Film Review: Francis In The Navy (dir by Arthur Lubin)

Posted on May 31, 2025 by Lisa Marie Bowman

In 1955’s Francis In The Navy, Donald O’Connor plays Lt. Peter Sterling, an officer in the U.S. Army who gets word that his best friend, a talking mule named Francis (voice of Chill Wills), is about to be auctioned off by the U.S. Navy. Sterling rushes to the Naval base but, along the way, his wallet gets stolen, he gets mistaken for an AWOL soldier, and Francis gets sold to a laboratory.

Hold on, I’m re-reading that last paragraph to make sure that I didn’t hallucinating typing all that…

Peter argues that he’s not the AWOL soldier, he’s just someone who looks just like him. Peter gets tossed into the psychiatric ward. Francis advices Peter …. yes, the mule that can talk gives Peter advice on how to get out of the mental ward …. to pretend to be the AWOL sailor. Unfortunately, the sailor is a champion boxer so that means Peter will have to enter the ring. Peter, needless to say, is not a boxer. Peter also falls for a nurse (Martha Hyer) but — uh oh! — she’s the sister of the AWOL soldier. Well, that’s kind of awkward. I don’t have a brother but if I did, I doubt I would ever want to make out with anyone who looked like him. Like seriously….

Hold on, I’m re-reading that last paragraph to see if there’s anything that I need to add.

Like, seriously, what the Hell? This movie has a talking mule, an oddly incestuous subtext, and Donald O’Connor playing two roles. Doing some research, I discovered that this was the sixth film to deal with the adventures of Peter Sterling and Francis. This was the last one of them to star Donald O’Connor, who apparently resented getting upstaged by a mule. There was one more Francis movie after this one and it starred Mickey Rooney. It was called Francis In The Haunted House so who knows? Maybe I’ll review it for our October horrorthon. (Don’t count on it.)

As weird as this film is, it’s kind of likable. Donald O’Connor is a favorite of mine and this one featured O’Connor in two roles, as both the hapless Peter and also the sailor who goes AWOL and repeatedly refuses to help Peter out. And, while I’m not really sure why he’s talking, Francis was actually cute. I enjoyed the boxing scene where he attempted to help Peter out. Unfortunately, there’s only so much a mule can do.

As for why I’m reviewing this movie, it’s because Clint Eastwood is in the cast. He plays Jonesy, a friend of the AWOL sailor who becomes a friend of Peter’s. Now, to be clear, Clint doesn’t do a lot in the movie. He works Peter’s corner during the boxing match. Otherwise, he spends most of the time in the background and he has a few scenes where he hangs out with the rest of the AWOL sailor’s friends. That said, Clint does make an impression. Even in this very early role, he had an impressive screen presence. He’s the tallest guy there and he’s got the best hair. Once you spot him in a scene, it’s hard to look away.

Francis In The Navy is historically significant because it’s the first film for which Clint Eastwood received on-screen credit. (Eastwood previously appeared in films like Revenge of the Creature and Tarantula but his name wasn’t included in the credits.) It’s an odd film, one that’s likable if you’re in an undemanding mood and you enjoy goof — extremely goofy — humor. It would be forgotten if not for Eastwood’s appearance. Seen today, this film, like Eastwood’s other early appearances, reminds us that everyone started somewhere.

I Watched Now You See Him, Now You Don’t (1972, Dir. by Robert Butler)

Posted on March 17, 2025 by Dazzling Erin

Dexter Riley (Kurt Russell) is back and just in time because Medfield College is on the verge of getting closed down again.

In The Computer Wore Tennis Shoes, buying a computer was supposed to be the solution to all of Medfield’s financial problems. I guess it didn’t work because Medfield is broke again and corrupt businessman A.J. Arnoe (Cesar Romero) is planning on canceling the school’s mortgage so that he can turn it into a casino.

There is some hope. Dexter has accidentally created an invisibility spray. Not only does it tun anything that it touches invisible but it also washes away with water so there’s no risk of disappearing forever. Dexter and his friend Schuyler (Michael McGreevey) know that they can win the science fair with their invention but the science fair doesn’t want to allow small schools like Medfield to compete unless they really have something big to offer. Dexter tells the Dean (Joe Flynn) that he has a sure winner but Dexter also refuses to reveal what it is because he doesn’t want word to leak before for the science fair. The Dean decides to raise the money to pay off the mortgage by becoming a golfer, as one does. Schulyer works as the Dean’s caddy while Dexter uses the invisibility spray to help the Dean cheat. That’s a good message for a young audience, Disney! But when Arno finds out about the spray, he wants to steal it so he can rob a bank.

