The New York Film Critics Online Honor The Substance


The New York Film Critics Online have announced their picks for the best of 2024!

PICTURE
Anora
The Brutalist
A Complete Unknown
Conclave
Emilia Pérez
September 5
Sing Sing
The Substance
Wicked

DIRECTOR
Jacques Audiard – Emilia Pérez
Sean Baker – Anora
Edward Berger – Conclave
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys

SCREENPLAY
Anora
The Brutalist
Conclave
A Real Pain
September 5
The Substance

ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Sebastian Stan – A Different Man

ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Karla Sofía Gascón – Emilia Pérez
Angelina Jolie – Maria
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

SUPPORTING ACTOR
Yuriy Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Denzel Washington – Gladiator II

SUPPORTING ACTRESS
Danielle Deadwyler – The Piano Lesson
Ariana Grande-Butera – Wicked
Carol Kane – Between the Temples
Natasha Lyonne – His Three Daughters
Zoe Saldaña – Emilia Pérez

ENSEMBLE CAST
Anora
Conclave
Emilia Pérez
Sing Sing
Wicked

USE OF MUSIC
The Brutalist
Challengers
A Complete Unknown
Dune: Part Two
Wicked

CINEMATOGRAPHY
The Brutalist
Conclave
Dune: Part Two
Nickel Boys
Nosferatu

DEBUT DIRECTOR
Annie Baker – Janet Planet
Mike Cheslik – Hundreds of Beavers
India Donaldson – Good One
Vera Drew – The People’s Joker
Josh Margolin – Thelma

BREAKTHROUGH PERFORMER
Lily Collias – Good One
Mark Eydelshteyn – Anora
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding

ANIMATION
Flow
Inside Out 2
Memoir of a Snail
Wallace and Gromit: Vengeance Most Fowl
The Wild Robot

INTERNATIONAL FEATURE
All We Imagine as Light
Do Not Expect Too Much from the End of the World
Emilia Pérez
I’m Still Here
The Seed of the Sacred Fig

DOCUMENTARY
Black Box Diaries
Dahomey
Daughters
No Other Land
Super/Man: The Christopher Reeve Story
Will & Harper

The Substance Wins In Indiana


The Indiana Film Journalists Association have announced their picks for the best of 2024!  The winners are in bold.
BEST FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
A Different Man
Dune: Part Two
His Three Daughters
I Saw the TV Glow
In a Violent Nature
Longlegs
Mars Express
Nickel Boys
Nosferatu
The People’s Joker
A Real Pain
Rebel Ridge
Sing Sing
The Substance
Wicked

BEST ANIMATED FILM
Flow
Inside Out 2
Look Back
Mars Express
Memoir of a Snail
The Wild Robot

BEST FOREIGN LANGUAGE FILM
Aattam
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Los Frikis
Look Back
Mars Express
The Seed of the Sacred Fig

BEST DOCUMENTARY
Daughters
Ennio
Girls State
No Other Land
The Remarkable Life of Ibelin
The Sixth
The Speedway Murders
Super/Man: The Christopher Reeve Story

BEST ORIGINAL SCREENPLAY
Moritz Binder, Tim Fehlbaum and Alex David – September 5
Brady Corbet and Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Alex Garland – Civil War
Azazel Jacobs – His Three Daughters
Jeremy Saulnier – Rebel Ridge
Aaron Schimberg – A Different Man
Jane Schoenbrun – I Saw the TV Glow
Julio Torres – Problemista

BEST ADAPTED SCREENPLAY
Jacques Audiard – Emilia Pérez
Clint Bentley, Greg Kwedar, Clarence “Divine Eye” Maclin and John “Divine G” Whitfield – Sing Sing
Jay Cocks and James Mangold – A Complete Unknown
RaMell Ross and Joslyn Barnes – Nickel Boys
Chris Sanders – The Wild Robot
Peter Straughan – Conclave
Denis Villeneuve and Jon Spaihts – Dune: Part Two
Virgil Williams and Malcolm Washington – The Piano Lesson

BEST DIRECTOR
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Alex Garland – Civil War
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Jeremy Saulnier – Rebel Ridge
Aaron Schimberg – A Different Man
Jane Schoenbrun – I Saw the TV Glow

