Live Tweet Alert: Watch MEGAN with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Deanna Dawn will be hosting 2023’s MEGAN!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Late Night Retro Television Reviews: Friday the 13th 1.11 “Scarecrow”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Micki and Ryan visit the country and battle a killer scarecrow!  Yikes!

Episode 1.11 “Scarecrow”

(Dir by William Fruet, originally aired on February 1st, 1988)

While Jack is off in Europe searching for a cursed antique, Micki and Ryan head into the country.  They’ve recently received a letter from someone requesting that they come to a small rural town and collect the scarecrow that was bought from their shop years ago.

Seriously, do people usually buy scarecrows from antique shops?  I mean, I always thought that half the fun of having a scarecrow was getting to build it yourself.  And even if you didn’t want to build your own scarecrow, I imagine that you would probably go to a country store to buy one as opposed to heading into the city and going to an antique store.

No matter, though.  Even if it doesn’t make much sense to buy a scarecrow from an antique store, the scarecrow is undeniably scary.  Of course, when Micki and Ryan arrive in the town, the farmer who bought the scarecrow lies and says that someone set it on fire three years ago.  However, the viewer knows that the scarecrow not only still exists but that it comes to life at night and kills people with a scythe!  Every harvest, the scarecrow beheads three people and, as a result, the owner of the scarecrow has a good crop while everyone else in the town is struggling to make ends meet.

The viewer also knows that the villain of the story is Marge Lonacre (Patricia Phillips), the rather severe-looking owner of the town’s only inn.  Even if the episode didn’t show us Marge activating the scarecrow early on, it would be easy to guess that she is the villain because everything about Marge — from the way she dresses to the way she glares at people to the abrupt way that she speaks — screams villainy.  Oddly enough, it takes Micki and Ryan forever to figure out that Marge is the villain, even though they’re staying in Marge’s inn and Micki witnesses the scarecrow depositing a dead body on Marge’s front porch.  In fact, for some reason, Micki gets into her head that the helpful sheriff (Steve Pernie) is the killer and she even locks him in a closet so that he can’t keep her from running back to the inn.  Ryan and Micki are both likable and Micki’s fashion sense is to die for but, without Jack around to guide them, neither of them is a particularly effective investigator.

While searching for the scarecrow, Ryan bonds with the son of one of the scarecrow’s victims, which leads to some nicely-acted moments from John D. LeMay.  I mention this because Friday the 13th, much like Nightmare Café, was always at its best when it explored the humanity of its lead characters.  For all of the violence that Micki and Ryan have witnessed, they’re still trying to make the world a better and nicer place and it’s hard not to admire that.

This was an effective episode, one of that was full of creepy atmosphere and which featured one truly scary scarecrow.  I think even Jason Voorhees would have avoided this country town!

Late Night Retro Television Review: Monsters 1.11 “Rouse Him Not”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

This week, there’s a monster in the cellar!

Episode 1.11 “Rouse Him Not”

(Dir by Mark Shostrom, originally aired on December 31st, 1988)

Linda McGuire (Laraine Newman) is a painter who, for financial reasons, has moved from New York to a cottage in New England.  (As she explains it, she wouldn’t even be able to afford the tiniest hovel in New York for the amount she’s paying for the cottage.)  Along with hoping to paint some landscapes, Linda also plans to transform the cellar into her own personal art gallery.

Unfortunately, things are not going quite as well as one might hope.  First off, the scenery is not as inspiring as Linda thought it would be.  Instead of painting beautiful landscapes, she’s been painting portraits of the cottage, often with a dark figure standing in the doorway.

Secondly, her neighbor, Mr. Ritzen (Terrence Evans), keeps peeking through her windows.  Linda thinks that he’s just a perv but Mr. Ritzen actually has another reason for continually checking on her and the cottage.

One day, after Linda chases off Mr. Ritzen, she is visited by a mysterious man named John Thunston (Alex Cord).  The eccentric Thunston informs her that her cottage was once the home of a warlock named Crett Marrouby.  The warlock was hung by the other townspeople, an event that was witnessed by Mr. Ritzen.  Before Crett was executed, he warned everyone to avoid using black magic because they might accidentally summon something evil.

While Thunston is talking to Linda, a guttural roar comes from the cellar.  When Thunston and Linda go down to check on what is making all the noise, Thunston discovers that, as a result of Linda’s renovations, a mystic seal has been broken.  Thunston speculates that Crett summoned a demon and then used the seal to keep it trapped in the cellar.  Now that the seal has been broken, the demon is free to attack and kill.  Fortunately, Thunston just happens to have a special sword that he claims can be used to behead and kill the demon.  Now, it’s just a matter of waiting for the demon to appear and removing demon’s head before the demon removes Thunston’s.

