Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.
This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine. Check out my review here and then be sure to enjoy the show!
Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.
This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine. Check out my review here and then be sure to enjoy the show!
Like yesterday’s music video of the day, this is from Thom Yorke’s Suspiria soundtrack.
Enjoy!

What a day!
Hi, everyone. If today’s horrorthon seemed to be missing some of the usual contributions, that’s because today has been a crazy day. It’s been raining in Dallas since last Friday and it’s supposed to continue to do so for the next week. This morning, the storms brought lightning and that lighting struck a building and set it on fire. The building’s roof proceeded to collapse. That building belonged to AT&T and it’s destruction let to what those of us in Dallas have christened the Great ATT Outage of 2018.
Basically, for the past 11 hours, the Texas Bureau of the Shattered Lens has had no internet access! So, I’m sorry to say that I was not able to write and post all of the reviews that I wanted to post today. I’ll have to play catch up later this week. I do want to say thank you to Gary, Jeff, and Case for their contributions today! It’s nice to know that you can depend on your partners in crime!
Fortunately, things are back up and running once again. And just in time for me to share the fifth episode of Kolchak: The Night Stalker. In this one, our favorite nervous reporter deals with a — you guessed it! — a werewolf! This episode originally aired on November 1st, 1974.
Enjoy!
Psycho Cop is back!
The Psycho Cop is Officer Joe Vickers (Robert R. Schaffer), who upholds the law with the help of Satan and the occult. When he overhears two office mates talking about a party that they’re going to be throwing for a friend, Officer Vickers decides to stop by and dispense a little Hellish justice. After killing the security guard, the Psycho Cop spends the rest of the money stalking white-collar workers and strippers. He’s an efficient killer with a police-related pun for nearly every occasion but he meets his match when he goes after an accountant. As much as he tries, Psycho Cop cannot catch the accountant. He can catch security guards. He can catch strippers. He can catch low-level executives. But an accountant? That’s just a bridge too far.
Psycho Cop seems like he should be a good horror villain and, for the first half of the movie, he seems like he’s unstoppable. But then he easily gets outwitted by both the nerdiest of the office workers and an accountant and you end up losing respect for him. The idea of a demonic policeman will always have possibilities but Psycho Cop Returns never reaches the heights of Maniac Cop or even Kevin Bacon’s crazed sheriff in Cop Car. For everything that you could do with the character of a policeman who is in league with the devil, Psycho Cop Returns just turns him into a one-liner spouting maniac. Robert R. Schaffer does okay as the title character and he has the right look to play a psycho cop but he’s still no Robert Z’Dar.
As you can tell from the title, this is a sequel. I haven’t seen the first Psycho Cop so I don’t know if it does a better job at exploiting the whole killer cop angle. Psycho Cop Returns has potential and a sense of humor but, ultimately, there’s little to distinguish it from the countless other manic-on-the loose films that went straight to video in the 90s.
Well, we are halfway through October and, traditionally, that’s when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.
Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!
Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why. The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures. This dream-like film was independently produced and distributed. At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.
This was director Herk Harvey’s only feature film. Before and after making this film, he specialized in making educational and industrial shorts, the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted. Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.
Enjoy Carnival of Souls!
Today’s music video of the day is from Thom Yorke’s soundtrack for the upcoming Suspiria remake or rehash or reboot or whatever the Hell it’s supposed to be.
I may not be particularly happy about the idea of a new version of Suspiria (especially one that apparently doesn’t involve a single Argento) but I do like what I’ve heard of the soundtrack. Of course, nothing can improve on Claudio Simonetti’s work on the original but still….
Enjoy!
The second week of horrorthon comes to a close and I think it’s going pretty well this year! We’ve got two and a half more weeks to go and then it’ll be the first of three great holidays, Halloween!
As for me, I have a cold so I’m a little bit out-of-it right now. It’s been raining raining the entire weekend and apparently, we’re about get hit by another storm, one that should last for a few days. There’s also a cold front coming in so I guess fall has finally arrived!
