Shattered Politics #64: Dick (dir by Andrew Fleming)


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I wouldn’t necessarily say that I love Dick but I still think it’s a pretty good film.  (Ha ha, see what I did there?)  Of course, to really appreciate this 1999 comedy, it helps to know a little something about political history.  For instance, it helps to know that the Dick of the title is President Richard Nixon (played here by a hilariously paranoid Dan Hedaya).  In 1973, as the result of his attempt to cover up White House involvement of a burglary at the Watergate Hotel, Nixon became the first President to resign from office.

A lot of the credit for Nixon’s downfall was given to two reporters for the Washington Post, Bob Woodward and Carl Bernstein (played, in this film, by Will Ferrell and Bruce McCulloch).  While Woodward and Bernstein investigated the Watergate break-in, they were reportedly fed information by a highly placed informant who was referred to as being Deep Throat.  For years, the identity of Deep Throat was a closely held secret.  Countless books were written that speculated as to who Deep Throat may have been.  (In the film All The President’s Men, he was played by Hal Holbrook.)  Finally, in 2005, it was revealed that Deep Throat was a FBI agent named Mark W. Felt, who was upset because he was passed over for a promotion.

And, quite frankly, that’s kind of a disappointing solution.  When you think about someone who brought down the government, you hope that he or she will turn out to be something more than just a disgruntled employee whose previous work consisted on running counter intelligence operations against domestic political activists.

In fact, it’s hard not to wish that, perhaps, Deep Throat could have been two 15 year-old girls who just happened to stumble across one of the biggest political scandals in American history.

Well, fortunately, this is the theory proposed in Dick.  Betsy (Kirsten Dunst) and Arlene (Michelle Williams) are two friends who, one night in 1972, sneak out of Arlene’s apartment so that they can mail a fan letter to singer Bobby Sherman.  While doing so, they happen to stumble across the Watergate burglars and get a good look at White House aide G. Gordon Liddy (Harry Shearer).

The next day, while on a field trip to the White House, the two girls are spotted by Liddy.  Liddy arranges for them to be pulled to the side and questioned by chief-of-staff H.R. Haldeman (Dave Foley), who determines that the girls barely know who Nixon is and that they don’t understand what they witnessed.  However, before Haldeman can send the girls on their way, Nixon himself enters the office and complains about how poorly planned the break-in was.

This leads to an unlikely relationship between Nixon and Betsy and Arlene.  Hoping to win their loyalty (and their silence), Nixon arranges for them to be his official dog walkers.  Betsy and Arlene, meanwhile, still don’t have the slightest idea of what’s going on.  They accidentally bring pot cookies to the White House (which Nixon particularly enjoys) and Arlene even develops a mad crush on Nixon.

But, of course, Nixon eventually shows his true colors and Betsy and Arlene take down the government….

In many ways Dick is a one-joke film, in which Betsy and Arlene regularly find themselves blissfully unaware while history literally unfolds around them.  But it’s actually a pretty clever joke and it’s also a very plausible one.  People are often unaware that anything important is happening when it’s actually happening.  Often times, it’s only in retrospect that historical moments are seen to be truly historical.  And, ultimately, Watergate itself is such a bizarre scandal that it’s the perfect moment in history to be reinterpreted as a comedy.

Dick is ridiculous enough to be funny but plausible enough to be memorable.

Back to School #76: The Bling Ring (dir by Sofia Coppola)


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The Bling Ring was one of the more divisive films of 2013.  As often seems to happen with the work of Sofia Coppola, viewers either loved it as a stylish look at America’s self-destructive love affair with fame or else they felt that it was a shallow celebration of the very lifestyle that it claimed to be satirizing.  Personally, I felt it was both, which is one reason why I enjoyed The Bling Ring.

The Bling Ring is based on the true story of a bunch of California teenagers who made headlines by breaking into the mansions of their idols.  Over the course of several months, they burglarized everyone from Paris Hilton to Lindsay Lohan to Orlando Bloom.  While they may have been smart enough to use social media to discover when their targets would be out of town, they weren’t smart enough to not use social media to brag about their crimes.  Eventually, they were arrested and, for a brief period of time, they were as famous as the people they robbed.  One of them even got her own reality show out of the whole thing.  I watched an episode or two.  It wasn’t very good.