This was even dumber than The Computer Wore Tennis Shoes but it was also hard to dislike it. The comedy was too gentle, Kurt Russell and the rest of the cast were too likable, and the special effects were too amusingly cheap in that retro Disney way for it to matter that the movie didn’t make any sense. When a bunch of college kids learn the secret of invisibility and use it to cheat at golf, you know you’re watching a Disney film.

Retro Television Review: The Love Boat 5.4 “The Incredible Hunk/Isaac, the Marriage Counselor/Jewels & Jim”

Posted on November 6, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, The Love Boat sets sail without a laugh track and things get awkward.

Episode 5.4 “The Incredible Hunk/Isaac, the Marriage Counselor/Jewels & Jim”

(Dir by Howard Morris, originally aired on October 24th, 1981)

Julie has hired a new entertainer for this cruise. His name is Hank Austin (Brian Kerwin) and he’s a teacher-by-day and a dancer-by-night. Julie has never actually seen Hank perform but Hank’s agent assured Julie that he’s amazing. How will Julie (and Captain Stubing) react when Hank turns out to be a …. STRIPPER!?

Even more importantly, how will the head of Hank’s PTA react? Shelley (Christopher Norris) is also a passenger on the boat and she and Hank take an immediate liking to each other. Fortunately, for Hank, Shelley does not see his performance but afterwards, she tells Hank that she’s heard a lot of people talking about how there’s a male stripper on the ship. Hank laughs it off. But then Julie walks up to Shelley and starts to complain about Hank’s act, which is seriously immature of her. I mean, Julie doesn’t even know Shelley but Julie still acts like she’s morally offended that Shelley would associate with someone with whom Julie is upset. It’s seriously out-of-character for Julie and it made me wonder if maybe Julie picked up some coke when the ship was docked at Acapulco.

Don’t worry, though. Julie eventually apologizes for lashing out and Shelley and Hank leave the ship together. From now on, the only stripping that Hank will be doing will be at PTA meetings.

Things also work out for Frank Dalton (Flip Wilson). Frank boards the ship and tells Isaac that he changed Frank’s life. Isaac has no idea who Frank is. Frank explains that he took the same cruise last year. He had a fight with his wife and went into the Pirate’s Cove for a drink. Frank told Isaac his problems. Isaac told him that sometimes, a man just has to put his foot down. Frank took Isaac’s advice and, as a result, his wife left him. Now, Frank is single and suicidal. Isaac tries to set Frank up with some other passengers. When that doesn’t work, Isaac calls Frank’s ex-wife and convinces her to board the boat in Acapulco and take him back. Frank and Janet (Marla Gibbs) are reunited. Good work, Isaac!

Finally, a jewel thief named Jim Pickett (Michael Zaslow) boards the boat. He just wants to steal a valuable necklace but instead, he ends up falling in love with Lilia Chandler (Joan Van Ark). When Jim does steal a necklace from Mrs. Landers (Henny Backus), he gives it to Lila. However, when it looks like Jim’s going to get caught by the Captain, Lila gives the necklace back to Mrs. Landers. It turns out that Lila is a jewel thief as well! She was going to let Jim steal the necklace for her but then she fell in love with him. The two reformed thieves leave the ship as a couple.

This was a weird episode because there was no laugh track. There was several moments where it was obvious that a laugh track was meant to be heard but instead of canned laughter, there was only dead air. It made the entire episode feel a bit awkward. Laugh tracks are definitely dork and corny but then again, so is The Love Boat. If anything, The Love Boat is one of the rare shows that benefitted from having a laugh track. It’s absence made the entire cruise feel weird.

As for the guest stars and their stories, I liked Michael Zaslow and Joan Van Ark. They had an enjoyable chemistry. The other two stories weren’t that interesting. The male stripper story only succeeded in making Julie look totally incompetent at her job. She got mad at Hank for being a stripper but did it seriously not occur to her to ask what type of dancing he actually did before booking him? As for the other story, it was just depressing. A laugh track would have helped….

This was just not a very good cruise, I’m afraid. It happens. Hopefully, next week will be better.

Retro Television Review: Getting Away From It All (dir by Lee Philips)

Posted on June 2, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1972’s Getting Away From It All! It can be viewed on YouTube.