Here’s what I did this week:
Movies I Watched:
Television Shows I Watched:
Books I read
Music To Which I Listened
Links From Last Week
Links From The Site
(It’s been another busy October week on the Shattered Lens!)
Want to see what I did last week? Click here!
Have a great week, everyone! Be sure to buys lots of candy ahead of time so you’re not that house that’s forced to give out nutrition bars on Halloween. Seriously, kids hate that! Just look at this one here:

On tonight’s episode of Kolchak….
Kolchak is on assignment in Los Angeles and he’s shocked to discover that the town is turning into a city of vampires! This episode is a sequel to the made-for-TV movie that first introduced to Carl Kolchak to the world. Not only does this episode feature a vampire but it also features the great character actor, William Daniels. William Daniels is one of those actors who plays astonishment quite well so his scenes with Kolchak are a lot of fun.
This episode originally aired on October 4th, 1974.
Enjoy!
Charles Durning plays Otis P. Hazelrigg, a postman in a small town who has an unhealthy interest in a ten year-old girl named Marylee (Tanya Crowe). When Marylee is mauled and nearly killed by a dog, Otis decides that she was attacked by Bubba Ritter (Larry Drake), a mentally challenged man who has the mind of a child. With Otis and his redneck friends looking to lynch him, Bubba’s mother disguises him as a scarecrow and tells him to stand out in a field and not move. When Otis and his friends discover Bubba hiding, they all shoot him until he’s dead. Otis puts a pitchfork in Bubba’s hands and tells the police that Bubba was attacking them and they didn’t have any choice but to shoot him.
Otis thinks that he’s gotten away with murder but he’s wrong. After Marylee sings a song in the same field where Bubba was killed, Otis’s friends start dying. One is suffocated in a grain silo. Another falls into a thresher. Before each one dies, they report seeing a scarecrow on their property. Otis thinks that Bubba’s mother is behind the murders but what if Bubba has actually come back to life?
Dark Night of the Scarecrow will mess up your mind, give you bad dreams, and leave you with a lifelong phobia o scarecrows. It’s that scary. I remember that they used to frequently show this movie on TV when I was growing up and even the commercials were scary. (The part of the movie that always messed with me were the shots of Bubba’s frightened eyes darting around underneath the scarecrow mask.) Scarecrows are naturally creepy and the movie’s atmosphere is unsettling but the most frightening thing about Dark Night of the Scarecrow is Otis and the redneck lynch mob that he puts together. Otis is a thoroughly loathsome character and Charles Durning goes all out playing him. Otis is a civil servant, which gives him some prestige in the town but he uses that prestige to bully Bubba and harass Marylee. His concern with Marylee especially feels wrong and the movie does not shy away from the subtext of his interest. The scarecrow might frighten you but you will absolutely loathe Otis and everyone who follows him.
Dark Night of the Scarecrow was made for television but it’s just as good as any theatrical release. It is also might be the first movie to feature a killer scarecrow. Several have been made in the years since but Dark Night of the Scarecrow was the first and it’s still the best.
Now, this is good acting!
In this scene from the original Halloween, Dr. Loomis (Donald Pleasence) attempts, as best he can, to explain the unexplainable. I’ve always felt that Pleasence’s performance in the first film is extremely underrated. People always tend to concentrate on the scenes where he gets angry and yells or the later films where an obviously fragile Pleasence was clearly doing the best he could with poorly written material. But, to me, the heart of Pleasence’s performance (and the film itself) is to be found in this beautifully delivered and haunting monologue.
In this scene, we see that Dr. Loomis is himself a victim of Michael Myers. Spending the last fifteen years with Michael has left Loomis shaken and obviously doubting everything that he once believed. Whenever I watch both Halloween and its sequel, I always feel very bad for Dr. Loomis. Not only did he have to spend 15 years with a soulless psychopath but, once Michael escapes, he has to deal with everyone blaming him for it. Dr. Loomis was literally the only person who saw Michael for what he was.