Though the names have been changed, Coppola pretty much tells the story as it happened.  New kid in school Marc (Israel Broussard) meets Rebecca (Kate Chang), who is obsessed with celebrities.  Rebecca is also something of an obsessive thief and soon, she and Marc are breaking into the houses of their rich neighbors and acquaintances, stealing money, and going on shopping sprees.  Their thievery allows them to leave a lifestyle where every day is just another makeover montage from a romantic comedy.  Eventually, they are joined by Nicki (Emma Watson), Sam (Taissa Farmiga), and Chloe (Claire Julien).

One thing that quickly becomes clear is that the members of the Bling Ring are not exactly the smartest group of thieves around.  Along with getting increasingly reckless while committing their crimes, they also make the mistake of showing off stolen jewelry at parties and posting pictures of Facebook.  When the police eventually do track them down, Marc is a convenient scapegoat, Rebecca is hiding out in Las Vegas with her father, and Nicki becomes a minor celebrity as she and her mother exploit her newfound notoriety for all the publicity that they can get.

I liked The Bling Ring.  It’s stylish, all of the actors look good and they’re all wearing beautiful outfits, and I loved seeing all of the houses that they broke into.  (Some of the film was shot in the actual residences that were burglarized.)  On the one hand, it doesn’t really dig too deeply into the nature of fame in America but, on the other hand, does it really need to?  We all know the culture that we live in and, at its best, The Bling Ring forces us to ask whether we would rather be one of the people on the outside looking in or if we would want to be one of the people who broke in by any means necessary.

Add to that, it has a great soundtrack!

(Now, as I said, not everyone agrees with me about The Bling Ring.  For an opposite reaction to The Bling Ring, check out Ryan The Trash Film Guru’s review.)

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Back to School #60: Crazy/Beautiful (dir by John Stockwell)


Oh, memories!

I don’t know if I can describe how much my girlfriends and I loved Crazy/Beautiful when it first came out in 2001.  We saw it in the theaters, we rewatched it when it came on cable, and after I bought it on DVD, we watched it at my house.  We loved the movie because we all dreamed of having a sensitive, hot boyfriend like Carlos Nunez (played by Jay Hernandez), who would love us no matter how obnoxious or bratty we may have been.  Even if we sometimes got annoyed with her, we still all related to out-of-control Nicole (Kirsten Dunst), who everyone in the world had given up on but who ultimately just wanted her father to pay as much attention to her as he did to his new wife and his new baby.  We liked the film because we wanted to be both crazy and beautiful.

And, of course, there was all the sex, all of it filmed in beautiful soft-focus with the camera always suggesting that it was showing more than it actually was.  Crazy/Beautiful was one of those films that made you feel grown up while still being very careful not to lose its PG-13 rating.

Yes, back in the day, I loved Crazy/Beautiful.

And you know what?

It may just be the nostalgia talking but I still love it.  I recently rewatched Crazy/Beautiful and, despite the fact that I was now watching as a “critic” as opposed to a 15 year-old with issues, I quickly fell under the film’s spell.  There’s just something about Crazy/Beautiful that I simply cannot resist.

It’s a beautiful film.  Director John Stockwell has made a career out of making movies about pretty people hanging out on pretty beaches and Crazy/Beautiful has a lot of both.  When Carlos, a responsible high school senior who lives in East Los Angeles and who is hoping to attend the U.S. Navy Academy, first meets Nicole, she’s doing community service by picking up trash on the beach.  What Carlos doesn’t find out until later is that Nicole is the daughter of U.S. Rep. Tom Oakley (played, somewhat inevitably, by Bruce Davison).  Nicole is haunted by her mother’s death and feels that her well-meaning but ineffectual father has abandoned her.  At first, her relationship with Carlos seems to be yet another part of her rebellion but soon, both she and Carlos are madly in love.