For Fred Clark (Larry Hagman) and Mark Selby (Gary Collins), life is New York City just isn’t that much fun anymore. The weather is terrible. The traffic cannot be navigated. The only people ruder than the cabbies are the doormen. Fred and Mark have come up with the perfect plan. They’ve decided to move to a small country town and purchase a house on a small island. In fact, they’re going to buy the entire island! It’s surprisingly cheap. Fred and Mark don’t ever really stop to wonder why the island is available for so little money. Seriously, if you’re buying an island, you should probably ask yourself those questions.

Mark’s wife, Alice (E.J. Peaker), is enthusiastic about the idea. Less excited is Fred’s wife, Helen (Barbara Feldon). Helen enjoys living in the city and having a nice job in an office building. She gets along with her boss (played by Jim Backus, one of many veteran actors to show up in a small role in this film). Perhaps hoping that Fred will change his mind once he’s confronted with the reality of actually living in the country, Helen finally gives in.

It does turn out that the island is not quite the paradise that Fred and Mark were expecting. The only way to get out to the island is in a leaky rowboat. The house is falling apart and, as Helen is disgusted to learn, it also doesn’t have indoor plumbing. There’s no electricity either but fortunately, the local handyman is working on it. His name is Herbie and he’s played by a very young and thin Randy Quaid. If you’ve ever wanted to hear Randy Quaid speak with an exaggerated New England accent, this is the film for you. There’s nothing convincing about Quaid’s accent but it still seems only fair, considering all of the Yankee actors who have butchered the Southern accent over the years.

Just when it looks like Fred and Mark have managed to make the Island livable, they get a disturbing letter. As the new owners of the Island, they owe 20 years worth of back taxes. As Fred puts it, the tax bill is more than either of them can afford. If they can’t raise the money, the town will take back the Island. Fred and Mark consider trying to get jobs but it turns out that neither one of them knows much about being fisherman. They then decide to charm the town into nullifying the tax bill. That turns out to be more difficult than either man imagines.

Getting Away From It All is a comedy that deals with a universal theme, the desire to escape from the harshness of everyday life and find a perfect place to which to escape. That said, the film’s main reason for existing is a parade of comedic cameos. Jim Backus, Vivian Vance, Joe E. Ross, Burgess Meredith, Paul Hartman, and J. Pat O’Malley all appear in small roles, appearing just long enough for 1972 viewers to say, “Hey, I recognize that person!” The end result is a rather shallow film that has a few chuckle-worthy moments. (Again, Randy Quaid pretending to be from Maine has to be worth something.)

In the end, for all of the film’s celebration of getting away from it all, it’s hard not to feel that Gary, Mark, Alice, and Helen will all end up back in Manhattan sooner than later. Some people are just city folks.

Late Night Retro Television Reviews: CHiPs 1.2 “Undertow”

Posted on November 20, 2023 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, Ponch takes a deep breath and he gets real high.

Episode 1.2 “Undertow”

(Dir by Christian I. Nyby II, originally aired on September 22nd, 1977)

On tonight’s episode of CHiPs, a true crisis breaks out.

The California Highway Patrol’s basketball team loses a game!

Now, they would have won the game if Ponch had been playing. I’m only two episodes into this series and it’s already pretty obvious that there’s apparently nothing that Ponch can’t do. However, while at the scene of an accident on the highway, Ponch stood right in front of a leaky cannister of nitrous oxide! He ended up getting so high that he started seeing double, dancing in the halls of the station, and basically just acting like a total jackass. Of course, he smiled the whole time. Baker was less amused.

Because of his temporary high, Ponch was sent home and ordered to stay in bed for a day. He missed the game and the CHiPs lost to some other off-duty branch of California law enforcement. Fortunately, Sgt. Getraer is able to set up a rematch and, with Ponch now able to play, the CHiPs win by two points! And, of course, the winning shot is taken by Ponch because there’s nothing that Ponch can’t do. This episode ends with a series of freeze frames of Ponch winning the game and proving that California has the best highway patrol in the country.

Of course, the basketball game is only the B-plot of this episode of CHiPs. The main storyline deals with fake tow truck driver (Angelo de Meo) who is listening to the police radio for calls from women who have broken down on the highway. The driver goes to wherever the women are calling from but, instead of towing their car, he instead steals their money! The first time that Ponch and Baker chase him, the crooked tow truck driver gets away. The second time, they catch him. Of course, both of the chases lead to multi-car wrecks on the highway. This episode features the first instance of a car flipping over in slow motion on this show. Apparently, that would go on to become a CHiPs trademark.