The odd thing about this episode was how straight-forward it was.  I kept waiting for some sort of diabolical twist that would reveal that Linda was actually a witch or that Thunston was actually the warlock but it never came.  Instead, everyone in this episode was exactly who they said they were and the monster was pretty much exactly what Thunston thought it would be.  Things would have been improved by a sudden twist or two because, despite an effective monster and a enjoyably campy performance from Alex Cord, this episode is pretty boring.  The premise promises some Lovecraft-style horror but the anti-climatic conclusion will leave most viewers saying, “Really?  That’s it?”

Next week, let’s hope that things will be a bit more interesting when three friends battle a fire-breathing troll!

Live Tweet Alert: Watch House At The End Of The Street With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 2012’s House At The End Of The Street!  Starring Jennifer Lawrence and Elisabeth Shue, this film is a personal favorite of mine.

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and YouTube!.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Late Night Retro Television Reviews: Friday the 13th: The Series 1.10 “Tales of the Undead”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan learns why you never meet your heroes.

Episode 1.10 “Tales of the Undead”

(Dir by Lyndon Chubbock, originally aired on January 25th, 1988)

Comic book fan Ryan is shocked when he witnesses the murder of the owner of his favorite comic book store.  He’s even more shocked by the fact that the murderer appeared to a legendary comic book character, a robot who was created and drawn by an artist named Jay Star.

Micki is skeptical when Ryan tells her that he thinks one of his favorite comic book characters has come to life.  Despite having dealt with a cursed doll and quill that could kill someone just by being used to write that person’s name, Micki draws the line at living comic book characters.  However, Ryan does some research and discovers that a cursed comic book was indeed purchased from the store.

Seriously, think about this.  Ryan not only witnesses a murder but the murder is committed by his favorite comic book character and then he discovers that it’s all linked to the cursed antique store where Ryan just happens to work.  That’s an amazing coincidence!  Jack would probably be concerned about how all of that came to happen but, oddly enough, Jack is not in this episode.

Instead, it falls to Ryan and Micki to track down the comic book.  This leads them to the man who created the robot, Jay Star (played by special guest star Ray Waltson).  Jay Star created the robot in the 40s and became a hero to comic book readers everywhere but he feels that he wasn’t properly compensated for his services.  (This is something that happens far too often to real comic book artists as well.  Some people have definitely gotten a lot of money as a result of all the Marvel films but the families of Jack Kirby and Steve Ditko have not.)  The comic book company kept the rights to his character and they refused to publish the issue in which Jay killed him off.  The company is still making money off of Jay’s work while Jay lives in obscurity as a recluse.  At the start of the episode, Jay Star does not own the cursed comic book.  However, he does manage to track it down and steal it from its current owner, Cal (David Hewlett).  Soon, Jay is transforming into the killer robot and seeking revenge on everyone who he feels has betrayed him.

This was one of the stronger episodes of Friday the 13th.  What really set this episode apart from some of the ones that came before and after was that Ryan had a personal stake in recovering the cursed item.  As he explains it to Micki, comic books were the one constant he had during his dysfunctional childhood.  He grew up admiring artists like Jay Star and dreaming of being one of them and of being a hero who could solve all of the world’s problems.  In this episode, Ryan discovers that his hero is a murderer and John D. LeMay does a very good job of playing Ryan’s disillusionment.  The episode ends on a rather sweet note, with Micki encouraging Ryan to remember Jay Star for his talent and not for his crimes.

The episode is also distinguished by Ray Waltson’s empathetic performance as Jay Star, a villain for whom you can’t help but have some sympathy.  When Jay transforms into the killer robot, the episode itself switches to comic book-style animation, which is one of those gimmicks that works far better than one might expect.  Even the robot was about as scary as a monster on a low-budget show like this could possibly be!

This was a good episode.  I hope Ryan never stopped drawing.

Here’s The Trailer For Handling The Undead


Handling the Undead may be a zombie film but, as it’s based on a novel from the author of Let The Right One In, I think it is safe to assume that it will hardly tell a standard story of the undead.

The film will be premiering at Sundance in January.  Watch the trailer below!

Late Night Retro Television Reviews: Monsters 1.10 “Pillow Talk”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

Tonight, a bed demands to be fed.

Episode 1.10 “Pillow Talk”

(Dir by David Odell, originally aired on December 24th, 1988)

Miles Magnus (John Diehl) is one of the most successful horror authors in the world, writing best seller after best seller.  All of his books seem to involve a “master” who forces other people to do something terrible.  This episode opens with Miles bringing home his date, Barbara (Ruth de Sosa), and immediately taking her to his bedroom.