Can Carlos save Nicole from herself?  Can Nicole love Carlos without leading him down the path of self-destruction?  Will Nicole and her father ever reconnect?  Will … oh, who cares?  You already know the answers.  Crazy/Beautiful is less about the story and more about how the story is told.  Stockwell keeps the story moving along and fills the screen with colorful and romantic images that make Crazy/Beautiful into the perfect teenage daydream.  He also makes perfect use of the undeniable chemistry between Jay Hernandez and Kirsten Dunst.  Both of the stars give such good performances that you really do come to care about the characters that they are playing and hope that things work out for them.  Kirsten Dunst, in particular, gives a brave performance and doesn’t shy away from playing up Nicole’s abrasiveness.  It takes courage to play a character who can be unlikable.  It takes talent to make that unlikable character sympathetic and, fortunately, Kirsten Dunst shows a lot of both in Crazy/Beautiful.

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Back to School #59: The Virgin Suicides (dir by Sofia Coppola)


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For the past three and a half weeks, I’ve been taking a chronological look at some of the best, worst, most memorable, and most forgettable teen and high school films ever made.  We started with two films from 1946, I Accuse My Parents and Delinquent Daughters.  Therefore, it seems somewhat appropriate that we close out both the 90s and the 20th Century by taking a look at a film about both delinquent daughters and accusatory parents.  That film is Sofia Coppola’s 1999 directorial debut, The Virgin Suicides.

Much like Wes Anderson, Sofia Coppola seems to divide viewers and, in many ways, for the exact same reasons.  You either get her films about upper class ennui or you don’t.  Everyone seems to love Lost in Translation but viewers and critics seem to be far more polarized when it comes to rest of her films.  It seems the people either love them or hate them.  Well, you can count me among those who love her films.  (Yes, even Somewhere.)  To me, Sofia Coppola is one of the most consistently interesting filmmakers working today and the dismissive reaction that many (mostly male) critics have towards her films has little do with her talent and much more to do with her gender and her last name.

So there.

In The Virgin Suicides, Coppola tells the story of the five Lisbon sisters.  They live in an upper middle class suburbs in the 1970s.  Their parents — math teacher Ronald (James Woods) and his wife (Kathleen Turner) — are devoutly Catholic and very protective.  The Lisbon sisters are rarely allowed to leave the house and, as a result, the neighborhood boys are obsessed with them.  (Though the film centers on four unnamed boys, there’s only one narrator, voiced by Giovanni Ribisi,  who continually refers to himself as being “we,” as if all four boys are telling the story in the same voice.)  When the youngest Lisbon daughter commits suicide, Ronald and his wife become even more protective.

At the start of the school year, the oldest daughter, Lux (Kirsten Dunst), meets and starts to secretly date the wonderfully named Trip Fontaine (Josh Hartnett).  Lux is even allowed to attend the homecoming dance with Trip but, after she breaks curfew, Mrs. Lisbon reacts by pulling Lux and her sisters out of school and basically making them prisoners in their own home.

(In one of the film’s best moments, we flash forward to see present day Trip talking about his date with Lux. Needless to say, Trip did not age well.)

With the Lisbon sisters even more isolated, the neighborhood boys become even more obsessed with them.  One day, the boys get a note from the girls, asking for their help in escaping.  The boys go to meet the girls, leading the film to its haunting conclusion…

Full of themes of sin, sexuality, repression guilt, redemption, and martyrdom, The Virgin Suicides is one of those films that you don’t have to be Catholic to appreciate but it probably helps.  James Woods, Josh Hartnett, and Kirsten Dunst all give good performances while Sofia Coppola fills the movie with dream-like and sensual images, all designed to challenge the viewer’s perception of whether or not we’re watching reality or just the idealized memories of someone still struggling to comprehend a mystery from the past.

The Virgin Suicides is the perfect movie to end with the 90s on.

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Here’s Your Chance To Tell Lisa Marie What To Watch!


So, guess what I did this morning?  That’s right — I put on a blindfold, a stumbled over to my ever-growing Blu-ray, DVD, and even VHS collection and I randomly selected 12 films!