Of course, there are other little things that Ponch and Baker have to deal with. They pull over a drunk driver (Jim Backus) and Ponch, who is high from the nitrous oxide, struggles to give him a sobriety test. They also pull over an old surfer (Paul Brinegar), who has a talking myna bird in his truck. The bird was cute. These scenes did not add up too much but I imagine they were included to drive home the idea that Ponch and Baker are professionals, even if they do spend a lot of time talking about basketball.

This episode was actually kind of fun. Erik Estrada is not a particularly subtle actor to begin with and this episode actually gives him an excuse to overact even more than usual. As much fun as it is to watch Estrada bounce off the walls, it’s even more interesting to glance over at Larry Wilcox and see just how much he appears to resent having to work with someone who always has to be the center of every scene. Neither Wilcox nor Baker seem particularly unhappy about Ponch being sidelined for a good deal of the episode. Just as in the pilot, the chase scenes were genuinely well-filmed and it was impossible not to enjoy the shots of the motorcycles weaving in and out of traffic.

Next week, Ponch will probably save someone’s life while Baker seethes in the background. We’ll see!

Retro Television Reviews: Fantasy Island 3.23 “Eagleman/Children of Mentu”

Posted on November 14, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost the entire show is currently streaming is on Youtube!

This week, season 3 comes to an end!

Episode 3.23 “Eagleman/Children of Mentu”

(Dir by Michael Vejar, originally aired on May 17th, 1980)

As I watched the third season finale of Fantasy Island, I found myself growing a bit sad. Even though I went into this program knowing that Ricardo Montalban and Herve Villechaize eventually came to despise each other, it’s still a bit jarring to see just how obvious that dislike was by the end of season 3. Gone were the silly moments of banter that used to start each episode. Instead, by the end of season 3, each episode opened with same stock footage of Tattoo announcing the plane and then Roarke and Tattoo heading down to the docks to meet their guests. When Tattoo and Roarke do speak to each other, the actors barely look at each other. As I said, it’s a shame and it’s hard not to feel that the show itself became a bit less interesting once Roarke and Tattoo stopped interacting.

As far as this week’s fantasies, they both feel somewhat familiar. There’s a comedic fantasy and a vaguely serious fantasy, both featuring actors who had previously appeared on the show in different roles. The comedic fantasy features Bob Denver as Morris Binstock who comes to the Island for a business retreat. Accompanying him is his son, Barney (Keith Coogan). Ever since the death of his wife, Morris has struggled to connect with his son. His fantasy is to become his son’s favorite comic book hero, Eagleman!

And he gets his wish. Roarke has set up an entire Eagleman secret headquarters in the closet of Morris’s room. Morris puts on the Eagleman costume and he does a flew klutzy things and he gets to fly. His son is happy. But is Morris devoting so much time to being Eagleman that he’s running the risk of losing a promotion at work? After all, a promotion would not only mean more money but it would also be something that would continue to exist, even after Morris left the Island. It looks like obnoxious Hal Ripley (Larry Storch) is going to get the promotion but when the company’s CEO, H.H. Moran (Jim Backus), discovers that Morris has been pretending to be Eagleman to make his son happy, Moran makes Morris vice president. H.H. Moran is all about family!

The more serious fantasy features Vernee Watson as Rochelle McKenzie, a reporter who is trying to track down Dr. Arthur Gates (Ralph Bellamy), a millionaire who vanished one day. Roarke explains that Dr. Gates has been spotted on the nearby Island of Mentu. Roarke warns her that the inhabitants of Mentu are not friendly and Rochelle will be putting her own life at risk if she goes to the island,

Rochelle still goes to the island and guess what? Roarke was not lying about those angry inhabitants. One of the men is horribly scarred. Another has to use a crutch but still growls at every human he sees. The island and the natives were exploited by a mining company and now, the natives distrust almost everyone they see. However, Dr. Gates has decided to dedicate his life to taking care of them. That’s a good thing because it turns out that the scarred native has a sick child and only Dr. Gates can provide the proper medical attention.

Both stories are fairly silly, though at least Rochelle’s story gives Ralph Bellamy a chance to take on the type of role that was usually given to Ray Milland. If you only know Bellamy as the guy who was constantly getting dumped for Cary Grant in the 30s and 40s, this episode allows Bellamy a chance to show that he could be a likable and authoritative actor. As for the Eagleman story, it was kind of uncomfortable to watch because Bob Denver looked like he was in his early 60s and it was hard not to worry about him seriously injuring himself whenever he put on the costume.

