley, THE SUBSTANCE (2); Ariana Grande, WICKED (3); Danielle Deadwyler, THE PIANO LESSON (4); Monica Barbaro, A COMPLETE UNKNOWN (5)
BEST FOREIGN LANGUAGE FILM Winner: THE SEED OF THE SACRED FIG Runners-up: EMILIA PÉREZ (2); ALL WE IMAGINE AS LIGHT (3); I’M STILL HERE (4); KNEECAP (5)
BEST DOCUMENTARY Winner: SUGARCANE Runners-up: DAUGHTERS (2); WILL AND HARPER (3); SUPER/MAN: THE CHRISTOPHER REEVE STORY (4); DAHOMEY (5)
BEST ANIMATED FILM Winner: THE WILD ROBOT Runner-up: FLOW
BEST SCREENPLAY Winner: Brady Corbet and Mona Fastvold, THE BRUTALIST Runner-up: Sean Baker, ANORA
BEST CINEMATOGRAPHY Winner: Grieg Fraser, DUNE: PART TWO Runner-up: Lol Crawley, THE BRUTALIST
BEST MUSICAL SCORE Winner: Kris Bowers, THE WILD ROBOT Runner-up: Trent Reznor and Atticus Ross, CHALLENGERS
RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film) Winner: THE SEED OF THE SACRED FIG