Why did I do this?

I did it so you, the beloved readers of Through the Shattered Lens, could once again have a chance to tell me what to do.  At the end of this post, you’ll find a poll.  Hopefully, between now and next Monday (that’s March 24th), a few of you will take the time to vote for which of these 12 films I should watch and review.  I will then watch the winner on Tuesday and post my review on Wednesday night.  In short, I’m putting the power to dominate in your hands.  Just remember: with great power comes great … well, you know how it goes.

Here are the 12 films that I randomly selected this morning:

The Baader Meinhof Complex (2008) — This German film was nominated for Best Foreign Language Film.  It tells the true life story of the left-wing German terrorist group, The RAF.

The Cat’s Meow (2001) — From director Peter Bogdonavich, this film speculates about the events that led to the shooting of silent film director Thomas H. Ince.  Starring Kirsten Dunst as Marion Davies, Edward Herrmann as William Randolph Hearst, and Eddie Izzard as Charlie Chaplin.

Heavenly Creatures (1994) — The close relationship between two teenage girls (Melanie Lynesky and Kate Winslet) leads to both a vibrant fantasy world and real-life murder.  Directed by Peter Jackson.

In A Lonely Place (1950) — In this film noir from director Nicholas Ray, Humphrey Bogart plays a screenwriter who may (or may not) be a murderer.

Liquid Sky (1983) — In this low-budget, independent science fiction film, an alien lands in New York and soon several members of the city’s underground art scene are vaporized.  Not surprisingly, it all has to do with heroin.

Made in Britain (1983) — A very young Tim Roth makes his debut in this British film.  Roth plays Trevor, a Neo-Nazi who — despite being intelligent and charismatic — also seems to be intent on destroying himself and everything that he sees.

Much Ado About Nothing (2013) — In between The Avengers and Agents of SHIELD, Joss Whedon found the time to direct this adaptation of Shakespeare’s play.

Peyton Place (1957) — In this Oscar-nominated film, the sordid secrets of an outwardly idyllic New England town are exposed.

Pretty Poison (1968) — Having just been released from a mental institution, Dennis (Anthony Perkins) finds himself involved with teenager Sue Anne (Tuesday Weld), who — despite her wholesome appearance — is actually psychotic.

Troll 2 (1990) — A family moves to Nilbog, a small town that is populated by vegetarian goblins.  This movie is widely considered to be one of the worst ever made.

Walkabout (1971) — In this visually stunning Nicolas Roeg film, a teenage girl and her younger brother find themselves stranded and left for dead in the Australian outback.  They try to survive with the help of an Aborigine.

Zabriskie Point (1970) — In this 1970 film, the great Italian director Michelangelo Antonioni takes a look at the 60s counter-culture.  Airplanes are stolen, buildings explode, and orgies magically materialize in the middle of the desert.

The poll will be open until Monday, March 24th.

Happy voting!

44 Days of Paranoia #16: Wag the Dog (dir by Barry Levinson)


For today’s entry in the 44 Days of Paranoia, we’re taking a look at Barry Levinson’s 1997 political satire, Wag The Dog.

Wag the Dog opens with a White House in crisis.  With two weeks to go until the Presidential election, it’s been discovered that the incumbent President has had a brief dalliance with a girl scout.  Up until the scandal became public, the President was enjoying at 17 point lead in the polls.  Now, that lead is about to evaporate unless something can be done to keep the American public from thinking about the President’s personal life.

Significantly, the President himself never appears on-screen.  We never learn his position on the issues.  We never hear about anything he’s done during his first term.  We don’t even know what political party he belongs to.  (However, his opponent is played by Craig T. Nelson so I’m going to assume that the President is a Democrat.  Because, seriously, it’s hard for me to imagine Nelson being anything other than a Republican…)  The President remains a shadowy and insubstantial figure who, in the end, represents nothing.