There’s an interesting moment in Rochelle’s fantasy, in which she tells Mr. Roarke that she feels foolish coming to the Island in pursuit of a “fantasy.” She feels that she’s being childish but Roarke explains that fantasies are not childish and that one should always pursue their dreams. Whether it was intentional or not, this scene serves as a mission statement for the entire series. Yes, Fantasy Island was frequently silly and childish but, in the end, it still resonates because people will always have dreams and they will always have fantasies. There will always be a place for Fantasy Island.

Retro Television Reviews: The Love Boat 1.19 “A Very Special Girl / Until the Last Goodbye / The Inspector”

Posted on January 4, 2023 by Lisa Marie Bowman

Beware the Inspector! Read on and find out more about this week’s cruise of the Pacific Princess….

Episode 1.19 “A Very Special Girl / Until the Last Goodbye / The Inspector”

(Dir by Roger Duchovny, originally aired on February 11th, 1978)

Captain Stubing starts the cruise by giving the crew some potentially frightening news. The company has sent an inspector to take the cruise and observe how everyone is doing their job. The catch is that the inspector is disguised as a passenger and the crew now has to figure out who it could be!

Marvin Waterman (Jim Backus) seems like a good suspect. He’s stuffy. He always wears a suit. He carries around a notepad. He’s always asking questions about the ship. It must be Marvin! Nope, sorry. It turns out that Marvin is just a children’s book author and he’s doing research.

Could it be eccentric Mrs. Corwin (played by Gavin MacLeod’s wife, Patti MacLeod)? She acts like she’s spacey and not always sure where she is but maybe that’s just a cover! She does make a lot of calls back to the mainland! Nope, it’s not Mrs. Corwin. It turns out that she’s just an eccentric widow who likes to call her daughter and let her know what’s going on in her life. Fortunately, Mrs. Corwin meets and inspires Marvin and they fall in love. Unfortunately, that doesn’t bring the crew any closer to finding the inspector.

Surprise! The inspector wasn’t actually on the ship. He arrived late and wasn’t able to board. However, his father (Jack Bernardi) did get on board and he spend the entire cruise wandering about and asking people questions in Russian. As far as I could tell, none of the crew made much of an effort to help the confused old man out so I’m guessing they’re all out of a job now. I wonder what next week’s episode will be like….

While the crew was looking for the inspector, Mike Andrews (Bob Seagren) was looking for Melanie Taylor (Laurette Sprang). Mike arranged for his goofy sidekick, Doug (Sal Viscuso), to spend all of his time with Melanie’s best friend, Jane (Debralee Scott). Fortunately, Doug and Jane fell in love. Meanwhile, Mike abandoned Melanie as soon as the cruise ended. Booooooo!

Finally, the crew was fascinated by an older man (Paul Burke) who was traveling with a younger woman (Susan Blanchard). For the majority of the episode, everyone assumed the man and the woman were lovers. But then the man collapsed and it turned out that he was the woman’s father and he also terminally ill. This cruise was their long goodbye. This was a sweet story, even if it was kind of icky that everyone assumed that the father was carrying on an affair with his daughter. But, really, that mistaken assumption is the fault of the crew. I’m surprised they didn’t mistake the older man for being the Inspector.

Anyway, this was a fairly typical episode of The Love Boat. It got the job done with a minimum of complications and, if nothing else, it looked like a fun vacation. The Love Boat always works best as wish-fulfillment. It’s the type of show you watch and think, “What would I do if I was on that cruise?” I enjoyed this episode. The whole thing with the inspector was silly but the other two stories were well-handled. I hope things worked out for Doug and Jane!

Retro Television Reviews: Fantasy Island 1.11 “Reunion/Anniversary”

Posted on November 22, 2022 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

This week, Fantasy Island is all about confronting the mistakes of the past.

Episode 1.11 “Reunion/Anniversary”

(Dir by Allen Baron and John Newland, originally aired on April 29th, 1978)

Before I talk about the two fantasies in this episode, here’s a bit of trivia. This episode was originally intended to be the first episode of the series. That perhaps explains why it has a tone that is more similar to the original TV movie than to the more light-hearted episodes that followed. Just as in the made-for-TV movie, Mr. Roarke is a bit of an enigma in this episode, one who has little trouble manipulating his guests in order to get the results that he wants. This episode even ends with Tattoo saying, “Thank God,” and Mr. Roarke replying with a mysterious half-smile. Roarke isn’t quite as sinister as he was in the TV movie but he’s also not quite the cheery host that he would become in later episodes. Roarke, at one point, also mentions that he has people who research everyone’s fantasy before choosing whether to grant it. That’s certainly different from later episodes, in which the fantasies are apparently available to anyone who can pay or who has been lucky enough to win Roarke’s sympathy.

