Loren Freeman | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.

This week, Weasel’s found love again. Or has he?

Episode 1.11 “Weasel Love”

(Dir by Don Barnhart, originally aired on November 20th, 1993)

Weasel’s online girlfriend, Natalie (Stephanie Dicker), moves to California and enrolls at Bayside. At first, she looks and acts just like Tori Spelling during Tori’s time on the original Saved By The Bell. However, Megan, Vicki, and Lindsay give her a makeover that …. actually, makes her look significantly worse. But everyone at Bayside insists that it makes her look better so Weasel starts to feel insecure. Tommy D, Scott, and Mr. Belding (really?) give Weasel a makeover to team him how to be cool. That coolness goes to Weasel’s head and soon, he and Natalie aren’t speaking.

Uh-oh! Natalie and Weasel are both in the school band! Natalie plays piano. Weasel plays saxophone. (Needless to say, we never actually see Natalie’s hands when she’s playing piano.) How is the band going to win that trip to New York if Natalie and Weasel aren’t capable of performing a duet together?

Well, maybe Tommy can hop on the computer and send Natalie a message “from Weasel” apologizing. Natalie is touched but later, Weasel reveals that he didn’t write the message. But Weasel and Natalie still talk through their differences and the band wins that New York trip!

As for this episode’s B-plot, Tommy D and Scott trick two of the nerd characters into leaving the band so that they can replace them. As I watched Scott and Tommy trick the nerds into thinking that they were losing their hearing, it occurred to me that it takes a lot of charisma to make a schemer likable. Mark-Paul Gosselaar and Mario Lopez had that charisma, which is why the first Saved By The Bell worked despite Zack being a sociopath. Robert Sutherland Telfer and Jonathan Angel on the other hand….

(Actually, in all honesty, Jonathan Angel was likable as Tommy. He had the goofy dumb guy thing down. Telfer, however, didn’t have Gosselaar’s cocky charm. As a result, Scott usually comes across as being more desperate than confident.)

Anyway, this was another dumb episode. There’s no consistency when it comes to how characters like Weasel are portrayed so it’s really had to care about their lives one way or another. This episode, Weasel got a girlfriend. Even though I haven’t seen the remaining season one episodes yet, I can guarantee that she will never be mentioned again.

Finally, the band sounded terrible. Leave them in New York.

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, an detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on Youtube!

Episode 1.10 “Kind of a Drag”

(Dir by Bernard L. Kowalski, originally aired on December 2nd, 1995)

Someone is putting on a dress and a rubber Richard Nixon mask and attacking drag performers! After one performer is pulled out of the ocean (“It’s a wig!” a lifeguard shouts after pulling off the performer’s blonde hair), Mitch, Garner, and Ryan are hired to discover what’s going on.

They suspect that the attacker could be Duncan Valentine (Stuart Fratkin), the son of a former sitcom star who is trying to put together a movie about her life. (His mother’s catchphrase was, “Wait until your father comes home!”) Needless to say, someone is going to have to go undercover as a drag performer to catch the killer. Which means that it’s time for Ryan to give Mitch a makeover!

Garner also goes undercover as Whoopi Goldberg but we don’t really get to see much of him in his red dress and wig.

While Mitch is performing a song, the assailant in the Richard Nixon mask shoots him! No worries. Mitch is wearing a bullet-proof vest. What does worry me is that the assailant then heads to the dressing room but no one bothers to call the police or follow him down there. Are they trying to catch this guy or not? Instead, everyone gathers around Mitch to make sure that he’s okay. Eventually, Ryan does say, “Call 911,” but I’m not sure why you would wait so long to do that when there’s a gun-toting maniac in the same building as you.

Anyway, it turns out that Duncan is innocent. Instead, the assailant is revealed to be a drag performer who is upset that he wasn’t cast as Duncan’s mother in the biopic.

This episode was …. actually, considering that it’s from the 90s, it could have been worse. Yes, a good deal of the show is taken up with scenes of David Hasselhoff struggling to walk in heels and revealing that no one has ever taught him the right way to sit down while wearing a short skirt. (Ryan really should have given him some advice as far as that’s concerned.) And yes, Mitch’s girlfriend did happen walk in on Mitch while he was wearing a dress. (Fortunately, she’s thrilled to discover that Mitch is getting in touch with his feminine side.) And yes, the villain did turn out to be a deranged drag performer who apparently believed that he actually was Duncan Valentine’s mother. However, for the most part, the show did treat the other drag performers with respect and it didn’t attempt to play the attacks on them for laughs. Mitch, Garner, and Ryan treat them like they would any other clients. In 1995, that was probably the best anyone could expect.

Next week, the show undergoes the first of many format changes!