Instead of getting to know the President, we instead spend the film with the aides who have to clean up after his mess.  One of those aides, Winifred Ames (Anne Heche), calls in a legendary (and rather sinister) political PR man, Conrad Bean (Robert De Niro).  Conrad announces that the only way to save the campaign is to distract the American public with a quick and totally fake war with Albania.  Why Albania?  According to Conrad, Albania has a sinister name and nobody knows anything about it.

To help create this fake war, Conrad recruits Hollywood film producer, Stanley Motts (a hilariously manic Dustin Hoffman).  Much as Conrad is a legend in politics, Stanley is a legend in Hollywood.  Stanley enthusiastically jumps into the project of creating a fake war of Albania, manufacturing everything from fake war footage to patriotic songs to anything else necessary to rally the American public.  Denis Leary shows up as a mysterious figure known as the Fad King and schemes how to make war with Albania the latest trend.  Willie Nelson sings a song to stir the spirit of every patriotic American.  A very young Kirsten Dunst is recruited to play a terrified orphan in staged Albanian atrocity footage.  A shell-shocked vet (Woody Harrelson) is cast as the Albanian War’s first hero.  Stanley greets every problem with an enthusiastic exclamation of, “This is nothing!”

Along the way, a rather odd friendship develops between the secretive Conrad and the overly verbose Stanley.  However, when Stanley, who often laments that he’s never won an Oscar, starts to complain about the fact that he’s never going to get any recognition for his “greatest production,” Conrad finds himself forced to reconsider their relationship.

Wag the Dog was first released in 1997 and, thanks to David Mamet’s darkly comedic script and Barry Levinson’s brisk direction, the film feels incredibly prophetic.  Indeed, all the film needs is for someone to mention making the war a trending topic and it would be impossible to tell that it was made 16 years ago.  Wag the Dog accomplishes the best thing that any political satire can hope to accomplish: it makes you question everything.  Whenever one watches a news report triumphantly bragging about the latest done strike, it’s hard not to feel that Stanley Motts would approve.

Other entries in the 44 Days Of Paranoia:

  1. Clonus
  2. Executive Action
  3. Winter Kills
  4. Interview With The Assassin
  5. The Trial of Lee Harvey Oswald
  6. JFK
  7. Beyond The Doors
  8. Three Days of the Condor
  9. They Saved Hitler’s Brain
  10. The Intruder
  11. Police, Adjective
  12. Burn After Reading
  13. Quiz Show
  14. Flying Blind
  15. God Told Me To

What Lisa and Erin Watched Last Night #63: Bring It On (dir. by Peyton Reed)


Last night, my sister Erin Nicole (a.k.a. Dazzling Erin) and I watched the classic 2000 cheerleading movie Bring It On on AMC.

Why Were We Watching It?

Seriously, how can you not watch Bring It On?

Back in high school, while I was doing my goth ballerina thing, Erin Nicole was a cheerleader and, though she denies it, she pretty much was Kirsten Dunst back then.  Anyway, Erin usually refuses to watch Bring It On because she says she had already had to sit through it a few hundred times by the time she turned 17.  For this reason, I always make it a point to let Erin know when Bring It On is on TV and to try to trick her into watching it with me.

But last night, to my surprise, she was the one who saw the movie listed in the guide and started watching it because, according to her, there was nothing else on.  (Personally, I think Erin was feeling nostalgic but she denies it.)  I joined her shortly after the movie started and, according to Erin, I spent the next two hours jumping around and acting all hyper.  That’s not quite the way I remember it but Erin’s the cheerleader so I’ll take her word for it.

What’s It About?

Torrance (played by Kirsten Dunst) is the new captain of her high school’s cheerleading squad and is determined to lead them to yet another national title.  However, Missy (Eliza Dushku), a new member of the squad, reveals that the squad only won those titles by stealing routines from an inner city cheerleader squad.  Torrance now has to create an original routine while dealing with her cheating boyfriend (Richard Hillman) and flirting with Missy’s brother (Jesse Bradford), who looks a lot like Paul Rudd and is skeptical about whether cheerleading’s really all that important in the grand scheme of things.

What Worked?