BEST LEAD PERFORMANCE
Adrien Brody – The Brutalist
Daniel Craig – Queer
Colman Domingo – Sing Sing
Kirsten Dunst – Civil War
Jesse Eisenberg – A Real Pain
Cynthia Erivo – Wicked
Ralph Fiennes – Conclave
Demi Moore – The Substance
Aaron Pierre – Rebel Ridge
Justice Smith – I Saw the TV Glow

BEST SUPPORTING PERFORMANCE
Nicolas Cage – Longlegs
Kieran Culkin – A Real Pain
Clarence “Divine Eye” Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Dennis Quaid – The Substance
Margaret Qualley – The Substance
Bill Skarsgård – Nosferatu
Tilda Swinton – Problemista
Denzel Washington – Gladiator II

BEST VOCAL / MOTION-CAPTURE PERFORMANCE
Tom Hardy – Venom: The Last Dance
Maya Hawke – Inside Out 2
Lupita Nyong’o – The Wild Robot
Pedro Pascal – The Wild Robot
Amy Poehler – Inside Out 2
Sarah Snook – Memoir of a Snail
Owen Teague – Kingdom of the Planet of the Apes
Robbie Williams – Better Man

BEST ENSEMBLE ACTING
Civil War
Conclave
A Different Man
Dune: Part Two
His Three Daughters
Nickel Boys
Nosferatu
A Real Pain
Saturday Night
Sing Sing

BEST EDITING
Sean Baker – Anora
Marco Costa – Challengers
Jérôme Eltabet, Coralie Fargeat and Valentin Feron – The Substance
Nick Emerson – Conclave
Louise Ford – Nosferatu
Dávid Jancsó – The Brutalist
Nicholas Monsour – Nickel Boys
Jeremy Saulnier – Rebel Ridge
Terilyn A. Shropshire – Twisters
Joe Walker – Dune: Part Two

BEST CINEMATOGRAPHY
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
Jomo Fray – Nickel Boys
Rob Hardy – Civil War
Benjamin Kračun – The Substance
Dan Mindel – Twisters
Sayombhu Mukdeeprom – Challengers
Sayombhu Mukdeeprom – Queer
Eric Yue – I Saw the TV Glow

BEST MUSICAL SCORE
Volker Bertelmann – Conclave
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Raffertie – The Substance
Trent Reznor and Atticus Ross – Challengers
Trent Reznor and Atticus Ross – Queer
Ben Salisbury and Geoff Barrow – Civil War
Alex Somers and Scott Alario – Nickel Boys
Umberto Smerilli – A Different Man
Benjamin Wallfisch – Twisters

BEST STUNT / MOVEMENT CHOREOGRAPHY
Bren Foster (action designer / fight choreographer) and Jaylan Foster, Jimmy Foster, Nick Harding, Jordan Petersen, Matthew Murgola and Mike Duncan (stunt team) – Life After Fighting
Muhammad Irfan (stunt coordinator / fight choreographer) – The Shadow Strays
Jeremy Marinas (fight coordinator and choreographer / second-unit director) – The Beekeeper
Lee Morrison (supervising stunt coordinator), Roger Yuan (fight coordinator / stunt coordinator) and Tanya Lapointe (second-unit director) – Dune: Part Two
Saifuddin Mubdy (stunt coordinator) and Brahim Chab (fight coordinator) – Monkey Man
Guy Norris (action designer / supervising stunt coordinator / second-unit director) and Richard Norton (fight choreographer / coordinator) – Furiosa: A Mad Max Saga
Chris O’Hara (stunt coordinator and stunt designer) – The Fall Guy
Christopher Scott (choreographer) and Jo McLaren (stunt coordinator) – Wicked
Ashley Wallen (dance choreographer), Nicholas Daines (stunt coordinator), Slavisa Ivanovic (stunt coordinator), Tim Wong (fight choreographer) and Spencer Susser (second-unit director) – Better Man
Keith Woulard and Cory DeMeyers (stunt coordinators) – Rebel Ridge

