Lycia Naff | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, we meet John D. Cort.

Episode 1.13 “Home Cort”

(Dir by Paul Schneider, originally aired on January 12th, 1990)

There’s a new lifeguard on the beach!

His name is John D. Cort (John Allen Nelson) and he’s a former Navy SEAL with a dark and mysterious past. He drives a motorcycle. He wears a cowboy hat. He has a quick smile. He’s dangerous and he’s now a member of the cast. I’m going to guess that he was added to bring some mystery to the show. Originally, Eddie Kramer was supposed to be the dangerous lifeguard with the mysterious past but Billy Warlock was just too earnest and young to really pull that off. John D. Cort, on the other hand, is at least 40.

Now, I said that Cort was the “new lifeguard on the beach.” That’s not quite true. It turns out that he’s actually an old lifeguard who was a friend of Mitch’s and Craig’s. In fact, it’s insinuated that their friendship is legendary amongst the lifeguards. Of course, no one’s ever mentioned Cort before but whatever. Baywatch was never exactly known for its continuity.

Cort says that he’s returned to the beach so that he can work as a lifeguard for ten days and keep his eligibility. Actually, he’s been hired to retrieve a mysterious package that’s at the bottom of the ocean. He recruits his old friend, Sam (Bruce Fairbairn), to take him out into the ocean so that he can retrieve the package. However, an explosion costs Sam his life and forces Cort to deal with the fact that someone wants him dead. Who wants Cort dead? Some guy named Jack Burton (Drew Snyder). Why does he want Cort dead? Who cares? I got bored with the whole thing so I missed his motive. I could go back and find out but, as far as I’m concerned, if the answer was worth knowing, I wouldn’t have gotten bored the first time around. The story is really just an excuse to introduce Cort. At the end of the episode, he inherits Sam’s surf shop and makes peace with being a regular member of the cast for at least the rest of the season.

As for the B-plot, Shauni and and Jill go into business selling sandwiches on the beach! They take a lot of business away from crooked sandwich hustler Buddy Semple (played by George Clooney’s future production partner, Grant Heslov). Buddy reacts by hiring two women in bikinis to hand out his sandwiches. That’s the entire plot.

Oh, this episode. I’ll be so happy when the first season of Baywatch is over with and the show fully and cheerfully embraces the stupidity of its concept. Until then …. welcome to the beach, John Cort!

An all-women motorcycle gang called the Cycle Sluts roars through the desert. Why are they called the Cycle Sluts? As their leader puts it, they know what people are going to call them so they’re reclaiming the term for themselves. Nobody tells the Cycle Sluts what to do and nobody but the Cycle Sluts decides or defines who the Cycle Sluts are. They’re rebels and they’re singers, making music and fighting the patriarchy as they make their way through the dusty corners of America. Go, Cycle Sluts, go!

When the Cycle Sluts drive into the small desert town of Zariah, the residents are not happy to see them. Zariah is a peaceful and boring town and the citizens would like to keep it that way. The citizens are happy having a town where there’s only a few buildings, next to no businesses, and only a few residents. It’s a town where not much happens and everyone can live in peace, far away from all the evil temptations of the big city and corrupt civilization. However, the town becomes a lot less peaceful when the local mortician starts to bring the dead back to life. Soon, zombies are wandering through the desert on their way back to their former home and only the Cycle Sluts and a bus full of stranded blind kids can save the town!

That slight plot description probably tells you all you really need to know to get a feel for what type of film 1989’s Chopper Chicks in Zombietown is. It was released by Troma, which means that the humor is crude, the zombie attacks are bloody, and the film’s aesthetic is undeniably cheap. That said, the film itself is enjoyable when taken on its own dumb terms. The action moves quickly, the members of the cast perform their silly roles with an admirable amount of dedication, and the whole thing ends with a message of peace and equality. The townspeople learn how to be tolerant and the Cycle Sluts learn how to trust other people. It’s about as dumb as a movie about about bikers fighting zombies can be but it’s a surprisingly fun movie. It’s hard not to cheer a little when the Cycle Sluts and the towns people and the blind kids finally set aside their differences and do what has to be done. They even manage to save the life of a baby and anyone who has seen any other Troma films knows how rare that can be. In its way, Chopper Chicks in Zombietown serves as a reminded that not every Troma film is as bleak as Combat Shock or Beware! Children at Play. The Cycle Sluts do a good job and so does the film.

Speaking of doing a good job, keep an eye out for Billy Bob Thornton, making an early appearance as the unfortunate boyfriend of one of the residents of Zariah. Billy Bob seems to be having fun with this early job and his appearance here serves as a reminder that everyone started somewhere.