Let’s just come right out and say it: Bring It On is one of the greatest high school movies ever made.  It’s fun, it’s funny, and best of all, it’s real.  The film’s director, Peyton Reed, the film’s writers, Jessica Bendinger and Stephen White, and the film’s cast all perfectly capture just how important the little dramas are when you’re a teenager.  The film even manages to say something very important about issues like race and economic inequality.

Plus, as Erin and I both agreed last night, Jesse Bradford is HOT!

According to Erin, she has flashbacks and starts laughing uncontrollably  whenever she hears the line “These are spirit fingers!”

What Didn’t Work?

It all worked.  Seriously, if you can be critical of a film like Bring It On then you’re probably taking life too seriously.

“OH MY GOD!  Just like Erin!” Moments

Last night, I finally got Erin to admit that she liked Bring It On because it reminded her of her cheerleading days but Erin added, “But I wasn’t as bouncy as Kirsten Dunst is in this movie.”  To that, I can only smile and say, “Whatever,” because, as everyone knows, the Bowman Girls are always bouncy.  That’s a part of our charm.

Lessons Learned

If you’re going do it, then bring it!

Trailer: On The Road


Here’s the trailer for the film that will probably end up dominated my twitter timeline when it’s eventually released.  I follow a lot of big Kerouac fans (and I think Big Sur is one of the great American novels) and I’ll be interested to see what they think of the long-delayed film version of On The Road.  For now, I’ll just say that it’s rarely a good sign when the film version of an iconic novel is full of star cameos and I have a hard time imagining the dependably dull Garrett Hedlund as Dean Moriarty.

(Already, I can hear people complaining about the prominence of Kristen Stewart in the film’s trailer….)

Poll: Which Movie Should Lisa Marie Watch on March 20th?


Anyone who knows me knows that sometimes I just can’t help but love being dominated. 

That’s why, on occasion, I’ll give you, our beloved readers, the option of telling me which film to watch and review.  In the past, you’ve commanded me to watch and review Anatomy of a Murder, Eternal Sunshine of the Spotless Mind, and Logan’s Run

Well, here’s your chance to, once again, tell me what to do.  I’ve randomly selected 12 films from my film collection.  Whichever film gets the most votes will be watched and reviewed by me next Tuesday, March 20th.

Here are the films up for consideration:

1) Black Jesus (1968) — This Italian film stars Woody Strode as an African rebel leader who is captured by his country’s right-wing, American-backed dictatorship. 

2) Capote (2005) — Philip Seymour Hoffman was an Oscar for best actor for playing writer Truman Capote in this film that details how Capote came to write his true crime classic, In Cold Blood.  This film was also nominated for best picture.

3) Chappaqua (1966) — In this underground cult classic, drug addict Conrad Rooks seeks treatment in Switzerland while being haunted by a scornful William S. Burroughs.  This film features cameo from Allen Ginsberg, The Fugs, and just about every other cult figure from 1966.

4) Crazy/Beautiful (2001) — Jay Fernandez and Kirsten Dunst have lots and lots of sex.  This was like one of my favorite movies to catch on cable back when I was in high school. 🙂

5) An Education (2008) — In my favorite movie from 2008, Carey Mulligan is a schoolgirl in 1960s England who has a secret affair with an older man (played by Peter Sarsgaard), who has plenty of secrets of his own.  Co-starring Rosamund Pike, Emma Thompson, Alfred Molina, and Dominic Cooper (who is to die for, seriously).

6) Female Vampire (1973) — In this atmospheric and ennui-filled film from the infamous Jesus Franco, a female vampire spends the whole movie wandering around naked and dealing with the lost souls who want to join the ranks of the undead. 

7) Nightmare City (1980) — In this gory and fast-paced film from Umberto Lenzi, an accident at a nuclear plant leads to a bunch of blood-thirsty zombies rampaging through both the city and the countryside.  Hugo Stiglitz plays Dean Miller, zombie exterminator!  Nightmare City is probably most remembered for introducing the concept of the fast zombie and for serving as an obvious inspiration for Danny Boyle’s 28 Days Later.