BEST SPECIAL EFFECTS
Mike Cheslik (visual effects) and Jerry Kurek (assistant effects artist) – Hundreds of Beavers
Bryan Jones (visual effects supervisor), Pierre Procoudine-Gorsky (visual effects producer) and Jean Miel (special effects supervisor) – The Substance
Paul Lambert (visual effects production supervisor), Gerd Nefzer (special effects supervisor), Rhys Salcombe (visual effects supervisor) and Stephen James (visual effects supervisor) – Dune: Part Two
Damien Leone (writer / director), Phil Falcone (producer), Christien Tinsley (design and creation of prosthetics and makeup effects), Brian Van Dorn (Tinsley Studios production coordinator), Ryan Ward (on-set makeup effects department head), Heather Albert (on-set makeup effects artist), Josh Petrino (visual effects supervisor), Declan Boyle (lead visual effects artist), Lincoln Smith (senior visual effects artist), John Caglione, Jr. (Virgin Mary / demon sequence prosthetics supervisor), Jason Baker (Callosum Studios on-set effects supervisor) and Jason Milstein (post-production supervisor and visual effects artist) – Terrifier 3
Luke Millar (visual effects supervisor) and Scott MacIntyre (special effects supervisor) – Better Man
Kevin Smith (visual effects supervisor), Kevin Sherwood (visual effects producer), Bruce Bright (special effects supervisor) and Michael Meinardus (special effects supervisor) – Godzilla x Kong: The New Empire
Ben Snow (visual effects supervisor), Florian Witzel (Industrial Light & Magic visual effects supervisor), Charles Lai (ILM associate visual effects supervisor) and Scott Fisher (special effects supervisor) – Twisters
David White (prosthetic and makeup effects design), Angela Barson (visual effects supervisor) and Pavel Sagner (special effects supervisor) – Nosferatu (2024)
Erik Winquist and Stephen Unterfranz (VFX supervisors), Paul Story (senior animation supervisor) and Rodney Burke (special FX supervisor) – Kingdom of the Planet of the Apes

BREAKOUT OF THE YEAR
Joanna Arnow (director / writer / editor / performer) – The Feeling That the Time for Doing Something Has Passed
Mike Cheslik (director / co-writer / editor / visual effects) – Hundreds of Beavers
Vera Drew (director / co-writer / editor / performer) – The People’s Joker
Mikey Madison (performer) – Anora
Chris Nash (director / writer) – In a Violent Nature
Katy M. O’Brian (performer) – Love Lies Bleeding
RaMell Ross (director / co-writer) – Nickel Boys
Maisy Stella (performer) – My Old Ass
Julio Torres (director / writer / performer) – Problemista
Malcolm Washington (director / co-writer) – The Piano Lesson

ORIGINAL VISION
Better Man
Emilia Pérez
Hundreds of Beavers
I Saw the TV Glow
In a Violent Nature
The People’s Joker
Problemista
Sasquatch Sunset
The Substance

Here Are The Independent Spirit Nominations!


Today, most awards watchers will be devoting most of their attention to the National Board of Review and the American Film Institute.  That said, the Independent Spirit nominations were still announced earlier today and Anora had a strong showing.  Meanwhile, The Brutalist, which did so well with the New York Film Critics Circle, picked up a nomination for Best Director but not Best Picture.

Here are the Spirit Nominations.  While looking at the nominations, keep in mind that a lot of potential Oscar nominees were not eligible for a nomination.  As a result, the Spirit nominations aren’t exactly the strongest predictive tool when it comes to guessing what will eventually be nominated by the Academy.

Still, it never hurts to be mentioned!

Best Feature

Anora
Producers: Sean Baker, Alex Coco, Samantha Quan

I Saw the TV Glow
Producers: Ali Herting, Sam Intili, Dave McCary, Emma Stone, Sarah Winshall

Nickel Boys
Producers: Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine

Sing Sing
Producers: Clint Bentley, Greg Kwedar, Monique Walton

The Substance
Producers: Tim Bevan, Coralie Fargeat, Eric Fellner

Best First Feature

Dìdi
Director/Producer: Sean Wang
Producers: Valerie Bush, Carlos López Estrada, Josh Peters

In the Summers

Director: Alessandra Lacorazza Samudio
Producers: Janek Ambros, Lynette Coll, Alexander Dinelaris, Cynthia Fernandez De La Cruz, Cristóbal Güell, Sergio Alberto Lira, Rob Quadrino, Jan Suter, Daniel Tantalean, Nando Vila, Slava Vladimirov, Stephanie Yankwitt

Janet Planet
Director/Producer: Annie Baker
Producers: Andrew Goldman, Dan Janvey, Derrick Tseng

The Piano Lesson
Director: Malcolm Washington
Producers: Todd Black, Denzel Washington