Barbara is impressed, especially with the fact that Miles keeps all of his books in his bedroom.  Miles is more interested in pointing out his rather large bed.  Miles tells her that, like Marcel Proust, he does all of his writing in bed.  Barbara’s reaction indicates that she’s not sure exactly who Marcel Proust is.  Despite the fact that Miles is kind of awkward and geeky, it’s not long before Barbara has stripped down to her underwear, rolled around on the bed, and invited Miles to join her.

Then the bed eats her.

Seriously.  The mattress opens up like a mouth and two rather phallic tentacles wrap around Barbara and pull her into the gaping hole.  All that’s left behind are her high heels because, apparently, the bed does not like shoes.

It turns out that Miles has been using the old trick of writing about what you know.  Miles does have a master and it’s his bed.  Of course, the bed itself is possessed by a creature that Miles describes as being the last of “the Great Old Ones.”  So, Miles’s bed is possessed by Cthulhu?

The next night, Miles brings home another woman.  Vicki (Mary Woronov) is a writer herself.  She writes romance novels and she tells Miles that she feels as if they are kindred spirits because her novels also often feature a master/servant relationship.  Miles tries to maneuver Vicki over to the bed but, instead, Vicki finds Miles’s diary and leaves with it.

Vicki later calls Miles and tells him that she hasn’t been able to put down his diary, which she apparently believes to be a rough draft of his newest novel.  She invites him over to her apartment so they can discuss it.  Mostly wanting to get back his diary so his secrets are not revealed, Miles goes over to Vicki’s place.  Vicki says that she thinks they should collaborate on a new novel and more.  After checking to make sure that Vicki’s bed is not alive, Miles agrees.

Ha!  The joke’s on Miles.  Vicki’s bed may not eat people but her refrigerator does!  When Miles gets a beer, he’s dragged into the refrigerator by a familiar set of tentacles and only his shoes are left behind.  Cthulhu really does not like footwear!

This was an enjoyable piece of Lovecraftian-style whimsy, with John Diehl giving an effectively jittery performance and Mary Woronov stealing the entire episode with her more cool and icy turn as the femme fatale, Vicki.  Just as being confined to bed gave Proust the time to perfect his talent, having to feed his bed has made Miles into both a successful author and a mental wreck.  More than just being a show about a bed that eats people, this is also a story about the isolation of being an artist.  In order to keep his talent and inspiration from fading, Miles has to literally destroy every human relationship that he has.  He can blame it on Cthulhu all the he wants but, in the end, Miles is the one who made his bed and must now sleep in it.

Film Review: Evil Dead Rise (dir by Lee Cronin)


In the latest Evil Dead film, an earthquake hits Los Angeles, shaking an apartment complex, destroying the fire escape, and screwing up the elevators.  It also leads to a part of the basement parking lot collapsing, revealing a previously concealed chamber.  Three siblings — teenagers Danny (Morgan Davies) and Bridget (Gabrielle Echols) and their younger sister, Kassie (Nell Fisher) — enter the  chamber.  Danny finds several vinyl records and a book that is bound in human skin.

Now, personally, if I found a book that was bound in human skin, I would not pick it up.  I mean, that’s just creepy!  Honestly, the only reason why someone would bound a book in human skin would be to let the world know that the book is something evil.  But Dany is stupid, so he takes the book back to the apartment where he and his siblings live with their mother, Ellie (Alyssa Sutherland).  Danny not only opens the book but he also plays the records.  The second record features a priest reciting an incantation and soon, all Hell breaks lose.  It doesn’t take long before Ellie is dead and then possessed by the Deadites.  Soon, the entire building is full of possessed people and it falls to Ellie’s wayward sister, a “groupie” named Beth (Lily Sullivan), to protect the children from the demon that is inhabiting their mother’s body.

Evil Dead Rise has been described as being the “second Evil Dead film without Bruce Campbell” but that’s not quite true.  Along with Sam Raimi, Bruce Campbell served as an executive producer on the film and he also provided the voice of one of the people heard on the vinyl record.  As Campbell is heard telling the priest not to read the incantation, it’s totally probable that the voice on the record is meant to be belong to Ash Williams.  Evil Dead Rise definitely takes place in the same cinematic universe as the previous Evil Dead films.  This isn’t like one of David Gordon Green’s snooty Halloween films.  Evil Dead Rise is not ashamed of its heritage and, indeed, it’s full of visual references to the previous Evil Dead films.  Yes, an eyeball is swallowed.  Yes, there is a huge amount of blood spilled in the film, with the film’s main characters literally getting drenched in it.  Yes, a boomstick is fired.  And yes, there is some chainsaw action towards the end of the film.  Beth says, “Come get some,” at one point and it’s a crowed-pleasing moment.  The characters are all named after people who were involved in the previous films.  At a time when so many sequels and reboots seem to resent the films that came before, Evil Dead Rise does not hide its heritage.