8) The Other Side of Midnight (1977) — Based on a best-selling novel, The Other Side of Midnight tells the story of a poor French girl who becomes a world-famous actress and who ends up sleeping with apparently every wealthy man in the world.  Meanwhile, the man she loves ends up marrying Susan Sarandon.  Eventually, it all ends with both a hurricane and a murder.  Apparently, this film cost a lot of money to make and it was a notorious box office bomb.  It looks kinda fun to me.

9) Peyton Place (1957) — Also based on a best-selling novel, Peyton Place is about love, sex, and scandal in a small town.  Lana Turner is a repressed woman with a past who struggles to keep her daughter from making the same mistakes.  At the time it was made, it was considered to be quite racy and it was even nominated for best picture.  This film is a personal favorite of mine and it’s pretty much set the template for every single film ever shown on Lifetime.

10) Rosebud (1975) — From director Otto Preminger comes this film about what happens when a bunch of rich girls on a yacht are taken hostage by Islamic extremists.  The film’s diverse cast includes Peter O’Toole, Richard Attenborough, Cliff Gorman, former New York Mayor John Lindsay, former Kennedy in-law Peter Lawford, Raf Vallone, Adrienne Corri, Lalla Ward, Isabelle Huppert, and Kim Cattrall.

11) Valley of the Dolls (1967) — Oh my God, I love this movie so much!  Three aspiring actresses move to the big city and soon become hooked on pills and bad relationship decisions. Every time I watch this movie, I spend hours yelling, “I’m Neely O’Hara, bitch!” at the top of my lungs.

12) Zombie Lake (1981) — From my favorite French director, Jean Rollin, comes this extremely low budget film about a bunch of Nazi zombies who keep coming out of the lake and attacking the nearby village.  Some people claim that this is the worst zombie films ever made.  I disagree.

Please vote below for as many or as few of these films as you want to.  The poll will remain open until March 20th and whichever film gets the most votes will be watched and reviewed by me.

Happy voting!

If Lisa Marie Determined The Oscar Nominees….


The Oscar nominations are due to be announced on Tuesday morning so I figured now would be a good time to play a little game that I like to call: “What if Lisa had all the power?”  Below, you will find my personal Oscar nominations.  These are the films and the performers that would be nominated if I was solely responsible for selecting the nominees and the winners. 

For those who are interested, you can check out my picks for last year by clicking on this sentence.

Please understand, as you look over this lengthy list of deserving films and performers, that these are not necessarily the films I expect to see nominated on Tuesday morning.  In fact, I would be hard pressed to think of a year in which I have disagreed more with the critical establishment than I have this year.  For whatever reason, the films that truly touched and moved me in 2011 appear to be the films that are totally and completely off the Academy’s radar.  These are not my predictions.  Instead, they are my personal choices and they should not be interpreted as representing the opinion on anyone else affiliated with this site.  So, if you’re angry that David Fincher’s Girl With The Dragon Tattoo didn’t receive a single imaginary nomination, direct your anger at me and me alone. 