Of course, when it came time to air the first season of Fantasy Island, this episode got pushed back and it aired as the eleventh episode. As a result, it presents a bit of a change-of-pace from the episodes that aired the weeks before. One can only imagine how someone who decided to start watching the show because of the fantasy where Don Knotts played a private eye reacted to this episode, in which four guests were stalked by a murderer who wore giallo-style black gloves.

The guests being stalked by the murderer are Agnes (Pamela Franklin), Hannah (Hilarie Thompson), Carol (Michele Lee), and Jill (Sue Loyon). They are all members of the Honeybees, a group of former high school cheerleaders who are having a ten-year reunion. Their fantasy is to spend the weekend at a recreation of the Beehive, a cabin where they used to hang out while in high school. Of course, every one of them has a dark secret and, after one of the Honeybees is apparently blown up in a nearby barn, the three remaining Honeybees have to solve the mystery. It all gets fairly dark and sordid but, fear not! Mr. Roarke shows up and even takes part in some hand-to-hand combat before revealing the truth about what is going on at the Beehive.

(Again, this is not something that we would normally expect from Mr. Roarke.)

Meanwhile, troubled couple Toni (Lucie Arnaz) and Tom Elgin (Ronny Cox, looking slightly embarrassed) come to the island for their anniversary! Toni wants to relive the weekend that they got married, when they were still happy and before Tom became a drunk. All of their old friends are invited to the island and soon, Tom is flirting with another woman while Toni is flirting with another man. Mr. Roarke even invites Rev. Allen (Stuart Nisbet), the man who performed the original wedding ceremony. The reverend explains that, due to a mix-up at the licensing office, he wasn’t actually legally allowed to perform marriages when Toni and Tom get married so it turns out that Tom and Toni have been living in sin all this time! Now, Tom and Toni have to decide whether to get married for real or to go their separate ways.

I vote for separate ways, just because they really do seem to be miserable together. However, it turns out that Mr. Roarke has a plan to keep this awful couple together.

The decision to move this episode from the start of the season to the latter half was definitely a good one. It was probably a bit too dark and dramatic to really work as the premiere episode but, as the 11th episode, it provides a nice change-of-pace. After several comedic and somewhat shallow episodes, this episode emphasizes the dramatic side of Fantasy Island. In this episode, the ultimate lesson appears to be that fantasies are fun but that it’s far more important to deal with the real world. In other words, Fantasy Island is a nice place to visit but only Mr. Roarke and Tattoo should live there.

Horror on TV: Kolchak: The Night Stalker 1.15 “Chopper” (dir by Bruce Kessler)

Posted on October 25, 2018 by Lisa Marie Bowman

Tonight on Kolchak….

There’s a headless man riding a motorcycle, using a sword to behead members of a rival motorcycle gang! And …. well, really what else do you need to know? When a headless cyclists start killing people, you don’t worry about why. There is a reason however and everyone’s favorite nervous journalist is going to find out what it is!

This episode originally aired on January 31st, 1975!

Enjoy!

http://www.youtube.com/watch?v=3raQnXP2s3s

The First (Animated TV) Noel: MR. MAGOO’S CHRISTMAS CAROL (UPA 1962)

Posted on December 25, 2017 by gary loggins

cracked rear viewer

Before Rudolph, Charlie Brown, and The Grinch, nearsighted cartoon star Mr. Magoo (voiced by Jim Backus ) headlined the first animated Christmas special, MR. MAGOO’S CHRISTMAS CAROL. First broadcast on NBC-TV in 1962, the special is presented as a Broadway musical, with Magoo as Ebeneezer Scrooge. Directed by Chuck Jones acolyte Abe Levitow , it features songs by Jule Styne and Bob Merrill (FUNNY GIRL), and a voice cast that includes Morey Amsterdam , Jack Cassidy , Royal Dano, Paul Frees (of course!) , Jane Kean, and Les Tremayne. And yes, that is Magoo’s fellow UPA cartoon stablemate Gerald McBoing-Boing as Tiny Tim! Besides 1938’s Reginald Owen version , this may very well be my favorite adaptation of Dickens’ Christmas classic! So here’s my Christmas gift to you all, MR. MAGOO’S CHRISTMAS CAROL in its entirety!: