That is the mystery that Professors Jim Tanner (George Hamilton) and Margery Lansing (Suzanne Pleshette) have to solve. Someone is using psychic powers to kill their co-workers in a research laboratory. The police think that Tanner is guilty but Tanner knows that one of his colleagues is actually a super human named Adam Hart. Hart is planning on using his super powers to control the world and, because Tanner is the only person who has proof of his existence, Hart is methodically framing Tanner for every murder that he commits.
The Power is underrated by entertaining movie, a mix of mystery and science fiction with a pop art twist. It was also one of the first attempts to portray telekinesis on film. Similar films, like Scanners, may be better known but all of them are directly descended from The Power. George Hamilton may seem like an unlikely research scientist but he and Suzanne Pleshette are a good team and The Power makes good use of Pleshette’s way with a one liner. Also keep an eye out for familiar faces like Arthur O’Connell, Nehemiah Persoff, Michael Rennie, Gary Merrill, Yvonne DeCarlo, Vaughn Taylor, Aldo Ray, and even Forrest J. Ackerman as a hotel clerk.
As our longtime readers know, I’ve seen my share of stupid movies but it’s hard for me to think of any recent film that’s quite as dumb as Rings.
It’s a shame, really. Rings, which came out in February of this year, is the second sequel to The Ring. Despite the fact that it’s been imitated by a countless number of inferior rip-offs and the film’s central premise of evil traveling through a VHS tape has become dated, The Ring actually holds up pretty well. But, Rings just does not work.
It should be said that Rings gets off to a good and chilling start, with passengers on an airplane asking if they’ve heard about “the tape that can kill you” and then Samara Morgan (Bonnie Morgan) suddenly appearing on every screen in the plane. It’s the film’s way of declaring, “Just because VHS tapes are a thing of the past, that’s not going to stop our Samara!” It’s a good opening but it’s also only five minutes and it’s followed by a “two years later…” title card.
Spoiler alert: two years later, everything goes down hill and the movie gets stupid.
The main plot of Rings deals with Holt (Alex Roe) and Julia (Matilda Lutz, who looks and sounds like Ellen Page but isn’t Ellen Page). They’re teenagers in love and when Holt leaves for college, they promise to skype each other every night. However, one night, Julia sits down in front of her laptop and discovers that Holt is not in his dorm room. Instead, there’s a woman demanding to know where Holt is.
HOLT HAS DISAPPEARED!
Julia goes to the college to find her boyfriend. She discovers that Holt has fallen in with a professor (Johnny Galecki) who apparently watched the infamous video tape. In order to avoid dying, the professor showed the tape to one of his students. And then he had that student find someone else to watch the tape and so on and so forth. I kept waiting for someone to ask the professor why he was ripping off It Follows but, apparently, no one at the college has ever seen a horror film.
Anyway, Holt has yet to force anyone to watch the video tape and he’s running out of time. In order to save her boyfriend’s life, Julia watched the video. Oddly, we don’t really get to see much of the video in Rings. I’m going to assume that the filmmakers felt that it would be pointless to show the whole video again since, presumably, the everyone in the audience has seen either The Ring or The Ring 2 or maybe even Ringu. But seriously, this is a Ring movie. Not showing the entire video without interruption feels almost disrespectful to the audience. It’s kind of like making a Friday the 13th movie and then refusing to actually show us Jason killing any of the counselors.
Anyway, after she watches the video, a weird symbol appears on Julia’s hand and somehow, all of this leads to Holt and Julia going to the town of Sacrament Valley, which is where Samara was buried after she was retrieved from that well at the end of the first Ring. Julia and Holt do some investigating, which basically means talking to a bunch of overacting character actors with inconsistent Southern accents. The film spends the majority of its time filling in Samara’s backstory, which is kind of pointless since we learned everything that we needed to know about Samara during the first two films. It’s enough to know that she’s a little girl who can pop out of your TV and kill you. She doesn’t really need the Ancestry DNA treatment that she gets from Rings.
Vincent D’Onofrio appears as a reclusive blind man, who might be the key to figuring out whatever’s supposed to be going on. D’Onofrio gives a performance that makes his work on Law and Order: Criminal Intent look subtle and nuanced. Normally, I wouldn’t mind an actor going over the top in a film like this but there’s nothing surprising about D’Onofrio’s character. Even when his big secret was revealed, I shrugged.
Rings is one of those worst movies of 2017, featuring bad acting, bad direction, and totally wasting whatever potential the franchise had left. The dialogue was so bad and the characters were so inconsistent that the movie actually made me angry. It doesn’t even work as a self-reflective parody.
For the sins of Rings, we all deserve to watch this:
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order! That’s right, we’re going from Argento to Zombie in one month!
For today’s horror on the lens, we have 1991’s Sometimes They Come Back.
Adapted from a Stephen King short story, this made-for-television film tells the story of a teacher (played by Tim Matheson) who returns to the New England town where he grew up. If he seems reluctant to do so, it’s because he has some bad childhood memories to deal with. In the 60s, his brother was murdered by a group of leather-clad greasers, all of whom subsequently died in a fiery car crash.
But, if all of them died in the 60s, why are they now showing up in his classroom? And why have none of them aged?
Could it be that … sometimes they come back?
And could it also be that the reason that they’re coming back is so they can finish the job that they started in the 60s and murder the last remaining brother?
This campy but enjoyable adaptation features good performances from both Tim Matheson and, in the role of the main dead guy, Robert Rusler. Why have they come back and what can be done to make them leave once again? Watch, find out, and enjoy!
Well, as Val already made clear with today’s music video of the day, it’s Friday the 13th!
(As I type this, I’m currently in my underwear and sitting in a wilderness cabin. If I here any strange noises outside, I’m going to grab a flashlight with a failing battery and go outside to investigate without putting on pants or letting anyone know that I’m leaving. I honor the traditions of this day.)
And you know what? It’s an even better Friday the 13th than usual because … IT’S OCTOBER!
I think this is the first time, since we started this site and our annual horrorthons, that we’ve had a Friday the 13th in October. It seems like today would be the perfect day to review every single film in the Friday the 13th franchise but … I ALREADY DID!
Back in 2012, I reviewed every Friday the 13th film. It was one of the first “review series” that I ever did and I’m still quite proud of how it went.
Don’t feel bad if you don’t. To be honest, I had totally forgotten about it until, two years ago, my friend Janeen mentioned it to me. (And to be honest, I’m not sure if I ever knew about it before then. Memories can inconsistent, especially when it comes to obscure TV shows that didn’t last for very long.) Freakylinks is a show that aired on Fox back in 2000. It only lasted one season and it was about this guy (played by Ethan Embry) who ran a website called freakylinks.com. To me, that sounds like a porn site but apparently, it was actually a site dedicated to investigating the paranormal.
Freakylinks was produced by the same company that produced The Blair Witch Project. A few months before the show premiered, in order to try to create some Blair Witch-style buzz for the production, the production company set up a website called Freakylinks.com and designed it to look like it was just some ghost hunter’s Geocities-style blog. While the web site got some publicity, it didn’t translate into ratings and Freakylinks was canceled. The freakylinks.com domain is currently for sale if anyone wants to buy it and turn it into a paranormal porn site. (Who says the two have to be separate?)
The entire series has been uploaded to YouTube and below you’ll find a pilot!
Prepare to take a trip into the past, to a time when the internet was still a mysterious and powerful thing and people apparently didn’t realize that anyone with time to kill could make a web site.
In 1986, nerds could build robots that displayed human feelings.
Angry old neighbors hate robots.
If a nerd can build a robot that displays human feelings, then he can also bring his girlfriend back to life by putting a computer chip from the robot in her brain.
Once brought back to life, the girlfriend will start to behave just like the robot.
Basketballs can be used to do anything.
Deadly Friend is best remembered for the scene where the newly revived Samantha (Kristy Swanson) throws a basketball with such force that it causes the head of her neighbor (Anne Ramsey) to explode. It is also remembered for BB, the big yellow robot that was built by Paul (Matthew Laborteaux). Deadly Friend starts out as the ultimate nerd fantasy: a beautiful girlfriend. a big robot, and a killer basketball. By the end of the movie, the fantasy has turned into a nightmare.
Deadly Friend was Wes Craven’s follow-up to A Nightmare on Elm Street. Craven intended for the film to be a dark love story between a teenage outcast and his zombie girlfriend, with a strong emphasis on the hypocrisy of the adults around them. Craven said that, in his version of Deadly Friend, people like Samantha’s abusive father were meant to be scarier than Zombie Samantha With A Microchip In Her Brain. Warner Bros. wanted a film that would appeal to teenage horror fans and demanded Elm Street-stlye nightmares and buckets of more blood. As a result, Craven practically disowned the finished movie and Deadly Friend is a tonally inconsistent, with sentimental first love scenes competing for space with heads exploding and necks being snapped. Despite good performances from Laborteaux and Swanson, the final film is too much of a mess to work. However, I know that I will never look at a basketball the same way again.
Today’s horror scene that I love is from the 1953 film, House of Wax!
In this scene, a curious visitor to Vincent Price’s wax museum discovers that more than a few of the figures are actually corpses that have been covered in wax. When she is confronted by Vincent Price, she hits his face and, in an homage to the famous unmaking scene from The Phantom of the Opera, discovers what is underneath.
(I’ve recently decided that they should change the name of October to something more appropriate, like Pricetober. Seriously, this month is all about Vincent Price…)
Who is Adam Hart?
Through the Shattered Lens 