4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we take a look at 1987, 1988, and 1989!
10 Shots From Horror History: 1987–1989
Hellraiser (1987, dir by Clive Barker, DP: Robin Vidgeon)
Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)
Near Dark (1987, dir by Kathryn Bigelow, DP: Adam Greenberg)
Prince of Darkness (1987, dir by John Carpenter, DP: Gary B. Kibbe)
They Live (1988, dir by John Carpenter, DP: Gary B. Kibbe)
Night of the Demons (1988, dir by Kevin S. Tenney, DP: David Lewis)
The Lair of the White Worm (1988, dir by Ken Russell, DP: Dick Bush)
The Church (1989, dir by Michele Soavi, DP: Renato Tafuri)
Twin Peaks: The Pilot (1989, dir by David Lynch, DP: Ron Garcia)
Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden, DP: Bryan England)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy 65th birthday to one of our favorite directors, Michele Soavi! In other words, it’s time for….
4 Shots from 4 Michele Soavi Films
Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)
The Church (1989, dir by Michele Soavi, DP: Renato Tafuri)
The Sect (1991, dir by Michele Soavi, DP: Raffaele Mertes)
Dellamorte Dellamore (1994, dir by Michele Soavi, DP: Mauro Marchetti)
If you answered yes, Spaghetti Nightmares is a book that you simply must own. Actually, you probably already do own it. You’re probably looking at it sitting on your book shelf right now. And you’re thinking, “Gee, thanks Lisa. Maybe next you’ll tell me that giallo is named after the cheap yellow paper that thriller novels were published on in Italy and then you’ll really blow my mind!”
Okay, well fine. Make me feel bad. That’s okay. I hope you’re proud of yourself. It’s a pretty good thing that we both love Italian horror because, if we didn’t, I’d probably never speak to you again….
Anyway, just in case you don’t own this book, you really should. First published in 1996, Spaghetti Nightmares is a collection of interviews with some of the top figures in Italian horror. Michele Soavi, Dario Argento, Ruggero Deodato, David Warbeck, Umberto Lenzi, Lamberto Bava, Luigi Cozzi. Antonio Margheriti, and many more answer questions about their careers, their artistic visions, and their feelings about the future and the past of the Italian film industry. What makes this volume special is that it was written at a time when Italian horror was just starting to be appreciated. So, the questions and the answers are a bit more honest than they probably would be now that everyone is a confirmed Italian horror fan.
This book also features what I believe was Lucio Fulci’s final interview before he passed away. He describes himself as being Italian cinema’s “last zombie” and displays a strong knowledge of cinematic history. Unlike some of the directors interviewed, who come across as being competent (if charming) craftsmen, Fulci comes across as being a true artist. The interview with Michele Soavi is also poignant as he would soon abandon filmmaking to take care of his son. (Fortunately, he has since returned.)
The opening on Michele Soavi’s 1987 masterpiece, StageFright, is one of the most brilliant ever filmed. Not only does it send up the conventions of the slasher genre but is also sends up musical theater. Seriously, how can you not love a horror film that features Marilyn Monroe playing the saxophone?
Of course, the opening of the film only begins to hint at the violence that’s going to follow. When a real killer manages to get into the theater, fantasy and reality blend together.
Interestingly enough, I think a real-life Broadway adaptation of StageFright would be a hit.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we wish a joyous 63rd birthday to Italian filmmaker Michele Soavi!
Soavi, of course, started his career as an actor. You can find him in Lucio Fulci’s City of the Living Deadand Lamberto Bava’s A Blade In The Darkand Demons. Reportedly, he came close to playing the role that was eventually played by Giovanni Lombardo Radice in The House On The Edge of the Park. Soavi, however, eventually moved behind the camera. He was an assistant director on both Dario Argento’s Tenebrae and Terry Gilliam’s The Adventures of Baron Munchausen and The Brothers Grimm.
He also, of course, directed four of the greatest Italian horror films of all time, Stage Fright, The Church, The Sect, and Dellamorte Dellamore. Though a family tragedy temporarily put his career as a director on hold, Soavi has since returned to directing.