Problemista
Director/Producer: Julio Torres
Producers: Ali Herting, Dave McCary, Emma Stone

John Cassavetes Award

Given to the best feature made for under $1,000,000

Big Boys
Writer/Director/Producer: Corey Sherman
Producer: Allison Tate

Ghostlight
Writer/Director: Kelly O’Sullivan
Director/Producer: Alex Thompson
Producers: Pierce Cravens, Ian Keiser, Chelsea Krant, Eddie Linker, Alex Wilson

Girls Will Be Girls
Writer/Director/Producer: Shuchi Talati
Producers: Richa Chadha, Claire Chassagne

Jazzy
Writer/Director/Producer: Morrisa Maltz
Writer/Producer: Lainey Shangreaux
Writers: Andrew Hajek, Vanara Taing
Producers: Miranda Bailey, Tommy Heitkamp, John Way, Natalie Whalen, Elliott Whitton

The People’s Joker
Writer/Director: Vera Drew
Writer: Bri LeRose
Producer: Joey Lyons

BEST DIRECTOR

Ali Abbasi
The Apprentice

Sean Baker
Anora

Brady Corbet
The Brutalist

Alonso Ruizpalacios
La Cocina

Jane Schoenbrun
I Saw the TV Glow

BEST SCREENPLAY

Scott Beck, Bryan Woods
Heretic

Jesse Eisenberg
A Real Pain

Megan Park
My Old Ass

Aaron Schimberg
A Different Man

Jane Schoenbrun
I Saw the TV Glow

BEST FIRST SCREENPLAY

Joanna Arnow
The Feeling That the Time for Doing Something Has Passed

Annie Baker
Janet Planet

India Donaldson
Good One

Julio Torres
Problemista

Sean Wang
Dìdi

BEST LEAD PERFORMANCE

Amy Adams
Nightbitch

Ryan Destiny
The Fire Inside

Colman Domingo
Sing Sing

Keith Kupferer
Ghostlight

Mikey Madison
Anora

Demi Moore
The Substance

Hunter Schafer
Cuckoo

Justice Smith
I Saw the TV Glow

June Squibb
Thelma

Sebastian Stan
The Apprentice

BEST SUPPORTING PERFORMANCE

Yura Borisov
Anora

Joan Chen
Dìdi

Kieran Culkin
A Real Pain

Danielle Deadwyler
The Piano Lesson

Carol Kane
Between the Temples

Karren Karagulian
Anora

Kani Kusruti
Girls Will Be Girls

Brigette Lundy-Paine
I Saw the TV Glow

Clarence “Divine Eye” Maclin
Sing Sing

Adam Pearson
A Different Man

BEST BREAKTHROUGH PERFORMANCE

Isaac Krasner
Big Boys

Katy O’Brian
Love Lies Bleeding

Mason Alexander Park
National Anthem

René Pérez Joglar
In the Summers

Maisy Stella
My Old Ass

BEST CINEMATOGRAPHY

Dinh Duy Hung
Inside the Yellow Cocoon Shell

Jomo Fray
Nickel Boys

Maria von Hausswolff
Janet Planet

Juan Pablo Ramírez
La Cocina

Rina Yang
The Fire Inside

 BEST EDITING

Laura Colwell, Vanara Taing
Jazzy

Olivier Bugge Coutté, Olivia Neergaard-Holm
The Apprentice

Anne McCabe
Nightbitch

Hansjörg Weissbrich
September 5

Arielle Zakowski
Dìdi

ROBERT ALTMAN AWARD – Given to one film’s director, casting director, and ensemble cast

His Three Daughters
Director: Azazel Jacobs
Casting Director: Nicole Arbusto
Ensemble Cast: Jovan Adepo, Jasmine Bracey, Carrie Coon, Jose Febus, Rudy Galvan, Natasha Lyonne, Elizabeth Olsen, Randy Ramos Jr., Jay O. Sanders

BEST DOCUMENTARY (Award given to the director and producer)

Gaucho Gaucho
Directors/Producers: Michael Dweck, Gregory Kershaw
Producers: Christos Konstantakopoulos, Cameron O’Reilly, Matthew Perniciaro

Hummingbirds
Directors: Silvia Del Carmen Castaños, Estefanía “Beba” Contreras
Co-Directors/Producers: Miguel Drake-McLaughlin, Diane Ng, Ana Rodriguez-Falco, Jillian Schlesinger
Producers: Leslie Benavides, Rivkah Beth Medow

No Other Land
Directors/Producers: Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor
Producers: Fabien Greenberg, Bård Kjøge Rønning

Patrice: The Movie
Director: Ted Passon
Producers: Kyla Harris, Innbo Shim, Emily Spivack

Soundtrack to a Coup d’Etat
Director: Johan Grimonprez
Producers: Rémi Grellety, Daan Milius

 BEST INTERNATIONAL FILM (Award given to the director)

All We Imagine as Light
France, India, Netherlands, Luxembourg
Director: Payal Kapadia

Black Dog
China
Director: Guan Hu

Flow
Latvia, France, Belgium
Director: Gints Zilbalodis

Green Border
Poland, France, Czech Republic, Belgium
Director: Agnieszka Holland

Hard Truths
United Kingdom
Director: Mike Leigh

PRODUCERS AWARD  presented by Bulleit Frontier Whiskey – The Producers Award, now in its 28th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity, and vision required to produce quality independent films.

Alex Coco

Sarah Winshall

Zoë Worth

 SOMEONE TO WATCH AWARD  – The Someone to Watch Award, now in its 31st year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.

Nicholas Colia
Director of Griffin in Summer

Sarah Friedland
Director of Familiar Touch

Pham Thien An
Director of Inside the Yellow Cocoon Shell

TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 30th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.

Julian Brave NoiseCat, Emily Kassie
Directors of Sugarcane

Carla Gutiérrez
Director of Frida

Rachel Elizabeth Seed
Director of A Photographic Memory

Here Are The 2024 Gotham Nominations


Awards season began this morning, with the announcement of the Gotham nominations!

Now, to be clear, the Gotham Awards are not exactly the best precursor when it comes to predicting the Oscars.  The Gothams are designed to honor independent films and, as a result, a lot of Oscar contenders are not even eligible for the Gothams.  Dune 2, for instance, is definitely not a Gotham film.

That said, every little bit helps and, since we’ve got a whole month before the rest of precursors start weighing in, the producers of Anora have to be happy that today’s headlines have all basically been a variation of “ANORA LEADS THE GOTHAMS.”  If you’re going to build momentum on the way to the Oscars, it’s important to stay in the conversation.  Today, Anora is dominating that conversation.

Here are the Gotham nominations!

Best Feature

Anora
Sean Baker, director; Sean Baker, Alex Coco, Samantha Quan, producers (NEON)

Babygirl
Halina Reijn, director; David Hinojosa, Julia Oh, Halina Reijn, producers (A24)

Challengers
Luca Guadagnino, director; Luca Guadagnino, Rachel O’Connor, Amy Pascal, Zendaya, producers (Amazon MGM Studios)

A Different Man
Aaron Schimberg, director; Gabriel Mayers, Vanessa McDonnell, Christine Vachon, producers (A24)

Nickel Boys
RaMell Ross, director; Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine, producers (Orion Pictures/Amazon MGM Studios)

Best International Feature

All We Imagine as Light
Payal Kapadia, director; Julien Graff, Thomas Hakim, producers (Sideshow and Janus Films)

Green Border
Agnieszka Holland, director; Fred Bernstein, Agnieszka Holland, Marcin Wierzchoslawski, producers (Kino Lorber)

Hard Truths
Mike Leigh, director; Georgina Lowe, producer (Bleecker Street)

Inside the Yellow Cocoon Shell
Thien An Pham, director; Jeremy Chua, Tran Van Thi, producers (Kino Lorber)

Vermiglio
Maura Delpero, director; Francesca Andreoli, Maura Delpero, Santiago Fondevila Sance, Leonardo Guerra Seràgnoli, producers (Sideshow and Janus Films)

Best Documentary Feature

Dahomey
Mati Diop, director; Mati Diop, Judith Lou Lévy, Eve Robin, producers (MUBI)

Intercepted
Oksana Karpovych, director; Darya Bassel, Olha Beskhmelnytsina, Rocío B. Fuentes, Giacomo Nudi, Lucie Rego Pauline Tran Van Lieu, producers (Grasshopper Film)

No Other Land
Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor, directors; Fabien Greenberg, Bård Kjøge Rønning, producers (Antipode Films)

Soundtrack to a Coup d’Etat
Johan Grimonprez, director; Rémi Grellety, Daan Milius, producers (Kino Lorber)