That said, while watching Evil Dead Rise, it was hard not to miss the slapstick anarchy that Raimi and Campbell brought to Evil Dead II and Army of DarknessEvil Dead Rise plays up the horror of the Deadites and it is one of the rare horror films where you truly do come to feel like any character, regardless of how innocent or likable, could die at any moment.  But, to be honest, the Deadites aren’t that interesting without Sam Raimi’s hyperactive visuals and Ash’s over-the-top mix of machismo and stupidity.  Without the humor and the destructive glee of Raimi and Campbell, the Deadites are just another group of mean-spirited demons.  Without Ash and Raimi’s kinetic camerawork, the film focuses on the Deadites and the film sometimes feels a bit generic as a result.

Which is not to say that Evil Dead Rise is not an effective survival horror film.  The apartment building is an appropriately claustrophobic location and the sibling rivalry between Ellie and Beth brings an interesting subtext to the film’s story.  When the possessed Ellie taunts Beth, it’s obvious that Beth is hearing everything that she’s always suspected her sister thought about her.  Defeating her possessed sister is as much about Beth conquering her own insecurities as it is about defending Ellie’s children.  Even if it’s not quite to the level of Raimi’s films, the blood-drenched finale achieves a horrific grandeur that bring to mind the best of Lamberto Bava’s Demons films.  Evil Dead Rise is a well-made if occasionally generic chapter in the Evil Dead saga, though it’s impossible not to miss Rami and Campbell while watching the film.

Live Tweet Alert: Join #ScarySocial for Evil Dead Rise!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2023’s Evil Dead Rise!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Evil Dead Rise is available on Prime!

See you there!

Late Night Retro Television Reviews: Friday the 13th: The Series 1.9 “Root of all Evil”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Lloyd returns!

Episode 1.9 “Root of all Evil”

(Dir by Allan King, originally aired on November 28th, 1987)

Remember Lloyd (Barclay Hope)?

Lloyd is Micki’s fiancé, an attorney who obviously has a lot of money.  Way back when this series began, Micki promised Lloyd that it would only take her a week or two to deal with her late uncle’s estate.  That was all we heard about Lloyd for the next few episodes and I have to admit that I had assumed that the show had forgotten about him.

Well, it turns out that I was wrong.  In this episode, Lloyd calls up Micki at the antique shop and basically accuses her of trying to get out of marrying him.  Micki, who obviously cannot begin to explain what she’s been doing at the antique shop, tells Lloyd that her uncle’s estate is really complex.  Lloyd wants Micki to come back home.  Micki, herself, says that she wants to go back home.  Ryan, however, tells Micki that they have an obligation to get all of the cursed antiques.

(One of the best things about the first season so far has been the contrast between Ryan’s enthusiasm for dealing with the supernatural and Micki’s more cautious approach towards their mission.  Wisely, the show doesn’t take sides.  Ryan often acts without thinking while Micki often spends a lot of time trying to rationalize each of the curses.  Both approaches have their strengths and their flaws.)

Lloyd eventually shows up at the antique shop and Micki finally tells him what’s going on.  She even shows him the vault, which includes the psycho doll from the show’s pilot.  (The doll gives Micki and Lloyd a rather nasty look.)  Lloyd is still not convinced and, at first, Micki takes some comfort in the fact that he’s not a Ryan-style believer.  She considers marrying Lloyd and returning to a life of pretending that the supernatural doesn’t exist.

While Micki is dealing with all of that, Ryan and Jack are dealing with a homicidal gardener named Adrian (played by future Veronica Mars co-star, Enrico Colantoni) who has a cursed mulcher.  When he stuffs a person into a mulcher, the body is transformed into however much money the person was worth, both financially and morally.  Jack and Ryan go undercover as gardeners and, as you can probably guess, Adrian is eventually fed into the mulcher.  The mulcher doesn’t feel that Adrian is worth even a dollar, which means that it just grinds his body up and blood goes flying everywhere.  This is definitely one of the more gory episode of the show so far.

As for Lloyd, even after he sees proof that magic is real and that the antiques actually are cursed, he still says that Micki should abandon the store and marry him.  Micki realizes that Lloyd doesn’t care about anyone but himself and she dumps him.  (If she had fed him to the mulcher, she could have at least gotten some money out of the deal.)  The episode ends with Ryan welcoming Micki back to the antique shop and Micki realizing that she’s home.  Awwwwww!

I liked this episode, mostly because it tied up a loose end from the pilot, suggesting that the show’s writers actually were paying attention to what they were doing and also showing that Friday the 13th was more than just a show about the supernatural.  It was also a show about the bonds of family and friendship.  Robey finally got to do something more than look scared and ask Jack what to do.  And, it must be said, the mulcher was an enjoyably grisly creation.  Still, I do have to wonder …. who buys a mulcher from an antique store?