In honor of Michele Soavi and his birthday, here are….
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!
4 Shots From 4 1994 Horror Films
Dellamorte Dellamore (1994, dir by Michele Soavi)
Nadja (1994, dir by Michael Almereyda)
The Stand (1994, dir by Mick Garris)
Wes Craven’s New Nightmare (1994, dir by Wes Craven)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!
Don’t get too excited about that title. Yes, I know that it says Alien 2: On Earth, which would suggest that this is a sequel to the classic sci-fi horror film that we all know and love but …. well, we’ll get to it in a moment.
First, let’s talk about the movie….
HEY, EARTH! YOU’RE GETTING INVADED AGAIN!
This time, it’s not flying saucers. It’s not pod people. It’s not the monsters from Cloverfield or A Quiet Place or Battle Los Angeles or Skyline or any of those films. Instead, this time, you’re getting invaded by little blue rocks. These rocks may look pretty but, if you hold them long enough, something will spring out of them and cause your face to explode. Sometimes, the creature inside the rock will even hug onto your face for a while. I guess maybe you could call it a face hugger, assuming that you had enough money to settle the copyright suit that would follow….
Famed cave explorer Thelma Joyce (Belinda Mayne) has been having horrific visions, largely due to the fact that she’s psychic whenever it’s convenient for the plot. Could her visions have something to do with a spacecraft that has recently returned to Earth with all of its inhabitants missing? (The implication is that the spacecraft was captained by a man named Dallas and had a warrant officer named Ripley, though that’s never specifically stated.)
Oh, why worry about all that ominous outer space stuff? After all, Thelma and her husband Roy (Mark Bodin) have already got a full weekend planned out. They’re going to get together with a group of friends and explore a cave! It sounds like fun. Of course, on the way to the cave, one of their friends finds a blue rock and decides to take it with him. Hmmm….there’s no way that could backfire.
Once everyone’s in the cave, Thelma tells Roy that she has a feeling that something awful is about to happen. Roy laughs off her concerns. I mean, is Thelma supposed to be a psychic or something? Oh, wait a minute….
Can you guess what happens? If you think that Roy, Thelma, and their friends end up getting trapped in the cave with an alien that’s looking to dissolve all of their faces, you might be as much of a psychic as Thelma. Needless to say, everyone picked the wrong weekend to go underground.
This Italian production from 1980 is, in many ways, a typical low-budget exploitation film. There’s a lot of gore (including a pretty nifty beheading) and the film ends on a properly (and somewhat humorously) dark note but it takes forever for the movie to actually get going. Fans of Italian horror will be happy to see Michele Soavi show up as one of the cave explorers and, if nothing else, the film does feature an effective sequence involving a survivor running down the streets of an eerily deserted city.
That said, this film is best-remembered as an example of just how shameless that Italian film industry could be when it came to ripping off more successful films. Alien 2 had nothing to do with the original Alien but, because Ridley Scott’s film was a huge hit, the film was marketed as being a direct sequel. Because the word “alien” existed long before any of the movies using it as a title were ever released, 20th Century Fox’s efforts to sue producer/director Ciro Ippolito for copyright infringement were just as unsuccessful as Ippolito’s later attempt to sue the makers of The Descent for, in Ippolito’s opinion, ripping off his story of cave explorers getting ripped apart by a strange creature.
So, no, this is not technically a part of the Alien franchise …. unless you want it to be. That’s the fun thing about watching an unofficial sequel like this. You can decide for yourself whether or not to accept it.
Finally, keep watching the skies and don’t pick up any blue rocks! To quote the film’s final title card, “YOU MAY BE NEXT!”
Today’s music video of the day is Demon by Claudio Simonetti.
This was composed for the soundtrack of Lamberto Bava’s classic film, Demons. The video is basically mix of scenes from Demons and Simonetti performing. It’s pretty simple but I still like it, mostly because Demons is one of my favorite Italian horror films. Interestingly enough, this video was directed by Michele Soavi, who played the man in the mask in Demons and who went on to direct such horror classics as Stagefright, The Church, and Dellamorte Dellamore.