Sugarcane
Julian Brave NoiseCat, Emily Kassie, directors; Emily Kassie, Kellen Quinn, producers (National Geographic Documentary Films)

Union
Stephen Maing, Brett Story, directors; Samantha Curley, Mars Verrone, producers (Self-Distributed)

Best Director

Payal Kapadia, All We Imagine as Light (Sideshow and Janus Films)
Sean Baker, Anora (NEON)
Guan Hu, Black Dog (The Forge)
Jane Schoenbrun, I Saw the TV Glow (A24)
RaMell Ross, Nickel Boys (Orion Pictures/Amazon MGM Studios)

Best Screenplay

Between the Temples, Nathan Silver, C. Mason Wells (Sony Pictures Classics)
Evil Does Not Exist, Ryûsuke Hamaguchi (Sideshow and Janus Films)
Femme, Sam H. Freeman, Ng Choon Ping (Utopia)
His Three Daughters, Azazel Jacobs (Netflix)
Janet Planet, Annie Baker (A24)

Breakthrough Director

Shuchi Talati, Girls Will Be Girls (Juno Films, Inc)
India Donaldson, Good One (Metrograph Pictures)
Alessandra Lacorazza, In the Summers (Music Box Films)
Vera Drew, The People’s Joker (Altered Innocence)
Mahdi Fleifel, To a Land Unknown (Watermelon Pictures)

Outstanding Lead Performance

Pamela Anderson, The Last Showgirl (Roadside Attractions)
Adrien Brody, The Brutalist (A24)
Colman Domingo, Sing Sing (A24)
Marianne Jean-Baptiste, Hard Truths (Bleecker Street)
Nicole Kidman, Babygirl (A24)
Keith Kupferer, Ghostlight (IFC Films)
Mikey Madison, Anora (NEON)
Demi Moore, The Substance (MUBI)
Saoirse Ronan, Outrun (Sony Pictures Classics)
Justice Smith, I Saw the TV Glow (A24)

Outstanding Supporting Performance

Yura Borisov, Anora (NEON)
Kieran Culkin, A Real Pain (Searchlight Pictures)
Danielle Deadwyler, The Piano Lesson (Netflix)
Brigette Lundy-Paine, I Saw the TV Glow (A24)
Natasha Lyonne, His Three Daughters (Netflix)
Clarence Maclin, Sing Sing (A24)
Katy O’Brian, Love Lies Bleeding (A24)
Guy Pearce, The Brutalist (A24)
Adam Pearson, A Different Man (A24)
Brian Tyree Henry, The Fire Inside (Amazon MGM Studios)

Breakthrough Performer

Lily Collias, Good One (Metrograph Pictures)
Ryan Destiny, The Fire Inside (Amazon MGM Studios)
Maisy Stella, My Old Ass (Amazon MGM Studios)
Izaac Wang, Dìdi Y(Focus Features)
Brandon Wilson, Nickel Boys (Orion Pictures/Amazon MGM Studios)

Film Review: Ant-Man and the Wasp: Quantumania (dir. by Peyton Reed)


I once read somewhere that in joining Marvel Comics, you could never get started writing or drawing any of the top tier characters like Spider-Man or any of the X-Men. Instead, you were left to work with some of the lesser known (or less famous) characters like the The Fantastic Four, Moon Knight or Namor and then work your way up to the big wigs. I don’t know if that’s true, but after having completed both Avengers: Infinity War and Avengers: Endgame, the MCU feels like it’s in the same position for me. Most of the S and A-Tier level heroes and villains were used in some way. Even their B-Class characters are in play (like who was the Multitude of Madness‘ Black Bolt, anyway?), so all they really have left are characters only the deepest comic fans know. It might be great for the movie fans who are just learning about them all (like myself, who primarily danced in the Spider-Man circles), but I wonder about the comic book fans and whether it’s all still holding up for them.

All that aside, it’s still better than getting a reboot of the same two or three heroes we keep getting over at DC – though they are learning. I’ll give Disney/Marvel credit for the attempt. I’m still waiting for DC to give either Green Arrow a try on film or Green Lantern another chance.