Best Picture

The Artist

Bridesmaids

The Guard

Hanna

Higher Ground

Hugo

Shame

Sucker Punch

Tinker, Tailor, Soldier, Spy

Young Adult

Best Actor

Michael Fassbender for Shame

Brendan Gleeson for The Guard

Gary Oldman for Tinker, Tailor, Soldier, Spy

Michael Shannon for Take Shelter

Rainn Wilson for Super

Best Actress

Kirsten Dunst for Melancholia

Vera Farmiga for Higher Ground

Elizabeth Olsen for Martha Marcy May Marlene

Saoirse Ronan for Hanna

Charlize Theron for Young Adult

Best Supporting Actor

Albert Brooks for Drive

Bobby Cannivale for Win Win

Jonah Hill for Moneyball

Patton Oswalt for Young Adult

Andy Serkis for Rise of the Planet of the Apes

Best Supporting Actress

Anna Kendrick for 50/50

Melissa McCarthy for Bridesmaids

Carey Mulligan for Shame

Ellen Page for Super

Amy Ryan for Win Win

Best Director

Vera Farminga for Higher Ground

Michel Hazanavicius for The Artist

Steve McQueen for Shame

Martin Scorsese for Hugo

Joe Wright for Hanna

Best Original Sreenplay

Bridesmaids

The Guard

Hanna

Shame

Young Adult

Best Adapted Screenplay

Higher Ground

Hugo

Incendies

One Day

Tinker, Tailor, Soldier, Spy

Best Animated Feature

Kung Fu Panda 2

Puss in Boots

Rango

Rio

Winnie the Pooh

Best Foreign Language Film

(Please note that I do this category a bit differently than the Academy.  Whereas the Academy asks nations across the world to submit a nominee, I’m simply nominating the best foreign language films that I saw in a theater last year.  Those who follow the Oscars will note that I’ve both nominated and awarded the brilliant Canadian films Incendies, which actually was nominated for a real Oscar in this same category last year.)

The Double Hour

Incendies

Of Gods and Men

The Skin I Live In

13 Assassins

Best Documentary Feature

Bill Cunningham New York

Buck

The Cave of Forgotten Dreams

Jig

Resurrect Dead: The Mystery of the Toynbee Tiles

Best Original Score

The Artist

A Better Life

The Guard

Hanna

The Tree Of Life

Best Original Song

“The Star-Spangled Man” from Captain America: The First Avenger

“Mujhe Chod Ke” from DAM999

“The Keeper” from Machine Gun Preacher

“Man or Muppet” from The Muppets

“Pop” from White Irish Drinkers

Best Sound Editing

Drive

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

The Tree of Life

Best Sound Mixing

Drive

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

The Tree of Life

Best Art Direction

Bunraku

Harry Potter and the Deathly Hallows, Part 2

Hugo

Sucker Punch

Tinker, Tailor, Soldier, Spy

Best Cinematography

The Artist

Hugo

Melancholia

Shame

The Tree of Life

Best Makeup

Beastly

Harry Potter and the Deathly Hallows, Part 2

Insidious

Sucker Punch

X-Men: First Class

Best Costume Design

Bunraku

The Help

Hugo

Sucker Punch

Tinker, Tailor, Soldier, Spy

Best Editing

The Artist

The Guard

Hanna

Hugo

Shame

Best Visual Effects

Harry Potter and the Deathly Hallows, Part 2

Hugo

Rise of the Planet of the Apes

Sucker Punch

The Tree of Life

List of Films By Number of Nominations:

10 Nominations – Hugo

7 Nominations – Shame, Sucker Punch

6 Nominations – Hanna

5 Nominations – The Artist; The Guard; Harry Potter and the Deathly Hallows Part 2; Tinker, Tailor, Solider, Spy; The Tree of Life

4 Nominations – Higher Ground, Young Adult

3 Nominations – Bridesmaids, Drive

2 Nominations – Bunraku, Incendies, Melancholia, Rise of the Planet of the Apes, Super, Win Win

1 Nomination – Beastly, A Better Life, Bill Cunningham New York, Buck, Captain America: The First Avenger, The Cave of Forgotten Dreams, DAM999, The Double Hour, 50/50, The Help, Insidious, Jig, Kung Fu Panda 2, Machine Gun Preacher, Martha Marcy May Marlene, Moneyball, The Muppets, Of Gods and Men, One Day, Puss in Boots, Rango, Ressurect Dead, Rio, The Skin I Live In, Take Shelter, 13 Assassins, X-Men: First Class, White Irish Drinkers, Winnie the Pooh

List of Films By Number of Oscars Won:

3 Oscars – Hanna

2 Oscars – Bunraku, Shame, Sucker Punch

1 Oscar – Beastly, Bridesmaids, The Cave of Forgotten Deams, Dam999, Higher Ground, Hugo Incendies, Melancholia, Puss in Boots, Rise of the Planet of the Apes, Super, Young Adult

So, will the Academy agree with my picks?  Well, probably not.  Indeed, it’s probable that they won’t agree at all.  And to that, I say, “Oh well.” 

The Academy Award nominations will be announced Tuesday morning.