Ant-Man and the Wasp: Quantumania (or just Quantumania) finds Scott Lang (Paul Rudd) enjoying his life after the events of Avengers: Endgame. He’s a best selling author now, a welcome change from being unknown in Avengers: Endgame. He has a wonderful family in Hope Van Dyne (Evangelline Lilly), along with her parents, Hank Pym (Michael Douglas) & Janet Van Dyne (Michelle Pfeiffer). If only his daughter Cassie (Kathryn Newton, taking over for Endgame‘s Emma Fuhrmann) wasn’t getting into trouble all the time, things might just be perfect.

Cassie explains to Scott that with her free time, she’s been studying the Quantum Realm and managed to create a device that can track objects within it. At hearing this, Janet balks and demands Cassie shut down the device. This leads to a malfunction that pulls the entire family in to the Quantum Realm. The realm is full of life, much like the alternate dimensions that Doctor Strange has travelled. There is also a great evil dwelling in Kang (Jonathan Majors, Creed III), who hopes to escape. Can the family find a way back home, while dodging the threats that lie within?

The acting in Quantumania is fine. We’re introduced to some interesting supporting characters with William Jackson Harper (Midsommar) and Katy O’Brian’s (Syfy’s ZNation) performances. We’re also reunited with some familiar faces. Paul Rudd is charming and funny as always, as is Evangelline Lilly. Although we won’t get to know how Emma Fuhrmann would have done as Cassie this time, Kathryn Newton’s good here. It’s Marvel, I get it. Recasts can and do happen. We could argue that we’re a bit out of touch with this new casting, butCassie is given a lot to do in this installment, which really brings her full circle with some of the conversations she had with Scott, pre-Blip and all.

They all take a bit of a back seat to Michelle Pfeiffer, however. Janet Van Dyne is tight-lipped about the Quantum Realm, and Pfeiffer carries her experience there flawlessly. Her character is scared at the thought of returning, but once she arrives, Janet has layers of secrets that peel back. She and Kang were the most interesting characters of the group. There’s almost a covert agent quality to Janet, and I wouldn’t mind seeing a backstory of more of her adventures. An animated Adventures of The Wasp in the Quantum Realm, Disney?

And then there’s Jonathan Majors. You can’t have a good hero without a good villain, and his portrayal of Kang is scary. Anyone who watched Da 5 Bloods, The Harder They Fall or HBO’s Lovecraft Country knows that Majors can easily shift between quiet and reserved to explosive. He’s also physical enough to back his character’s words. I’m not entirely convinced of Kang’s motives for doing what he’s doing, but Majors’ presence is definitely felt when he’s in a scene.

Quantumania is basically 2010’s Tron: Legacy with a fresh coat of paint. Family gets pulled into another realm. Said realm is ruled by a major villain who wishes to spread their evil outside of the realm. Family must find a way to escape realm, yet ensure that the villain doesn’t get out as well. Quantumania‘s execution of the plan is far better than Tron‘s and I found myself truly worrying about the fates of the Lang/Van Dyne family in some of the scenes. I have to give a bit of kudos to whoever had the idea to have “the little guy” in Ant-Man be the first to square off with such a villain like Kang. For me, the end result was the opposite of watching the Hulk’s first interaction with Thanos. Back then, audiences may have thought that if the Hulk was dispatched so easily, what would that say for everyone else? In Quantumania, Scott and Hope give it their all, despite only really having their wits, fists, family & science. It was a bit more rewarding for me. There’s also something of a heist element to Quantumania, but it’s unfortunately weaker than the first two films. I would have loved to see a plan/info gathering/execution chapter to it all, but it never gets there.

Musically speaking, it’s nice to have Christophe Beck back on board for another installment. He’s taken the Ant-Man theme to new heights and the music throughout fits the film well. While there aren’t any standout songs like “Anthropodie” on the last film, the score overall turns a simple heist theme into an epic fight of good vs. evil.

Although the 3D in the film is nice, it’s not really required. For me, the effect faded after a while, only to resurface in key sequences. That could be mostly my fault for sitting in the front row, or perhaps the Avatar films have spoiled me. There’s a lot of CGI at work with the Quantum Zone, and I thought they did okay with it, for the most part. There’s nothing to complain about. Then again, we’ve kind of seen it before in every other multiverse story leading up to this.

Overall, Quantumania is a fun ride into the Quantum Zone. We’re given a chance to see Janet Van Dyne shine in her element. Every member of the entire Ant-Man family has something to offer (even Michael Douglas, who is smooth with the one liners), and it wasn’t particularly bad, as third films go.